Miles Davis- November 7, 1971 Universitets Aula, Uppsala

[@MilestonesArchive]

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[@PhilDawsonmusic]

On this tour, couldn't help noticing that 'It's About That Time' was unique in that it had a totally different bassline for every show. Only the key stayed the same.

[@kryptoniteswe]

I was there!

[@kubaguzik8374]

prove it ;)

[@pianoseven1]

I have seen this band few days before in Dietikon-Zurich Switzerland. Amazing!! Anyway I think this band was the most interesting electric period of Miles. Because the music was open, free, savage and groovy, and didn’t need any regular beat all through to be good and popular. The soloists were very inspired, especially Gary Bartz and Jarrett. The band was really led by bassist Michael Henderson, who played a catalog of ostinatos, driving the band in different moods, themes and tempos. This is how music should be. Simply Miles’s best plugged band ever. ❤

[@albertusaanka]

I was there! It´s was a great moment in my musical life!

[@flame-sky7148]

Uppsala University Main Building?

[@docnelson2008]

Amazing to think that Keith hated this music and yet fitted in so well in one of the most creative Miles bands-great music!

[@dmellis]

It's a nice contrast to hear the 1971 lineup without Chick Corea and get to hear Keith doing even more. I prefer this lineup with Jack DeJohnette. No putdown on anyone who played in the band during this era. I like just about all of them.

[@ulyssesgrantgarnerjr6395]

“Dante’s Inferno” has an aural presentation achieved only through the improvised genius of this truly significant Band. Miles was not afraid to unearth the hidden languages of those life forces buried in the soil and which has co-existed with our understanding of modern day spiritual development.There is a profound story of human emotions and spiritual development in these savage music onslaughts.A story just as essential as the magnificent unveiling of Trane’s “Meditations”.

[@flame-sky7148]

What I found always funny within the Mile's autobiography, he was a little critical of Coltrane's out period, but the Miles Period from 1970-1975 was his version of playing out so to speak. Lot's of improvisation with that savage unearthing raw material.

[@DouglasF68]

Miles always had the cutting edge musicians along for the ride. 😊🎉❤

[@a3081952]

Great performance

[@monsterjazzlicks]

Some fine solos here!!!

[@eye7635]

Keith Jarrett was and remains a musical snooze everyone else is great and beyond

[@gregwickstrom5479]

Keith couldn't be funky and didn't want to play the Rhodes. His self-absorbed bullshit didn't add to the music. I would have preferred to hear Herbie expand this music or have a great guitarist and no keyboards like Miles did ten years later.

[@bmuhamad]

@@gregwickstrom5479 Interesting enough, Charles Lloyd, inferred that Miles "took" Jack & Keith from his band, re: "The Forest Flower" album.

[@cali22boi]

​@@gregwickstrom5479 interesting, because he stated that Jarrett was his (Miles') favorite Rhodes player

[@gba7878]

Underbart! Verkligen kul att du hittat den här konserten!

[@himnosantiguos]

Cristo nunca nos soltara de su mano mientras nosotros sigamos el buen camino si lo cres dale like por favor

[@montaukbiker]

Rodeo on the Rodeo !

[@neocolors]

54:29 The lick! Twice! (I‘m sorry, I couldn‘t resist)

[@albertmiller3082]

Not long after this, Miles took a big turn & never looked back. The Miles and that band I saw Sept 10 1972 was a different cat.

[@Αναστάσιος-σ8υ]

Possibly the pinnacle of his career, you are very lucky. Carlos Garnett made a huge difference, I think he was the one saxophonist that blended with Miles the most. Somewhere I read that Miles off stage didn't get along with him because on stage he was such a dominating presence, like he was the co-leader

[@albertmiller3082]

@@Αναστάσιος-σ8υ I caught Miles five times between Sept 72 and and December 74 and each experience was unsurpassed. At this period, Miles was fire.

[@Αναστάσιος-σ8υ]

@@albertmiller3082 you are a very lucky man. I was not even born back then. Back in the '80s I was listening to Miles playing "time after time" and I was thinking that he was an old fart. Then I listened On the corner in a radio broadcast and I discovered the real Miles.

[@albertmiller3082]

@@Αναστάσιος-σ8υ Time After Time was a ballad that Miles embraced but wasn’t indicative of the Miles material overall. Miles started in the 1940’s with Charlie Parker doing bebop jazz. He evolved and brought John Coltrane onboard. Later, Herbie Hancock and Wayne Shorter. The electric Miles era was an absolutely fantastic time. Miles was miles beyond anyone else.

[@jedtulman46]

Everyone follow along with Keith Jarrett!

[@jedtulman46]

Bass is leading much here

[@monsterjazzlicks]

Sim. to "What I Say" !

[@DMC1982]

Free Palestine 🇵🇸✌🏼

[@pianoseven1]

I have seen this band few days before in Dietikon-Zurich Switzerland. Amazing!! Anyway I think this band was the most interesting electric period of Miles. Because the music was open, free, savage and groovy, and didn’t need any regular beat all through to be good and popular. The soloists were very inspired, especially Gary Bartz and Jarrett. The band was really led by bassist Michael Henderson, who played a catalog of ostinatos, driving the band in different moods, keys, themes and tempos. This is how music should be. Simply Miles’s best plugged band ever. ❤❤