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Пікірлер: 13
@carlosnoten80603 ай бұрын
Hey I am so glad with these analysis of you , helps me really alot also this one also had problems with below lips imploding. I solved that now by how you say resting my bottom lip on the below part of the mouthpiece. Especially when i have to junp into a really high note. Downside of this setup is that ibloose flexibilityand vibratibg of the below lip so when i play lower or softer od dobt nake any jumps i push mu bottemlip more into the moutpiece. So i sometimes switch on embouchure depending on what i am playing. Keep going on with this men i really appreciate it a lo🙏🏿🙏🏿
@trumpetthoughts3 ай бұрын
I totally get what you are saying here. I kind of do something similar (keep an eye out for the next video discussing this, via the double pedal C).
@richtraube22415 ай бұрын
Gonna try it.
@trumpetthoughts4 ай бұрын
Let me know how it goes for you.
@bobroberts68125 ай бұрын
Lots of videos of Maynard doing that. Always thought it was part of the act but now maybe not.
@ricaard5 ай бұрын
🤔
@trumpetthoughts5 ай бұрын
Faddis does it too. I don't think it's an act.
@jjocarbonevt5 ай бұрын
The Farkas book on embouchure states the mouthpiece placement on the lips should be 1/3 on top and 2/3 on bottom. I like this placement. Thoughts.?
@trumpetthoughts5 ай бұрын
If it works for you, it's fine. But it's completely dependent on facial anatomy and teeth structure. I avoid any dogmatic rules like that.
@jjocarbonevt5 ай бұрын
Thanks...it seems it always comes down to the individual...something happens after practicing about an hour when the bottom lip will quiver and I cannot get above an "E". @@trumpetthoughts