Michael Cox Interview 14/04/2020 How prepare well for an orchestral audition

Michael Cox, artist-in-residence at Principal Chairs (www.principalchairs.com) answers live and previously asked questions in this interview.
#flute #michaelcox#peterandwolf #orchestralaudition
www.principalchairs.com
Principal Chairs is an exciting new online resource for the study of orchestral repertoire - an online excerpt book with fantastic extras! We provide free sheet music and orchestral audio recordings (thanks to Naxos) of the most prominent and important solos in the repertoire. These are FREE for everyone to use and are right there next to each other on one page, making your preparation for practice much quicker. Most importantly of all we are working with leading international orchestral artists to provide educational, informative and inspiring pre-recorded video lessons, which you can view as many times as you like once you subscribe.
Michael Cox (principal flute of the BBC Symphony Orchestra and professor of flute at the Royal Academy of Music, London), our Artist in Residence, has already recorded many video lessons which you can learn from and enjoy. We\’re also busy working with many other top artists on additional video lessons so you can expand your knowledge of the repertoire by listening to their contrasting opinions.
Prices for the video lessons are deliberately low so that everyone, wherever they are in the world can hear what our artists have to say. By subscribing you are helping Principal Chairs to grow into a more extensive and informative resource.
If you’re not ready to subscribe and view the video lessons yet, continue browsing our sheet music and audio excerpts completely FREE.
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9:43 It is about Prokofiev Peter and Wolf. How do you play it as fast as it's meant to be? I've practiced it as fast as I can but feels so much faster in context with the rest of ensemble and feels impossible to make every no...
15:26 How long on average would you say it takes to prepare well for an orchestral audition?
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23:20 What would you expect to hear differently in an orchestral audition for a second flute position rather than a first flute position?
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47:36 Do you have some tips to avoid a sense of imposter syndrome?
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