After revisiting your video and other resources time and time again, it strikes me that the midpoint is the rebirth of the hero, but an unfledged form that must be harnessed through the final half of Act 2 and cemented by the resolution-- like learning to walk again. If it's more material than internal, then it seems to be twist or discovery. I've noticed some variations as well. One is where the protagonists makes a defining first step in a different direction and gradually makes way towards a final form (Godfather, Up, and most other movies). I've seen others where they completely overshoot in the polar opposite direction, spending the remainder of the movie calibrating towards balance (Fight Club, Mean Girls... that's all I could think of). I wanted to run these by you to see if I'm missing a beat, and if you had some additional concepts to consider. As ways, thank you for your videos. They are gems among the sea of white noise.
@ScriptwritingTips3 жыл бұрын
That's a great analysis! Thank you for your kind words and for posting this analysis here! Yes, it is a kind of rebirth. The midpoint raises the stakes, there's no turning back. I believe it would also help if you combine your current knowledge with the concept of character arc. Depending on which character arc the protagonist will have from beginning to end and what is the lie he/she believes or not (which also means what opinion or thought does the screenwriter actually wants to share with us - you always find this in the end of the story) that will also help you to define what goes in the midpoint and why.
@Rafael-kb1ql3 жыл бұрын
@@ScriptwritingTips Thank you for the reply, Apollonia, and I completely hear you on the point of no return and raising the stakes. As for the character arc, do you mean whether it's a positive, tragic, corruption or flat arc? Then use the raw concept to convey the moral/theme or the story? Thanks again.
@ScriptwritingTips3 жыл бұрын
@@Rafael-kb1ql Yes, you have understood it perfectly!
@Rafael-kb1ql3 жыл бұрын
@@ScriptwritingTips Thanks!
@abrandon123z8 ай бұрын
Good job
@shakeeladnanhashmi2 жыл бұрын
What is the difference between mid point and Climax
@AnnoyingMoose6 ай бұрын
The climax is the point of most intense action when the protagonist either wins or loses in the third act.
@강준혁-w7b2 жыл бұрын
really thank you!
@ScriptwritingTips2 жыл бұрын
Thank you for all your kind comments!
@elplacerdelsintagma65725 жыл бұрын
Apollonia, I think "premise" is one of the most difficult things on screenwriting. Now im reading John Truby... Could you make some day a video about premise?
@ScriptwritingTips5 жыл бұрын
That's a good idea, Joaquin. I'll do it!
@ScriptwritingTips5 жыл бұрын
Hello Joaquin! I've read John Truby's book and I realised that what he calls "premise" it is actually the "logline". So, I've uploaded a video about what is a logline and how to write it. You can watch it here: kzbin.info/www/bejne/ani3nKqEjb2JfaM Soon, I will also explain what premise is, which is not the logline, but only a part of it! I hope you enjoy the video!