Lumatone Chord Shapes | HARMONIC TABLE

[@mr88cet]

2:00 - Aha! I like that tip - the _tip_ of the finger in particular!

[@mr88cet]

Admittedly, I’ve only used it a bit so far, but I _absolutely agree_ that the harmonic table is a really fantastic mind bender/opener! From what I can see so far, “harmonic” is key here: It’s a bit less intuitive melodically. Scale patterns are not too hard to see, but playing arbitrary melodies, such as from a score/part, is a bit less intuitive.

[@camtaylormusic]

Yup, I'd agree. For me Bosanquet is sort of the "melodic table" so to speak, with the most common three melodic steps on each of the axes, and here we have the most common harmonic "steps" or connections.

[@Lucius_Chiaraviglio]

It occurs to me that if you can play triangular chords with 1 finger, you can also play 5, 5, and 6 note chords consisting of 2 triangles with 2 fingers on 1 hand if the triangles are close enough.

[@dranorter]

Different layouts make me think of different improvisation. I have a problem where a layout gets "stale" once I train myself too much to do certain things on it.

[@thecringequeen31]

That’s so interesting

[@timothytikker1147]

Thanks for eliminating the background music heard in your other videos... or did you just replace it with a recording of John Cage's 4' 33"?

[@磁鬼頻率]

Nice thumbnail (not to be confused with thumb-nail).

[@Gongchime]

So play chord roots on an altered scale such as melodic minor #4 but make alterations to the chords of that scale (primarily non 3rd chords) with a preference toward minor seconds on the inner voices while playing bass notes which disagree with the chord spelling in a modified locked hands technique ala Bill Evans while improvising motivically on the chromatic scale.

[@FahlmanCascade]

So this is basically the Neo-Riemannian Tonnetz pattern? en.wikipedia.org/wiki/Tonnetz

[@edenasharpie]

i thought they were playing bad apple for a second 😭