GS Music E7 NO TALKING Synth Demo // Custom Patches

Buy these 64 custom programs for the GS Music E7 here:
shop.milesawayofficial.com/pr...
These 64 Custom Patches from Canadian producer and sound designer Miles Away aim to showcase the powerful and wild analog VCO sound of this beautiful synth. With a variety of epic pads, lush keys, face melting basses, epic leads and more, this is the premier custom patch collection for the GS Music E7 7-Voice Analog Synthesizer.
Blade Runner, Stranger Things, Synthwave, Film Score, Ambient, Synthpop
0:00 - 3-1-1: MA - Keys Classic
0:22 - 3-1-2: MA - Lead Versatile
0:54 - 3-1-3: MA - Bass Reeces
1:15 - 3-1-5: MA - Pad Entropy
1:49 - 3-1-6: MA - Pad Perfection
2:34 - 3-1-8: MA - Pad Bouncing
3:15 - 3-2-3: MA - Pad Calm Chaos
3:52 - 3-2-4: MA - Keys Small Lush
4:43 - 3-2-6: MA - Keys Classy 80s
5:27 - 3-2-7: MA - Pad Tapey
6:21 - 3-3-1: MA - Pad Hypnotica
7:11 - 3-3-2: MA - Bass Wild Reso
7:37 - 3-3-3: MA - Keys Nostalgic
8:17 - 3-3-4: MA - Keys Brass Stab
8:50 - 3-3-5: MA - Pad Star Morph
9:49 - 3-3-7: MA - Keys Stereo Saw
10:10 - 3-3-8: MA - Bass Alien Talk
10:37 - 3-4-1: MA - Keys Pluckmau5
11:01 - 3-4-2: MA - Keys Epiano 1
11:30 - 3-4-4: MA - Bass 5th Padbass
12:02 - 3-4-5: MA - Keys Epiano 2
12:41 - 3-4-6: MA - Pad Symphony
13:28 - 3-5-1: MA - Keys Hollow Res
14:07 - 3-5-3: MA - Bass Sawyer
14:30 - 3-5-5: MA - Pad CS80 Style
15:32 - 3-5-6: MA - Keys OBSX Brass
15:59 - 3-5-7: MA - FX Star Radio
16:25 - 3-6-1: MA - Pad Supersaw
16:53 - 3-6-3: MA - Keys RUFUS Tape
17:35 - 3-6-4: MA - Bass Hoover
17:59 - 3-6-5: MA - Pad Ana Cinema
18:54 - 3-6-6: MA - Keys Epiano 3
19:34 - 3-6-8: MA - Lead Daft Sync
19:57 - 3-7-3: MA - Pad Flutterby
20:37 - 3-7-4: MA - Lead Ambient
21:18 - 3-7-7: MA - Lead Synth Pop
21:29 - 3-8-1: MA - Pad Broken Amp
21:59 - 3-8-4: MA - Pad Electric
22:39 - 3-8-5: MA - Keys OBXA Stabs
23:02 - 3-8-6: MA - Pad Tape Revs
23:41 - 3-8-8: MA - Keys Tape Piano
#gsmusic #synthesizer #synth

[@MilesAwayOfficial]

Early Bird Sale, 30% off for first week! shop.milesawayofficial.com/

[@lookyseymour1145]

These patches are superb. I'll be loading these onto my e7 it'll give it a new lease of life. Thanks for making them available.

[@MilesAwayOfficial]

Thank you so much for getting them!! Enjoy :)

[@horacioduek]

This synth and these patches are blowing my mind. Haven't heard anything like this in a long time. Mad respect to GS Music.

[@MilesAwayOfficial]

Thank you! If you get one, you won't be disappointed. Guido and the team make incredible instruments!

[@horacioduek]

@@MilesAwayOfficial I just bought one! Should arrive in a few days. I’ll definitely buy your patches.

[@MilesAwayOfficial]

@@horacioduek amazing enjoy it and thank you!!

[@ivanglushko4232]

Wow, this sounds makes thats synth sings! So powerful!

[@MilesAwayOfficial]

Thanks Ivan!!

[@Matt-Horizon]

Gorgeous sounding synth and patches. Well done!

[@MilesAwayOfficial]

Thank you!

[@scottmcauleysounds]

What a lovely sounding synth! and great sounds! Nice work Devin!

[@MilesAwayOfficial]

Thanks so much!

[@r0tekz]

Very nice! Just grabbed them. Thanks for the heads-up on the CTRLR e7 editor, and I'm surprised that the GS Music mailing list did not say it was out.

[@MilesAwayOfficial]

Thanks for buying! It's brand new! I worked with Guido to get my patches properly named and exported using CTRLR, so I am sure he will announce it soon.

[@RayyMusik]

TLDR … wait a minute, whaaat? Great news! I don‘t exactly need an editor, but a patch manager is what I terribly missed up to now.

[@r0tekz]

@@RayyMusik I was wrong, it is patch/bank backup and renaming utility, not an editor.

[@RayyMusik]

@@r0tekz Don‘t bother, this is what I need. :)

[@lemoine00]

What a great demo, thank you. I can hear with your patches the synthesis of my two best synth the CS80 and the OBX, creamy,plenty,dark wtih the good balance in between the bass the medium and the high freqs in one sound. Don't need another sound in the track ha ha ha some sounds remind me the Com Truise enormous pads. Very cool.

[@MilesAwayOfficial]

Many thanks! High praise for sure!!

[@WestonStephens]

Superb

[@MilesAwayOfficial]

Thank you! Cheers!

