this vid better than StudioBinder one, it focuses analysis on only one film and provides a analogy simple enough for beginner to understand. Whereas StudioBinder puts tons of cuts from other movies :V
@angelac47603 ай бұрын
Wow! I love the breakdown on all the movies and SE7EN still gives me chills!!
@kirathavaraahi3 ай бұрын
Thank you , your way of teaching is really good. Please take one complete single movie and explain about three act structure then it will be very easy to understand. Thank you.
@ScriptwritingTips3 ай бұрын
Yes, I'll try to do that! Thank you for your input!
@vichupb6 ай бұрын
Its 2024 and its still relevant and helpful..Thanks a ton.. And Im using this for my very first Novel😇
@ryushogun98906 ай бұрын
Pretty cool, but I want to create a original thing on Mystery. I get confused with these examples.
@ScriptwritingTips6 ай бұрын
I'm sorry that you get confused. I don't understand what you're actually asking here.
@gianthills7 ай бұрын
Your plot and story descriptions are the same. Plot is simply the order of events. The story has to do with the evolution of the main character.
@ScriptwritingTips6 ай бұрын
Of course, they are almost the same. How else will a beginner understand what is plot. The evolution of the main character takes place in both story and plot.
@TheDanishpictionary7 ай бұрын
It feels like there's something a little missing from this video. The dramatic question as framed in your explanation is a 'plot question'. Not a story one. I always thought the dramatic question was associated with the 'theme' of the story. Like Chernobyl 'What is the cost of lies?' feels like it has thematic resonance rather than simply 'will he get the girl?' Am I missing something?
@ScriptwritingTips7 ай бұрын
Thank you for giving me the opportunity to clarify this. The dramatic question is different from the thematic question. The dramatic question is just "the basics". It is about the story plot. However, many aspiring writers forget to incorporate such a question that will hold the viewer's attention. The thematic question, on the other hand, is more philosophical, not concerned with keeping the viewer's interest during the movie, yet when answered at the end of the film, it gives a sense of completion and catharsis to the viewer.
@XxSEETH3RxX7 ай бұрын
Something I've learned about ACT II is this; in every movie or TV show at the second act break is a moment where one character will basically tell the other I'm sick of you and you need to wake up. Not in those exact words but in some kind of way. It's a conflict that always happens.
@ScriptwritingTips7 ай бұрын
Any examples of this in movies?
@abrandon123z8 ай бұрын
Good job
@eye_hate8 ай бұрын
Great video
@chaituchaitresh20229 ай бұрын
you should keep spoiler alert for this (sixth sense)
@BiswajitDas-wq7hn9 ай бұрын
You r talking about a plot .. pls make a video about character's inner journey... that is very important to know about as a writer
@BadziTech9 ай бұрын
Just the answer I need. Thank you so much.
@markan64279 ай бұрын
explained very clearly
@Mr.Monta779 ай бұрын
A request: I’d like to see your personal presentation and video of you, and not an endless series of movie clips.
@girjeshchoudhary175810 ай бұрын
Very nice.....explaining very well ❤
@GOGDRAMTV10 ай бұрын
God bless you. This has answered a long time question in my heart.
@AuroraMazzarolo10 ай бұрын
what is the plot point 1 and 2 and the mid point in "Who framed Roger Rabbit"?
@ScriptwritingTips10 ай бұрын
I'm sorry I saw this movie many years ago and don't remember the plot points.
@karthikvarada661811 ай бұрын
Thank you so much
@chrislindsay100 Жыл бұрын
This was a mind-expanding video.
@ScriptwritingTips Жыл бұрын
Happy to hear that!
@robbiejones2216 Жыл бұрын
Lol. I don't want to go, it smells. It's your mother... that made me laugh so hard.
@jayashreechakravarthy4949 Жыл бұрын
Every clip of me crying is to be shown to Abhigel.
@jayashreechakravarthy4949 Жыл бұрын
I’ll be very gentle. Say things at your own pace. Slap me as many times as you want. Downstairs-our house. Do anything you want. Just don’t be nervous.
