Marcin Dylla discusses sound of Erez Perelman cypress guitar

[@MethenySco]

Out of this world talented.

[@pawel760]

Because Poland :)

[@tangobayus]

It seems to have a very good balance between bass and treble strings.

[@selwynkatz519]

Thee late Great Master Paco de Lucia was quite impressed I watched the video.. Well done Mr Perelman!!!!!

[@giuseppealbonico7484]

Musicista unico, che mito

[@asawinmethanont7121]

Good guitar and great guitarist...

[@pablonegretesalazar6229]

Very nice guitar!

[@marekchmiel398]

What's the piece which Marcin plays in the beggining of the video?

[@mikebunnyguitarish]

The fugue to Ponce's Variations sur "Folia de Espana"

[@marekchmiel398]

Michael Bunny Thank you very much

[@TheRflynn]

And his choice of ring tone? A noisy version of Mannish Boy played on...steel string acoustic? There is a right guitar for every song.

[@hellomate639]

That thing is incredible. It sounds a bit like if you put an Oboe d'amore tone into a classical guitar. This instrument: kzbin.info/www/bejne/gHi3YZyGpbpsn9U I think there is this "crying" sound that is in really beautiful instruments... I'm just starting my luthier journey, but I think I'm going to make a wider variety of instruments and invent new instruments... Starting out with a lyre so that I can learn a bunch of rough mistakes. But I'm trying to incorporate the sound of the viola da gamba, harp and lute into this lyre with its soundboard and bracing structure. Funny enough, the wood I am using for the soundboard is cheaper than the wood I am using for the rest of the guitar - hardware store cedar, but where I just went and tapped on a bunch of pieces until I found a quartersawn piece I really liked. Heh. Once I get better at this I'll be using more specialty lumber. Also... this is the best classical guitar I've ever heard, how much do you charge? It somehow has "Steinway" and "Oboe d'amore" in it haha

[@AndSendMe]

It sounds brash and wild to me. Bright without organization. That's partly about how this particular player affects this guitar.

[@hellomate639]

​@AndSendMe Heh I do not hear what you are talking about. This guitar has a bell tone to my ear, which is usually a plus in most instruments.

[@hellomate639]

​@AndSendMe yea I really hear a lot of dynamic range on the guitar as well. That is the timbre between soft and loud, harsh and mild is large.

[@AndSendMe]

@@hellomate639 I will listen with different speakers today. I share your appreciation for Oboe d'amore sound. The late lute maker Robert Lundberg called aspects of that kind of sound 'covered'. You might like the sound of a 1942 Sanfeliu blanca that is on the GSI channel.

[@hellomate639]

@AndSendMe well, you could try to also tell me what you hear in it more because I am still open. I think the mic here isn't very good. I hear this long, drawn out bell tone that gives this emotiveness and clarity of tone across the harmonics, but where the harmonics are clean. I remember seeing a curve comparing two tonewoods for guitar, and the one I liked better had the same harmonic spread, but the overtones were more grouped in the distribution, in that you had several distinct overtone peaks in the recording, compared to the one I liked less that had a more even distribution of tones, which sounded less crisp. I wonder if there's a technical term for this

[@MrUrech]

Id be a lot better if the guitar conveniently float in front of me defying gravity and such

[@gtrmusic69]

Sounds shallow and boxy to me

[@hellomate639]

I suppose you'd like a sine wave generator guitar