Moments of Enlightenment with Broadway’s Brian Stokes Mitchell | Amplify with Lara Downes

Lara Downes | April 25, 2024
They say you should never meet your heroes. I suppose opportunities for disappointment abound when those we admire from afar are encountered in the flesh, without flattering lighting or accompanying strings, just everyday people. But not so when it comes to Brian Stokes Mitchell, who has been one of my heroes ever since I saw him starring in the original production of Ragtime on Broadway in the late '90s.
Stokes, as he likes to be called, was the most impossibly charismatic, unreasonably handsome, insanely talented singing, dancing, piano-playing, larger-than-life leading man to end all leading men. Sitting in that dark theater, I hoped that someday I'd be as excited and delighted in my work as he clearly was in his, up on that stage. I did not dream for a second that someday we'd share a stage together.
But that's what happened two years ago at the Boston Pops. We teamed up for a concert built on the legacy of the creative collaboration between Stokes' own hero Duke Ellington (whom he even named his son after) and the composer and pianist Billy Strayhorn, who at age 23 idolized Ellington when they first met. Many years and many songs later, Ellington called Strayhorn "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine."
At that concert in Boston, when Stokes and I took the stage to perform Strayhorn's extraordinary song "Lush Life," we found ourselves entangled in one of those rare moments of musical magic when your brainwaves do, in fact, flow right into each other's heads.
Stokes' head is a wonderful place to be. As you'll see from this conversation, he is endlessly curious in his passionate, almost nerdy fascination with music and the way it brings people together in the sacred space of common ground and shared experience. Our conversation has since continued by phone and text, in the backseats of cars, in rehearsal studios and dressing rooms, over lunches and dinners. Stokes is still very much a hero of mine, and now he's my friend too, with so many ideas to share and so much music to make together. As Billy Strayhorn always said: "Ever up and onward."
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[@LamaThubten]

Beautiful interview. “You can leave a theater a different person than when you walked in.” - Brian Stokes Mitchell

[@BlakeElliott35]

His choice of piano tune to play at the beginning won me over. That tune can drown out even the saddest of deafening silences. It’s great for many other reasons too, but I really tried to pinpoint what makes it special (to me). It’s a tune composed as if it were intended to cheer up anyone feeling down; like a friendly ghost made of musical notes inviting you to dance with it in your heart/mind, commanding you to smile.

[@allialias]

Back in 1978 Briam,(Stokes) was simply the younger brother of my friend George, the Make -up supervisor at San Diego Junior Theatre, at least to us in make-up, props and lighting.😊 Happy to see you Kiddo.

[@Waltodim]

Oops .. My cut finger git unlike.. Corrected .. I bet he will really get a kick out your commment!!! Wow😮

[@IOSALive]

NPR Music, This is great! I liked it and subscribed!

[@vixxa]

Brilliant conversation 💛

[@thesuncollective1475]

Opening with Scott Joplin, 😊

[@lamariooo]

YOU SHOULD GET THE GREAT GATSBY MUSICAL ON HERE!!

[@paulwhetstone0473]

Oh my, the virtue signaling of these two showbiz people is NAUSEATING.

[@thedeeprot]