@jayashreechakravarthy4949 Жыл бұрын
Abhigel I will not question a single thing you tell me.
@formulaic78 Жыл бұрын
It's usually something you'll intuitively feel from watching many movies. You could compare it to when your main character starts the summit attempt on Everest, with act one having introduced the character, inciting incident etc, and act two having seen the character get most of the way up their personal Everest.
@ScriptwritingTips Жыл бұрын
Yes, you're right!
@joshuadouglas8745 Жыл бұрын
Great video! The music playing over the video is distracting. It makes it hard to hear the actual content of the video.
@nikkinewbie6014 Жыл бұрын
So, Jurassic Park…the worker gets killed. The family complains and the investors insist that the park then needs to be signed off on which requires for experts to weigh in. Hammond seeks out and invites Dr. Alan and the paleo biologist to the Island. Go back to the part where the guy gets killed and let’s see how many other things could have happened after that: Hammond could have given up. The investors could have said “one man? Regrettable but that’s acceptable- keep moving forward with no conditions.” Hammond could have gone to another expert - Not Dr. Alan. Contrary to what’s said here, I have seen other sources cite that the inciting incident DOES have to happen to the protagonist and I’ve heard that it is the thing that makes a movie THAT movie and no other. If any of the scenarios I named above had happened, clearly it would not have been the same movie. Now, when Hammond comes to the dig and issues his invitation to Dr. Alan and the other expert - THAT is putting us on the path to the movie we know as Jurassic Park. At that point, either the protagonists will either say yes or no and there are not six other things that could happen. If anyone other than Dr. Alan (who hates kids but risks his life to save two kids that aren’t even his) is chosen to go - this is not Jurassic Park. Do you see how the story grows out from the protagonist? The inciting incident should be something that directly involves the protagonist. It’s an opportunity that is interrupting the protagonist’s status quo (in this case his dig / his normal job). The two Drs. refuse at first but then they accept. That’s the decision they’ve made to go on the adventure or take advantage of the opportunity and leave the ordinary world whatever you want to call it. That decision is the first plot point which shifts us into - Act 2 surviving the island. In this case, the inciting incident and first plot point happen in short time. I’ve also heard the example of ET where people say the inciting incident is when ET gets left behind. No. He could have gotten hit by a truck. He could’ve gotten captured by the police. He could have walked to Mexico. The inciting incident is when Elliot, the protagonist and ET see each other for the first time. Elliot is then obsessed with ET and ET finds comfort and safety with Elliot. But again, until the two meet, anything could have happened before that. Finding ET presents the protagonist an opportunity. Yes It happens TO him. The protagonist is the yardstick by which the audience measures the importance of everything in the Story. They are the North Star. It’s their story. The story doesn’t start / is not incited unless and until a plot event directly affects the protagonist by bumping them out of their comfort zone. Story is about someone that wants something very badly, has trouble getting it and either succeeds or doesn’t. Dr. Alan wants vindication and proof that his theories about the behavior of dinosaurs are correct which he cannot prove with just the skeletons. The inciting incident is when Hammond shows up giving him a chance to obtain that vindication; not when some random guy gets killed on the island off the coast of Costa Rica. Armageddon. Inciting incident is when NASA first discovers the asteroid? No. NASA could have said “make your peace we’re all dead.” They could have chosen some other expert. Armageddon is not Armageddon unless and until the military guy shows up on Harry Stamper’s oil rig and takes him to NASA to hear the bad news. It’s simple. If inciting incident is the interruption of the status quo, whose status quo are we talking about? Some random guy who gets killed at the beginning of the movie with no connection to the protagonist? No. The standard is for the protagonist’s status quo is interrupted - and it shouldn’t be by six degrees of separation. If too many other things “could” happen instead of it coming down to an opportunity or a problem etc that the protagonist is presented with and must either accept or decline via the first plot point, it’s not the inciting incident. It should be something they don’t initiate / control / seek out. It should be something that happens to them or some opportunity or problem that is presented to them. So respectfully, I disagree with the poster of the video. Just to finish it out, Armageddon / the first plot point is when Harry says the NASA personnel will screw up the digging of the hole and if that’s all that’s involved - digging (no astronaut stuff) he will go up and dig the hole and ask his team to come with him. That’s the decision he makes after HIS status quo is interrupted. Not the status quo of the random dude at NASA who first sees the asteroid…which eventually leads to NASA calling on Harry Stamper. That’s too early and it’s not protagonist centric. Like Harry, Dr. Alan makes his decision after he is incited to do so by Hammond’s direct invitation and offer to fund his continuing research for another three years.
