One Lighting Tool That Changed Everything

[@pierogiannist]

Wait… so you're telling me the sun isn't actually inside the room?🌞💥

[@needfilmsproduction9325]

Amazing job 😊 thanks for the insights

[@Wasp400]

😂

[@Fotofinura]

Any time I think of motivated lighting I think back to that one interview with Sean Austin about filming in a dark cave for LOTR and he asks the DoP “where’s the light supposed to be coming from” and he just replies “the same place as the music” 😂

[@pierogiannist]

that's hilarious😆 I have to go find that

[@Kekmit]

It was actually in a tower - Cirith Ungol. But there was one scene in Moria (where the troll impales Frodo) with this one big spotlight which should be impossible, because it's an underground cave.

[@wcsah]

That’s hilarious hahaha

[@HiddenDriveways]

Hi, it's Sam from Nanlite USA. Thank you for mentioning us. :) I'm the person who wrote the "READY FOR SMALL SPACES" web copy in your b-roll. It was fun to see it in the wild like that! Here's another tip for using projection attachments that I got from Andrew Lock's Gaffer and Gear channel... They're excellent for using as a hair light/back light/kicker. They give you fine control over how much you want your subject to stand out from the background. I enjoyed your video.

[@pierogiannist]

@@HiddenDriveways Thanks so much, Sam! Ha, cool to know you’re behind the copy, love when things come full circle like that. And that’s a great tip about using the projection attachment as a kicker. I guess I’m gonna need another light😅 Appreciate you checking out the video!

[@pabloderosacruz]

finally someone that teaches home setup lighting with class.

[@pierogiannist]

thanks man, glad you liked it!

[@rossbrubeck]

me too im sick and tired of all these trashy gaffers ruining youtube with their brutish tutorials

[@marcelo_afonso]

This is one of, if not, the most useful lightning intro tutorial I've seen on KZbin. Congratulations

[@pierogiannist]

Wow, that means a lot man-thank you! I’m glad you found it useful.

[@adityakapoor8055]

Wow, when you showed the difference that having the correct levels makes, it was surreal. True sign of a pro, and great educational value!

[@pierogiannist]

thanks so much dude🥹🫱🏼‍🫲🏽 the right levels are so important!

[@adityakapoor8055]

@@pierogiannist I'm totally new to videography and lighting, but really hope to be able to incorporate this motivated lighting technique with the spotlight someday, and master levels

[@micahsmithmedia]

@@pierogiannist I'm sort of confused by this. How do you know to set the right levels if the lights are exposed the same and the only difference is the ND(camera exposure). is it just looking at the difference in exposure in the shadows/fill? Or is it the brighter the lights, the harsher the shadows?

[@pierogiannist]

@micahsmithmedia Great question! The key is maintaining the overall brightness levels and the contrast ratio, which is a big one. In my example, lowering the camera's exposure by adding ND and brightening the lights kept my face and the slash of light exposed correctly, but it made the room too dark overall. It increased the contrast ratio, making it now look unnatural. The trick is to balance the light levels so the scene feels cohesive and realistic-like how light naturally fills a space. Hope that makes sense?

[@micahsmithmedia]

@@pierogiannist yes that does thank you! Contrast ratio is something I'm still trying to learn and especially without a light meter. Maybe one day you could make a video on it?

[@lisamartinovska2714]

This is actually one of the most useful lighting videos on KZbin Ive seen. Great job, keep doing videos like these!

[@pierogiannist]

Wow, thanks!! :)

[@pereletny1669]

0:58 I just jumped out of my chair and stuck my eyes to the screen! Wow! What a beautiful idea of the shot!

[@pierogiannist]

Ha, glad you noticed! :)

[@MichaelOrtega]

I have added Artificial lights to the outside of my studio on some videos to make it seem like it's day time when it's in fact night time. As long as the camera is not focused on the windows, it works 100% of the time but I still have a lot to learn and you gave me lots of new information I hope to use. That light is a great effect.

[@pierogiannist]

thank you! seems like you have chill neighbors :D

[@swankaiguy]

That last 5 seconds... hilarious, amazing and self-aware. This whole thing made me think differently about my lighting. thanks Piero!

[@pierogiannist]

glad you made it that far😆

[@Jaypophoto]

I learned more in this video than I did in a whole semester-long of class about lighting. Great job

[@pierogiannist]

@@Jaypophoto ha, love hearing this! thanks so much.

