Backrooms - Beyond the Infinite Gardens

ko-fi.com/lost_in_the_hyperverse
___________________________________________________________________________
Tape Time: UNKNOWN: 0:00 PM? AM?
Owner: ------NA------
Tape Number: 5
Tape Found: 08/15/2006
Tape Location : THE GRASSROOM CORRIDORS
Footage Time: 23 MINUTES
Notes: (COURPTION)
Tape Condition: 100%
READABLE : 100%
RECOVERED: 100%
RECOVERABLE : ESTIMATED: 0%
UN-RECOVERABLE : 0%
NOTES: APRF WAS THERE BEFORE THE FOOTAGE WAS TAKEN
APRF: R IS FOR RESEARCH A,P AND F ARE STILL UNKNOWN.
Recent Location of Uncensored tape: TAKEN BY THE (A.P. Research .F) (NAME YET TO BE DISCOVERED)
___________________________________________________________________________
A Backroom Series part 5 created by me
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#backrooms #thebackrooms #Liminal

[@lostinthehyperverse]

Part 6 coming soon! Edit: For my deaf viewers and everyone else I have personally added Closed Captions (CC) for my video. Thank you user : (deafchriscool) for the recommendation.

[@AzeAlter]

Incredible man! Great job

[@danielduran6130]

I´m excited

[@wardfiction5693]

Bring on the town...!!!

[@lexet111]

these are amazing! Thank you for this. The silent narrative is weirdly peaceful and I love that you dont overuse cheap horror elements. You really let the back rooms you created speak for itself. Can’t wait to watch you blow up with this content!

[@ericnava4021]

Really?

[@sharkinator8713]

Something I like about this series is how you can see the person controlling the camera getting more paranoid over time. You see in this episode he is constantly looking over his shoulder and checking every path. I like it because it gives the character a little bit of, well, character.

[@catsinwonderland7473]

True. Otherwise they’re practically just a lens for us to see the environment & world.

[@sharkinator8713]

@@catsinwonderland7473 Exactly

[@djphantom8800]

This guy doesn't know how to run, though... Like, there's an eye with "RUN" written in its center : "Oh ! Let's appreciate the view a little. Truly beautiful."

[@josiahworthington3881]

The camera work in this persons back room videos leaves a lot to be desired; it’s way too “clean” and feels very artificial. Post processing could use some work too

[@djphantom8800]

@@josiahworthington3881 I agree. The main issues I found are in the resolution, the shading that needs more variety (some areas need to be darker) and the motion blur (it's almost not there and for a camera recording in places with sometimes little light, there should be much more of it)

[@transhumanistgamer8963]

There is a satisfying sense of progression in this video series. In the camera man enters the backrooms. We don't know why he's there, but was greeted with a warning admonishing him for his curiosity. It's a strange place, but nothing inherently off about it. Truth be told, we don't even know how big the building he entered was, but it is unique that he entered a building as opposed to no-clipping out of reality like in the original 4chan post. Again, while the place is odd, there's nothing impossible about the backrooms. It doesn't initially look like an area we couldn't or even wouldn't have built at some point. The writer continues to find more writing by an unknown source. First telling him Do[n't] enter the door and then one with what looks like an attempt to map out the room bemoaning the previous source about there being no door. This implies there's two separate people. But the use of writing on the walls allows for one important thing: the negation of luck. If the protagonist is just wandering around aimlessly, it might eventually come off as contrite that he manages to find exits to these realms time after time, especially since they're, if not outright infinite, are massive. Now there's some arrows pointing him in different directions, and while it does lead to progress, one has to wonder who wrote them. Is it a kind stranger giving warnings to other wayward travelers? Could it even be the realm itslef trying to communicate. Not long later, the camera man encounters the first monster, a strange bald twitching man. He watches the being from behind for several seconds, curious but clearly cautious. It's not until the being bends its head back at an impossible angle and shows its strange face that he begins running, and this is where things change. At the very start of the first video, he calls out once or twice asking if anyone is there. From then on, he's almost totally silent save for breathing. Every time he catches even a glimpse of the creature, he begins running. Hell, sometimes he catches a glimpse so brief that I have to go back a few seconds and pause to get an idea of what he looks like, a bit annoying but on the other hand, someone who's pumped full of adrenaline with only his lizard brain in control ready to kick off the fight or flight response evolution engrained in him isn't going to stop and take in the sights. Our character is not an idiot. The odd thing about the end of the first episode is that he gets caught and then just thrown into the next realm, this time being called the pool rooms. It's even stranger than the first with seemingly endless floors, walls, and ceilings covered in tiles with water and metal bars. Again, it's not impossible to actually exist but it's even less likely that someone would build such a place, at least something human. There's no two exact same locations. Every room and area has some slight variation in its architecture even if all other elements are exactly the same, and it's far more open than the backrooms which is both a blessing and a curse. For a good long while the camera man is actually safe. The trek through the poolrooms is a relaxing walking simulator devoid of danger, allowing the camera man to rest and recuperate. The writing returns with "He didn't make it neither will I" with a doodle of a smiling figure scribbled over and waiting. This, I think, is the writer's friend who accompanied him on the journey. He died in the backrooms and became the first monster the camera man encountered. Hell, the scribbling over could be those black moldy vines seen at the end of the backrooms video. It's important because it means that while our protagonist could potentially die, there may even be fates worse than that in these strange areas. Not long after, the camera man encounters the creature that roams the area, and what I said about him immediately running is certainly true. It's initial appearance was on screen for 16 seconds in a 30fps video before he turned. He descends deeper, getting into areas where the floor is covered in water. A good tension builder as not only is it far nosier, but also far more difficult to run through, and whatever's chasing him is going to hear every step. He manages to again escape a creature and comes across another scrawling on the wall about finding a gap. This means whoever is leading him around has even more knowledge of the areas than before, and might have even came back on themselves after going through the gap themselves in order to write it.

