Misconceptions in Voice | Professor Brian Gill with

[@sirenevy]

Wonderful discussion! Dr. Brian Gill has been my voice teacher for fifteen years and the technique he has taught me has sustained me through tour life, life stresses, etc. His joy of music is infectious and he is so supportive of his students. I cannot praise him as a teacher and person enough! He rocks! 🤘

[@pallavi6228]

Hi sir!

[@VIDEOHEREBOB]

Good discussion Guys. I wished I could have chimed in.

[@DrDanRobinson]

I'm glad you enjoyed the video VIDEOHEREBOB. Thanks for watching.

[@honeyhoney1966]

Sir I'm a beginner who's trying to sing from which of your videos should I start my practice

[@DrDanRobinson]

Hi, Honey Honey. You may find my online singing course helpful - drdan.co/onlinesinginglessons. Feel free to check it out sometime. The first module is free to preview!

[@georgeda90]

Hi dr.dan,so the voice when blended and used correctly,should feel like falsetto?Thats what the teacher means with the classical tenor example at 50:40?

[@hellopsp180]

TLDR = No, mixing or blending as you labeled it does not feel like falsetto when used correctly. It should feel easier to do compared to belting. But harder than just a full on falsetto as you are doing compression changes in your voice No he was saying that when you mix you do not feel a disjointed or a sudden change from chest to head/falsetto I.e. mixing is the feeling you are changing in pressure. But it is a continuous thing from chest to head/falsetto The classical tenor example he clearly states “as i develop my voice i feel like my falsetto disappeared” I.e. the tenor is so seamless in their transition from chest to head/falsetto that they feel the falsetto is gone completely. You can have a powerful falsetto sound when you add mix. It does not sound light and airy. It feels a lot more present and connected.

[@georgeda90]

@@hellopsp180 Hi,thanks for your answer,i ve another question too,speaking from the side of an always 'weight held bold tenor voice',and now focusing on working the light mechanism,but besides the exercises of using a lot of hooty falsetto and connected tones,how can i apply it to singing?Im used to sing all my repertoire near my bottom speaking chest voice.I've found a way singing high(rastaman vibration b.marley song kind of meaning high) but its in a very low volume,connected but not having power,if i try to add power i have to shout it,or build tension. So,should i sing gradually higher?as light or as low volume as i can?is there a strategy?Thank you.