[@jonathanlennard2472]

The last look with the window gobo looks so good

[@pierogiannist]

thank you! :)

[@AnthonyRodriguezz]

That “levels” tip was so good!

[@pierogiannist]

I almost cut that part out of the video😅 glad I kept it in!

[@fotimtocimziju]

I really like the content... no BS, just craftmanship...

[@pierogiannist]

thanks brother!

[@benediktseyrkammer8054]

This was actually one of the most useful lighting videos I've seen. Simple but somehow still so valuable. Great job. Sub is in :)

[@pierogiannist]

aw thanks man!!

[@AngeloPoulis22]

Could i achieve the same thing with a fresnel attachment+ barn doors to shape it? Or u think this could only be achieved with a spot light attachment? I have a budget for only one attachment for now and before that video i was considering to get the fresnel ( so if needed i could use the light as the sun outside the window, since fresnel boosts the intensity a bit) Also what do u think is the minimum watt for a light to achieve that with a spotlight? Meaning could an 60watt do it? Or u need at least 150w and above? Thanks

[@pierogiannist]

In my experience, a Fresnel doesn’t add much compared to the standard reflector that already comes with the light-it boosts intensity, but you won’t get a precise or defined beam, even with barn doors. When I use a light as ‘sunlight’ from outside, I almost always just use the reflector rather than the Fresnel. If you have the budget, I’d definitely recommend the Spotlight attachment-it’s much more versatile and precise. Regarding wattage, 60W usually isn’t enough for daylight setups, especially in brighter rooms. I’d suggest at least 200W, and ideally 300W, for strong, defined beams.

[@AngeloPoulis22]

@pierogiannist thank you ! :)

[@cris_photography]

Thanks a lot - very well made, love the overall quality and the way you talk. Take care and keep up the excellent work!

[@pierogiannist]

Thanks, I appreciate it!

[@J_bui]

Great tips! What white balance and kelvin temperature do you have for your lights?

[@pierogiannist]

thanks! i try to match everything to the available light. the 300d is daylight only, sometimes I use gels. and the LED panel I have is bi-color.

[@aninde30]

This video is really enlighten me on the lighting game, kudos!

[@AudioSoulHealing]

This was great, very informative and helpful - I can see you 10x-ing your subscribers soon!

[@pierogiannist]

aw thanks man, hope so!

[@DavidFagbenro]

If you were building an essentials kit with lighting, along with the spotlight attachment what else would you have?

[@pierogiannist]

good one! of course depends on the budget a lot and in what conditions you‘re working in. for a situation like in the video: 300watt cob for the spotlight. you could go for the nanlite fs-300 which is really affordable. and for the keylight you could get a second fs-300 and you have a great kit for not too much money. but if you have more budget, for the keylight I would get a bi color 300 or 500 option and use it with a softbox or through some diffusion. hope that helps?

[@woscar84]

what contrast ratios between highlights and the background?,

[@pierogiannist]

I'll try to cover this soon in a new vid, stay tuned!

[@woscar84]

@@pierogiannist by the way, great videos man, and thank you for your repply.

[@enriquepadron465]

thank you, even without the attachment, you taught me something very important🙏

[@pierogiannist]

I‘m glad it clicked!

[@eduardwalhout1740]

In a lot of cases, you can add it afterwards aswell. When the background is not too complicated, double the video layer, select some skewed rectangle, mask it and bring up the levels, than blur the mask line to match your depth of field. Obviously does not work when your subject moves in front of it. But a nice trick anyway.

[@pierogiannist]

good point! or with photoshop generative fill

[@eduardwalhout1740]

@@pierogiannist yeah that would probably be even better to get some natural looking results.

[@thomasroth4741]

Einfach genial. Ich habe leider nur eine Godox SL-60W, würde da ein 26° Spotlight Sinn machen oder ist die Lichtleistung zu schwach?

[@pierogiannist]

dankeschön! 60w sind etwas wenig, wenn du tageslicht matchen willst - vor allem, wenn es sehr hell ist. bei schwachen lichtverhältnissen geht es ganz okay aber würde generell mehr power empfehlen. und 26° geht wenn du etwas platz hast!

