Leaving the Sony FX3 Behind...

[@HoustonBass]

I think it's been said in the comments already, but I think a smart goal career-wise and financially is to not own an Alexa LF but to be at the level to where you can get on jobs that allow you to rent that package. Most DP's or Cam Ops don't own the bigger cameras they are shooting with. Rent and then create some work with that camera that you can use in a reel and go find the clients that will trust you with the budget for that camera. Meanwhile, keep honing your skills on the FX3 the BMPCC and the FX6 or even the Komodo.

[@ChrisFranklinJr]

Love that!

[@RustyShackleford9000]

Actually a lot of DP’s or videographers do own larger cine cameras like arri or Venice for the specific reason that they often make just as much as they are getting paid for the job to rent the camera they own back to the production they’re working on. An arri isn’t just a huge cost, it’s a way to get paid more by renting it out on the shoots you do.

[@JosueEscogido]

I loved my FX3 but sold it and bought a used Red DSMC2 and let me tell you there's a lot of convenience on the fx3 like AF IBIS Battery LIFE but I realized that convenience and image quality sometimes don't go hand to hand, I miss the compact lightweight camera but the 16bit raw from the red codec is insane

[@Ansonandco]

Honestly the cine lens argument is the reason I chose Lumix cameras. Sony is fantastic at autofocus and offers 120 in 4k but if those things are not being used the s1h and s5 offer so much more. My biggest gripe on the fx3 is it’s lack of shutter angle. It blows my mind that you have a camera that you tag with your cine line and don’t give it shutter angle. And they could have even given it shutter angle with that BIG update that came out recently and still didn’t. It’s super confusing to me

[@ChrisFranklinJr]

PREACH! The Ronin 4D and BMPCC that I have both have shutter angle! I genuinely do love it, but it does baffle me why it is not included with the FX3.

[@steppedon]

@@ChrisFranklinJr Sony Artificially holding it back so it doesn't encroach on the FX6.

[@joenicklo]

This

[@joenicklo]

@@steppedon Which is just terrible...Canon does that crap too.

[@costinvaly1]

@@joenicklo yup, Sony also has a cripple hammer LoL

[@godframe]

Chris Do led me here, and I'm so glad : ) I'm in the market for my first cine cam purchase, so this was super helpful. I also feel like we're homies and I could listen to you talk all day HAHAHAHA. Have a great day!

[@creativesjourney]

Thanks for sharing your experience with the FX3. I am 2 years into creating content with my a7iii for my automotive channel and professional work. Now that I’m slotting in TV and film work in about 4 months, I’m full on researching my next camera and this is among 3 that I’m interested in investing in. This helps! Thanks again and much success 🤝🏽💯

[@noflavorimaging3335]

There’s such a soothing and educational experience watching your videos! I get not only information from your videos, but a different outlook on Filmmaking as a whole. I’m starting my filmmaking journey now so I’d be interested in learning how you went from maybe a job here and there to the point you’re at now? Thanks for keeping this fire content coming! 🔥

[@ChrisFranklinJr]

Thank you so much! And I can work on that!

[@joenicklo]

Been grading a lot of Sony footage for a fairly large gig we landed and I have to say, out of everything I've graded...RED, Blackmagic, Canon, Panasonic, Z Cam...I've disliked my results with the Sony footage the most. I'm talking footage that's properly exposed shot on the a7siii, a7iii, a7IV and FX3. The colors just aren't there to push and the highlight rolloff is very unflattering.

[@willmannering]

Having graded a similar variety of footage, Sony, Red, Arri, Ronin 4D I totally disagree. The main difference between these cameras is what color and luminance nuances they have and how that affects the time it takes to achieve a certain grade. Some cameras have less quirks straight out of camera and others need a bit more work. But in the end any colorist worth their weight can make any modern log footage look like anything. Even the 8 bit out of the Sony a7iii (slog2 itu709 matrix for best results) I've rarely felt that I couldn't achieve the look I want because of limitations associated with color, highlight roll-off and small codecs

[@shotbro8521]

yup totally agree, easy to shoot with but much harder to deal with editing and grading in post.

