There's something Wrong with the vintage Jazzmaster..

[@allenwebster6329]

When I was 14 my parents bought me a 64 strat for xmas, im 59 now and I still have the guitar and play it daily ,my parents have passed away in the last few yrs, I would never sell it for any reason, ive had it looked at for a value its worth around 14 to 20k, my wife wants me to sell amd pay off our house which has about 13 or 14k left on it ,but there is no way I will sell my strat for any reason ,one reason is i still play almost everyday I have other guitars but my strat is the most important because my parents got it for me to me its no amount of money my parents are gone now it the guitar has so much more value to me than money, great guitar mathew ,I would keep the guitar just the way it is play it, I bet it plays and sounds awesome with those pickups ,stay safe amd god bless

[@daves_not_here_mannn]

Don't ever let her bully you into selling.

[@RByrne]

That's pretty sad that she would want you to sell something like that.

[@nuerha85]

It's better to get a divorce than sell a loved one guitar.

[@denbodg9311]

Mmmm, Strat, Wife, House… possession is 9/10ths, you got the Strat & the Wife, so…… 😁🎸

[@stuarthossack7906]

Keep the guitar, ditch the wife ............... no, seriously.

[@thebatman911]

I like the detective aspect of your show. You going out and hunting down a vintage guitar and then learning more about what you purchased is part of the reason I tune into your show. Great job! Thanks for posting.

[@timhouston1638]

I think it's actually awesome when owners of vintage instruments like this one dismantle and document everything. I have no idea why anyone would not appreciate that.

[@ChrsGuit]

In today's market, you HAVE TO... Could you imagine paying a large chunk of change for an "original" guitar, then find out later that something had been swapped or tampered with and you just lost your @$$. Granted, these should be bought to be played... but you don't wanna get ripped off

[@brianbard3410]

Tim. If people would leave the goddamn guitars alone it wouldn't be an issue, only assholeian guitarist and villians guitar dealers are the only idiots who religiously take them apart

[@timhouston1638]

@@brianbard3410 I'm assuming you're being sarcastic.

[@DogRoar-dq4ri]

It's very bad for the guitar. Instruments are NOT Barbie Dolls and are supposed to be played and make music. Collectors suck and do music a disservice.

[@jcburger733]

I love when you tie the vintages apart and explain if it is pretty much a great find. Thanks for sharing

[@MatthewScottmusic]

Thanks always my friend.

[@SuperDrumwolf]

its legit, I don't see any "issues" with this guitar. everything about this guitar is normal for fender of that era. its a real gem play it and love it. a lot people know the "price" of things but don't know the VALUE of them. you win Matthew.

[@DCMO60]

I think you’re right on the money with your assessment. All the right clues are there. I love watching you tear into the history of vintage guitars. 🎸

[@MatthewScottmusic]

thank you for watching!

[@giacomopandiani6290]

Matthew is slowly becoming the Indiana Jones of vintage guitars!

[@ernieflanaganstingraybassm1463]

Next we will see him on the discovery channel..lol

[@tatusorsa5418]

Indiana Scott and Raiders of the Lost Stratocaster

[@mikemcintosh9933]

I for one really like seeing them disassembled and documented this way. I would never have the chance to see it otherwise, so to me it's excellent content.

[@EdSmith-g1l]

Much respect! Your knowledge of vintage Fenders is unparalleled. I enjoy learning about these wonderful instruments through you. Thank you and best wishes.

[@craiger2399]

That's my favorite paint and wood combo on a fender, and with the tortoise guard... the best. The wear and damage to the paint makes it even better. Congrats on this amazing find.

[@Aphazel]

Do I like these types of videos? Yes. I listened to your album several times... very nice! Great job Matthew!!!! Greetings from Italy 😎👍

[@markgenest6206]

Happy Holidays Matt! Thanks for this video. It’s great to see inside the guitar and get insight to its history. Appreciate you taking the time to produce and post them

[@MatthewScottmusic]

Happy Holidays my friend, glad you enjoyed.

[@GUITARSGIZMOS]

Thanks for doing these videos on the vintage gems you find Matthew. It's very interesting watching you go through the details and telling their story. Excited to see the next part of this one. Cheers, Thor.

[@tjm5492]

I'm not typically a proponent of the rip it apart type analysis, but in this case, it was worth the time and the detailed approach. Great job Matthew. You've got a beautiful guitar there.

