I was introduced to Matti Salminen as Hagen in Gottedammerung - terrifying and huge. So sensitive here, touching with ease, I love this. What a versatile singer. Bravo!
@lotharwaltner40586 ай бұрын
Number One!! 🎶😳👍👍
@phyllishinton9377 Жыл бұрын
BRILLIANT
@BEVER2911 жыл бұрын
La diction est remarquable (parfois au détriment du pur legato), l'engagement aussi! une grande basse contemporaine!
@jeandoten15102 жыл бұрын
Salminen is my favorite Sarastro--his voice is rich yet supple --so many basses in this roll have a very limited dynamic range and lose their phrasing and tone color in as they hit the bottom of their range. Salminen is a fine musician with the technique that allows him to vary his tonal color to emphasize both the text and the subtleties of Mozart's melodic phrasing.
@marksmith3947 Жыл бұрын
Franz Josef Selig was also wonderful, very lyrical
@alexanderkutaladze5334 Жыл бұрын
Брависсимо!
@AnnaEva-ox2gw11 ай бұрын
Gyönyörűen énekel, szép a hangja, de a konyhakest elvehette volna a lánytól. Nagyon vivodott szegényke, h. mit tegyen vele...❤❤❤❤ 4:13
@eckardkruger6650 Жыл бұрын
Matti Salminen hat ohne Frage eine sehr gute Stimme. Diese Partie jedoch höre ich lieber gesungen von einen Bass wie László Polgár.
@axelzeltsch7791 Жыл бұрын
Habe beide in Zürich in dieser Rolle gehört
@assuncaomeireles1983 жыл бұрын
Tem uma voz magnifica
@gutefrage00015 жыл бұрын
Wir haben die Arie in der letzten Musik-Arbeit analysiert und ich hab immer noch nicht genug davon ^^
@trueclou22493 жыл бұрын
😊 Von Mozart bekommt man nie genug. Die Liebe zu seiner Musik kann einem das ganze Leben erhellen.
@hombremanq15 жыл бұрын
En estas naves sagradas no se conoce la venganza; y si un hombre ha caído, el amor lo conduce al deber. Entonces camina alegre y contento, junto al amigo hacia un país mejor. En estos muros sagrados, donde el hombre ama al hombre, no puede acechar ningún traidor, porque al amigo se le perdona. Quien no ama estas doctrinas no merece ser un hombre Perfecto! =)
@watervagen12 жыл бұрын
Excelente
@caltechharvard13 жыл бұрын
Wonderful singing!!!! Different from Kurt Moll's but still great.
@marksmith39472 жыл бұрын
I prefer Moll, although this performance is exceptional
@michaelwalsh123414 жыл бұрын
@ah332 ...or even his Low D in The Abduction!
@Zeeuw195711 жыл бұрын
.......... mor kannie waaivre mi Bergman 1975!
@veryoriginalchannel13 жыл бұрын
Interesting to watch his upper lip. I wonder why he does that - he's the only singer I've seen be so adamant about covering his upper teeth. Seems to be very tense.
@Matti611489 жыл бұрын
Basso Brofundo prhaimmillaan.
@Timthebaritone12 жыл бұрын
i mean, wasn't she by order of her mother to kill him? so the kife? her indecision, it isnt that terrible of a staging as people have said, and his touchy feely behavior doesnt come off as perverse to me. he is almost god/christ/father like. the costumes are modern. oh well. i liked it.
@Zeeuw195711 жыл бұрын
Ukkal schuujn!
@veryoriginalchannel12 жыл бұрын
I agree that he sounds great, but I think that kind of technique might be impossible if he were to sing anything requiring great agility, just because his tongue has to move back up after every syllable.
@marksmith3947 Жыл бұрын
I noticed that also. Opera singers can do weird things with their tongue, and some have very specific instructions about where tongue should go. I don't believe any of that. Worrying about where the tongue goes won't help you sing
@photo16113 жыл бұрын
a great singer although quite late in his carrier. The cliched and vulgar implications of the staging however, run totally counter to the spirit of the music, but then we have become used to having to put up with these childish and often perverse "concepts" by untalented, uneducated so-called directors desperate to make their mark.
@gretchenchellson86165 жыл бұрын
I completely agree with eoselan about the staging, it's silly. The opera is the MAGIC FLUTE, not the MAGIC REFRIGERATOR!!!!! Salminen sings beautifully, and presents a very "simpatico" interpretation of Sarasstro.