Even in 1962, even when she wasn't dedicated to singing as she was before, even when the voice was less under control than before, she comes on stage and TEACHES everybody what music is about, what drama is about, what singing is about, what Verdi is about.... Unique.
@raynardi2326 Жыл бұрын
Maria......quanto manchi al TEATRO
@twofinedays2 жыл бұрын
There's no secret her voice here is not what it used to be. Upper notes are shrill and overall not well supported (aside from her chest tones that are still powerful and put many modern mezzos to shame). But the dramatic intensity she brings in and, above all, how she moves exactly to the music! Her drama and stage presence is so interlinked to her innate understanding of the music, and that makes her performance a total art.
@javiertrabajo9438 Жыл бұрын
Beyond the fact that it is an absolutely brilliant version, Callas literally leaves the blood on the stage, until the final greeting, the bow to the orchestra, it is absolute genius.
@NDRKlassik Жыл бұрын
Absolutely!!
@juliantalegonrueda94504 ай бұрын
Que interpretación que maravilla he visto esta opera don Carlo varias. Veces todos por grandes mezzosopranos arnés baltsa dolor zajik elena obratszoba .etc y ninguna ha podido ni siquiera igualarlo callas fue única un monstruo sagrado una diosa y la prima donna absoluta para siempre yo tuve la suerte de verla En Londres en una tosca memorable y quedé estupefacto brava maria siempre te recordaré brava divina
@paullewis24137 ай бұрын
Absolutely extraordinary. Late in her career yet the voice is remarkable, Maria’s middle range totally incomparable. It’s true, we will not hear her like again, that’s for certain.
@FairyForest873 жыл бұрын
Her dramatic intent is so great. She became the character she was singing as, every single time
@danawinsor13803 жыл бұрын
It was a gift, the kind of thing that can't be taught. You have to "have it in you" to live those roles the way she did. There will never be another Callas.
@FairyForest873 жыл бұрын
@@danawinsor1380 i completely agree with you
@jeantsamblacos619 Жыл бұрын
Vorrei trovare un soprano che canta e interpreta la musica e il drama come lo fa lei in questo periodo della sua vita artistica.
@rogelioquintana79272 жыл бұрын
She always touches the heart. Pure art!
@nathandavis30023 жыл бұрын
Fantastic! She forgets some of the words though. Nice to see a human moment from an artistic titan
@fidelmartinica18572 жыл бұрын
Titan 💯
@mistersmith1883 Жыл бұрын
I'm never really sure. Sometimes changes are have.
@tarasubramaniam61913 жыл бұрын
Irreplaceable... 20th century is empty without la Divina
@ngatihine60723 ай бұрын
Her smaller frame wasn't supporting her sound compared to earlier years. Yet her drama and muscianship are unmatched, and she still sounds good.
@ofelialachner93792 ай бұрын
Unica!!
@NDRKlassik2 ай бұрын
Sì!!! 🌟🌟🌟
@eberlinpascal28372 жыл бұрын
Toujours aussi grande et magnifique musicienne et tragédienne , malgré l'usure de sa voix dans ces années là .C'est toujours admirable malgré tout .
@Dianaemanuel Жыл бұрын
She absolutely LIVES the role through the music.
@NDRKlassik Жыл бұрын
...la DIVINA :)))
@trucoalaspardasalaspardas303 жыл бұрын
Callas, siempre callas!!!!
@ipercalisse579 Жыл бұрын
Divina
@Leonella4493 жыл бұрын
UNICA COLOSSALE BELLISSIMA E GRANDISSIMO VOCE SEMPRE LIBERA CALLAS-COLOSSSALIA BELLLSSIMA!!!!!🌏🌋🏞🗽🚀🌺🌷🏵🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹
@luciamacchion4423 жыл бұрын
Memorabile memorabile
@isaballaserrano49912 жыл бұрын
What a perfection ! DIVINA! Bravissima! 💯💯💯💯💯❤️
@Cedricfollyman3 жыл бұрын
Fantastic, though I can’t help but feel that the momentum was stilted somewhat in the Cabaletta ‘O ciel! E Carlo!’,
@Starritt_Piano2 жыл бұрын
I love the lower and middle register of Callas, it's just like no other!!! I think it's amazing that she's so versatile as a soprano and she was able to make all the roles she sang her own to escape the realities of her life, but I think she is more naturally a mezzo, she just sounds more natural in the lower range and has tonnes of colour over the dynamics, I don't know why she didn't record more as a mezzo in the complete roles. I love her Juliard master classes when she was teaching Amneris in Aida and a mezzo aria from Trovatore, she really showed emphasis about the areas of the text and demonstrated with such conviction what sort of emotion that the composer is portraying.
