Рет қаралды 33,165
Yulianna Avdeeva gives a unique yet tasteful performance of one of Liszt's most sublime paraphrases: that on Verdi's Aida. Liszt became acquainted with Aida soon after its first performance in 1871-it is difficult to know exactly when this paraphrase was made, but it did not reach publication until 1879. The piece is based on music from the temple-scene of the Act I finale and the ecstatically beautiful G-flat duet from the end of the opera; the former consists of two main thematic components: the melody to which the priestesses chant praises of their god, and the subsequent dance.
The work demonstrates keyboard transcription at its finest: the writing at times is of unsurpassed delicacy and beauty (showing kinship with the contemporaneous Les jeux d'eaux à la Villa d'Este!), the thematic material is treated with sophisticated harmonic variety, the religious themes are somewhat altered to make a more mystical tone-poem, and the resulting nostalgic and wistful air which permeates the empyrean final page, is absolutely stunning.