[@lazyboyandtherockers8050]

I was stationed in the Air Force in Alaska in the mid 70's. I was in a popular band up there. The other guitar player was in the Army. He bought a 61 Jazzmaster from Army Salvage for $75. He stripped it and took it all apart. He didn't know what to do with it. In the process he ruined both pickups. I bought it from him for $75 in pieces. We didn't have places to repair pickups back then. Several years later, my cousin refinished the guitar in Black Lacquer. It came out gorgeous. I found a set of DiMarzio Cream color Humbuckers that fit perfectly. Back in those days you didn't keep several guitars like we do now. You had maybe 2 and one acoustic. So I sold that Jazzmaster. What a mistake, such a great guitar. I'd love to have a white one. I did have a couple more but they never sounded right. I had a 64 Candy Apple Red one but it just didn't sound good. Back in those days, again we didn't know how to make guitars sound better like we do now. Good Luck with that beauty and Merry Christmas.

[@leamanc]

Another great find! I love the teardown videos, keep 'em coming.

[@glenclifton4563]

As always, well done. You always try to get to the bottom of everything. This is a great learning experience for anyone that loves old guitars. I prefer Fender but appreciate them all. Thanks for buying and teaching about these wonderful instruments. I know it's very expensive and much appreciated.

[@denbodg9311]

I love to see videos like this. Can’t afford any of them, but I’m always keen to learn the history details, & the nostalgia.

[@danherold8132]

I absolutely enjoy looking "under the hood" content from you!

[@lewisgeyer1440]

I like seeing you dig into vintage guitars. Thank you.

[@drumsNstuff79]

Thanks for sharing! It looks original and complete to me. I hate how nit picky vintage guitar guys get about little details not "seeming" right and "devaluing" the guitar. I used to see it all the time on guitar forums and it drove me nuts. Some guy would want all the armchair guitar "experts" to weigh in on his vintage axe's authenticity. They would nit pick every little detail and put doubt into everything about it being real. "That lower bout curve seem too wide!" "The knob configuration seems off!" "Are those saddles original? They look funny!" "The headstock decal placement.. yadda yadda yadda!" Haha.. Yet we all know how hand crafted each guitar was and how it could be factory worker Mel's good or bad day. The varying neck widths and shapes. So unless it is Norman Harris or George Gruhn telling you it looks off I'd go with your gut feeling. I'm no expert at all, but it looks legit to me, so I'd say just enjoy it and play the heck out of it!

[@standuggan9740]

Matthew, I completely enjooy your posts. I like how you fill in answers to questions like you did here. Your appreciation of things from my era (I'm 73) brings to mind guitar hunting when I was a teenager completely out of the buying market but not the wishing market. I had a Ventures guitar with a cheep 10amp amplifier. I was never any kind of a player and tried to rekindle that love at age 66. But my hands weren't having any part of it. I've since bought guitars that needed repair and given away once repaired and still have three of those. nothing special. Guess I can thank Gibson nd Fender for not addressing the issues of broken necks and cheep Aisian manufacture for my being able to get ahold of anything at all. I've decided to build my own manufacture (if you will) and have four body styles I'm presently working on. Your video's give me just enough info to encourage me to go out and try something not so much as replicating Gibson or Fender. Lesson learned though a guitar is hust a body of some type of fiber, aneck of sometype of fiber, strings, tuners, neck and bridge, if electic then pickups, switches and pots. not much new our there except shapes. Thank you for your willingness to share as you explore the life and history of the guitar past.

[@angusmackay7281]

Love the patina and the story. As you say, the way the pickguards warp is a massive part of the charm. Looks a great guitar and will suiot you very well.

[@dr.gregtalley4049]

Glad it all checked out! Congrats! What a great guitar.

[@fiszervintageguitars4446]

Great video & guitar. Merry Christmas everyone!

[@bretthalpern3499]

Keep tearing into stuff! Love seeing what you find. Either way it's a keeper and a player which is really the only thing that matters IMO with vintage guitars. They're instruments for making music, not some kind of new currency.

[@markmoorhead1442]

Thanks for showing us your guitar man, it was a learning experience for me too. I’m no expert but it looks legit , with the neck ,back plate and pots dating from the same year. Never having been into one of those, I was impressed by the thickness of the pick guard and its shielding. (Of all things,lol)

[@orjand]

Really enjoyed the video! Very interesting as always. Thank you! And that fretboard looks magnificent

[@TheMotorleague]

Im 2 minutes in and I'm on pins and needles - this was a great watch - really enjoy these

[@stevenrutherford3649]

More of this type of video in the future. Love these deep dives into old guitars.