[@transhumanistgamer8963]

The ending to the pool rooms ends up especially terrifying with the camera man coming across a shoddy attempt at writing on the floor, "HELP", which trails to a massive bundle of flesh colored vines that are growing everywhere. The main creature of the area flies into the room not too long later, and I suppose the interpretation could be that person turned into the flying thing, but I think it's also possible he just turned into the vines. He became something totally inhuman. In any case, the camera man finds the gap and gets chased into the door leading to the grassrooms. This level offers the most mystery and most story. It has a unique visual design, utilitarian brutalist concrete structures with the floor absolutely coated by grass and flowers. It gives off a post apocalyptic feel and sure enough, there's some mini story about a company/institution called APRF who has evidently caused some calamity. Is it just for the grassrooms or do they have some wider reach. Unlike Async from Kane Pixel's series, almost nothing is known about them save for the fact that they operated in the building and have issued warnings to stay out of certain areas due to biohazards. The building itself is this seemingly impossibly high superstructure, and isn't the only one. The camera man looks out the window multiple time and sees other similar or even exactly the same buildings of different heights. Structures that could house several thousands and yet they are bereft of content inside for most of the first part. Eventually the camera man comes across some writing on the wall of one of the other buildings and when zooming in, sees it saying "behind you." He then looks behind him and sees scribbling warning him of "Entity" and APRF posters claiming to have removed it. Of course, this is impossible. You can't just scrawl all of that on a wall and slap some posters down without the camera man knowing, which is why I think that it could be the realm itself writing to him. Later on he comes across much more well furnished areas, a first for this series. There's escalators, benches, chairs, tables, and designs for the walls strewn about. It actually looks like a place that could have been lived in and abandoned. The opportunity to enjoy this is unfortunately cut short by the appearance of "entity" which he previously saw shambling about in a different building. It could be the same as that one or there's multiple entities for the buildings-either prospect is horrifying. But as he goes deeper into the grassrooms, it becomes more tame in terms of some things and stranger in regards to others. More furnishing and distinct rooms appear, firmly separating it from the vague purpose of the backrooms and poolrooms. There's an office area, there's what looks to be a small garden, and there's several doors lined up in rows as if hotel rooms. But at the same time, the architecture shifts and distorts in ways never seen before. Doors disappear behind the camera man, corridors twist to the point where he's walking on the ceiling. It's like you can't have one without the other. More writing also appears and the obviousness of the omnipresence of the writer is made clearer. There's clear messages about how the entity knows where the camera man is, and in a building of shifting architecture, there's no saying that just because you closed a door and it disappeared behind you means that you're safe. For all you know, a new one might have appeared that lets it shamble over right to where you are. As he ventures on, the illusion of normalcy dies completely as he steps into another garden area with warning from APRF all over its entrence. Inside isn't a statue but instead a complete disregard for gravity as multiple objects and a thick black liquid float calmly in place in the air. There's a lot of equipment, cones and destroyed consoles, hovering about. This room was heavily studied, and chances are the object of study was the door that opens to a whole new room without having anything behind it. We don't know if APRF if tied strictly to the grassrooms or if they'll be a recurring thing. They are in the description, but this is the first time we've seen their presence in the video. Perhaps they screwed up and allowed something into that area, which altered and distorted reality as they knew it as a whole. In any case, there's no chance to dwell on it too long as a new monster appears and it's time for the camera man to run. One thing I like about the series is that the transitions between different rooms is different. From backrooms to poo rooms, you were thrown there by some entity. Poolrooms to grassrooms involve going through a door. Grassrooms to the next area involves running through some hanging vines and letting the fact that the environment alters itself behind you close you off into sometwhere different. And now he finds himself in the most peculiar location. An old living room that when he opens the door, reveals row after row of houses. The architecture for them appears to be exactly the same, but there's nothing strange about them. There's suburbs like this in real life. There's cars and lamps and sky. No more trekking through corridors and walled off areas. For a brief moment in that late afternoon spectacle, it almost seems like the camera man has escaped. He's somewhere back in reality, could get some help, and has footage to prove that the mad ravings of strange architecture and monsters aren't a fiction. The nightmare may finally be over. Yet, as he's looking around, the figure of a woman with her arms behind her back appears. The camera man quietly, cautiously calls out to her and approaches only for her stiff body to fall backwards and her face to be shown to be devoid of details. There is writing on it, "No way out!" Previously the writing seemed helpful. It told the camera man of the entities that roam in the areas and where to do in order to leave them. It gave him advice such as not to look at some entities or that they know where he is. It told him that APRF was responsible for something that had happened. And yet, it began tipping its hand that the author of it isn't a regular human. It's unlikely there's a guy going around with a marker writing it. The thing about this instance is that now it seems malicious. It's actively taunting him. You thought you were free when you saw normal houses and cars? Think again! And that eye motif appears, likely representing the fact that whoever is writing this sees everything. There's nowhere the camera man can go that it wouldn't be able to follow. More and more becomes unraveled, and it's weird to think that whoever is filming this could very well just be some guy.

