Mendelssohn: Concerto for Violin and Strings - Concertgebouw Chamber Orchestra - Live concert HD

[@notaire2]

Gut artikulierte und perfekt synchronisierte Leistung dieses melodischen Meisterwerks mit seidigen Töne aller Streicher. Die Solovioline klingt durchsichtig, süß und, vor allem, außergewöhnlich schön.

[@wagnerpolveiro7176]

Wonderful..., the great talent of Liviu and the perfection of the Concertgebouw. Thanks Avrotros Klassiek.

[@HelenaWilliams8696]

La magnífica obra de Mendelssohn es un encanto magical y majestuoso escuchar. La orquesta de violines y cuerdas es super!

[@LionKing-ew9rm]

Wonderful!

[@modernknightone]

Fantastic! Thank you so much for this. I have listened to it over and over again a dozen times now!

[@fabiusgraco5296]

Beautiful concert. Fantastically strings very well tuned and executed with great skill and perfect timing. Excellent performance and great post.

[@fitnessbrotherade2959]

Para haberlo escrito a los 14 años estasuper cool ... 👏👏👏👏🎶🎵🎼

[@LucienMarine]

The Concerto for Violin No. 1 in D minor was composed by Felix Mendelssohn during his teenage years. This Violin Concerto draws on Classical-era models such as Mozart, but above all it is influenced by French innovations in violin writing developed in Mendelssohn’s own time, and fully exploits the evolving techniques of new virtuosos. Mendelssohn was considered by many of his time to be a prodigy comparable to the young Wolfgang Amadeus Mozart. Besides being a brilliant piano virtuoso, his composition took a firm step forward in musical development. In the period when this concerto was composed, Mendelssohn already has twelve symphonies for strings in his repertoire but he wrote also a trio for strings, a violin and piano sonata and two piano sonatas then other pieces. In this composition « Allegro molto », the struggle between the soloist, whose firmness of line does not exclude tenderness or entreaty, and an orchestra in threatening and stormy unisons, constantly revives the interest of the discourse, whose tension does not knows no relaxation. For those who absolutely want to find Mozart in Mendelssohn, the « Andante » which follows this somewhat hectic first movement will bring intense satisfaction. Peaceful and luminous, this page with dreamy lyricism, on edge, remains faithful to the demands of clarity and balance of the classical tradition. It is the memory of Haydn which comes to invite itself in the last movement, whose thematic elaboration is based on a melody of undoubtedly popular essence. Brilliant page, removed, of a rhythmic alacrity which invites to the dance, this final « Allegro » nevertheless remains more ambiguous than a superficial approach might suggest, the shadows that presided over the first movement, and the waking dream which was fogging up the second, passes finally succinctly. For all this, interpretation is here in a perfect finesse without heaviness or pose, and which will never prevail far from here. *Lucien*

[@marciogomesj]

Mr. Prunaru, I am Marcio Gomes violinist and profeasor in Brazil. I've been following your work for some time and I want to say it's inspiring! Is Cadenza from Professor Alberto Lisy? How can I get this Cadenza. In December of 2019 I'm going to play this Concert in Brasília-Brasil, and I would love to perform this Cadenza! Thank you very much for your attention, Best regards, Marcio Gomes

[@yronai]

Were you able to get the cadence notes? If so, can you send them to me?

[@isaacparra2071]

◑ 🌊🌊🌊🌊🌊 ◐

[@edisonlizama5742]

De quién es la cadenza ?

[@santiagoporcino4229]

Don't know

[@marciogomesj]

Albert Lisy

[@edisonlizama5742]

@@marciogomesj Thankyou

[@VolknerBat]

Liviu is great as usual, but why most other members have horrible, horrible postures!??!?!?!?!?

[@karinlauterbach3157]

also das finde ich respektlos

[@tmnvanderberg]

Perfect modern playing: smooth, perfect sound (really amazing), very musical, very boring.

[@vionobleDE]

why boring?

[@deepakvashishth4504]

There is no real difference musical between him and an other violinist of his caliber