Master Superchops Jerome Callet Disc 1

[@truthseeker4841]

That is one helluva warmup!🤣

[@garymrsmooth]

Patience my friend. Jerome was right when he said it takes about 21 days to really break from the bad habits and improve. So just keep at it. Spit buzz as often as possible. It works trust me.

[@MrLaedsonFernandes]

Fantástico, estou iniciando no superchops e a diferença é fenomenal, espero conseguir realizar todo um trabalho do professor Jerome Callet e também o profº Sylas Xavier que trouxe a técnica para o Brasil ele estudou com o Jerome nos Estados Unidos, bons estudos a todos que se interessam por esta técnica.

[@mizaqueoliveira7700]

Onde encontra, eu quero estudar essa técnica mas não tem quase nada falando de como é feito. Só vídeo de pessoas tocando e falando que é bom e tudo mais, mas nada de dizer é assim que funciona e deve ser feito isso e isso.

[@Kickerinthehead]

Regardless of whether this technique will help or not...thanks for posting this. One can never complain about free advice.

[@tewbaguy]

Very helpful info! I've actually been using this technique on the tuba for years with great success, but i never told anyone about it because I thought it was wrong! I've recently been having trouble with my trombone playing, and this technique has been helping a lot basically the same approach I use on tuba. Miles Davis talked about this in an interview. His teacher had him 'Spitting out rice" on the way to school to get him to blow correctly. if you think about it, it's the same idea! Thanks so much

[@tiagohomero8286]

Sou muito grato ao prof sylas xavier que foi ate o Mr.Jerome callet e hj pude aprender a tocar em super chops! Fantasticamente essa técnica me ajudou e me salvou..... Recomendo.

[@tiago-zv9kz]

quanto custa as aulas do Silas amigo?

[@tiagohomero8286]

Cara eu não sei quanto está o valor mas,mas estou tendo melhores resultados com marco Dó 7.... qualquer coisa me chama no face Tiago Homero

[@tiago-zv9kz]

+tiago homero.blz

[@misaelsantostrompete7075]

o Tiago, grava um vídeo pra gente ver vc tocando, a "melhoria" que vc teve com o marco dó7. já vi o vídeo do marco dó 7, o cara não tem volume de som nenhum, aquilo não é tocar trompete.

[@vandersonsouza4783]

Ola, você sabe ensinar essa técnica? Preciso de ajuda pra toca na minha igreja congregação cristã no Brasil, e toca no quartel tbm... Se puder me ajudar meu whatsapp [phone]

[@garymrsmooth]

I'm happy to say since my last message, my chops have improved to a high C!!!!!! with occasional visits to the high D. I'm so happy. This is by far an improvement, compared to my old way of blowing the horn. Thanks Jerome. Now i need to purchase the mouth piece.

[@robertcarter2695]

Bravo maestro! This is a major advance to the art; Bach would be proud!

[@garymrsmooth]

It would appear difficult at first. When i first started i hardly could have played the middle C. But just keep at it and have faith in what Jerome is teaching. And good luck.

[@bebopmomma]

I don't use much pressure and I still get a pressure ring. Some of us do, some of us don't. We're all different. Sometimes it just comes with the territory, but use only enough pressure to make sure your lips are sealed around the mouthpiece to air doesn't escape around it...per Phillip Farkas. Don't push the mouthpiece against your lips, just make sure it's sealed.

[@aicragmusicyt]

Woooaaaahhh. Interesting. That's all I can say.

[@glennsband1]

100 percent accurate! The real deal if you follow through! I got the the great Callet horns, mouthpieces, a couple of lessons and have more fun than ever with double cc and endurance! From a full time performer.

[@martinholahan]

Fascinating. I watched and tried. I keep blowing my tongue off my upper lip. I have excellent range and endurance, but I like easier...easier is good. I'll be trying to get the hang of this! Wish me luck!!

[@martinholahan]

I have to add...I'm an old 65 year old dog and this is a new trick for me!!