[@lostinthehyperverse]

Absolutely incredible read! Extremely well done and an astounding attention to detail! I felt you connected very well and flawlessly with the story! It's too perfect! You are incredible and a genius! I'm honored you took the time to write this perfection of the story I tried to visually create and more! Thank you so much I really do appreciate you and your amazing masterpiece of a comment!

[@transhumanistgamer8963]

@@lostinthehyperverse As someone who had been analyzing Scorn for several years, you need to be on your toes about environmental storytelling. With that being said, do continue to make these great brief journeys into these strange realms. You and Kane Pixels have elevated this simple concept into something much more, and horror as a whole benefits from it.

[@lalaskii7814]

You deserve an award for this comment.

[@lapsedj4001]

Meu Deus que legal kkkk

[@alexsharkie4677]

I love the amount of small details hidden throughout the video, in 22:08 you can see there are entities hidden behind the window. If you pay attention you can spot what seems to be a skin stealer starring at you before hiding after it notices you. After when you are about to turn around you can see what could be a wretch appear in the left window for a couple of frames

[@Corrupt_17Penguin]

I love this series and the multiple ways the backrooms can be used to create different feelings I hope to make environments like these one day

[@CUBETechie]

I try to learn blender myself

[@JB52520]

If I found that cathedral, the biggest hazard would be my inability to snap out of it. Certain places in the poolrooms have that effect too. I just want to go there and zone out so deeply that I fail to notice when I stop living.

[@kelihenson]

You can tell that this guy is really paranoid just by the camera movements and how he turns around to see if something is behind him. That's great story telling. You actually feel what the person is feeling just by their camera movements. I like that. Keep up the great work, Hyperverse. Soon, you'll be up there with Kane. You really have talent in environmental storytelling and realistic camera movements that shows what the person is feeling. Amazing environments and storytelling. Keep up the great work.

[@lostinthehyperverse]

Thank you so much for your kind words I really appreciate it!

[@Jac-Man]

@@lostinthehyperverse Not only will you be on Kane’s level soon, but also the other greats like Frag 2 and Geonosis!

[@Leonardo-us6rc]

I recently saw this channel and am astonished of how the looks of the other backrooms came out and so cannot wait for this one. Amazing job

[@lostinthehyperverse]

Thank you so much! I'm so glad you liked it!

[@josiahworthington3881]

The videos made by Kane Pixels are much better imo

[@klausklausensen5042]

@@josiahworthington3881 different, nothing else.

[@ZEXOTHEGODOFCHEZ]

@@josiahworthington3881 nah this a Is better Kane’s has more storyline tho

[@sophiewalts1858]

I'm already liking this, the grassrooms are one of my favorite backrooms levels. And this guy makes already awesome animations to begin with- very excited about what this one's gonna show.

[@lostinthehyperverse]

Thank you! I hope you enjoyed it!

[@sophiewalts1858]

@@lostinthehyperverse I always do!

[@moonrox4481]

You bring something so different and unique to the backrooms genre. Most people copy off each other and it all looks the same. I love your take on it, especially the pool ones, it doesn’t look copied and pasted.

[@bigmoike7196]

honestly best backrooms work I've seen and I've scoured the whole internet.

[@alilejeune505]

Me too. Nobody beats this channel.