[@stephensticht]

I actually owned a 1965 or before Jazzmaster. When I got it the body was a mess and the headstock was the blonde finish you speak of. I matched the headstock color and did the body to match. I'm sure someone will say "why'd you do that?" Well this was 1984 or so and having a relic wasn't really cool. I was collecting and made it look like it should and even used nitrocellulose lacquer. PS. You mention "why would someone change the neck?" Well another collector I was friends with back then bought a 1958 Fender Stratocaster from an old guy who was a player back in the day. My friend left with the guitar and the guy who sold it called him when he got home to tell him he had 5 necks that go with the guitar. This old guy wore the necks down and had the Fender dealer get him another when that happened.... True story.

[@stevencjones5236]

I know little to nothing about Jazzmasters, and found it curious about the 2nd swtich and set of knurled "knobs" pertruding through the pickguard near the guitar's upper edge. With a little surfing I discovered the deliberate separation of "rythm" and "lead" pickups, and their uique wiring Fender designed and incorporated. The large difference in winding resistance between the rythm and lead pickups adds to my curiosity, and makes me wonder what their original design goal was. The pickups look quite a lot like Gibson P-90s, but reading about their differences was also very interesting. I applaud your efforts to uncover the autheticity of your guitars, and video the process, which adds to the reason I enjoy watching your channel. Keep it up!

[@cigarboxguitar9519]

= Excellent analysis. I learned a lot watching it. These guitars were not cheap when they were new ($400 in 1965 = $4,000 in 2024) so $13,000 now doesn't seem ridiculous.

[@kentpierce9910]

Its player grade. Whatta ya gonna do. Dig into it, play it, love it. So few of these guitars are show pieces. It was made to be played. Great video.

[@rulandhardy1405]

I Really enjoyed your 65 Jazzmaster exploratiion. I have had 3 pre 65 Jazzmasters over the years and still have a 64 date, white with white headstock. The back plate has an earlier serial number though from 63. I believe mine is an older refin. It pays great and was reasonable. I learned a lot watching yiu take apart your 65. Love the blond over ash! Rare finish!

[@fredmueller9919]

Everything looks up and up to me. The Color, pick ups, controls, pick guard, bridge, and also the neck all seem to be all original and a rare find. It’s amazing that you found it. Can’t wait to hear how she sounds. Anybody that would question the neck with that date code that’s ink stamped on this neck is being really picky. But if they see something that proves differently that you and all the other people aren’t seeing it’s not the original neck to the guitar. I don’t see that happening. The only reasonable and possible way that neck is not the original neck is if something was wrong with the original neck when the guitar was built and had to be replaced immediately by fender under warranty for the original owner.

[@user-fh2vx3hd6c]

there's literally a photo of the guitar on the internet with a different neck. Did you watch the video?

[@fredmueller9919]

Yeah, I watched the video on a iPhone. Other than the neck rosewood fretboard looking a little darker there’s no other difference in that neck that I can see on an iPhone. I’ll have to look at it on a desktop computer with a big screen so I can analyze it like apparently you are.

[@goldringhunter2431]

The date stamp on the neck looks brand new, every 1960s Jazzmaster I seen are faded.

[@FishboyHolli]

Fascinating as always! Great videos and thanks for sharing your passion! I don't know how many times I've watched the barn find junior videos! Smiling chords to you from the uk 🙂🎶🎸

[@MagPel1]

LOVE the dissasembly of vintage gear. You have a couple of really strong vids and this is another one of them. Keep it coming i say!

[@stephenmiller5023]

I’ve been a subscriber for 4-5 years now Matthew , ever since discovering your channel during the dark Covid period. It has been a great journey watching you grow into quite the collector & historian & I’ve enjoyed it so far immensely, and learned quite a lot about Fender instruments and whatever else you post about along the way . Thanks man , and hoping to see this one back in action with ya . Merry Christmas 😎👍

[@MatthewScottmusic]

Merry Christmas thanks for being a longtime watcher.

[@voided76]

Great video; I would have really liked to hear it either before or after!

