Master's Degree Open Day

thinkspace.ac.uk/postgraduate/
ThinkSpace online master's degrees offer a unique and often life-changing opportunity to fulfill your potential or to change or upgrade your career. Whether you are looking for a master's in film scoring, a game music or game audio course or a master's in music production and songwriting, we've got you covered. All our courses are 100% online and taught by world-class working creative professionals. Join Guy Michelmore and Bradley Jordan for a walk through exactly what we have to offer.
00:00 Intro
01:55 Overview
05:27 3 Main Teaching Areas
05:50 Music Production
07:52 Film & TV Music
11:26 Games Music and Audio
15:06 MFA Options
15:50 Teaching Staff
20:05 Studying Online
24:24 Getting work
27:00 Our Students
34:33 Community
36:49 How the Degrees Work
39:23 Schedules
42:00 Money
45:15 Time
46:52 Application Procedure

[@Zettaiz3r0]

I love what you guys do, and am a pretty inactive student of thinkspace short courses. Guy, I love your enthusiasm for the craft and your KZbin content always brings me back. Life has opened doors for me, as I still do have aspirations to output the level of work that could get me admitted to your Master's Program. Thanks for keeping the passion and dream alive! With Love, - Alfred

[@hwynne]

Loved the video! I'd love if you did another video on what types of pieces a composing portfolio should have. Whether its bidding for jobs or applying to a Masters program

[@mr.chisels729]

Wish I had the time and money!!!

[@ThinkSpaceEducation]

I get that

[@dakayaerus]

This is the dream.

[@TheHarperbow]

Hi Guy, Do you have any courses for “Beginners” in digital orchestration? It doesn’t need to be accredited, I’m referring to self education courses.

[@BillyHayes79Music]

Afternoon all

[@ThinkSpaceEducation]

Afternoon :)

[@jimboflex6194]

I saw a video by a professional film composer recently who said that all film scores are written in concert C, no matter what key the music is actually in. The accidentals, she said, are actually on the appropriate notes for the key the music is actually in. She put forth that this is to save time, as it's easier for the orchestra to just dive in, and if the piece is in the key of G for example, just putting up with the sharp showing up at the F-note, rather than remembering the key or looking at the key signature. I've never seen this confirmed anywhere, but this seems such an important consideration for the actual engraving of the score, that I would have thought I would have seen it addressed by others. Can you confirm (or deny) that this is the case? Thanks so much.

[@MNolanMillar]

Ok... I sent an email and am now working on my application portfolio. See you soon. 😊

[@Lufade]

I know it's absurd, but I can't help being hung up on the claimed 50 million records.... I've run the math. That's just over 1.58 records per minute for 60 years. I can only assume that the mixing credits applied to him are very loosely interpreted as such.

[@Auntystatic]

the under 60 thing for funding is a pain, the Prime Minister lives a couple of miles away I might pop in for a cuppa and a chat about that 😊

[@music_creator_capable]

Hello ^^

[@pagent11]

Stop clapping!

[@bitriplex]

👏

[@pagent11]

I have no idea what Telegraph is?

[@MNolanMillar]

@@pagent11 It's a tool scammers (like the fake account you're replying to) use to try to steal people's money.

[@alibarackaham7385]

You need a Bachelor's degree......huh? What does musical creativity has to do with that?

[@Crazy5exycurvy]

I'd love to do this... I need to shake the cobwebs off first though, perhaps for next year's intake.

[@ThinkSpaceEducation]

Look..... if you want to do it.....need to do it...