[@CUBETechie]

Maybe jared pike and tenritenri but yes it's amazing 🥰 Especially this waterbased landscapes in 2 episodes

[@rockyvern2216]

I prefer Kane pixel but this is some good stuff

[@Nepetita69696]

@@CUBETechie Nah lol they suck

[@wickedfox175]

I REALLY REALLY like how that one bathroom-like backrooms level warned the traveler of an entity within that level and how the traveler managed to avoid it altogether, turning back during the bridge to see the entity looking at 'em through the window. It gave me those vibes where you just BARELY managed to avoid a serial killer running to your door just a second after you locked it. It's like that one video where you see the seal get on the boat and then see the killer whale fins emerge from the water seconds later before disappearing back into the water(in the same video, you can even see a killer whale just inches under the water, staring at the seal on the boat)

[@detaildevil6544]

Well done. Great sound and visual design! My favorite part is when the "room" twists thus forcing the protagonist to walk on the "ceiling". We build rooms with the accessiblity for humans in mind (easy to navigate and functional). The backrooms, however, aren't necessarily designed for humans to walk through them. The choice of an omniscient helper that leaves notes on the wall is a bit strange. Who writes these messages, for whom and why? Is it another survivor who maybe turned insane? That would at least explain why the messages are so cryptic. Keep up the good work!

[@lostinthehyperverse]

Thank you! I'm glad you are enjoying this series so far! As much as I really want to reveal the one behind the message it is a secret that will be revealed through the series! I love the fact that you questioned the writing!

[@Intrepid_Crusader1096]

@@lostinthehyperverse Is APRF an acronym for Anomalous Phenomenon Research Foundation?

[@rannma1]

I love that, as he gets deeper and deeper, there seems to be more and more buildings around outside each time he looks, and each building that he moves to, farther from the one he first entered into, gets progressively more and more run down and broken looking

[@tienshan9819]

Despite having the survival instincts of a tomato, this explorer has made his way into some of the most magnificent and eerie levels of the Backrooms.

[@justakid3592]

3:10 there is a cool little detail of him going up and down while going on a big Rock

[@kpop_percy]

I just binged the last three parts of this series and I really gotta say that you have my favorite interpretation of the backrooms. I enjoy the short and scary or even funny videos but yours are a different breed. I just love how long they are and how you really get to take the levels (with their own benefits and downsides). Like the grass level feeling all peaceful but eventually incredibly lonely and the constant fear you feel in the poolrooms. You really let the viewer feel constant Paranoia just like your character and I love how they also have a developing fear. With each video they get more scared which is super realistic. I also love that you show how BIG the levels are. Especially the ones you picked are almost infinite and the chance of meeting an entity isn’t high but always there. On another note I really love how your videos look. The lighting and colors are just magnificent and don’t even get me started on the level designs and structures. I just haven’t seen anybody be as creative with it as you. I also think the „person“ writing on the wall is super interesting. Like who are they? Are they helping or are they leading me into a trap? Why is APRF so bad if it’s clearly run by humans? Anyway I hope you get more subscribers soon!!!

[@Iuri480]

Your comment described exactly what I wanted to say!

[@kpop_percy]

@@Iuri480 haha I'm glad!

[@pistachioicecream8673]

I love and hate how much he looks over his shoulder. It's really realistic but DANG it keeps me paranoid because he looks over his shoulder 30+ times but there's almost never anything there. So suspesful. Excellent work!

[@greylight5]

Around 9:10 you can just hear him thinking, "this building is the creepiest one I've seen yet. Why can't I get to those cool futuristic buildings over there instead?!"

[@jaywells5283]

Look, I’m gonna be honest, I started watching these “backrooms” videos, there isn’t much that creeps me out anymore let alone gives me a good scare, but they seem to do the trick, for the most part. But what YOU have going with yours?!?! Some reasonable semblance of a story, the art is great! And they’re not only creepy, and have wonderful sound and sound effects, but I jumped a couple times so far! I thank you for what you do, and for sharing it with the rest of us, and I look forward to every episode! Please, PLEASE, keep up the great work!

[@alexiscoleman9585]

Can't wait to see what will be happening in "Your Childhood Neighborhood".... This show is a MASTERPIECE!!!!

[@TizerisT.]

Stepped out into level 558 - suburbia. Absolutely love this series. Lets hope our hero has a long journey ahead of him....

[@Fluxzone90]

558 is The Newsrooms, this is Level ' - "Liminal Neighborhood". Or is there contradicting lore?

[@lostinthehyperverse]

Im certain that there will be at least 13 levels already planned ahead some might be 2 episodes long or 1 and hopefully 10+ minutes each!

[@thomasbryant964]

@@lostinthehyperverse Do you plan on a ending or will it just stop when its no longer fun?

[@Rune3D]

Absolute dread from beginning to end. I really like how this is leaning hard more towards a slow-burn horror rather than just meme shit-posting like other backrooms. Really good job so far!

[@jewelns3306]

Probably the most underrated channel tbh this series is amazing

[@lostinthehyperverse]

Thank you so much! You're too kind!

[@Iuri480]

Honestly: the surrealism, craft, creativity, storytelling and sheer beauty of this series is second to none other backroom content on KZbin (apart from Kane Pixels, but in a completely distinguished way). Thank you for this incredible videos, I can't wait to see how the story unfolds to our adventurer.