@ScriptwritingTips Жыл бұрын
Wow! Such a long comment and I reaaaally don't have the time to answer everything. I'm just going to say that of course I also have seen the "other sources" you mention and I just... disagree. Allow me to disagree, please, that the inciting incident has to happen to the protagonist. The inciting incident is the first piece of the domino. Of course, the story can go in many different directions. What makes this particular story what it is, is not the inciting event but the first plot point. I think the first person who ever used these terms in his book about the screenplay was Syd Field. He also separates the inciting incident from the key incident or whatever you want to call it. But since all this is just terminology and names, let's agree on the following: Is there always an event that starts the story? There is. Is there always an event that pushes the protagonist to get involved? There is. Are those two the same event? Well, in my opinion sometimes yes and sometimes no. That's so simple. And remember something else. If an event is completely irrelevant to the story, it wouldn't even be there in the first place. The event with the guy that gets killed is necessary to start the domino and for everything else to happen. If Spielberg didn't need this scene he would have cut it.
@nikkinewbie6014 Жыл бұрын
@@ScriptwritingTips Yes there is always an event that starts the story. The story has to start somewhere. Jurassic starts after the Park is already underway to being built. Everything happening before the handler is killed is backstory offscreen - I agree with that. But the handler getting killed is a Hook. It hints at the premise of the movie: theme park with live dinosaurs thst cannot ever really be safely controlled. Of course it’s necessary to the movie! I didn’t say it wasn’t necessary. I said it wasn’t the inciting incident. All scenes should have a cause and effect on the subsequent scene. Because the handler was killed, his family caused ruckus, which caused investors to become leery which caused them to demand sign off which caused Hammond to seek out Alan. You can trace cause and effect throughout the movie on every scene. Dominoes. But being a domino or even the first domino we see on screen doesn’t necessarily make it an inciting incident. For example, the handler gets killed - okay- but what if Hammond had just asked Dr. Malcolm to go to the Island and not Alan? Same movie? No. But once Hammond asks ALAN to go - now we have Jurassic Park in a manner that could not otherwise play out the way it did. Remember, we are tracking a specific protagonist. He’s the reason for a movie. The domino that changes (catalyst) the protagonist’s life is the domino in the first act that causes(incites) the protagonist to have an opportunity to go on a journey of change. That is the inciting incident. I will stick with that term because it’s what you have used as the title to your video instructing people how to find it. The protagonist will have to make a choice right after the inciting incident happens because it’s happening to him and not someone else. What choice did Alan have to make as a DIRECT result of the handler being killed? None. Hammond had to make a choice at that point but he’s not the protagonist. It’s Alan’s movie. Structurally, the inciting incident has to tie directly to him and not just eventually after ten other things happen because it’s his journey we’re going on. The guy getting killed is backstory /hook / set up. The dominoe that gets the protagonist Alan involved and incites him to decide to go - is simply and directly when he is invited by Hammond to go to the island. By the way, Once upon a time usually is formatted to mention the protagonist FIRST right after “a time” as in “there was a Hero, main character that was living their life but they wanted something. One day…they were given an opportunity to get it (inciting incident). Or they were presented with a problem (inciting incident) and were forced to solve it. My point there is that it’s always all about the protagonist. Therefore, find the Protagonist, find the most DIRECT change to his status quo and THAT is the inciting incident because it is the thing that they can’t walk away from and the event that leads to the course to change their life…after they commit to the decision that leads to the second act via the first plot point. So we will have to agree to disagree on how to find the inciting incident in a movie or story - especially soecific to Jurassic Park - but I wish you continued success with your channel.
