so what? I am Medea!!! only Callas is able to give all those feelings of pain , agony,. betreal sadness tendernss and madness in such a short period of time, She is a true complete artist! No one else can ever reach her artistry.Her memory is eternal. Thank you for posting this!
@FrancineGaltier7 ай бұрын
💫🎆💎💎💎🎆 💎💎💎💎💎💎
@aljavier2927 Жыл бұрын
The genius of Callas is that she can act with the voice alone. You know exactly what the character is feeling just by hearing her.
@celesteaida48 Жыл бұрын
Unica! Ogni parola, ogni respiro! Incredibile! Da brividi!
@drgchristov Жыл бұрын
Callas at her best! Incomparable interpretation! Emotion and music combined in one. Divina, immortal.
@lordanychdressince24082 жыл бұрын
The best Medea!
@natanaelgorrin94733 жыл бұрын
Callas=Medea. Ella ha sido y será única, la gran soprano de la historia.
@hansvanbussel2999 Жыл бұрын
... she had this Midas gift, taking up whatever the composer had put into music and turn it into pure gold ... sheer magic 🙂
@joseejaja2792 жыл бұрын
I regret to say it took me a long time to appreciate Medea but more so Medea by Callas. Since l do not understand Italian, l too often rely on the beauty of the music to transport me into the realm of the composer. However lately l found myself listening to her as if she was speaking to me and l must say, there lies the magic! I still can not understand Italian but somehow it seems no longer necessary for l am join with her, face to face and all that comes out of her mouth is so expressive, so melodious, so true that l can finally say I love this opera! Thanks for sharing, be safe.
@antben89922 жыл бұрын
La Callas al massimo della forma vocale e interpretativa. Un ruolo scritto per lei!
@ms.chaewon92314 ай бұрын
Exactly. 1953 is the most balanced Callas in terms of vocals and interpretation.
@morganchan24654 жыл бұрын
Medea was her artistry at summit ! However the people after Callas are cowardly avoid to mention this opera, because they afraid of compare, compare to this demi-god legend
@alexandercallasti34202 жыл бұрын
La divina..hight priestess of opera and her art ! HER OWN WORDS NO BODY CANT DOUBLE LA CALLAS and its thrue until today.. Even those little voices by moscet try to DOUBLE her ! Haha ha i say to them. First prodous every singel word clear and remember to be as well actress on stage ! God luck Bocca il lupo !
@juanantoniomunozherrera92808 ай бұрын
Un verdadero genio interpretativo. Imposible de alcanzar.
@henri-francoisserrescousin412 Жыл бұрын
Immense ! Phénoménal ! Magique !
@MarioJimenez-hk5sy4 жыл бұрын
que maravilla!!!! gracias maria por darle a nuestras vidas algo unico. cuanto me hubiera gustado verte en vivo.
@rogalesi583 жыл бұрын
Da brividi, una spietata Medea, fantastica, mi sembra di essere li` alla Scala, che meraviglia.
@fabriziogarzi98922 жыл бұрын
Carlo Pietroniro, la sera prima c'era stata la Wally con la Tebaldi che inaugurava la stagione con scarso successo...la sera dopo, assieme alla direzione e concertazione tagliente, travolgente e infuocata e a senso unico di Bernstein, fu un trionfo assoluto. Quella sera Maria fece capire definitivamente che non ce n'era piu' per nessuna. E come dici tu pare di essere lì...e siamo lì.
@rogalesi582 жыл бұрын
@@fabriziogarzi9892 avrei dato chissà cosa per esserci, Grazie
@fabriziogarzi98922 жыл бұрын
@@rogalesi58, conosco chi ha visto tutte le recite...e' ancora sconvolto.
@rogalesi582 жыл бұрын
@@fabriziogarzi9892 bellissimo, e che Dio lo benedica che ancora riesce ad avere questi ricordi.
@leonardesco3950 Жыл бұрын
@@fabriziogarzi9892 anche chi porta ancora in mente il ricordo della Vestale ( capolavoro immenso) è ancora sotto shock 😉😉😉
@larrychan62210 ай бұрын
There's a studio recording around here on KZbin with Callas (complete opera) as Leonora in Il Trovatore/von Karajan conducting. I think it's also from the '50's and she gives a beautiful performance. The range of her repertoire is amazing, going from Leonora to Medea, that's quite a leap.
@philipc677 ай бұрын
A leap indeed: during 1952 alone she sang Elena in Vespri Siciliani, Norma, Konstanze in Seraglio (her only Mozart role), Elvira in Puritani, Armida, Gioconda, Traviata, Tosca, her first Lucias, her only Gildas in Rigoletto, Norma again for her ROH debut, the Trovatore Leonora, and Lady Macbeth at La Scala. Medea would follow in 1953. The term Assoluta never found a better justification. Look up her Torino concert for RAI in February 1952, available here on KZbin, to observe the versatility and excellence.
@fabriziogarzi98924 ай бұрын
I recitativi della Callas sono come versare dell'acido solforico su una lastra di metallo rovente. Un risultato artistico irraggiungibile da chiunque.
@rudyxrudy2 жыл бұрын
thank you... for mr brumel... yess... me too... love rrr
@arutysamuel-hz1kn8 ай бұрын
This recording is magnificent and tragic in every sense. Magnificently sung, but so were many others, by Simionato, Tebaldi, and others.Tragic because Walter Legge should have instead chose Macbeth, Armida, Medea, to name the three most obvious, or even Turandot.
@Samuel6969ify3 жыл бұрын
da brividi! Medea come Gioconda sono personaggi che appartengono di diritto alla Callas. Tutte le altre interpretazioni prima e dopo di Lei non hanno senso.
@laprimmadonna2341 Жыл бұрын
❤❤❤❤totalmente cierto. Saludos cordiales
@philipc678 ай бұрын
This is the famous Medea under Bernstein, Scala 10 December 1953. The prompter is audibly feeding her lines. Maria is tremendous, somewhat more refined than her Promethean first Florence Medea in May of that same year but still very passionate. She will repeat the feat with a leaner physique and instrument, but in excellent vocal form and a more human interpretation, in Dallas five years later.
@ludovicleprinceroyal8721 Жыл бұрын
Luigi Cherubini is the Great Artist at work here!
@correoprivado9953 Жыл бұрын
Wonderful! Where can I listen to the live performance of this version?
@josemendiara Жыл бұрын
This the complete live performance: Act I: kzbin.info/www/bejne/gZ7JhYCehs6nirs Acts II and III: kzbin.info/www/bejne/qYXHdHiQe9uAadk This is the studio stereo version: Act I: kzbin.info/www/bejne/gKrMfXuJqNGBopI Acts II and III: kzbin.info/www/bejne/gYe0ZpZtftmhlck
@correoprivado9953 Жыл бұрын
@@josemendiara thank you so much!
@222mozart2 жыл бұрын
éternité
@Cor61962 жыл бұрын
Humanly impossible, yet here’s the proof!
@AnasSyriano3 жыл бұрын
Who is chocking?
@eiriniseltsika86979 ай бұрын
Θα ήθελα να ακούσω την αρια με μια συγχρονη σοπρανο
@hugoalvesreis42712 жыл бұрын
Her vibrato isn't that fast. There's something strange 🤔
@markdarenvillanueva774011 ай бұрын
It's the old school way of singing. Unlike the modern singers who wobbles their vibrato when singing