[@thomasroth4741]

@@pierogiannist Danke für deine Einschätzung. Dann werde ich mal auf das Aputure System sparen. 👍

[@darkspeed62]

Subbed just from this one video and from a somehow related video of a Z6III Review. Amazing production, cinematography, examples and also not just peddling the one light that you got but suggesting cheaper alternatives! Keep it up!

[@pierogiannist]

Wow, thanks for the sub and the kind words!

[@stevelowreyphotography]

Would the optical snoot have the same effect if using flash?

[@pierogiannist]

yes, I think so!

[@MiguelGonzalez-sp6cq]

Do you think the power of the light is essential to get this effect? I mean i have an amaran 200xs, would it work with that amount of out power or would i need something brighter like a 600w light?

[@pierogiannist]

so I‘ve mostly used it with my 300d II and that‘s been fine if it‘s not a super bright day. I’ve also used it with my 600d and the cool thing is: you can place it further away without losing too much brightness. the 200xs has a lower output because it‘s bi-color so it might be a bit too low but it really depends on the day/ location. if you‘re. hope that helps!

[@426Studios]

Nice video on showing different uses of spotlight attachment. It is really helpful for a better production value. Just a constructive criticism though, the part of the contrast ratio is a little bit misleading. Its actually not incorrect, as many narrative film actually used high contrast ratio, depending on the mood or scene that they are trying to portray. Generally though, you want lesser contrast ratio since it will generate a "happy" feeling, and it will also feel natural because light naturally bounces on most materials so contrast ratio wont be that high, but if you want to portray an intense scene or maybe a forboding scene, you want a high contrast ratio. DPs even used Duvetyne for negative fill so they could have higher contrast ratio. DPs though generally dont want their shadows to be crushed if they have some details on the shadows that they want to be seen, but if there isnt, many DPs nowadays dont care if their shadows are crushed, as long as they are consistent on their contrast ratio.

[@pierogiannist]

Totally, I appreciate the feedback, and you’re right that contrast ratio can be used strategically. I was focusing on one specific situation/ look in this video but will definitely cover more creative uses in a future one. Thanks for sharing your insights!

[@youarenotaghost3702]

The power of suggestion is very strong.

[@pierogiannist]

😵‍💫 oh yes

[@neilvn]

Brilliant advice. No fluff. Thank you.

[@pierogiannist]

I appreciate the feedback! 😊

[@samuelbreuer]

fantastic ! thank you!

[@pierogiannist]

Thanks so much, Samuel! Glad you enjoyed it!

[@iamchrisyap]

this is awesome bro, thanks for sharing your process!

[@pierogiannist]

Thanks man!😊

[@RudyAyoub]

Habibi one of us has to change their pic ;)

[@pierogiannist]

It’s like looking in a mirror, but with fewer subscribers.

[@GerritSchulze]

I don't care ;-) I subscribed to you both :-)

[@timdanyo898]

I love spotlights. It really is an amazing tool to have in the lighting toolbox!

[@pierogiannist]

must have! thanks for watching🫱🏼‍🫲🏽🫱🏼‍🫲🏽

[@spencerfackrell]

Incredible content here! Great job touching on overall exposure levels of the room and making sure the lighting doesn’t feel unnatural or artificial

[@pierogiannist]

thanks so much mate! yeah I think this is def the hardest part of the whole technique, easy to get it wrong😅

[@SinclairTheMage]

Great video, 🙏🏾🙌🏾

[@pierogiannist]

Thank you 🙌

[@wojciechczupta]

great inspiration. thank you

[@pierogiannist]

Thanks for watching!

[@musaquazi3495]

Brilliant explanation! A noble thanks.

[@pierogiannist]

Appreciate you checking it out!

[@mrjvc]

This is great - the before / after shots really sell the effect. So simple and powerful!

[@pierogiannist]

thanks man, glad it hit the spot!

[@mogyesz225]

The light coming through the spotlight seems pleasantly warm to be 5700k, did you use any colorized filters as well?

[@pierogiannist]

Actually, my 300d got a lot warmer over the years (unfortunately common with LEDs of the first couple of generations). When I purchased it a couple of years ago: 5600k. Now: around 4400k. Sometimes I use a gel su make it cooler.

[@mogyesz225]

@ Oh I see, that makes sense. Thank you for the feedback!