[@ThorCaes]

I’d be curious to know/see what would be your favorite then!😁

[@shotbro8521]

@@ThorCaes Reds the easiest I've found so far, even across different models they all match up super easy.

[@DennisSchmitz]

To me dealing with A7s3 and FX3 I can confirm the lack of tonality, but the worst part to be is always the strong sharpening and even worse extreme noise reduction. Any shot that isn't overexposed by at least one stop looks mushy.

[@FlingerFilms]

We have the FX3. The Arri Alexa LF is beautiful when dialed in. The FX3 in the capable hands of a DP really creates similar images. The workflow for an Arri is more significant in comparison to the FX3. I would encourage you to rent an Arri and use it before you have the budget to purchase one. Chris... LOVE your videos and down to earth reviews. Hit us up when you are in Florida. ☮

[@dcameron7736]

1000% agree!

[@ChrisFranklinJr]

Thank you so so much for this! And trust me, I won't be even considering an Arri for years!!

[@BaddFrogg777]

@@ChrisFranklinJr I am a writer and it appears I have been picked up. When given the chance I will hire you. For motion pictures and television. Pray for me to succeed.As I wish to create jobs and help those that cannot help themselves.I met Steven Spielberg. Wishing you only the best.

[@tombuck]

This is a really fun perspective. Did you see the videos from FoxTailWhipz where he bought 5 old Arri Alexa’s and is trying to bring them back to life? Seems like a super fun project and a good way to get access to those cameras in a budget.

[@ChrisFranklinJr]

I have been wanting to get that old Arri for so long!! I saw that CVP and Potato Jet did a video on one! The image quality is still insane even though it’s only 1080p!

[@DJILLEE]

When it comes to cine lenses look I discovered the Hollywood Black Magic filter and it has completely changed how I felt about photo glass. I'm not a huge fan of pro mist. The HBM filters just give that softened look that I love from certain cine glass. Highly suggest ordering one and trying it out.

[@ChrisFranklinJr]

You know what, I’ll pick some up!! 🙌🏾🙌🏾🙌🏾

[@DJILLEE]

@@ChrisFranklinJr I think you’ll love it. I’d start with the 1/4 but keep in mind it’s pretty subtle which is what I like about them. Worst case you don’t like them, have to send it back and you make a video about your favorite diffusion :)

[@DJILLEE]

@@ChrisFranklinJr also, love the channel! As an fx user I agreed with all of this.

[@contentcreative2810]

@@ChrisFranklinJr plz let us know your experiences with it!

[@TheContentShak]

Great video! Love the fx3 same reason I got it as well, quick interviews and fast broll. To be honest though if you are doing commercial work, rent any one of the cinema cameras. Unless you are getting paid regularly to use really expensive camera packages it’s a bit of a financial mistake. This way you can shoot on whatever you want:)

[@ChrisFranklinJr]

I HOPE I get paid that regularly haha! One day!!

[@MikeEdwardsphotography]

Good stuff Chris. You’re definitely heading in the direction of Arri. Keep going brother!

[@ChrisFranklinJr]

MIKE! That’s bro! Always good to hear from you!

[@2000productions]

Just picked up 2 fx3 and starting my switch from weddings to corporate & commercials!

[@dean9504]

Hey man, great video!!! could you please make a video about the fx3 rig that was on your desk?

[@KekeBeatzTV]

Which boom mic was that in ur beginning interview shot? how'd u liked it?

[@jashanpreet7877]

I love the guru nanak painting behind you

[@SiraFilm]

I still want the option to turn off internal noise reduction like in fx6. I know I can shoot Prores Raw to bypass any noise reduction but shoot internally is easier for my kind of use. Also, I try your discount code and epidermicsound said discount code not found. Is the code goes live yet?