[@cleitonguerra]

adorei esse videos,,tá de parabens aleksandro,........... eu toco trompet e essa foi a melhor aula que já vi,,,,uma pena que é em ingles...

[@joshwestrip6597]

28:10 explains it all. He had to change his embouchure because his teeth were crooked and his lips bled whenever he played. Everyone plays how its most comfortable for them. If this was a superior method for playing trumpet he would not be "the only person teaching like this". Plus, listening from 30:30, the student plays a scale with the usual embouchure, he then plays with the 'spit buzz' method and it destroys the tone. Though Jerome seems to think it sounds better... After playing more middle C's with the SB embouchure he's asked to plays from C to G above the stave. He's then asked to go straight back to his normal embouchure and play it, sure enough it sounds worse and he struggles. But thats NOT because the Spit buzz is better, its because he's just been trying to play with tounge stuck half way down his instrument, his lips will not feel normal after playing like that. Jerome instantly takes credit for it though. If the conventional embouchure doesn't work for you i understand why you would find a new way to play, i completely respect that. That doesn't mean its going to work for anyone else. Certainly not worth spending an hour on a DVD explaining how good it is when the students clearly have far better tone with standard setup. Range isn't everything! Noone wants to listen to screaming double C's if your tone is bad.

[@chriswellz5993]

I will say this, if it works for you, it works for you. But always remember guys, never sacrifice tone for range. If you can't get the range you want, atleast you sound beautiful where you're at. Playing music is all about being comfortable where you can play and work your way up. We don't need shortcuts otherwise, we'll compromise the tone of the instrument just because we want a higher range. If you can capture the same beautiful tone at a higher range, only then will you be considered a great musician. This style works for him because of his crooked teeth. Not all people's teeth is crooked. It's HIS method, but never should you try this out starting off because this will become second nature. You need the basics first. Figure out where you want to go from there. Don't start off with this crap (No Offense)... Tone is all jacked up, higher range though. But you want it to sound GOOD too. So practice your tone first, then focus on range without compromising that tone.

[@jazztrumpet-8246]

Amen to that bro.

[@claudeciralvesdemoura8792]

excelente teacher!

[@Blars76]

6 Werks ago I found this video and thought it's just another silly technic that doesn't work, but I tried out and was wondering how easy trumpet playing could work. Now after 6 weeks it beamed me up from high F to double high F. If it doesn't work you have to take a look at your airstream. You don't need much air but it has to flow straight and continuously.

[@dartme18]

I don't think I get it. You're supposed to bring your top lip down between your teeth a bit, then hold your top lip in place with your tongue and your bottom lip? How can you blow through that?

[@dartme18]

I don't get it. The bottom lip is replaced by the tongue (the tongue is vibrating to create sound, right?) or is the tongue just planted behind and touching the lips? How do you tongue if you're doing that?

[@Titurel]

So basically it's "cheating" by using the upper lip and the tongue as the vibrating source (with the lower lip just help to hold the tongue)? Feels weird getting the buzz on the tongue. But what ever gets the vibration in mouthpiece in what works I guess.

[@trumpsahead]

With my tongue so far forward it makes it tickle and itch, so I can't do it or not doing it correctly; but buzzing the lips for five minutes before every practice or performance will do wonders for your high range and tone I know for fact.

[@garymrsmooth]

It would appear hard at first. When i first started i couldn't hit a high G with that system. Now i'm hitting double high G!!!!!! However faint. Lol. But i'm getting there.

[@jakemf1]

THis has to be the strangest thing I have ever seen! How does his tongue not block the air if it is against his lip?

[@diegodavid745]

hi, is it possible to see the old video where jerome plays clarke 2 octaves up? tanks for answer

[@ShortyBrown.Trumpet]

Well i have listened to the whole clip and with out an exception, they all have a bad sound.

[@dartme18]

It's probably good enough at 80 feet

[@dbfables]

Callet's method works for upstream players only (primary buzz from the lower lip). If you are not an upstream player and stay with it, his methid turns you into one.