[@The_Daliban]

5:55 you can actually use the nanlite attachment on the aputures but not the other way around. The downside of the nanlite atta is, that you have to break it down before you can pack it away. The aputure fits in the bag as it is. Great video. Subbed👍🏻

[@pierogiannist]

ahh that's nice to know, thanks for sharing! have always been wondering about that.

[@The_Daliban]

@ thanks for making the video. Really enjoyed it👍🏻🙏🏻

[@hasansalame]

5:56 Aren't most of them Bowens mount? I know there's mini Bowens but I thought if I have nanlite accessories they'll work fine on aputure coz they all using Bowens mount as mentioned in the specs on B&H

[@pierogiannist]

yes the mount is the same on most of them but from what I've heard/ understood it might not work with all lights universally because of how the light chip is built in/ distance to lens etc.. but it might work great, haven't tested it.

[@inomamen]

Man, the production value is superb!

[@pierogiannist]

thanks for noticing! tried to keep it entertaining 👀

[@danielnewton2390]

Every time I learn more about lighting, I am more convinced that the camera makes the least difference in the final image.

[@pierogiannist]

other factors are much more important!

[@harfenspieler]

Useful and to the point. Thank you for the no-nonsense approach. I have an Aputure zoom spot that truly changed the game for me. Fun fact, it even works as a tele lens! 🤓

[@pierogiannist]

@@harfenspieler thank you for watching😊The zoom is great, wish mine could do that. Haha, I never thought of sticking my camera in there!

[@elsantoproductora]

It also creates interesting geometric shapes that make the frame more interesting

[@pierogiannist]

right, helps also with composition, not just lighting!

[@dima1353]

Hi, how big is the spot of the light in these spotlights? I mean there is a well-known problem - to make sharp shadows. And usually a bare diode is used for it, because it is very small. A bare diode can be better than a fresnel, because in a fresnel the light spot is quite large so it needs to be placed further if you want to get sharp shadows and this cancels out the advantage of light concentration. How are things going with this problem in this thing ?

[@pierogiannist]

You're right about Fresnels, but this is a spotlight attachment, which uses a proper lens to focus the beam much tighter than a Fresnel. The spot is quite small and sharp, so you get clean shadows without needing to move the light too far back.

[@jonathanscheurich]

Finally some new and refreshing insights.

[@pierogiannist]

thanks for watching! :)

[@MarkSommer-x3p]

Hi Piero. Great video just what I was looking for to my real estate photos and video. What gobo do you use to emmitate windows and where to buy? Thanks for a awesome video.

[@pierogiannist]

thank you man! so the spotlight comes with a couple of gobos already. you might not need to buy any additional ones. I use the ones that came with my aputure spotlight plus I purchased a second set (again aputure). but careful, they don‘t all match from different brands. the diameter is important!

[@TaborJPhotoFilm]

Well done, a spotlight has been something I haven’t given much thought to but it’s now toward the top of my gear wishlist. Thanks for a great video showing examples!

[@pierogiannist]

thanks! once you have one you will bring it everywhere🥲

[@KaanSenel]

Great vid man, I haven't thought of using my spotlight this way! Not with a small beam like that anyway. It's my favorite filmmaking - lighting tool!

[@pierogiannist]

thank you! glad I could give some new ideas :)

[@NilsnLewinski]

4:16 "it doesnt look real anymore"? Are you sure about it? It changed the tone of the shot but it still looks convincing and not sourcy.

[@pierogiannist]

well, let me put it this way: the look/ time of day I was trying to sell before doesn‘t work anymore.

[@dielichtfaenger_academy]

Great video! I use hard light in a similar way. Just a small addendum: I avoid using hard light on non-professional actors, actresses, or models. For "normal" people, hard light can be quite harsh, and they are often not used to it. Additionally, I try to work with a makeup artist when using hard light.

[@pierogiannist]

Thanks for the great input! I totally agree-hard light can be uncomfortable and unforgiving. Makeup artists can really make a huge difference in balancing the harshness.

I have been debating for weeks whether to invest in a spotlight, and your video finally gave me the confidence to go for it. Thanks!Now I have to decide between the Amaran and the Godox 😊

[@pierogiannist]

glad I could help! definitely worth it :)

[@Noemsyn]

Will this work with a smallrig 220?

[@pierogiannist]

Probably not. The Spotlight attachements from different brands have different specs and measurements. And even if the mount is bowens, it might still not work properly. So while I can‘t give you a definitive answer, I don‘t reconmend it.