@ScriptwritingTips Жыл бұрын
Hi@@nikkinewbie6014 Yes, we will have to agree that we disagree on this. However, you admit that "You can trace cause and effect throughout the movie on every scene. Dominoes. But being a domino or even the first domino we see on screen doesn’t necessarily make it an inciting incident." Of course, it does! That's what inciting means! I have another video where I explain that the inciting incident and the call to adventure are not the same thing. Most people say it's the same. From your argument, I guess you do too. But, the Call to Adventure happens to the protagonist, while the inciting incident is what causes the call to adventure and it DOESN'T have to happen to the protagonist. By the way the argument you keep using about "same movie or not" doesn't prove anything actually. In EVERY turning point, there are several other things that could have happened that would turn it into a different movie. And there are plenty turning points in every movie. It's the Theme that keeps it together and makes it this particular movie and not something else. Anyway, when you're writing, what counts is your writing and not what terms you're using and how. It's really okay to have your own thoughts on this, as long as this helps to your writing. So, if you're a writer, I wish you all the best! And I'm pretty sure that you will use scenes like the one with the guy who gets killed in JP when you realize that they're necessary to your story, even if you don't call them inciting incidents. (Btw, it's not just a hook...) 🙂
@mikewright3029 Жыл бұрын
so he bribed them. money got them to leave their normal world and go to Jurassic park. lol. i love these examples. thank you. thank you. thank you. XD you make it so clear. you're very right, going backwards helps.
@ScriptwritingTips Жыл бұрын
😆
@Diogosetgo Жыл бұрын
Thank you.
@ranaghm231 Жыл бұрын
Thank you for your clear explanation. I just want to ask you don’t mind, how can you upload scenes with no copyright?
@spoiler321 Жыл бұрын
It's often more of a "when" than a "what if". What happens when a selfish man is forced to examine his life and then becomes generous? What happens when a man-child becomes a man by repeating the same day over and over? What happens when alcoholism leads to enlightenment? An effective premise includes a transformation. It determines what you include or exclude in the story.
@ScriptwritingTips Жыл бұрын
Sure, why not? If it works for you! Transformation and change is always the most important part of a story. However, your suggestions above seem to me more like a theme than a premise. I mean, what is the answer to the questions you asked? Is there an answer? It seems to me as if you have included the answer to your question, e.g. a man-child becomes a man, alcoholism leads to enlightenment.
@spoiler321 Жыл бұрын
@@ScriptwritingTips I see what you mean. A theme is a question and a premise is a statement. So a premise with a question mark is confusing. The premise should indicate what happens, right?
@ScriptwritingTips Жыл бұрын
@@spoiler321 Contrary to what most people believe, I consider the premise different than the logline and the theme. The premise is a hypothesis. And it should be catchy for a movie.
@AScreenwritersJourney Жыл бұрын
This was great!
@chamomile08 Жыл бұрын
Thank you!! The explanation is pretty clear
@ScriptwritingTips Жыл бұрын
Nice to read that!
@Geese-farting-in-the-wind Жыл бұрын
I am definitely creating a character called Apollonia.
@ScriptwritingTips Жыл бұрын
Oh, thank you!!! 😘
@ruthmediatube8727 Жыл бұрын
Thanks
@StellaAnuotv Жыл бұрын
Thanks for sharing,pls I want you to mentor me on screenwriting. Reply pls🙏🏿
@ScriptwritingTips Жыл бұрын
I'm sorry for the late reply, but I was working on a TV project. Do you still need a mentor or have you found one?