[@andrewglidden]

Really interesting video once again Matthew. I love all the detective work that goes in to trying to decipher the history and unique marks and character of old guitars. I bought a ‘76 Mustang from an old Country & Western club performer in Edinburgh. 🏴󠁧󠁢󠁳󠁣󠁴󠁿There was a hole in the front just below the scratch plate. When I asked about it he said he was playing in a pub in Leith and someone threw a dart at him and it stuck in the guitar! Not 100% sure I believe him but it certainly looks like a dart hole! I’ll make sure I pass the story on if I ever sell it…

[@Chimi-shreds]

It’s a joy man watching the stories of the guitars you find and show us. The barnfind 54 Les Paul hooked me. Your music was also a good find. Enjoy jamming it too. Cheers man, and happy holidays from dallas.

[@williamrobinson7435]

Really interesting! I think this will command a high price, purely on its apparent integrity and its rarity value. Nice one Matthew! Happy Christmas to you and all supporters of your wonderful channel. 🎶🎄✨🌟👍

[@mackie_p]

Great informative video! I don’t know anything about guitars…you explain stuff so well! I enjoy the tear down!!

[@CaptainThunderfoot]

Props for digging into it and shutting down the skepticism. Sucks to have to break it all down but at least you get peace of mind now, and it was a super satisfying video!

[@JJukstratfan]

I really enjoy these videos. Those kind of guitars don’t come up much in the UK. To me your videos are an education. Thank you Matthew keep them coming.

[@Texasbluesalley]

12:31 "I know people out there.... don't like it" - spoken like a man who's discovered the joy of making videos on the internet 🤣

[@galelongputt]

Hey, I have the same exact phillips, vice grips, and calipers as you! 😅 Thank you, Matthew

[@jeffreylane73]

Super interesting man, thanks for sharing....love seeing all that amazing history. Only thing missing is some of your tasty playing in this one! :)

[@leelossi1257]

You did a great job describing your beauty!! I wouldn't change a thing.............play it and enjoy your find.

[@estenray5385]

Loved the video Mathew! I’m not sure what the “issues” are with this particular Jazz Master as it looks like every thing is original as far as anyone but the original owner would or could know! Everything else looks just like a well used hard played 1965 Fender! Congratulations on finding this under appreciated gem 💎! Looking forward to your next video!

[@kadeemward]

Congratulations on another vintage guitar Matthew, I think it's a good score. Don't stress about the neck, remember Blackie & Brownie. If I had a vintage Fender, I wouldn't care if the neck wasn't original, just so long as the electronics and body are.🤘👏🙏👍

[@MickSupper]

Not original but has 100% of the signs of being late 65 like the rest of the guitar is far fetched.

[@darrenvictoriathornhill1170]

Excellent vid good sir. I love your honest appraisal. It is the mystery of these old guitars. Ya can’t deny the cool factor though. 👍🏻👍🏻👍🏻🎸

[@thunderoz1254]

Great Matthew. Hope you can bond with the Jazzmaster. 🍀

[@69spook]

I like these type of videos, checking the originality of the guitar. 👌

[@ampedgear1721]

I don't know how any true Fender fan could have a problem with this video! Leo intended for them to be easy to take apart and serviceable. Really awesome instrument you have there - loved the takedown vid!

[@ericjenks9596]

If the neck isn’t original to the guitar, bravo to the prior owner for hunting that beauty down. Enjoy!

[@darrendocherty2325]

I appreciate you getting into the value of the guitar. Many times in your review of vintage amps and guitars, I often wonder what the price point is to purchase something similar. Thanks, excellent video!

[@marendur]

RW goes to Rosewood. They've used Brazilian rosewood (jacarandá) at that time to make them. Some of the finest "acoustic woods", a rare material on bodies now, since is prohibited to commercialize Brazilian jacarandá since the mid 90's.

[@amslu]

You can really hear that Brazilian rosewood fingerboard!

[@InRodWeTrust2112]

Cool video I love anything fender, tho I am a drummer but still love guitars and play them also..i find interesting the disassemble of these guitars.. My brother also does the same with guitars.. He's also collects guitars and microphones

[@JaneBorras]

I got the same blond 1965 Fender Jazzmaster Mathew. It was a gift,so I don’t care if it is 100% original. It is as used and semi beat up look unto it.what I really like about it aside from the sound is the neck with almost ebony looking rosewood board. Thanks so much for sharing yours, more power man. Btw, my name is Eddie

[@CrockettsCabin]

Great stuff as always. My question is: What difference does it make if the neck is "not original" to the body? It's a contemporary-to-the-body neck. It's a pretty cool find.