[@edouardvasilic]

Great job explaining it all man, loved it

[@pierogiannist]

Appreciate it! thanks for watching😊

[@redumbrella4218]

Great job! Thank you! Please tells us the light power you attached to the spot light attachment to it! If you could list the lights you used and the contrast ratio that will be helpful too! Cheers

[@pierogiannist]

thanks for watching! good point, I will add it to the video description. for the spotlight I used the aputure 300d at maybe 70% and for the keylight a small 60w panel at a low intensity and very close. tbh I can‘t tell you the contrast ratio but I can take a look at false color later!

[@LoveIsAllWeNeed-annie]

Wow I really like that spotlight look and the "filters"... I haven't gotten any yet but thinking about getting one. However Nanlite fs-300 seems to be a bit pricey, so I am thinking about Colbor CL60 but can be it be used with spotlight attachments?

[@pierogiannist]

the fs-300 is a great light and offers a lot of output for the money. don't know about the colbor or matching spotlights :/

[@LoveIsAllWeNeed-annie]

@@pierogiannist Thanks anyway!

[@GabrielsLogic]

Keep it up! Been enjoying the uploads!

[@pierogiannist]

Thanks so much!

[@jacksp8de]

Subbed in like the first 60 seconds! Great info.

[@pierogiannist]

Appreciate you, thanks for subbing!

[@pedroncfidalgo]

Great video! What camera and lens were you using?

[@pierogiannist]

thank you! the sony a7sIII

[@FilmmakerIQ]

Great tip!

[@pierogiannist]

appreciate you checking it out! love your videos

[@mirstation]

Great work, thanks for this! ...I need to order this now...could you please tell me the POWER specification of the LIGHT you used in this video (together with the Aputure - Spotlight Mount Set 36°) ? My room is approximately the same size. Please help, I'm in a hurry !!

[@pierogiannist]

hey mate, I used the 36° spotlight with the aputure 300d II and used just a 50w bi-color LED panel as a keylight. but it was quite dim that day. hope that helps!

[@Mightymitefilms-john]

What camera is being used here?

[@pierogiannist]

all shot on sony a7s III

[@Mightymitefilms-john]

@ amazing work. Subbed.

[@pierogiannist]

thank you🫶🏼

[@SamuelDalferth]

Super cool video. A lot of skill and the presentation is understated. 🙏

[@pierogiannist]

thank you so much🥹🤝

[@GerritSchulze]

Note that this light trick works best when the model offers that kind of smile at 6:18. Thanks, Piero.

[@pierogiannist]

100% true😄

[@thinlylined]

The most substantive film on this subject. Exactly what I was looking for!

[@pierogiannist]

glad you liked the vid!

[@tylkopytam]

one of the best light theory, thank you!!

[@pierogiannist]

Wow, thank you!

[@WesleyVerhoevePhotography]

really enjoyed that! subscribed

[@pierogiannist]

Awesome, thank you!

[@bradybessette2341]

this looks so chrispy!! great work dude love it

[@pierogiannist]

Appreciate you! Glad you're diggin' it

[@HauNguyen-ds5kg]

Hey Piero! I just wanted to say THANK YOU for making this amazing tutorial! Beautifully made, the instruction and flow are top-notch and to the point. It's been a while since I came across a video like this! I wish you could expand more and even slow down a bit so you can have time to go more depth in how you approach each lighting setup. (perhaps you were trying to keep the video engaging?) The educational value is so good I wouldn't mind watching for longer! Great presentation and voice! Thank you! Please keep them coming. You have a new subscriber and supporter.

[@pierogiannist]

Thank you so much for the kind words and support! I'll definitely keep these suggestions in mind for future videos. I think it‘s a tough balance between going in depth and keeping a video engaging. But I might just make them a bit longer and see what happens😊

[@majeokey]

No puedo creer que solamente tengas "casi" 9k suscriptores! Excelente contenido hermano, abrazo!

[@pierogiannist]

gracias, hermano🫶🏼

[@furmston.creative.studio]

Thanks. Great tips! Gonna get me one of those 😊

[@pierogiannist]

Glad it was helpful!

[@RichardGotzeYT]

Great video! Thanks for sharing 🙏🏻

[@jordanjcreates]

Really great video bro! Enjoyed the breakdown 🔥

[@pierogiannist]

thanks a lot man!