[@gigoe]

you're so good at making breathtaking set pieces.. the room with all the floating objects is so impressive looking im speechless 🥲

[@lostinthehyperverse]

Thank you so much! I really appreciate it!

[@Legion1367]

I love those transitions between levels, I love this postapocalyptic, windy vibe...

[@jayflight5351]

This video is PHENOMENAL! The chairs moving to face him, the twisting hallway, the door with empty space behind it, the face coming out of the wall, the way he hesitates before looking back through the vines and finding a wall, the audible heartbeat at the end when he realizes he hasn't escaped... All so chilling and disorienting

[@xninewxw7559]

It’s a shame that there is so little views on these underrated gems. The work(and love) placed into these videos are unbelievable. The decision to make this into an entry ultimately lies within the author’s hands. Remember to share these videos with your friends and family, because The Grassrooms deserve the views.

[@wardfiction5693]

This is so true, KZbin just doesn't help anyone these days, my own stuff won't get any views unless I do something... I want to make vids, not promote it hard all the time....

[@lostinthehyperverse]

Thank you so much! I really appreciate it! At first when I uploaded my first video it got a max of 300 views in a week and kept doing them because I enjoyed doing them and it's a wonderful practice too. I never expected a lot of views because I was an extremely small channel with 23 subscribers. But my goal in mind was to visualize a story about liminal spaces and a backrooms theme and show it to a few friends and that's really it but was blessed by all these amazing people like yourself and made my channel grow and all the feedback from my viewers means the world to me as I get inspired to continue making more content as time passes!

[@xninewxw7559]

@@lostinthehyperverse can’t wait to see them!(but also take breaks when needed)👍

[@lostinthehyperverse]

@@xninewxw7559 thank you and yes I will take your advice and take some brakes!

[@guppylipz]

I've been watching this series with my 9-yr-old son who is really into Apeirophobia. This episode of the series is truly breath-taking. I loved the multi-leveled rooms with all the natural light. The first large, contained room (not the open area with escalators) reminded me of a cathedral. So gorgeous! The second room like it, after the twisting, up-side-down corridor, was beautifully gravity defying. I really didn't want the cameraman to go through that independently-standing door- not just because it was going into an ominous enclosed room of doors, but because the gravity-defying room was still so lovely. Beautifully done!

[@dhanks0]

I just watched this premiere with my mom. She didn't like it and thought it was too scary, but I loved it! Visually spectacular as always; great job LitH 🌹

[@fish7860]

I rarely comment anymore but this series is too cool not to say anything about. I really love how the camera movements feel so natural and human. I also love how well designed the rooms are. Great work!

[@spider_plantt]

beautiful as always, and this one was especially mind-bending!! also really love how you're slowly adding more and more worldbuilding, i think this was one of my favorite episodes yet!

[@lostinthehyperverse]

Thank you so much!

[@TheSahaquiel]

People are scared while I am here sleeping finding this relaxing and ASMR-worth.

[@philipford6183]

If this was a game I'd be very happy. This is the Backrooms experience I'd like to play. The pace is just right - extreme caution, all the time. Another great video!

[@ViniciusDavi_]

bro fr, to see other levels explored so deeply like this is EXTREMELY refreshing, i'm so pumped to see what's next, great job!

[@rickonami]

I really really love the Poolrooms part, and Super love the Grassroom part... I love how you actually move the camera constantly to show us the detail of the place, with slow paste, as if you are careful when you go to the next room and so forth... The part that made me angry is the part where the Entity came along and "Killed" the character in the Air Shaft... Spoiled the mood for discovering more rooms... I really LOVED the tall skyscrapers part...

[@lostinthehyperverse]

Oh my apologies for the confusion but he doesn't die at the end and luckily I have a part 5 being released tomorrow! It will show how he is still alive! I'm so glad you enjoy my series and I have a lot more to come too! There are at least 13 levels in the future and will be an ongoing series in the meantime!

[@wardfiction5693]

@@lostinthehyperverse it sounded like the air-shaft might have broken and he slid out into safety? Thats my guess so far.,...

[@rickonami]

@@lostinthehyperverse Oh wow.... Now that is awesome! can't wait......

[@_Killkor]

You can see the broken vents at 0:50, so they most likely got out and it's a continuation.

[@thebeautyofuniverse5250]

Just turn the cap on and you can see it says at 0:50 that he survived via falling

[@ffjfvfhu]

From what I can tell, there’s 2 forces writing “clues” for him. One that wants to help him out, and another that wants him cornered.

[@elie500]

I'm legitimately pleased to watch this series and it gives me the chills every time. Also it sounds like you did well with not so much and it's genuinely impressive. I'm so excited to see the next one ! Thank you very much 👍 (also keep making the character without any dialogue, it's very relaxing !)