[@WesleyWattley-xy4fg]

👌 perfect perhsps 🎸

[@secretdaisy6484]

I like when you take guitars 🎸 apart. I’ve learned a lot. More please. Happy Holidays 🎄🎅. 👍☮️🌞🎸🎵

[@PayneBox]

Happy new year! Great video/guitar!

[@_RLP]

That guitar is amazing and sounds killer. Especially in your hands! Keep it as is and play it as much as possible. Preferably with a ton of reverb! For some reason, washy reverb sounds with these just sound magical to me... As usual, thank you for sharing this stuff. Love to learn/see it. Keep it up and enjoy the holidays!

[@John_2Much_Coffee]

Very nice. Cheers. Have a Merry Christmas Matthew

[@unclestubs8377]

Thank you, another great guitar find! Merry Christmas!! 😊

[@MrTunalic]

Awesome find! Thanks for sharing your thoughts and experience as you analyzed this wonderful vintage guitar! 😊

[@Peepeestorm]

Love Jazzmasters. When Fender finally started making American ones that are left handed, I hopped on it immediately. Got my American Professional II Jazzmaster and I love it to death. Plan on keeping it forever

[@johannes1299]

Nice video! Would love to see the reassembly of the guitar aswell as some playing before or afterwards!

[@UkuleleBobbyKemp]

Fab video Matthew, and I def. wouldn't disagree with your assessment. = My birth year @ '65 (and my ES-345SV too 😍). Definitely a brave man for 'going in' like that, but I'm sure she's safe in your hands. Peace... Bobby (UK).

[@lucianopazos286]

Why would anyone hate this? It's great content!

[@fepatton]

That was a great teardown and analysis. I don't see how you're supposed to authenticate a guitar without taking it apart to some extent. I really enjoy these videos. Would love to have ended with you playing it, though!

[@gregorytaylor516]

Totally enjoy your work and always look forward to what might come your way! Merry Christmas & a happy new year!

[@troymclean6487]

I was so grateful for your authentication process and market value assessment. I don't blame you for never wanting to part with this rare piece of history.

[@Marcroy1965]

I always learn something new when i watch your videos,thank you.

[@jordanclark1200]

Love this type of content. Glad that this instrument has made it into the hands of someone who as passionate and knowledgeable as you Matthew. Not to mention a world class player. Keep rocking brother✌🏻

[@HRHPOW]

Nice get n go and turned out awesome❤

[@alanpecherer5705]

I had a 1965 Jazzmaster, blond, with blond headstock. It had a white pickguard. Although the body finish was really excellent and matched the headstock color beautifully, I could not convince myself that the body finish was original, due to certain overspray patterns in the body cavities. The neck was hands down the best Fender neck I've ever had, and I have owned dozens and dozens of Strats, starting back in the 70's. In fact, I put the neck on my 1964 Strat and probably played it that way for 3-4 years as my gig guitar. No binding on the neck. Serial was L96---. It had the newer version of the headstock decal, with JAZZMASTER in big block letters. Looks like it was made a few months earlier than this one you have. Those late Jazzmaster necks are the best Fender necks ever made.

[@marquitust2874]

Dude this is my perfect xmas gift, a matthew scott new video!!!

[@rocinblues]

Cool guitar, Merry Christmas to all !!

[@jeffreylebowski3216]

Hey man! Merry Christmas and all that and thanks for another great vid. ✌️

[@fropdrimmer]

Looks cool, I always learn something from your teardowns.

[@VPicksGuitarPicks]

back in '72 by band teacher Jose Barron had one exactly like this in California. He used to let us students play it. I remember it very well because the neck and fret spacing here HUGE. I could barely play it so I stayed away from the guitar. I wonder if he still has it.

[@georgebentley-ricardo9445]

An excellent assessment of a wonderful piece of history, keep up the good work Matthew and thanks for sharing 🎸🤠👍PEACE

[@georgechronas]

Hello Matt, happy holidays! Nice video, not into jazzmasters really but always nice to see what's going on with your new vintage gear. Cheers

[@mikeellis9720]

Merry Christmas Matthew. I hope you have a great New Year!

