Master Class: Christian Tetzlaff teaches to play the violin

[@danschmeidler9795]

one of my favorite players as far as focus on expression, phrasing. so passionate and committed to art and music.

[@nickyork8901]

He is a really super teacher, made a big difference to the first pupil's sound and interpretation in 5 minutes, in a very nice way.

[@JustFiddler]

indeed

[@jenshoffmann2210]

This masterclass is so worthy for any young violinist.

[@JustFiddler]

indeed

[@RobertHershkowitz]

They all play beautifully very very well musical they are. Very.

[@arturandreusasot4717]

Great teacher, thanks

[@nickyork8901]

Remarkable playing by Daniel.

[@JustFiddler]

thank you for the video. greeting from bali island

[@CzechPhilharmonicOfficial]

Hello from Prague!

[@JustFiddler]

@@CzechPhilharmonicOfficial 🙏

[@nicholashill9302]

Inspiring thanks 😁

[@Francescomedardo]

The theme of the first movement of the Carmen-Fantasie is never sung by Carmen. It's the Entr'acte before the last act, sometimes called Aragonaise.

[@popitoto]

Why not the whole video?pitty

[@JustFiddler]

18:53 jazz?😅🎉

[@KingAeetes]

What violin is Daniel Matejca playing? It's very nice.

[@JustFiddler]

i have no idea

[@RareguyUk]

It’s a modern instrument by Stefan Greiner

[@refpmeaksedot]

at 19:05, Tetzlaff did not get the problem. The young boy has a poor right arm. You hear the whole piece that the boy has problems with the right sound on the lower strings. The reason is that his bow is too close to the fingerboard. He must learn how to play closer to the bridge. Less bow and more pressure at the bridge. It is not easy. Then he will have a sharper and stronger sound on the G string.

[@munadann]

i dont really agree. he got actually the problem. he said slower bow speed and showed to have more arm weight which usually results in a lower elbow and if you want to get a sound at the bridge your bow needs to be slower ;) and if you play slower near the fingerboard your sound would crack. the goal from him was to teach him a big sound with armweight and slower bowspeed and as a side effect you dont press with the thumb so much. So Im sorry to say Mister, but i think the one who didnt get it was you ;) haha greetings!

[@nickyork8901]

The teacher is completely right. This is not about pressure. A lower right arm for that particular note and a flatter bow on the string, slower bow speed and a different division of the bow. Daniel has a very good sound and a well set up bowing arm in general, although quite high.

[@JustFiddler]

@@munadann i see

[@RobertHershkowitz]

Thanks a lot it's privilidge and an an honor too have this nice man help all these young people who are so talented.graditude gratitude .a lot much.for this here.sincerly.

[@jenshoffmann2210]

It is incredible how concious Christian is about body tension (kzbin.info/www/bejne/gpuYaKhraKp_jKc). Also incredible how concious I am about details in this video.

[@turgutderal5488]

burada çalan bazı gençlerin intonasyon sorunları var

[@r.i.p.volodya]

Why is that man skulking in the background of the Carmen Fantasy?! - get a chair and stop being a distraction for goodness sake!

[@cristinaruotolo5606]

He's translating

[@xichang5092]

Surprisingly her violin sounds much better than his...

[@daniel3231995]

Probably because he's miced

[@samuelrotberg]

Yes, it's the microphone picking up every little string noise. The performers have no mic so we are hearing it from afar.

[@JustFiddler]

@@samuelrotberg i see