[@garymrsmooth]

Is it possible to play in the higher register just using the tongue placed against the bottom lip? Help!!!!!! Anyone!!!!!!! I'm also noticing that it feels like I'm playing the trumpet all over again. Playing a low C is a challenge with this new method. Feels like I'm just learning to blow my first note and this is coming from an intermediate to advance play.

[@Alex-ix8gy]

Boa tarde,por favor traduz para portugues, ótima aula aprendi bastante ja´.

[@vladprokop54]

Hello i have been playing for 2 and half years. Whenever i play i get a red ring from the mouthpiece, i understand that i am using too much pressure. I watched this video, and still kind of confused, about how to prevent that. THis video doesnt really say anything about this, so can please someone give me some tips???

[@jessecortez2676]

Just don't put pressure it's just something you have to train yourself not to do, but it will be a bit harder to play at first but pretty soon your facial muscles will build

[@rubenproost2552]

O, gawd, that feels 20x worse than nails on a chalkboard...

[@jessecortez2676]

I rather have good tone than range

[@chriswellz5993]

+Jesse Cortez I rather have both. Can't be great unless you set the bar for it.

[@chriswellz5993]

But I'm not disagreeing with you. I definitely rather have good tone FIRST, good range SECOND.

[@UrMom-vb8bu]

weird technique. glad it works for you. 33:20, i dont completely agree with Jereme that players 'crush' the trumpet against the teeth to un-collapse the upper lip. most players do that to help get tighter lips (smaller aperature) to hit a higher note. ie: the 'donut' effect. the upper lips collapses because players either play too much and are tired or... players have not been practicing enough to develop chops. chops are muscle memory and endurance. there are, i think, 44 muscles in the face, all of which need strengthened and conditioned in order to start playing high. i think this guy is too focused on the tongue to create the embuchure. whoever said this sounds like a drain pipe, i totally agree. the initial attack of a note sounds like what a new 5th grader would sound like. im not saying the tone, but the initial spitting whateveryoucallit attack of the note itself. 8:32 he has another drain pipe student who has been playing in some symphony? really? i'd hate to be sitting in front of him with all his spitting issues.

[@BoothyFrumpet]

Should I feel a vibration between the tongue and the top lip when producing a note with this technique?

[@rev.robertl.harris2493]

yes, that is correct.

[@dartme18]

Thank you for the clarifying question!

[@Andreedurado]

Hello friends. I started studying the chops and play the sound of the first scales. The highs notes are more difficult to control the position of the tongue, is this normal? With time and study the scales will get easier or I'm doing the technique incorrectly?

[@robertcarter2695]

Anybody know the trumpet manufacturer with the keyed valves?

[@Guisema]

Schagel

[@Janatte97]

Is it just me or anyone else thinks that the first buzzing taught to the student is just meant for playing the higher register? The lower register sounds extremely shaky.

[@gregapus5652]

Substitute pressure with air.

[@Andreedurado]

Ola amigos. Comecei estudar o chops e reproduzir os som das primeiras escalas. Os registros agudos são mais difíceis de controlar a posição da lingua, isso é normal ? Com o tempo e estudo das escalas vai ficar mais fácil ou eu estou fazendo a técnica de forma errada ?

[@Br4ssM4chine]

I much prefer Mr. Bill Adam's method...

[@dartme18]

Link, please?

[@Jazzallday]

its hard to play in that embrasure, any tips??

[@Cytex18]

I'm not getting this at all, could someone explain to me in better detail?

[@dartme18]

I'm with you, dude. Did you figure it out?

[@cleitonguerra]

e ai galera,,sou musico trompetista,,meia boca na verdade queria aprender essa tecnica,,,,,,,,Esse video tem ele em portugues,,,,,se alguem souber postem por favor

[@nigelgary8274]

what song was he playing at the beginning

[@allenrussell1947]

This guy's been playing in an orchestra 15 years? I had a stronger high c when I was 17.

[@emmanuelblot4643]

Good for you!