[@geekylad8400]

The detail, the camera and the ideas are truly amazing. The way you make this video is superb since you let the viewers feel both a sense of dread and suspense but also wonder strucked

[@kingkazma3246]

Oh man, can't wait! These places are burned into my mind, I wanna see more!

[@zjfxigcljcjfclibljcig]

Very excited

[@Oliver-tm9jk]

the attention to detail is amazing when hes at the door to the new area and pans around to the way he came and we see an entity in the window at 9:44 its really good and adds another level of tension

[@m.c.gargamel7736]

Imagine the writings on the walls are just generated by the backrooms to lure you in further.

[@DownWithTheHerman]

I think you do an excellent job of capturing the dream-like feel of the backrooms in different environments! The camera work is great too! Love this series!

[@in66]

It seems to me that the one who came up with this style and direction of these videos. Knows much more about humanity. 11:39 I would stay there, it's a very beautiful place.

[@Tabootrinket]

This is my favorite one so far. I love how all the cues don't automatically trigger a jumpscare or a pursuit scene. It adds to the believability and atmosphere (the world doesn't revolve around the character). The build up to the exit door that leads to a room that looks like a dark souls boss area was great. It really makes you want to have this series as a game. The concept of the twirling corridor was really cool, and the glitching area that comes next really rose up the atmosphere to the proper degree. I'm looking forward to what comes next, if there's a sequel.

[@Disorder2312]

7:14 - That's probably ONE OF the worst things i could hear right now, apart from "it's behind your back". I would just run forward without looking back. Important rule of the Backrooms: Never go into the corner or a dead end, the entity can easily get you. But sometimes you might not know that you're going into a dead end if it's at an angle.

[@jameslanning8405]

Ever notice how the backrooms seems to be the leftovers of someone else's life? It's never 'fresh and new.' But always dilapidated, decomposing, worn out, faded, musty looking, tattered, and cast aside. The builders are long gone and those who dwelt in the buildings are gone as well... Or is it all, just a dusty reflection of our own reality?

[@Disorder2312]

20:22 - I thought he's gonna go out of the window, this location here looked interesting.

[@itsdramallama_]

As someone who likes looking at lore on the back rooms, the infinite gardens, in my opinion, are the coolest levels yet.

[@ashb712]

Im surprised he's not hungry or thirsty after all this. I definitely would've tried squeezing some water out of the flower stems or trying to just eat a flower by now.

[@lostinthehyperverse]

I understand what you mean but I put a small hint at the beginning of my series on all my videos that will make a lot more sense: the randomized date and time in my videos it means that time doesn't work the same way it does on earth. You are not there anymore and the camera's battery is technically infinite. The same goes for hunger and stamina. Time doesn't work. ( My poolrooms video had a blurry message saying "time is broken" too)

[@mazzy869]

it's a masterpiece. the video quality has improved. the location is beautiful, but it keeps you in suspense. we hope that the dude will survive and continue to please us and introduce us to the new levels!

[@mazzy869]

p.s. will there safe levels?

[@lostinthehyperverse]

@@mazzy869 Yes in the future I have a level or 3 that are safe but only temporarily!

[@calessel3139]

Incredible! Especially the rooms at 11:35 & 15:48. Really it's the best Backrooms video I've seen in terms of artistic composition - I can't praise it high enough!

[@bluedragoneyes928]

I loved when he looked up at the wall and it said "Run"

[@Funtii_016]

it's really well done! i like the atmosphere you put in your videos,it feels so real

[@Forel_Studio]

О боже!Это настолько реалистично то что я аж уже подумала "неужели это реальность?" Большой тебе респект) продолжай в том же духе всё прекрасно получается!!!sorry I not good know eng

[@theterminaldave]

yeah pretty fun, enjoyed this. 13:51 where the angles of the interior start to go wonky reminded me of dreams ive had.

[@Riccardo_Mori]

You keep producing amazing work. I was looking forward to this next part and it didn't disappoint. The first room with the statue in the centre, and the second room with diminished gravity and floating objects are astonishingly beautiful creations. And I really enjoy how you create and slowly build a tense atmosphere without necessarily having an entity showing up out of the blue and chasing the explorer. The doors disappearing just as the explorer enters a new environment immediately create anxiety. And that moment near the end - how can I say it without spoiling too much? - when the explorer thinks he has found someone... that was very well executed. I'm definitely hooked to this series and I wish it were a game or a similarly interactive environment/experience. Cheers! //Rick

[@inticus]

Entity appearence 9:45. I wonder if I missed something else

[@nachgeben]

All of you Backrooms animators are amazing. I know there are certain things you do to make it easier on you--like VHS grain filters and the like--but you all deserve to do tweaks like that to make it easier because the quality is so top notch. I keep thinking what it might be like if you all joined forces and became a super animating group or something. Not that you should, I just wonder what kind of work you'd do together if THESE videos are you working independently or even with a small set of people.

