Miles Davis with John Coltrane- March 22, 1960 Konserthuset, Stockholm [1st concert]

[@MilestonesArchive]

THE SPRING 1960 EUROPEAN TOUR: March 21, 1960 Olympia Theatre, Paris: kzbin.info/www/bejne/boeokJeGbpWJbpY March 22, 1960 Konserthuset, Stockholm [1st concert]: kzbin.info/www/bejne/fpjEcoBqpbl8p9k March 22, 1960 Konserthuset, Stockholm [2nd concert]: kzbin.info/www/bejne/aIKUepdnbM-NgKs March 24, 1960 Tivoli Konsertsal, Copenhagen: kzbin.info/www/bejne/hmbIpoSheptkr80 March 30, 1960 Kongresshalle, Frankfurt: kzbin.info/www/bejne/raHZcoejYppnldU April 3, 1960 Kongress-Saal, Munich: kzbin.info/www/bejne/qXLSeq2Zg7SWj5I April 8, 1960 Kongresshaus, Zürich: kzbin.info/www/bejne/m5XckpehZciKeJI April 9, 1960 Kurhaus, Scheveningen: kzbin.info/www/bejne/Y3anpnyHbth0h7M April 9-10, 1960 Concertgebouw, Amsterdam: kzbin.info/www/bejne/al64qIBvqJWmrMU

[@mattycakesmuhammmad]

"A few years ago I had one of the worst nights of my life," he recalls. "I heard a Miles Davis bootleg, featuring John Coltrane, from Stockholm. Trane was massive, intense. I wanted to quit. It wasn't like I could say, 'Well if I start to do this or that, I might get there.' Forget it. How do you explain that to people who say, 'You're on "The Tonight Show," isn't that the ultimate achievement?' I think to myself, 'Obviously you've never heard Trane live in Stockholm.' "--B.Marsalis

[@doncrouch2964]

Good Lord, this is so freaking good...hard to believe ANYONE was ever this good...oh, wait...no one else ever was... :)

[@translucent.]

that's right. you're right and they're not. you're the best, yay

[@jamespotts8197]

This is such an iconic Jazz recording. Listening to Coltrane absolutely ripping apart the concrete with his Tenor Saxophone, blasting out scales like a well oiled machine, also Miles who's musical prowess exceeded, what reality could handle, and the both of them on one stage ripped a hole in time. Luckily, they took a cigarette break and it was able to repair itself.

[@leetaylor123]

#blessed that someone recorded this in such pristine quality.

[@jimmorrison9424]

Wynton Kelly is killing it.

[@strangersname]

When all else fails...

[@jamesschmidt7759]

Here because of Jerry Maguire Movie. To listen for myself.

[@kephrenbao3150]

me too hahaha

[@antonioangasi3457]

YO TAMBIEN 😎

[@Simplygmb]

Me too

[@charlesliles2966]

If you listen---I mean--REALLY LISTEN --to Coltrane's so very long solo on the last blues, (Listen now) and you'll hear that each and every chord -or "change" he played had Only the chordal notes. It took me a few times listening before I realized this. Then, his solo meant WAY MORE for me. I hope you can dig it like I FINALLY DUG IT. Need I say that this just makes me love him MORE. WHAT A GENIUS.

[@danielamadorguerrafigueroa1384]

hat

[@joek6729]

i don't know what you mean by chord tones, but if you mean the triad notes, 1-3-5, he's using a lot more than those.

[@charlesliles2966]

@@joek6729 No. I meant he played all the notes in any chord which was in the tune. If it was a "fifth", he would play, e.g., C-E-G-B flat. If it was an "augmented" he would play, e.g., C-E-G sharp-B. And, like that. He practiced unceasingly. And he had concepts of what he WANTED TO PLAY. He played with lots of emotion in his musicianship.

[@djscott9207]

@@charlesliles2966 Impressive, but does it all sound good and fit into the context of this "concert"? Meh.

[@MPDEAR6060]

@@djscott9207 🤦‍♂

[@ntobengvincent1946]

Combination of two maestros, explosion!

[@lefujyou]

Man no fear of the unknown it doesn’t get more real let it all out 😮☮️💗🔥💥✨

[@acevaptsarov8410]

John's playing especially on the second track is intimidatingly good.... :D

[@fendetestaspk]

Fuck, this is fantastic....

[@thinktwice4565]

Beautiful

[@rebeccahbogue3445]

Amazing... Winton, Chambers, Miles, and of course Coltrane, all took it to the next level. My understanding is that at the time it left some fans behind... some just could not hear.

[@freew0rrld]

It seems like Coltrane is a bit more constrained here in comparison to the show from the night before in Paris. I wonder If the boos in that show got to him or Miles told him to tone down a little bit. It's clear they're going in different directions. Obviously he's great here but in the March 21st show he is blowing his horn like a furious caged animal trying to escape, It's amazing. I'll be listening to the other gigs in this run to see where the music goes. This is so good. Thanks!!

[@MrKaplan230]

Two GIANTS in the same room - the sky was not large enough for them.

[@udomatthiasdrums5322]

still love this music!!

[@helmutdiez4306]

what is greater than great, bigger than large and tremendous more than and extremely durable like a Bach, Beethoven - these two musicians! The so what guys. great!!!

[@damonarvid3548]

It's interesting at around 25:35 to see Coltrane work his way around to Harmonique and then hit the main refrain at 27:30. I guess he was really ready to do his own thing

[@strangersname]

Yeah he was exploding on this tour, you can hear him doing stuff he'd work out with his group over the next four, five years

[@stephenwilson2467]

This duo’s combined genius made me realise that like Yo-yo creating their format as they play. My appreciation for their creativity lay toward Îb Iîbg*

[@jasonpfinch]

They must have got the plane from Paris that morning because they played there the night before, and then in Stockholm played two totally insane sets, just at the very peak of anything.

[@williamkats5446]

A reminder that one of the most stunning musical documents of the past fifty-plus years, was down-voted here nine times.

[@fvazquez64]

this stuff aint for deafs...

[@J_M_J.]

I'm here for Jerry Maguire.

[@losvideosmassencillosdelmu9121]

hahahahaha yes!!!

[@kephrenbao3150]

me too hahaha

[@parkerthibault2871]

Anyone have the Coltrane solo on So What transcribed?

[@scotchnoob6558]

제리맥과이어 영화에 소개된 테잎

[@DD-cf1pl]

Ok