Lizabeth Scott 1996 Interview Part 5 of 8

Lizabeth Scott 1996 Interview Part 5 of 8. Videographed by Luke Sacher, interviewed by Carole Langer at Janet Leigh's home in 1996.
Lizabeth Scott (born September 29, 1922) is an American actress and singer widely known for her film noir roles.
She was born Emma Matzo (some sources mistakenly give her family name as "Motzas") in the Pine Brook section of Scranton, Pennsylvania, one of six children, to Ruthenian parents who had emigrated from Uzhgorod, in what is now Ukraine. She attended Central High School and Marywood College (now Marywood University).
She later went to New York City and attended the Alvienne School of Drama. In late 1942, she was eking out a precarious living with a small Midtown Manhattan summer stock company when she got a job as understudy for Tallulah Bankhead in Thornton Wilder's play The Skin of Our Teeth. However, Scott never had an opportunity to substitute for Bankhead.
When Miriam Hopkins was signed to replace Bankhead, Scott quit and returned to her drama studies and some fashion modeling. She then received a call that Gladys George, who was signed to replace Hopkins, was ill, and Scott was needed back at the theatre. She went on in the leading role of "Sabina", receiving a nod of approval from critics at the age of 20. The following night, George was out again and Scott went on in her place.
Soon afterward, Scott was at the Stork Club when film producer Hal Wallis asked who she was, unaware that an aide had already arranged an interview with her for the following day. When Scott returned home, however, she found a telegram offering her the lead for the Boston run of The Skin of Our Teeth. She could not turn it down. She sent Wallis her apologies and went on the road.
Though the Broadway production, in which she was credited as "Girl", christened her "Elizabeth", she dropped the "e" the day after the opening night in Boston, "just to be different".
A photograph of Scott in Harper's Bazaar magazine was seen by film agent Charles Feldman. He admired the fashion pose and took her on as a client. Scott made her first screen test at Warner Brothers, where she and Wallis finally met. Though the test was bad, the producer recognized her potential. As soon as Wallis set up shop at Paramount, she was signed to a contract. Her film debut was in You Came Along (1945) opposite Robert Cummings.
Paramount publicity dubbed Scott "The Threat," in order to create an onscreen persona for her similar to Lauren Bacall or Veronica Lake. Scott's smoky sensuality and husky voice lent itself to the film noir genre and, beginning with The Strange Love of Martha Ivers (1946) starring Barbara Stanwyck and Van Heflin, the studio cast her in a series of noir thrillers. Film historian Eddie Muller has noted that no other actress has appeared in so many noir films, with more than three quarters of her 20 films qualifying.[2]
Don DeFore and Lizabeth Scott in a promotional still from Too Late for Tears.
The dark blonde actress was initially compared to Bacall because of a slight resemblance and a similar voice, even more so after she starred with Bacall's husband, Humphrey Bogart, in the 1947 noir thriller Dead Reckoning. At the age of 25, Scott's billing and portrait were equal to Bogart's on the film's lobby posters and in advertisements. The film was the first of many femme fatale roles for Scott.
She also starred in Desert Fury (1947), a noir filmed in Technicolor, with John Hodiak, Burt Lancaster, Wendell Corey and Mary Astor. In it, she played Paula Haller, who, on her return from college, falls for gangster Eddie Bendix (Hodiak), and faces a great deal of opposition from the others. Scott was paired with Lancaster, Corey and Kirk Douglas in Wallis' I Walk Alone (1948), a noirish story of betrayal and vengeance. In 1949, she starred as a vicious femme fatale in Too Late for Tears. The film is unusual for featuring her as the main character, rather than the supporting role most women were relegated to in film noirs of the period.
Having being known professionally as Lizabeth Scott for 4½ years, she appeared at the courthouse in Los Angeles, on October 20, 1949 and had her name legally changed. Another courtroom appearance came several years later, in 1955, when she sued Confidential magazine for stating that she spent her off-work hours with "Hollywood's weird society of baritone babes" (a euphemism for a lesbian) in an article which claimed Scott's name was found on the clients' list belonging to a call-girl agency. The suit was dismissed on a technicality. After completing Loving You in 1957, Elvis Presley's second film, Scott retired from the screen. Later that year, she recorded her album, Lizabeth. The next few years saw Scott occasionally guest-star on television, including a 1963 episode of Burke's Law.