[@johnsanborn7339]

Wow part 1 and part 2 were the best backrooms adventure I've seen on youtube. You have to make a part three as the epic conclusion. Then put it into one trilogy. Amazing stuff.Especially how you made that cloud city. I was blow away. This could be a movie all by itself.

[@cliffcox7643]

Realistic head movements of paranoia and fear, looking back and scanning the rear and left and right.. That's excellent, keep it up, it makes it suspenseful, aside from the amazing renderings.

[@Secine]

I've had the image of a cathedral filled with flowers from a book stick with me for a few years now, thank you for creating it here it's beautiful

[@CC-ew2mw]

I never comment. but I've been binging backrooms videos and yours is by far the most captivating and eerie. while most backrooms videos i see focus on spaces inside (like inside offices, for example), you finally pull us to the grassrooms and show us what the outside looks like. to me, that's far more terrifying because one's hope for "getting out" of the office and going home is really gone. truly, there's no where to go. secondly, i love your color shemes. the perpetual sunset color, the luscious greenery, and the white and crystal glazing of each building is perfect. prob just an aesthetic taste but i love it. lastly, please continue with the grassrooms or other spaces with outdoors. you seem to captivate "aloneness" better than any other backrooms producer out there. i also like the fact that there is one entity. I think you can make an incredible storyline with this backrooms theme and it can be uniquely "yours," and perhaps even the storyline can be the fact that this entity isn't omniscient and will certainly find you but maybe it has extreme hearing or smell and can find you if you're not careful with your movements. that's all i'll say--you're the artist and i 100% trust whatever it is you do! thank you

[@brianelgalvez]

I like how it looks so beautiful and warm and yet you can never relax in there...

[@patman7]

오메 이번편도 흥미롭구먼 8:14 엄청나게 많은 사람들이 지켜보고 있는거같고 낙서로 끊임없이 힌트주고

[@johnsanborn7339]

I watch the backrooms videos for how good the CGI is. Seriously. I don't know how you render something like this to make it almost real. That must take an insane amount of work.

[@WitherRage]

I love how the maps were designed for the whole series, for example how the corridor just twisted weirdly at 13:50

[@kairon156]

I've been lost in the backrooms genre for about a week. I've heard about it before but I didn't realize that amazing videos like this existed.

[@nicolasbracaccini585]

Dude, I don't normally write comments. But let me tell you, even if you can tell it's an animation... the way the camera moves and the noises. my friend what you did here is amazing work and i will recommend it to other people thank you for this piece of gold

[@alessgr9394]

I like how this world is a "are you sure? Make your choice" , since every door he crosses there is no way back

[@Wrigby193]

I loved the character development in the series. If you've noticed, our man is starting to get more and more paranoid, he looks behind him more often and quickly, and starts checking every corridor he passes. for that reason i think this guy deserves to be the backrooms protagonist

[@dragonchild_]

I've been to a backrooms in my dreams during high school and college mostly. That was 10+ years ago. It's pretty cool to see visuals on a computer generated program of the place. I was usually in areas similar to the first floors, the garden areas, very rarely in the pool room places, and occasionally in the weird long corridor with dozens of doors areas. Mine were slightly tweaked though. Things like the floor being different or different colors of lighting and the walls and such. The creatures varied greatly and I always remember being able to run infinitely, climb walls, levitate, phase through walls/ceilings/floors, be invisible when hiding in shadows and other strange abilities to avoid capture or being killed. The way I escaped in my own dreamscape backrooms was to dive into a pitch black opening, doorway or hallway and I'd be "lifted" out of the dream back into my own head and wake up. Crazy and unpredictable, but fun. These dreams still appear every now and again.

[@Monica-qc2ql]

i found this channel today and i have already watched all the videos, the quality is amazing and it all looks so real!! You're doing a great job keep it up

[@belowaveragekendai9154]

Just wanted to drop you a quick line and compliment you on a job well done. You took the general concept of the backrooms, infinite (or near-infinite) procedurally generated levels/worlds/realities that regular folks get lost within, and put your own spin on it. Each of your videos features a different area that seems inspired by the backrooms wiki yet isn't beholden to that established lore, which I consider a great thing. Great job! I also like the scraps of equipment that the APRF seemingly abandoned in this video. Judging by appearances alone, it appears to be early to mid-1950s level tech. This makes me theorize that these parallel realities have always been there and this (possibly government) agency had been conducting research until they stopped. But they aren't necessarily from our (or yours, more specifically) baseline reality. The age of the equipment and the APRF posters here and the previous video make me wonder if there aren't time shenanigans taking place in addition to space and dimensional ones. For example, the APRF posters in the previous video were plastered over the ENTITY graffiti, signifying that the APRF entered this area way after these unknown explorers/taggers. But those posters are extremely aged, matching the condition of the abandoned equipment, the walls, furniture, etc. So, how long ago did the APRF conduct their research? How long have these spaces been here? And does time flow differently in these rooms? Since we don't see any evidence of APRF in the earlier videos, it makes me wonder where their point of entry was. This level? Another one we have yet to see? Perhaps the person who scrawled the text and pictures on the earlier walls was an APRF agent/employee who got lost themselves, opting to try and be helpful as they tried to find a way out, only to later add more nihilistic phrases to their earlier statements when they gave up hope. APRF. My guess so far is Advanced Paranormal Research Facility or Abnormal Physics Research Foundation. The chances that this is correct, though, are slim to none, but it is fun trying to guess. Keep up the great work!

