Make Stunning Art Limited Edition Prints! The Easy DIY Guide

Discover the secrets to transforming your original artwork into stunning, professional limited-edition prints with this step-by-step guide! In this video, you'll learn how to capture your art with precision, edit it for true-to-life accuracy, and create prints that collectors will cherish. Whether you're an emerging artist aiming to reach a larger audience or just starting your creative journey, this tutorial is full of practical tips to elevate your work. Let’s get started and make your art shine!🎨✨
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Link to the paper I use for limited edition prints: fotospeed.com/
Link to the printer I use: tinyurl.com/3u...
Using a high-end Sony A7R III camera to create stunning reproductions of your artwork! In this video, I’ll walk you through the process step by step, from setting up your shot to achieving professional-quality images for limited edition prints. With its exceptional resolution and dynamic range, the Sony A7R III is perfect for capturing the finest details and vibrant colors in your art. I’ll cover:
Choosing the Right Lens: Why a prime 50mm lens works best for crisp, distortion-free results.
Lighting Setup: How to achieve even, glare-free lighting for accurate color reproduction.
Camera Settings: The perfect manual settings to maximise sharpness, minimize noise, and capture every detail.
Shooting Tips: Tricks for framing, leveling, and avoiding reflections in your photos.
Post-Processing: Editing techniques to fine-tune your images for print perfection.
This guide is ideal for budding artists and professionals looking to showcase their work in the best light. Let’s make your art shine! 🎨📸
Thanks for watching my latest video, I document every Abstract Painting I create so you can join me on this journey from starting out as a novice Abstract Artist and hopefully will improve over time. Please share all your comments below with any tips or advice on how I can improve. Feel free to subscribe and hit that bell notification for more Abstract Modern Art.
Check out all my paintings in my store here flowworks.uk/
Also if you want to support my painting journey please check out my Patreon page here: / flowworks
👩🏻‍🎨👩🏻‍🎨 You can also follow me on Instagram: / flowworksart

[@peggydrouault]

Bonjour, je suis contente de voud découvrir, vous êtes là personne qui m'avez fait découvrir l'art numérique car je peins sur châssis des toiles abstraites et le numérique a été une révélation 😮 Votre vidéo est superbe pour les conseils car je galère un pr les reproductions et prise photo de mes toiles. Merci beaucoup. J'espère que vous etes heureux de reprendre cette chaîne. Moi je vais continue à vous suivre 😊

[@FlowWorksArt]

Thanks for the comment, yes im back to painting now that I have fully built my Garden Studio, I'm glad you have found these tips useful. Thanks again for your comments. Happy painting.

[@PeterQuentercrimsonbamboo]

Hmmm… why not two of the same lights right left… same distance same angle .. and why angling them upwards.. that’ll result in upper-and lower area of the painting getting not the same amount of light - adding a polarizing filter in front of each light will also help reducing reflections on the painting; often real helpful when artists bring in paintings already varnished .. sometimes even with glossy varnish - another suggestion is to use a macro lens.. that’ll be as sharp as it gets - last not least, using colour checker and white-balance tools for getting as close as possible correct colour reproduction in the file to make printing easier and with less need for test prints. -

[@FlowWorksArt]

All good points thanks Peter, yes agree two lights the same would have better results, I didn't notice any difference in colour / light in the end results. Thanks for the comment some good points you make.

[@PeterQuentercrimsonbamboo]

@@FlowWorksArt - thanks much for your reply, James - I have been photographing my own wannabe-arty works ( and just occasionally other people's works) since about 2003 or so... mostly with space- and equipment-limited- makeshift set ups and then plenty post-editing required to make up for the in-camera- compromises .. Ha! .. and been home- printing on Epson since about 2008 - two tall 3 -5 feet strip lights - several mounted strings of LEDs - angled from right and left with the polarizing foil in front of them makes for even, non-reflective, shadow-free illumination (on the often rough brushstroke-texture of paintings) - and large paintings are done with several photos overlapped for stitching - ... and, by the way... your dedicated studio space with view over the green landscape... oh my... what a dream compared to the little apartment I am in here!! :-) wish you plenty fine artworks, photographs, and fine prints .. it's fun, for sure - ciao ciao. -

[@FlowWorksArt]

@@PeterQuentercrimsonbamboo Thanks Peter some great tips again, yeah I will be doing more of the reproduction in the future so I will be investing in some more lighting along the way no doubt, I did have to run a good few test prints in order to tweak and adjust the colour to get it as close as possible to the originals. But got there in the end.