Mohamad Zatari Trio | Full Concert

November 29, 2020
Mohamad Zatari Trio Virtual Concert
Sara Eslami (Tar & Composer - Iran)
Avadhut Kasinadhuni (Tabla - India)
Mohamad Zatari (Oud & Composer - Syria)
Sound: Alexandru Zaharencu
Video: Magda Zatari
Photo: Adrian Danciu
Program:
0:05 "Desire"
Composed by Mohamad Zatari
4:26 "The Road"
Composed by Mohamad Zatari
To those who are still struggling to reconnect with their beginnings.
9:56 "Oud Solo "
Mohamad Zatari
11:00 "Black Tea"
Composed by Mohamad Zatari
14:05 "Tar Solo"
Sara Eslami
16:36 "Zarbi Mokhalef"
A composition of Hossein Alizadeh rearranged for trio by Sara Eslami & Mohamad Zatari.
22:26 "Eves Chatters"
Composed by Mohamad Zatari
26:42 "Quasi-Hora"
A composition of Mohamad Zatari inspired by the relationship between this dance from Balkan & Dabke, a Levantine folk dance.
31:30 "Sefid-Rud/White River"
Composed by Sara Eslami
36:27 "Longa Farahfeza"
A composition of Riad Al-Sunbati rearranged by Mohamad Zatari.
Longa is a Turkish & Eastern European dance that was introduced to Arab music.
Mohamad Zatari Trio was founded in 2019, based on the desire to transcend the boundaries between the sound worlds.
The group's first appearance took place at the Outernational Days Festival, in 2020.
The trio consists of performers Sara Eslami (Iran) on Tar, Avadhut Kasinadhuni (India / Romania) on Tabla and the ensemble's founder, Mohamad Zatari (Syria) on Oud.
The approached repertoire includes original compositions signed by the group members, Sara Eslami and Mohamad Zatari, but also rearranged traditional pieces from West Asia and North Africa, which combine timbers, techniques, and aesthetics in a lively and original form.
www.mohamadzat...
The event was hosted in collaboration with the Romanian Peace Institute - PATRIR as part of the STIRE Cultural Market. The Syrian cultural market is designed as a social interaction three-day event for bringing together the resettled people of Syrian origin with established diaspora and/or refugee organizations in the region from the same/similar origin.
We are thankful to:
Ramona Iacob
Andrei Gamart

[@kucam12mischablue]

Cât de frumos! Respect!

[@valentinvarzaru1020]

Superb! La multi ani cantati!

[@lexeeh]

Absolutely wonderful!

[@sanramondublin]

Fantastic Silk Road project: musicians from Iran, India and Syria got together in Bucharest. You three made my day. Thanks millions from Iran/ California.

[@SamuelLipscomb-bt1io]

Respect! Qaulity! Discipline! Love! Beauty! What a beautiful soundtrack to life! Sorrow! Longing! Redemption! Solice! Warmth! Home.

[@SamuelLipscomb-bt1io]

Amazing tabla! The timing married to the wild horse rythms of the strings! Like an elephant dancing to the horses! 😲 Wow

[@Luke-wf9lt]

Thank you for this! I enjoyed hearing different versions of Eves Chatters and desire...

[@prajwalbhandari8541]

amazing, love from NEPAL

[@hussamhalawa6821]

amazing, listen to this all day today :)

[@GKViddingHD]

What a wonderful performance! I especially love the drive of "The Road" (no pun intended), adored the rhythm of "Black Tea" and enjoyed the slower paced Eves Chatters. If you guys are on spotify, I'll be adding you to my fav playlists. Thank you so much!

[@mohamadzatari]

💚🌿✨ open.spotify.com/album/0tkeNEbLiLaY3gopWIRuNU?si=oL7YGcMVRVyDsk7uC5CUeQ

[@GKViddingHD]

@@mohamadzatari thank you!

[@nuripnaryldrm9118]

Tebrikler, teşekkürler. Ömrünüze bereket.👏🍀♥️

[@mohamadzatari]

💚✌🏽✨

[@ciprianivan9136]

من سپاسگذارم شكراجزيلا I had the chance to see and hear you live in a garden. Great artistic moment !

[@engineeringforlife1367]

Amazing how this lady is playing on the Sitar, the combination of middle eastern-Indian music is astonishing, I am fan of your work Mr. Zatari, good continuation.

[@DonCoyoteDeLaMange]

It's a tar, not a sitar.

[@SamuelLipscomb-bt1io]

Si tar, neu sitar?😅

[@mixoubn34]

​@@SamuelLipscomb-bt1iogood joke 😉

[@lacrimae_lunae]

​@@SamuelLipscomb-bt1io The "si" or "se" signifies 3 whilst "tar" means "string." The Setar was brought to India by the Persians and the instrument was changed to better accommodate the Indian musical practices, later when the language was being Latinised, the Brits and Indians chose "i" & the Iranians used an "e". Also, the Persian tar used to have 5 strings, yet the sixth string had been added to the tar by Darvish Khan. Mirza Sadiq Asad had introduced changes in traditional Iranian Tar's structure and form for the Azerbaycanis, increasing the number of its strings and bringing them up to 11.

[@lacrimae_lunae]

The most Indian thing in that room is the tabla... there also is absolutely no presence of a sitar being anywhere in the room... However, there *is* a Persian Tar.

[@sadredinesmaily8283]

درود بر شما دوستان

[@ronaldmartinezlahoz9526]

Bellísimas composiciones e interpretaciones musicales.

[@yogeshmahale8389]

Very pleasant

[@sugahtank]

great

[@mohamadzatari]

🌻🙌🏽

[@suliemanalmudaffar5965]

روعة

[@harhira14]

Very beautiful music , thank you all for this moment

[@kvikelo]

Sooo Good Thank you!

[@mohamadzatari]

💚✨

[@lucioperetti8333]

Questa musica e' molto bella!

[@SamuelLipscomb-bt1io]

Thanks. God bless.

[@savitathakurmelodies2281]

So nice

[@akshatgupta8555]

What a video ❤❤❤❤

[@zoharcatts9045]

Beautiful. Thank you

[@sadredinesmaily8283]

چه اجرای گرمی

[@mohamadzatari]

✨✨🌿

[@nurbanud2616]

I love it What do you think about a concert in İstanbul ??

[@mohamadzatari]

Always a pleasure 💚

[@editvaczi]

Absolutely authentics musics

[@mohmmadal4795]

يعطيك العافي أخي محمد ؟ وين موجود انت ؟ بالنمسا

[@قصتيمع]

مرحبا اخي , انت باي بلد موجود ؟

[@yeshuaariasluna2915]

Khryst@ espera su portabilidad

[@triple999fruitful]

[@sadredinesmaily8283]

سارا جان فقط شما انگار چیزی از دستت در میره یه کم میترسی. بیخیال باهاش راحت باش.