[@Bansenshukai9]

That first patch sounded like a synth/piano from a Christopher Cross album. - Nice.

[@MilesAwayOfficial]

Thanks so much!!

[@aquaticborealis4877]

Very “sweet” sounding synth. Nice patches.

[@MilesAwayOfficial]

Thank you!

[@Jason_Drums_]

I'm hearing Soundtrack ❤ like being at the movies 😊 Amazing Sounds and Demo 🎧 👌 you're the best 💯 🤔 did you sneak a MA track in this 😅 😍 🙌

[@MilesAwayOfficial]

haa I might have ;) good ear!

[@logemann74]

still one of the best analog polys out there

[@MilesAwayOfficial]

Agreed!

[@shawnsaul7759]

@@MilesAwayOfficialdo you still own the GS E7? You think it’s a keeper? Curious if it has found a permanent spot in your synth right now.

[@joshtackett]

Absolutely gorgeous sounds! Would you recommend this or a Prophet 5/10 desktop??

[@MilesAwayOfficial]

Thank you! That's a hard one, I don't own a P5/10 but I really want one. I would say this is more like a Moog Poly, as the filter is a ladder. I compared it to the P6 recently, check that: kzbin.info/www/bejne/j5eyg3pvor2YkKMsi=fAVzNquKTztwhzwq

[@floen]

Amazing patches Devin! They sound so good that I am strongly considering purchasing them in anticipation of one day owning the e7. What reverb pedal are you using?

[@MilesAwayOfficial]

Thank you so much!

[@MilesAwayOfficial]

missed last part of your comment, running them through the plugin version of Big Sky at 25%

[@RayyMusik]

7:11 *O M G !* 8:51 🫠

[@MilesAwayOfficial]

Thank you!

[@nicolasgrosjean4224]

Sounds amazing. is this pure the sound of the synth. Or did you use any post fx?

[@MilesAwayOfficial]

Thanks! I mention in description, some gentle big sky reverb since E7 does not have built in verb

[@stefanherzog]

Maybe it's a silly question/comparison, but: Would it make sense to describe the E7 as a Nymphes on steroids? The E7 seems to have a similarly vibe-y raw sound like the Nymphes or vice versa. I got a Nymphes, also because of your video about it, and I love its sound (though not its UI).

[@MilesAwayOfficial]

Great assessment! They really are similar in terms of wild sound, but the filter is different. I actually prefer the Nymphes filter tbh, but I agree you can't beat a knob per function workflow. Probably safe you would like this if you like Nymphes.

[@stefanherzog]

@@MilesAwayOfficial thanks for your thoughts on this! Tradeoffs, tradeoffs... Better filter, more modulation options (?), very compact/portable, cheaper, ... vs. one more voice, much better UI, stereo goodness, multitimbral, ... How do you find using the two? Or, which do you use more for what? Will you keep the Nymphes just for the filter? I've been contemplating getting an Electra One controller for the Nymphes (and other gear) that would get me closer to knob per function.

[@MrAndyZhu]

How would you say this compares to the OB-X8?

[@MilesAwayOfficial]

Great question. Both are the two most wild/raw sounding polysynths I own. OBX8 filter and envelopes are more pretty and well tuned, whereas the GS E7 is more finnicky but has a real mojo and genuine vintage vibe to it. I'd say that the E7 could be the perfect all arounder synth as long as you really like the vintage tone and don't mind unprecise filter tracking, whereas the OBX8 really wants to do Oberheim stuff but can do it flawlessly, either vintage OB sounds or more modern OB sounds. I use both about equally, but I use my OB-6 more than both.

[@MrAndyZhu]

@@MilesAwayOfficial Thanks for that info. I currently own the OB-X8 and also really love the sounds coming from this E7 but wasn't sure if it would be too identical sonically. My guess is that I wouldn't be missing out too much without the E7. Love your work btw!

[@MilesAwayOfficial]

@@MrAndyZhuthank you! Yea they aren’t the same but they aren’t leagues apart either. Check out the 3rd Wave if you want something really different from your X8. It’s expensive but it’s my fave synth of the last several years

[@joshtackett]

@@MilesAwayOfficialcan you explain wh😢 you use the OB-6 more?

[@kujumz]

This or Prologue? Which does 80s pads and stabs better?

[@MilesAwayOfficial]

This sounds better in terms of raw tone, but Prologue has a more unique palette with the digital osc into the MS20 style filter. This is like nostalgic 80s, Prologue is like dystopian 80s. If you want classic tones I'd get this

[@kujumz]

@@MilesAwayOfficial Thanks for your reply! Last question : can you get the Prologues filter resonance to be clean if you turn the oscillator gain down in the mixer?

[@CRayBeats]

What reverb are you running this through?

[@MilesAwayOfficial]

The plugin version of Big Sky at 25%!

[@joshtackett]

@@MilesAwayOfficialwhat do you think of the plugin version vs the pedal? Also, how about compared to other plugins such as Blackhole, Seventh Heaven, Vintage Verb, etc?

[@MilesAwayOfficial]

@@joshtackett its my absolute fave VST reverb, sounds 100% like the pedal. I just throw cloud on anything in my projects other than short decay stuff where I'll use IRs or UAD Capital Chambers. For hardware I like the MerisX the most right now, but I've got a Big Sky MX on the way, so maybe that will change.

[@joshtackett]

@@MilesAwayOfficial thanks! I’m gonna have to check out the plugin because I really love the sound you’re getting here!

[@dirkkeersmaekers4343]

[@MilesAwayOfficial]

🙏