@Starritt_Piano2 жыл бұрын
Her voice when she's speaking sort of reveals itself ... it does have range but it's naturally placed lower.
@mistersmith1883 Жыл бұрын
I love her chest voice. I prefer her mezzo arias. But I love her high notes in un ballo in maschera ma dallorida stella Divulsa, Morro ma prima grazia, merce diletta and l'altra notte fondo al ma.
@danbarthy38193 жыл бұрын
Thank you so much for share that amazing vídeo! Maria Callas did a fantastic presentation. A true Diva. 😃👏🏾
@NDRKlassik3 жыл бұрын
Agreed! Thank you for joining us!
@nataljasticco568 Жыл бұрын
LA divina ❤
@kraus35913 жыл бұрын
Bravaaaaaaa!!!
@samanthalennon2 жыл бұрын
This is a real Woman right here… wow..
@jkphonix3 жыл бұрын
Divina !👏👏👏👏👏💔
@FelipeViannaNutriUFRJ2 жыл бұрын
I believe that the versatility of Callas' voice, added to the incredible technique developed by Elvira de Hidalgo, would allow Callas to sing some mezzo roles in a wonderful way. These would be: Azucena, Eboli, Princesa de Bouillon, Dalilah, Carmen (although she recorded, I mean singing on stage), Leonora, Joan of Arc, among others...
@frb18083 жыл бұрын
@lestermatos29892 жыл бұрын
Her low register is the most haunting and deep ive heard
@mistersmith1883 Жыл бұрын
O don fatale, o don crudel che in suo furor mi fece il ciel! Tu che ci fai sì vane, altere, ti maledico, ti maledico,o mia beltà ! Versar, versar sol posso il pianto, speme non ho, soffrir dovrò! Il mio delitto è orribil tanto che cancellar mai nol potrò! Ti maledico,ti maledico o mia beltà , O mia Regina, io t'immolai al folle error di questo cor. Solo in un chiostro al mondo omai dovrò celar il mio dolor! Ohimè! Ohimè! O mia Regina, Oh ciel! E Carlo! a morte domani, gran Dio! a morte andar Ah, un dì mi resta, la speme mi arride, ah, sia benedetto il ciel! Lo salverò! Un dì mi resta, ah, sia benedetto il ciel! Ah! lo salverò!
@TheKatchour2 жыл бұрын
❤️❤️❤️
@ilialioutov2993 Жыл бұрын
Can anyone explain the change to the upper registry?
@EudoraPriceАй бұрын
♥♥♥♥♥♥♥
@gabrieleruffini48848 ай бұрын
why nobody took into consideration a Don Carlo with Renata Tebaldi as Elisabetta and Maria Callas as Eboli?
@YortOK2 ай бұрын
Callas refused to be seconda Donna.
@nicolapascoli45803 жыл бұрын
Se non si è veri mezzosoprani meglio lasciare stare; sotto non ha il suono necessario
@FairyForest873 жыл бұрын
Do a better job then and only then you can criticize Maria Callas.
@EmilyGloeggler79843 жыл бұрын
@@FairyForest87 Take your own advice, hypocrite
@NDRKlassik3 жыл бұрын
Please be kind and respectful with each other. ☝️ Constructive criticism is always welcome, insults are not.
@ramoncifuentes46643 жыл бұрын
Questo non si tratta solo di suoni...
@lesindorf-934videos Жыл бұрын
👎👎👎 Ужасно. O don fatale надо петь вот так: kzbin.info/www/bejne/nZSuioyfq6yXn7s