[@ChrisFranklinJr]

I would try it again, it should be live now! I'm not sure what happened earlier!

[@DetroitVideoDiaries]

Hey Nice video bro. I tried your code for Epidemic sound for the annual plan and it did not work. Can you help

[@ChrisFranklinJr]

I would give it another try! I reached out to them and they said it should be good to go!

[@ozzythemighty2767]

Arri classic will be my gift one day.

[@ChrisFranklinJr]

Amazing camera!!

[@patrickkellycinematographer]

I'm starting in sports documentary and am using the canon c100. I know the auto focus isn't the best but the audio and the comfortable workforce make it easy for me.

[@RockWILK]

Amen. Here's to growth. Thanks for sharing.

[@rzproductions]

Enjoyed this. Great video Chris!

[@djsfilm]

Sweet video - question: I’m confused what you mean by “this is the FX6 menu system.” I own the fx6 and fx3, and the fx3 v2 update, isn’t the fx6 menu system. There are some similarities, but it’s still very different.

[@ChrisFranklinJr]

Ahhh, I thought that the FX6 has a similar quick view menu system like the new one that they added to the fx3!

[@djsfilm]

@@ChrisFranklinJr gotcha- it does a quick menu, but it’s still pretty different. I don’t think it’s a big deal you said it tho. Haha I was just confused for a second. Anyway, cheers to your success and God bless brotha

[@darrellreesejr]

Hey chris. I have a ton of questions concerning cameras & I’m torn on which is best to get. I would love to get your opinion on things.

[@topicruben]

Awesome video, man. Yeah the FX3 is a great camera, also the FX6! I'm still happy rocking with the Pocket 6K Pro, but as you said at the end, there are so many cameras I would like to try!!! and same here, I'd love to try the Red Komodo.......! Cheers

[@JonathanMartinez-qn2kt]

Get a fx6!! You will love ittt

[@Makingthetransition]

Great video. I appreciate the thoroughness. I miss doing interviews and filming for businesses. Do you use your Black Magic as a b camera?

[@ChrisFranklinJr]

I use it as a C cam from time to time! I use two FX3's

[@donnybristol]

what tripods are you using?

[@naturalartfilms]

Hi Chris! Great video. How are you connecting your V-mount batteries to the FX3? Or maybe you're powering your monitors with the V-mount batt and using the internal Sony batts for the FX3. Cheers!

[@ChrisFranklinJr]

I use this setup! Dummy battery to D-Tap kzbin.info/www/bejne/o33cfHmee7uVadU

[@BaddFrogg777]

A most excellent and professional presentation. Congratulations on your perspective and understanding. Wishing you success, prosperity, and health. Waiting on the SONY FX 30 for some simple uses. Cheers,

[@_mannyponce]

Great video! What codec are you using with the FX3?

[@ChrisFranklinJr]

depends on the job! Most times I use XAVC-S 4K

[@_mannyponce]

@@ChrisFranklinJr thank you

[@OutdoorAdventureTV]

I use Epidemic Sound on my channel, and for me it's absolutely worth the cost. Sound is not a big part of my production but now I have a background music sound track on every video. My earliest videos did not have a music sound track and no one complained. BUT when I added a music track, I got so many positive comments about how it elevated the quality of my videos. There is a lot of free music around but most of it sounds like it's free and way too many other video makers are using those same sound tracks. Epidemic sound provides professional grade music in a wide variety of styles and genres. 👍👍

[@kilikdudley]

I've always preferred the sharpness of the A7SIII for fashion work, exclusively. Hence never 'upgraded' to the FX3. I still prefer the S1H + cinema lenses with braw (video assist) for handheld cinematic and corporate.

[@FlingerFilms]

Are you saying the FX3 is softer than the A7SIII?

