Decoding Charlie Parker's Genius: A Deep Dive into a Solo

Рет қаралды 964

Күн бұрын

Join me in this comprehensive analysis as we delve into the intricate world of a Charlie Parker's solo, performed at the Royal Roost in New York on December 12, 1948. Discover the mastery behind Parker's innovative saxophone techniques, his exceptional use of musical vocabulary, and the unique ideas. From his remarkable clarity and articulation to his groundbreaking approach to timing and melody, I explore what makes Parker's solo over "Hot House" an incredible piece of musical history. Whether you're a jazz aficionado or new to Charlie Parker's work, this video offers insightful analysis, highlighting the genius of his solos and his enduring impact on music. Don't miss out on this journey through the artistry of one of jazz's greatest legends. Subscribe for more content and share your thoughts in the comments below. Let's keep the music playing!
Charlie Parker full transcription, Hot House, Dec. 12 1948 : • Charlie Parker on Hot ...
Parker solos Vol 1 1940-March 1947 (346 solos)
• Parker solos Vol 1 194...
Parker solos Vol 2 May 1947- (188 solos)
• Parker solos Vol 2 May...
Follow me on Facebook: / remi.bolduc.73
Visit my website for more resources: remibolduc.com/
💬 Don't forget to like, share, and subscribe for more videos on saxophone techniques and music mastery. Your support means a lot!
🔔 Turn on notifications to never miss a new video!

Пікірлер: 15

@aerocobane 8 ай бұрын

Very informative. Thank you so much.

@remi.bolduc 8 ай бұрын

Thanks a million.

@Mrbirdman334 8 ай бұрын

Merci Rémi ❤ quelle réactivité !!!

@martinallaire9488 8 ай бұрын

Toujours impressionnant d’entendre tes analyses pour un amateur de jazz comme moi, qui ne suis pas musicien. Merci !

@robertpolevoi8630 8 ай бұрын

Very much worth the time watching this and absorbing your insights. Apropos of something you mention about Bird, Ornette (in the liner notes to Soapsuds in 1978) says that when he first met Charlie Parker "I was playing and writing the things I play today" but that he wanted to master Bird's music (which of course he did at an absurd level). This must have been in the early 1950's, so Ornette was still very young and before even the Hillcrest Club era. So the experience of birthing gigantic music ideas at a young age and then developing them for a lifetime (or in BIrd's case, a career lasting barely more than a decade) is common between them. I get the same sense of Coleman Hawkins from listening to his very eariler recordings.

@iwerning 7 ай бұрын

I do not even play the sax, but really enjoyed your analysis, thanks.

@remi.bolduc 7 ай бұрын

Glad you enjoyed it!

@richardwhiteman7429 8 ай бұрын

En plus de sa maîtrise de la musique Parker a pu émaner une bonne humeur coquine.

@remi.bolduc 8 ай бұрын

En tout cas. Il me rends, moi, de bonne humeur!

@remi.bolduc 8 ай бұрын

kzbin.info/www/bejne/gYucaKamibFrmq8si=iZ6ilvAtnRHd5-00&t=200 Yes, the D is repeated in the next measure.. My mistake 🙂Still, the voice leading is there!