[@lincolnhoppe]

Excellent! Thank you!

[@pierogiannist]

Glad you found it helpful!

[@fasiasad]

Dude !! you're too good man, thank you for such quality content, Subscribed 🤙🏻

[@pierogiannist]

Thanks for the love!🙌

[@andrepenteado]

Liked the idea of using the spotlight as a bounce/key. Excellent content, keep it up brother!

[@pierogiannist]

Thanks, man! Glad you enjoyed it!

[@jonathaneveritt9820]

Brilliant video, thank you.

[@pierogiannist]

thanks a lot!!

[@dmitripopov8570]

Bravo! It is a wonderful look.

[@pierogiannist]

Thank you so much!

[@TaylorRCastle]

Great value in this video! Liked and subscribed

[@pierogiannist]

Thank you!

[@aman681]

Nice video. Really like The colours.. which camera and lens did you use?

[@pierogiannist]

thank you! sony a7s III and 35mm GM mostly in this vid

[@Z3R0Genesis]

Hey! sick video, what is the actual difference in the degrees of the spotlight lens itself?

[@pierogiannist]

thanks! well, there's this one with 36 degrees which is the widest beam. and there's for example 19 degrees which is much narrower and more focused but for indoors use probably too narrow.

[@gabriel-mckee]

Great video! However, aren't these spotlight attachments all Bowens-mounted? So should they not be compatible with any light that has a Bowens mount?

[@pierogiannist]

thanks for watching! in theory yes. but as I‘ve been told, the distance between the light chip and the lens barrel of the spotlight plays a role. but it might work for some lights!

[@gabriel-mckee]

@@pierogiannist Thanks for clarifying, I appreciate it!

[@aaronstestlab]

Awesome video! I wonder if you could accomplish something similar with with a virtual studio. Soft light on your face, and then add some "fake sun" to your green screened-in background.

[@pierogiannist]

Definitely! Mandalorian style.

[@Oryx96]

@pierogiannist what lens do you use?

[@pierogiannist]

in this vid mostly the sony 35mm GM

[@Bapuji42]

I wish I had another lifetime to devote to cinematography. Esp lighting.

[@pierogiannist]

same, there is so much to learn about lighting!

[@Superfoodsguy]

dude such good content, helpful and love the style...!

[@pierogiannist]

Appreciate that! Thanks for watching :)

[@sammyvandenburg]

Very professional. Thank you.

[@pierogiannist]

I appreciate that!

[@stanislavrico]

The video is simply amazing, thank you!

[@pierogiannist]

thanks for the kind comment!

[@jmalmsten]

wait... are we FINALLY starting to get good spotlight and fresnel light things for LED light-sources? Damn. I have been waiting, like... 20 years for useable hardlights to come back after the halogen redhead-kits stopped being popular/available.

[@pierogiannist]

what a time to be alive😎

[@nikilragav]

4:24 - tbh I think that actually looks more real - at least the backgroud part. I can agree that if your face is that bright, it maybe looks like there's a light shining on you.

[@pierogiannist]

ha, yeah I guess it's an artform and subjective after all

[@danielrvilla]

Great video, Piero! Makes me want to do more with lighting. Thanks for the insights.

[@pierogiannist]

Go for it!😊 thanks for stopping by

[@SuchetB]

Thank you - this is amazing and inspiring. You explained it so well visually and vocally, I instantly learned how to do it from your video.- I've subscribed to you. This is probably the best lighting explanations and examples I've seen.

[@pierogiannist]

thanks for this awesome comment!

[@TruthReviews]

What a great video, thank you for sharing this man.

[@pierogiannist]

Glad you liked it, mate!

[@herwarthaug]

Crazy. Thanks! ❤

[@SubhasisMukherjee]

Beautifully explained. A spotlight attachment is my next investment. Thanks for the valuable advice on contrast ratio 3:42. Subscribed for more.

[@pierogiannist]

Awesome, thank you!

[@LarsGoldbachDP]

Tasty shots! I really enjoyed your presentation!

[@pierogiannist]

Danke!😊🤝

[@JoelVJohn]

i don't have much stuff to do, but thank you for the video man, will keep in mind when i start the journey of content creation

[@pierogiannist]

haha thanks for staying til the end. and go for it!