Evgeny Svetlanov: Shostakovich Symphony No. 5

[@usertcl6893]

Этот вариант исполнения самый лучший. Дирижёр - гигант, рядом с которым можно поставить только Вильгельма Фуртвенглера, был гениально одаренным человеком, который сделал для русского искусства больше, чем остальные дирижёры вместе взятые! Мне посчастливилось побывать на этом концерте, грандиозные впечатления, оставшиеся на всю жизнь ( Евгений Фёдорович и Леонид Борисович "выдали " здесь истинные исполнительские шедевры). А что касается некоторых горе-комментаторов, которым не понравился темп финала,- так загляните в партитуру симфонии, Д. Д. Ш. очень подробно и точно проставлял каждый штрих,каждый темп, а Е. Ф. Светланов, сам композитор, очень точно следовал каждому указанию автора, тем более, указаниям Шостаковича!

[@mashkamashka]

Я тоже был на этом концерте и тоже подтверждаю - исполнение было фантастическим. Финал я лично тогда воспринял как рождение Вселенной из Хаоса. Сетевой знакомый музыкант как то сказал, что это исполнение было признано среди музыкантов как 1-ое настоящее исполнение.

[@洋鸽哥]

Once you have experienced the non-rit ending, you can never go back... So much more power and meaning

[@pianistegolfeur]

Svetlanov, chez lui : un document historique ! Merci de nous l'avoir communiqué !

[@rena.k.8513]

Величайшее произведение!!!!Гениальное исполнение!!!!

[@johannschneider6372]

Little note here: The tempo of the finale is quite right, Shostakovitch himself asked his son Maxim as when he conducted it, to play it that fast. This is meant as a storm. Listen to Mrawinsky, who rehearsed the fifth with Shostakovitch, he takes the "Allegro ma non troppo" as fast as Svetlanov. So nothing "wrong" here ...

[@Skidoo22]

It's not right as per the score - crotchet = 188 at rehearsal 131, the metronome marking is all the way through to the end. Haitink gets close but even he is not quite there, Bernstein almost gets it right but adds a ritardando in the last 4 bars which is not called for by Shostakovich. Maxim and Mravinsky are both way too slow and destroy Shostakovich's intentional frisson.

[@johannschneider6372]

@@Skidoo22 How can Mravinsky destroy the intention of the composer when the composer himself asked him to play it exactly like that? Or is he just destroying your intention of what Shostakovitch's intention should have been?

[@sati_mindfulness]

スヴェトラーノフすごすぎる😭

[@hectorberlioz1449]

Great conductor Svetlanov...!

[@MegaCirse]

Ecouter Shostakovich sous la baguette de Svetlanov, c'est abolir le déferlement de bruits et d'images du quotidien pour entrouvrir l'espace d'un ailleurs où la contingence et la représentation cèdent la place à l'immatérialité du sensible. Une fois refermée la porte sur l'agitation du monde, un silence sous-jacent s'installe, une lenteur saisit, prélude à une dilatation de la perception et de la conscience. Dans le courant du fleuve des notes qui nous traverse, le pouvoir expressif de l'architecture sonore rompt avec toute forme de transcription du réel pour s'attacher à l'expression d'un univers féérique et insondable!

[@IvanHernandez-gx4rt]

Pure and unrefined Russian sound with the greatest Russian conductor after Mravinsky!! The energetic Evgeny Svetlanov!!!🇷🇺🇷🇺🇷🇺🇷🇺🇷🇺

[@dusanss39]

Svetlanov is in much higher league than Mravinsky

[@kyouun3802]

やっぱりショスタコはこの響きがいいなあ

[@rinaltube]

É così che deve essere il finale! (da 46:39 in poi) Il tempo, non troppo veloce, è quello giusto e senza l'odioso rallentando nelle ultime misure (da 47:50) che quasi tutti i direttori di orchestra scelgono di fare. Il finale dei timpani deve essere fulminante, a tempo, non come un treno che rallenta moscio moscio.

[@luciozanna262]

al pari di solti

[@robertduggan1531]

I think the picture of Shostakovich says it all.

[@283twscott]

Very exciting -- the poor brass. Spent by the end.

[@jackminto7062]

Recorded a year after he died.

[@ricardonascimento6020]

08:09 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

[@カズ-k9i1i]

なんだか、凄い演奏ですね❗ 大きな銅鑼ですね😳

[@nazuu5409]

自分用 37:5137:51

[@とうろう-y3i]

37:51 IV

[@w3w3ify]

someone miss at 47:04 ......XDD

[@taskbarenhancer3386]

the winds are shitting there

[@jackminto7062]

I feel worse for the trombones lmao

[@timursabirzanovcfa2578]

Why he plays it so fast?

[@mashkamashka]

Как Шостакович написал, так он и играет. Учите матчасть.

[@richardwilliams473]

The ending was played too fast as if the conductor had a train to catch ?

[@MuzBuz]

Maybe he was only paid to conduct for 48 minutes?...

[@mashkamashka]

He plays exactly as DD demanded

[@rchetype7029]

To perform the finale like that at an event commemorating Shostakovitch's life. What a joke. The barbarian only triumphs over the artist so long as he lives, art is immortal.

[@gabbyhyman1246]

How right you are. Sounds like the score to a hurricane. Even Bernstein wasn't this freaking rude. Is there a fire in the hall or is he just in a hurry to get to the airport before the crowds trample him?

[@YusufYalcin83]

1st mov. development is too fast from what composer wrote, it is just a chaos…

[@user-yt198]

Even Svetlanov could not save this horrible orchestra

[@user-yt198]

@@donperignon6623 I will not learn from you when to shut up you drunk idiot.