[@margolane8529]

Her thoughts on film noir are dead on. Glad to hear she had a positive time in Hollywood her confidence definitely shown through in the roles she played!

[@jubalcalif9100]

Indeed !

[@harpervalleypeeteeay9708]

Her voice....so deep, just like the woman herself. She was so unique.

[@jubalcalif9100]

That is so very true !

[@blackpinups]

She's so cute talking about the internet.

[@billjoe39]

A living legend..great to hear she's still kicking

[@jubalcalif9100]

Love this long interview ! Sadly she finally passed away in 2015 at the age of 92. What a long life & awesome career !

[@JSB1882]

God! I love this woman!

[@jubalcalif9100]

Me too ! You clearly have xlnt taste !

[@hmaltravers]

Great interview with such a classy lady. Thanks for sharing it with those of us who love Lizabeth S. Do you know that I Walk Alone is NOT available on DVD? What a shame.

[@mickeyh1961]

loved Elizabeth in Desert Fury and I walk alone on both occasions she worked opposite Burt Lancaster, the chemistry and energy between them was powerful and compulsive viewing. nothing or nobody like them now.

[@soapbxprod]

Thanks for tuning in and writing a kind comment- Desert Fury is a Top 10er, huh? And Mary Astor and Wendell Corey are great in it too! That old technicolor magic...

[@jubalcalif9100]

Could not agree more! I especially love the gorgeous Technicolor in "Desert Fury"!

[@arundelmercure553]

Love her- it was an interesting conversational roll when Lizabeth was marveling about the World Wide Web- this was 1996- "Someone put me on a homepage, is that a compliment?" and a male techie and others and Scott are having a back-and-forth. I wish that had plated out further instead of being stopped cold by a Howard Hughes question, which really could have waited. Lizabeth seemed authentically interested about the Web.

[@soapbxprod]

LOL! Oh the days of dialup 56K modems... what an ordeal that was! An hour to send a JPEG photo! Lizabeth was great- after the interview, Janet made all of us lunch, and we had a few glasses of wine- then the stories "not suitable for public comsumption" started! :)

[@soapbxprod]

Actually... she was usually the "good girl"... like in Dark City and The Strange Love of Martha Ivers... the poor gil with a heart of gold. :) it was Babs Stanwyck who was the REAL "Ball of Fire"... :) Thanks for watching, we do appreciate it.

[@jubalcalif9100]

There's a point in this wonderful interview where Ms Scott had forgotten the name of the picture she made with Robert Mitchum. Even I forgot it...ha ha! I looked it up just now and it was an RKO movie from 1951 called "The Racket" (which was a remake of one of the first movies produced by Howard Hughes, who by the early 50s was the owner of the RKO studio). Also in that remake of "The Racket" was Robert Ryan. That's a trio of terrific talent, indeed!

[@MovieJon]

She's right (and very perceptive) regarding the advent of psychology and its effect on movies. When Hitch made "Spellbound" (1945), there was a lot of concern with people getting involved with and understanding its mental-institution-set plot line. David Selznick had pushed for the unusual story line to be made into a movie after his own trips to an analyst. It was a HUGE hit.

[@billjoe39]

and her villianness role in Too Late For Tears

[@billjoe39]

I saw it years ago ...it was with 2 or 3 non-remastered noirs on a DVD as part of a set. I'm not sure if that film was part of the major studios so maybe the copyright bunch might let it alone...they seem to be tightening the net on everybody now ! Pitfall was great too...it be nice if all her films were touched up and released in a set like Davis's films were.

[@johnhardman3]

"They dropped the "E" to conserve newsprint" (L.S. in a 1970s interview).

[@acastrohowell]

What year is this?

[@PhoenixNewMedia]

B Films? What kind of a question is that? Scott's noir films are not "B" films.

[@teeniebeenie8774]

what was her religion that she alluded to in the previous episode? she such a positive lady...

[@soapbxprod]

She was a big fan of Ayn Rand so I'm guessing that she was an atheist and anarchocapitalist. :)

[@Rouben19]

I have studied , all these thirties, fortys stars and she was a star, there is a lesbian scandel that hit her in the fifties, it seems to be a tough one to get any imfo on

[@andrewdock7288]

A beautiful Roman Catholic girl and A Republican.

[@d.dorough]

Yes! And still was a Republican to the end :)

[@janetduhon2535]

Boring!,,!