[@allenrussell1947]

@@emmanuelblot4643 I had only been playing for two years when I was 17. So yes, good for me.

[@aaronjackson7835]

I got a triple pedal F and a triple G through anchor tonguing. I’ll try this for even lower range. ;)

[@mazetapela]

that kind of strange systems sounds like lost in space technique for trumpet and syfy trumpet system and ufo things like that i dont even try it seems to difficult to digest OMG

[@rasectheqi558]

Pongan Subtitulos por faaaaaaaaaaaaaa!!!

[@leandrofernandes2916]

Are you dont plencel kaytk

[@johannb2011]

Help me a lot

[@dartme18]

What did you do!?

[@newunderthesun7353]

In typical KZbin fashion the detractors below have no better ideas -- go to their channels and you'll find no content or playing that is any better - most have no content of them playing at all. If you're going to call someone out as being unable to play and non musical and with poor tone quality, at least post a link to yourself playing better using some other technique than the one you're criticizing.

[@explodingsausage6576]

Get out of here with that lazy bullshit. You send a meal in a restaurant back and the chef says "well, where's your restaurant?" Weak defense of a scam artist who preyed on the vulnerable.

[@jesse-lx8we]

This is a some kind of Costello/Maggio technique hibrid technique...but......the worst about this is the sound....so crisp....hard to control. Funny part ```Overblowing is the greatest disaster....and He (the poor student) is experiecne this in his own orchestra´´ .................

[@bed562]

well ill add to the section here and say i know this stuff is wrong because its like 20 dvds of this stuff in 1 set...i forgot how much too but i saw it on the website with my own eyes...maybe back in the 70's it was nasty

[@pasqualegallo8234]

The man passed away sad news however his concepts are mis guided the tounge should never articulate past the teeth or come in contact with the embochure during playing... period he had good intentions but sad to say has ruined a lot of players. Carmine caruso was one of my teachers and this concept he disagreed with very much. Doc Reinhardt felt the same way and when i spoke to jerry callet he could not give me one sound basis for his teaching techniques that i could not prove wrong and he became very agitated and after almost 40 minutes on the phone with him he slammed the phone in my face and we never spoke again. Im not posting this to start a hate campaign but this stuff died with him and i assure you no one can carry this and make it work

[@ernestsharpe3371]

As it may work for some, I would never teach this to any of my students. I stopped the video after listening the first student. With just his first student that played, the top lip was rolling in when going to high registers which is a problem on it's own. The low register was very shaky, this is what a professional orchestral player should sound like? I give him the benefit of the doubt that he has been learning a new embouchure. I never really heard a pure sound during the legato section, nor a legato articulation. He says that the articulation used for this method is created by stoping the airflow, and then resuming it like a tongue stop? Jesus..... also his sound sounded very thin the entire time. Is there any big orchestral players that use this? I'd be surprised if so.

[@ShitEuphPlayer]

Good Lord, don't bother even attempting this God awful method! Unless you want to sound like a drain pipe...

[@dartme18]

(checks nickname) I'll take advice from you.

[@explodingsausage6576]

​@@dartme18You should change your name to "Shit Ginger Organist," it suits you.

[@OneBellerophone]

PAHAHAHAHA! OMFG KILL ME!

[@bobmcwen4251]

this might work for him, but this is a terrible technique to learn. Sorry Callet you wasted your life on worrying about embouchure technique and teaching it to your students when they and you should have just made music.

[@corey8807]

I hit like by accident before I even watched full video so take off two likes 😮

[@tooter1able]

some of has good pitch and tone; others of us just bitch and moan..............the Tension is overpowering; the trumpet police should jail this guy; so much staccato; how about a little legato.....a connected phrase//??? Thanks

[@johnporter7732]

Not to speak ill of the dead, but this is absolutely horrible.

[@jesse-lx8we]

Callet could not play Hich C..with 5 dailly hours....thats was why Mr. Callet....You slhould poracxtice less......you were tired all the time.....10 teachers....C´mon!!