Masjid Wazir Khan I Lahore I Witness the Love Story of Ranjit Singh & Maharani Moran I Gilani Logs

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Masjid Wazir Khan I Lahore I Witness the Love Story of Ranjit Singh & Maharani Moran I Gilani Logs
Videography: Muhammad Tanzeem Bath
Guide: Abdullah
The Wazir Khan Mosque is a 17th-century mosque located in the city of Lahore. The mosque was commissioned during the reign of the Mughal Emperor Shah Jahan as a part of an ensemble of buildings that also included the nearby Shahi Hammam baths. Construction of Wazir Khan Mosque began in 1634 C.E., and was completed in 1641. It is on the UNESCO World Heritage Tentative List.
Considered to be the most ornately decorated Mughal-era mosque, Wazir Khan Mosque is renowned for its intricate faience tile work known as kashi-kari, as well as its interior surfaces that are almost entirely embellished with elaborate Mughal-era frescoes. The mosque has been under extensive restoration since 2009 under the direction of the Aga Khan Trust for Culture and the Government of Punjab, with contributions from the governments of Germany, Norway, and the United States.
The mosque is located in the Walled City of Lahore along the southern side of Lahore's Shahi Guzargah, or "Royal Road," which was the traditional route traversed by Mughal nobles on their way to royal residences at the Lahore Fort. The mosque is situated approximately 260 meters west of the Delhi Gate, where the mosque's Shahi Hammam is located. The mosque also faces a town square known as Wazir Khan Chowk, and the Chitta Gate. The mosque hosts the shrine of Saint Syed Ishaque Garzooni alias Miran Badshah.
The mosque was commissioned by the chief physician to the Mughal Court, Hakeem Ilam-ud-din Ansari, who was widely known as Wazir Khan. Wazir Khan later became the subahdar, or Viceroy of Punjab, and commissioned several monuments in Lahore. Wazir Khan owned substantial amounts of property near the Delhi Gate, and commissioned the Wazir Khan mosque in 1634 in order to enclose the tomb of Miran Badshah, an esteemed Sufi saint whose tomb now lies in the courtyard of the mosque. Prior to the construction of the Wazir Khan Mosque, the site had been occupied by an older shrine to the saint. Wazir Khan's mosque superseded the older Maryam Zamani Mosque as the Lahore main mosque for congregational Friday prayers.
Wazir Khan's mosque was part of a larger complex that included a row of shops traditionally reserved for calligraphers and bookbinders, and the town square in front of the mosque's main entrance. The mosque also rented space to other types of merchants in the mosque's northern and eastern façades, and ran the nearby Shahi Hammam. Revenues from these sources were meant to serve as a waqf, or endowment, for the mosque's maintenance.
The mosque is built on an elevated plinth, with the main portal opening onto the Wazir Khan Chowk. The outer perimeter of the Wazir Khan Mosque measures 279 feet (85 m) by 159 feet (48 m), with the long axis parallel to the Shahi Guzargah. It was built with bricks laid in kankar lime.
Wazir Khan mosque is renowned for its elaborate embellishment in a style which draws from the decorative traditions from several regions. While other monuments in Lahore from the Shah Jahan period feature intricate kashi-kari tile work, none match the enormous scale of the Wazir Khan Mosque.
Bricks facing the mosque's exterior are richly embellished with the Persian-style title work known as kashi-kari. Façades facing the inner courtyard are richly embellished with motifs and palette which display strong influences from 17th century Persia. Persian-style colors used include lajvard (cobalt blue), firozi (cerulean), white, green, orange, yellow and purple, while Persian-influenced motifs include star-shaped flowers and grapevines. The mosque also contains motifs of cypress trees, and is the first Mughal monument to have borrowed this motif from Persia.
The façade of the entry portal facing Wazir Khan Chowk is decorated with elaborate tile work and calligraphy that includes verses of the Quran, the sayings of the Prophet Muhammad, prayers for the Prophet, and calligraphic insignias. Above the iwan entrance to the main prayer hall are verses from the Quran's surah Al-Baqara written by the calligraphist Haji Yousaf Kashmiri.
The interior walls of Wazir Khan Mosque are plastered and adorned with highly detailed buon frescoes The interior decorative style is unique for Mughal-era mosques, as it combines imperial Mughal elements with local Punjabi decorative styles. The main prayer hall contains a square pavilion over which the mosque's largest dome rests - a Persian form known as Char Taq. The underside of the dome feature frescoes depicting trees in pairs, pitchers of wine, and platters of fruit, which are an allusion to the Islamic concept of Paradise.
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