@StellaAnuotv Жыл бұрын
@@ScriptwritingTips I have not found yet🙏🏿
@StellaAnuotv Жыл бұрын
Thanks so much for sharing. Pls could you show a good example of a treatment or send me a link 🙏🏿
@ScriptwritingTips Жыл бұрын
I'll try to find one
@lazedreamor2318 Жыл бұрын
So, is the inciting incident when a character reacts to something of great value being absent? Such as when a character losing something or realizes that something is missing in their life?
@ScriptwritingTips Жыл бұрын
It could be, but I think you're limiting it too much if you put it that way. The inciting incident is the first thing that happens, which changes everyday "normality" e.g. Every day was the same boring thing, going to work, returning home, watching tv, and sleeping. One day, he received a strange anonymous letter... blah blah which changed everything in his life. In this example, receiving the letter is the inciting incident. Let me give you a different example now. Every day it was raining flowers in this strange world. She would grab the first flower that fell into her hands and she would put it in her hair. But that day, a sudden flash in the purple sky ceased abruptly the flower rain. She didn't know what was happening. The sky started raining drops of water. It seemed like it was crying. She didn't like that at all. She decided to find out why this was happening, after all, she wanted her flowers back. So, she set up a mission to discover the truth. In the second example, the inciting incident is the flash in the sky. I hope the above examples make it clearer now!
@lazedreamor2318 Жыл бұрын
@@ScriptwritingTips Very helpful, thank you!
@yohanesgatotsubroto7461 Жыл бұрын
Love your video, so clear and easy to follow
@ScriptwritingTips Жыл бұрын
Very happy to hear that!
@lilomohame Жыл бұрын
hello pleas maake a more vidieos about tv shows and seres b couse very deficult to write screenplay for seres and haw to know the act1/act2/act3 on seres or tv shows
@lilomohame Жыл бұрын
please expline act 3
@ScriptwritingTips Жыл бұрын
Sorry for the late reply but I was busy with a TV project. I'll try to do that soon.
@lilomohame Жыл бұрын
@@ScriptwritingTips THENK YOU
@Met9171 Жыл бұрын
I heard the saying that "this happens therefore,not this happens but',any clarity on these meanings?
@ScriptwritingTips Жыл бұрын
Hi! I am sorry I don't understand the question. Can you explain more please?
@FalconFordXR Жыл бұрын
I have finally learned that Theme has to tie in with your characters flaw.
@derrionbrown3923 Жыл бұрын
This is one of the best videos about theme I’ve seen. Great job 👏🏾
@ScriptwritingTips Жыл бұрын
Thank you so much!
@pathminusdestination Жыл бұрын
This was really helpful. I am still working on my premise, but I have my guiding question, and I'd love to know what you think of it. What if the only way to stop the global ecocidal elite was a global movement based on the idea of pure observation?
@ScriptwritingTips Жыл бұрын
Hi! Happy new year! I've read your premise but I don't really understand what you mean by "pure observation".
@pathminusdestination Жыл бұрын
@@ScriptwritingTips Yeah, I realized I was just putting up the what if question. But here goes. What I mean by that is a movement that develops that is based on the notion of doing nothing. In the society of the story, there are already hardly any jobs, and all commerce is controlled by one major entity. A movement develops where people decide that the fastest way to take down those powerful entities is to simply stop participating and observe the ongoing collapse of the global ecosystem. It is based on a Buddhist sort of notion of non-attachment, etc.
@ScriptwritingTips Жыл бұрын
@@pathminusdestination Hi, I don't know... I'm not sure how you can come up with a plot when your heroes would "do nothing".
@pathminusdestination Жыл бұрын
@@ScriptwritingTips The heroes organize the mass non-action through a subversive technology. Then millions of workers at a global commerce company simply refuse to do anything at all for one week. If they do nothing but observe the ecological collapse around them, it is impossible for the techno-fascist elite to operate. :)
@imyourapple7390 Жыл бұрын
can someone drop a link to other vid she talked bout
@amartin9293 Жыл бұрын
Thank you for doing this
@Met91712 жыл бұрын
Why do we only write characters who appears for the 1st time in capital letters