[@kilikdudley]

@@FlingerFilms Yes. I believe they're doing an optical low pass filter similar to the S1H vs the sharper Panasonic S1 without the filter. My FX3 shots have a finished cinematic look, wheras the A7Siii shots are tack sharp which I prefer for fashion work. I can't verify information about a filter, this is just my experience with shooting with both cameras and I suspect is the case and why Netflix approved the S1H and FX3 for their anti-moire filters.

[@FlingerFilms]

@@kilikdudley Interesting. Thanks for the info.

[@DennisSchmitz]

@@kilikdudley dealt with some FX3 footage recently. It still has the same digital oversharpened look with noise reduction artifacts and lack of texture. The FX6 fixes both issues.

[@alexeaker22]

Thanks for the dope content. I'm an fx3 user myself, but still using photo glass on it. I'd like ONE cine lens to have in my arsenal that I can pull out when I need and it can get a lot done for me. If you have any recs ?

[@ChrisFranklinJr]

Depending on the budget! I was originally looking into the XEEN Cf lenses as well as the Cooke 50mm if I could only get one!

[@vogelbein]

I „bee“ what you did there :D 2:11

[@924PHOTOGRAPHY]

Good job on the video! FX3 is dope fasho.

[@ShellyBHollis]

Lumix has given me everything I need.

[@bassgojoe]

I would love to get your take on Canon's cine camera line. I understand the desire for the type of high end cinema gear that are used on feature films, but for the type of small-crew work you're doing, Canon's cameras seem made for it. Light weight, built-in NDs, lots of codec options, great on-camera audio, built-in EVF, good battery life, autofocus if you want it... Not as sexy as Arri or Red though, I get it!

[@ChrisFranklinJr]

Canon is starting to do some really great things with their camera! The C70 is very tempting because the FX6 is not really available!

[@A_I_M_E]

This is where I am at right now. I have a Red Komodo the camera is great but it doesn’t fit every project. I also own a Fuji xt-3 same situation. When ever I look at what i am missing the canon c70 stands out and is the middle ground of what I do. So right now the goal is to get the c70 without having to get rid of my xt3 or Komodo.

[@clevermonkeyfilms2100]

Chris you made me smile from ear to ear at the end of this video. I've been shooting with the FX3 3/4 times a week for 6 months and feel exactly 💯 the same! Although I want to try the Sony Venice cameras next 🤣👍

[@ChrisFranklinJr]

A Venice would be SO NICE!!

[@moonshipcreative8908]

Bro those vespid primes are so creamy! I rented a set for my last project and they pair so nicely with a 1/4 BPM

[@mali_creates]

Have you tried the lumix s5?

[@ChrisFranklinJr]

Not yet! But an incredible camera!!

[@DennisSchmitz]

@@ChrisFranklinJr you should, same sensor as FX9 with a similar image with almost flawless image processing.

[@nobudgetindiefilmschool8323]

That shot with the white lense, what brand of tripod was the camera sitting on?

[@ChrisFranklinJr]

It was not mine but it was a $800 Manfrotto. I don't know the exact model

[@C7Mediaart]

what lens is that on the camera?

[@ChrisFranklinJr]

DZO Vespid Prime

[@schoeferfilm]

I love my FX6 but sometimes I wish me a little bit smaller set up 😂

[@dcameron7736]

Why are you using still lenses? PZ 28-135mm is way better fit, alongside your cinema lenses

[@ChrisFranklinJr]

Still transitioning away from stills lenses!

[@trippwilsonphoto]

I like your personality and vibe.. I think i'll stick around. Subbed.

[@manilamartin1001]

I always enjoy hearing other people's journey. I still shoot a c100ii canon and sold my FS7last year. When I need more guns I just rent still. I would be cool to have a massive set up like yours. Thanks for sharing. Just curious, isn't there places to rent cameras? I live out in the Philippines, and we have places to rent the latest and greatest gear.