[@notfunnirobloxyt9494]

Gosh, terrifying work in the vent from part 4, great work! Scared the hell outa me!

[@Beta_Mixes]

Come to think of it, this is just like the long lost art of silent cinema, good stuff. Finally got to watch yet another great work of yours, thanks for all of these episodes m8!

[@rayanessaidi1674]

Still doing such a great work. In my opinion, your visuals are the best compared to others Backrooms content out there ; you've earned a subscriber and I can't wait to watch part 6

[@famished_jazzfrogs]

I just binge watched all the videos of this series. It's truly amazing

[@tryshchenko]

The room with floating furniture was really cinematic and pleasing aesthetically

[@agentcaninemutt]

The universe that has been provided by the back rooms is ever so expanding this series the designing and rendering of the different levels along with the creepy tension of nothing happening before ot does just shows how amazing this world is And it appears there other worlds connected to the backrooms to with there own stories 10/10

[@alilejeune505]

Can’t wait!!

[@azzzne]

You know your in danger when u see ⚠️⚠️☣ all around u. There's a toxic entity lurking around. And I'd be surprised if it's not the grass itself. Cause u can hear something lurking behind whom every the explorer of the backrooms is.

[@alanpedro1448]

For sure the best backrooms videos on KZbin

[@zenhaelcero8481]

The captioning on this video was nice. 9:44 very creepy, if there were other glimpses then I missed them

[@lostinthehyperverse]

Thank you I'm glad you liked it!

[@stardust.7507]

I just subbed to this channel before I fell asleep and woke up to this masterpiece! I loved the first one, I can't wait to see the rest!

[@Disorder2312]

I hate when he rapidly turns back, always expecting a screamer. It was the same in the previous part and now it continues. But i'm not complaining, this video is amazing.

[@dianaanana7987]

Weird how I like the feeling of this triggering different emotions like panic, nervousness, anxiety and excitement at the same time, without feeling like falling into a void irl

[@jellyj220]

I’m most likely nuero divergent, so I say with great approval that you are able to hold my attention for the length of your videos. I get bored of things I really like because I can’t keep looking at the same thing for a long period of time. I have the attention span of a peanut. So the fact your able to hold me in one place till the end of the video is astonishing.

[@ArtistTrilogyofKean14]

This makes me paranoid whenever the camera look back and make sure there is no entity lol. This vid is awesome such a state of art indeed

[@flyingscarf5863]

I really enjoy/appreciate your work on these videos, this is a mix between relaxing and unnerving vibes. I'm looking foward for the next parts!!

[@VooXoo]

He being stalked by that thing and it possibly coming out from any side really added to the fear factor: I'm not sure how he did escape from the vent in the start, I'm guessing the footage is missing, the vent teleported both on the same floor but different spots of it or the vent broke and he fell, then the creature catched up. Damned if he stops, damned if he continues, I'm really cheering for this not being found footage on a lost camera.

[@rgerber]

this is totally unique to all other BR videos. And wow... 23 minutes this is really impressive

[@digitalglitter4618]

OMG thank you for blessing my eyes! Your videos are seriously my favorite backroom videos ever!!!! I love how many levels and new spaces are introduced, I can't wait to see where it goes next!!

[@andrewtfd6469]

This is INSANELY good. This stuff is practically like the new Silent Hill. I love it!

[@wardanywardany2451]

I'm starting to love these long backrooms series, they are just so satisfying.

[@alessgr9394]

Great job as usual , wow your worlds are on another level , its massive they feel like from a AAA videogame, and for what I guess that this videos are only made by you, makes them even more impressive. I like this idea of the backroom that you are trapped in levels and huge worlds, like this one rather than just small levels. Original and works! PS: All the texturing u must do makes me want to sleep, shesh what a work.

[@nathanbrown6582]

You have one of the best interpretations of the back rooms I've seen,keep up the good work man!

[@leociresi4292]

I like how in this level the ‘light fixtures are replaced by skylights

[@codey7701]

okay but UR SERIES ARE AMAZINGG!! i love them. i get chills and i get so anxious every single time lmaooo . just goes to show that you're amazing at these. !!! you're incredibly talented

[@lostinthehyperverse]

Thank you very much for that! I'm glad you liked my series so far!

[@codey7701]

@@lostinthehyperverse you're welcome :)))) looking forward to more of them