[@MatthewScottmusic]

Merry Christmas and Happy New Year to you as well!

[@mikeellis9720]

Thanks, Matthew.​@@MatthewScottmusic

[@williamspray4649]

Nice video and awesome guitar. Had a bit of PTSD though when you took that pick guard off. About thirty years ago I opened up my '63 Jaguar to clean the pots and then let it sit for a couple days before attempting to put it back together. None of the screw holes would line up and I had to hack away at the bridge PU hole before it would fit again. Still have the guitar but I have never opened it up since then.

[@thomaskafafian2871]

Glad you took it apart and got to know it. Beautiful guitar. Looks legit to me. I thought maybe the word in the bridge was the name Fillipe.

[@theolderbrother]

Nice guitar! There def been a refret as the original bound 60’s fender necks (jazzmaster and Jaguar) had the frets end ”before” the binding (no overhang onto the binding) as the process at the factory was that they installed the frets before the binding. :)

[@beezersurf]

Love that Jazzmaster. Verifying its authenticity is so important, not sure why people would be against this. Great video, love your vintage collection, some amazing guitars and amps!

[@AM101GT]

Thanks for this great video and you honest explanation. Even my wife liked it, not sure if that was about the guitar too.

[@randolphpatterson5061]

Great video, Matthew! I really do enjoy watching guitars being taken apart for ID purposes.

[@YouSpamTard]

I had a white 1966 I sold a few years ago. I never played it very much. My dad bought it for me around 1979 from his friends son who bough it brand new. The son played it in high school and put it in the attic when he went to college where it sat until my dad bought it for me for 100.00. The neck had no binding on it. The frets were quite worn even though the guitar had not been played that much. The back neck had a bunch of stain on it from where the guy played open chords a lot. The color of the wood on the back of the neck had darkened even though it sat most of its life in the case. It was a beautiful color. Not the color of your neck. The neck was very thin from the back where your hand is toward the front. The radius of the fingerboard had a sever radius to it, more than any other guitar I have played. It was really really easy to wrap your thumb and hold bard chords at the same time. You should radius the neck. I think its something like 7.8 or so. The strings were very close together, as to each other, as to the width of the nut. I tried to clean it one time with soap and water and the top coat of the finish started to come off, so I stopped. Try the same to your guitar, but the body looks real for sure. The last thing about the neck that just looks way way wrong. Look on your video at 1:57 in the video. The guitar looks like mine, but the color of the neck wood looks new. The color of my neck was much different. The color of my neck looked like the neck you show at 1:28.The binding looks new too. Oh yeah, the color of the fingerboard was very dark in color, almost pure black. You could see no wood grain in it at all very much. Yours is light in color with lots of wood grain. If I remember correct the frets had a goldish color look to them. I don't know why that would be, but that's what I remember. I see at 3:54, on your neck the lacquer finish looks cracked. I don't think my neck ever had enough finish on it to crack at all. The body had at most three coats. I guess the neck may of had two light coats of clear. All this being said, I would hate to steer your wrong, so take every thing I say with a grain of salt. I haven't played in years so I sold a bunch of stuff, but I miss that guitar. Please pardon bad grammar and typos. Good luck and God bless.

[@jeffseven2194]

Mel was a beast with the soldering iron, rock on

[@jimmyj4811]

Merry Christmas, Matthew! A very special guitar.

[@EmanuelHedberg]

Awesome! More videos like this!

[@russellzauner]

Ah, finally the teardown. Nice. Thanks for another great video.

[@russellzauner]

Oh my. The end stamp. I need to pull the neck I've never pulled off my fretless p bass. It's got a decal on it so I always figured it was old enough that I wouldn't open it while it still played okay, but now I'm really curious to see if I can date/identify the neck; it's on a zebrawood Boogie Bodies body, which is a single slab of wood as far as I can tell, and I priced a bunch of necks that looked like they had decals on them and skimming them the neck was bare minimum worth over twice what I paid for the bass (which I never want to sell, I like it). I got my Rhodes for an order of magnitude under what they sell for now lol but both of those are heavy to lug around, regardless of how much I love them.

[@ozgurruzgarozer6858]

I know you a vintage guy. But i really want to see you playing a Suhr Tyler Anderson like high end modern guitars. You deserve man.

[@stepheneverett-f2c]

Always fun and informative listening to you, have a great Christmas 👍