[@ChrisFranklinJr]

There are a few rental websites here in the states, but nothing locally for me

[@princeomegafotovideo8954]

Bro thank you so much! I’ve had tNice tutorials software for like a year and was super intimidated by all the bars and windows. The way you’ve

[@pieceofadrian]

Bro those arri cameras you rent included client budgets. IMO I'd go with RED Komodo.. Careful with replacing boredom/stagnation with chasing tech/growing...

[@martiniyaji]

Great video! I think I am on the same growth trajectory as you, lol! I currently have the FX3 with stills lenses, and I have been considering a move to cine lenses. What focal lengths of the DZOfilm Vespids do you own? And was that the FX3 Vespid combination in the talking head clip?

[@ChrisFranklinJr]

The talking head is BMPCC 6k + A Cheap 28mm Sigma lens! I own the 7 Lens kit for the vespids!

[@martiniyaji]

Thanks for the response Chris! Just to clarify, interview with the lady at 10:16 was the Blackmagic?

[@ChrisFranklinJr]

@@martiniyaji ​ That was the Sony FX3 + DZO Vespid Primes

[@martiniyaji]

I hoped so because it looked really good. I guess I'm getting the dzofilm vespids then. Thanks Chris!

[@nagelc27]

Need that perfect build u got! Can u break it down for us and go over something u plan on adding in the future. Thank u love ur videos

[@ChrisFranklinJr]

Can do! Most of the kit is here in this video!

[@ChrisFranklinJr]

kzbin.info/www/bejne/o33cfHmee7uVadU

[@dcameron7736]

Drop your insurance off at local rental place, try the eff out of equipment You may want to work more on sound and lighting techniques they will set you apart more then visual.... especially becuase NLE can change any visuals to what you want

[@Trillavision]

The bee raw pic 😂

[@aloysiusballard]

Those cine lenses are tasty!!! I can't wait to see what you get next bro because I'm always benefitting from your new purchases...lol - wanna sell that BM? HAHAHAHA

[@aloysiusballard]

Oh and are you back on the pro mist filter? @chrisfranklin

[@ChrisFranklinJr]

Ayyye!! And yeah I am currently rocking the Black Pro Mist but I wan to try out the Hollywood Blackmagic

[@tiggermedia]

What tripod do you like to use with your FX3 rig?

[@ChrisFranklinJr]

Currently using the Ikan GH08, I would love a Satchler though

[@thefunnytech4612]

From where did you go those titles

[@ChrisFranklinJr]

Motion VFX: motionvfx.sjv.io/c/2831348/614046/10011

[@adamdrakestudio]

“That camera shot BEE raw”.

[@ChrisFranklinJr]

;)

[@GrizzMedia]

I always looked at the FX3 as an upgraded camera of the sony a7sIII. Even though my love is with sony. I have been looking into the canon side. Especially the R5C. I just got my Black Magic 6k pro stolen from me, so this is a great video for someone looking to get a new camera. Great insights.

[@JoATTech]

That video looks like you waiting for some camera company to jump in and give you their cameras to "try" :).

[@ChrisFranklinJr]

Lol I just need RED to send me the V-Raptor lolol

[@aaronglynnwalker]

Props!

[@ChrisFranklinJr]

Thanks!!

[@timdanyo898]

Looks like the FX6 as A and FX3 as B for now.

[@DennisSchmitz]

The FX6 is great, it also fixes all the image processing related issues on the FX3 and A7s3

[@japantour9136]

Wow very good nice. I'm a big fan of you＋👍🔔

[@ChrisFranklinJr]

Thank you so much!! Genuinely appreciate the support ✨

[@user-nu8bf3bf9m]

Do you own two FX3?

[@getfmlr]

He already said in a previous video he bought two of them.

[@ChrisFranklinJr]

I do!

[@Catabolicmuscle]

Switch to the red komodo!!!

[@PC-iv5so]

Rent one. See if you like it. 😉Problem solved.

[@Kastrozaytana]

How dare u disrespect the Sony fx3 like that u did real bad bro

[@balarol]

Change your thumbnail please😅 Fx3 deserve more than be in trash👍🏼😄