NASTY lofi & neo soul CHORDS

[@RotemSivanGuitar]

giving 25% off my new course! here it is! fretsfordays.com/p/unlocking-the-fretboard?coupon_code=YT25&product_id=4249621

[@DennyJiosaGuitar]

What guitar are you playing? You sound great!

[@victorloper2976]

@@DennyJiosaGuitar p

[@kfm1242]

I bought a full year of patreon membership. After this video I want to buy one more. this is exactly what I need and it perfectly fits to my approach to music. thank you!

[@edjazz39]

I love that intro guitar riff. Keep up the great guitar tutorials.

[@carlesmontobbio]

Amazing content Rotem! (again!) I'd call the chords Cmaj9(13) and G7(b9)(b13). Thanks for the content you're working on, very inspirational and motivational. I'm gonna check your workshop for sure!!! cheers from Barcelona

[@OmarCruzOfficial]

Sounds incredible. Would love to write and sing to anything you make

[@studioheathco]

I’d just call the chord a CMaj13. We’re talking guitar, and not piano. It’s inevitable that with thicc chords, we’ll have to lose a potential voice. Nobody is really missing the 11th in guitar voicings for 13th chords, especially over a major third with the major seventh. It’s common to leave out the 11th, unless we’re adding a #11.

[@AMinorCaseOfBlues]

Finally signed up! Looking forward to jumping into the courses! Thanks Rotem!

[@crazed1x]

This information is a gold mine

[@JopeyPajatrick]

Love these breakdown lessons. Cheers

[@anyoneallen4082]

I guess I’d call that chord at 4:22 a Cmaj13 add 9

[@jamescopeland5358]

That's great Rotem

[@SlimSaggs]

Awesome lesson!

[@Giovy-Perez]

thanks mr Rotem! beauty fly

[@yaroslavshevtsiv]

The tune at the end I would name The Mirage Mountain 🏔️

[@mikepawlikguitar]

Do you have a course that I can buy for intermediate-advanced players bro? Time to absorb what's in your brain. After 17 years nearly I'm ready for it. Cheers from Alberta.

[@underwoodvoice9077]

If it's in a context where one could reasonably expect the root note to be the tonic, I'd call that a C Major 13 unless I wanted to emphasize the fact that the 9th is present, in which case I'd call it a C Major 13 add 9, as folks before me have said. I can't think of any other reasonable context for that voicing offhand, so I'll leave it at that.

[@underwoodvoice9077]

Oh, and the second one is G7b9b13.

[@danielweissel2366]

Love your vids. Learning a lot every time I tune in. Ps - Whats your guitar strap?? I want it!

[@aryabanerjee1179]

Bro aren't you the Coldplay vocalist? Love the band man 😍

[@danmillward3480]

I think once you realise that scales are a a collection of chords and chords are the scale...it opens up the colours...especially when it comes to melody

[@godinflt555]

Awesome as always!!! But! What is that polyphonic low octave I’m hearing?! What pedal is that?

[@beyshore_]

most likely a boss oc-3 in poly mode

[@tobiassunnerfjell8981]

Nice video as always! Thank you! Guess the chords name is Cmaj6/9.

[@daynemin]

Id call one of chords lushness and the other warm butter

[@kondorram9073]

Always insightful Rotem. Thank you

[@Evan-lc7ol]

Beautiful lesson. Especially the chapter 'MAKING MUSIC'. After all that is all about... I 'm tired of all the exercises.

[@crazed1x]

It’s Chords! A big lump of notes! When I tried them with extensions, everything changed

[@parkerhays2841]

Cmaj9(13) and G7(b9,b13)

[@antoine819]

You're the beest teacher in the world

[@RotemSivanGuitar]

❤️🙏🙏

[@antoine819]

@@RotemSivanGuitar no joke, are you giving some IRL guitar lecture ? If not yet, please come to live in Paris, I'll be your first student ;)

[@LEOPORT5]

They sure are nasty!! Love them all

[@yaroslavshevtsiv]

This chords I would call cold mud

[@danmillward3480]

In terms of the chords it can be lots of thing...Ebmaj11#5....Galt(b9 b13)??

[@danmillward3480]

Colours change in relation to the colours around it...white looks different with blue around it compared to red for example same with people we change depending on what company we keep...I feel this is the same with notes....

[@veco5731]

You always seem to teach me something Rotem :)

[@zawisza1993]

Thank you for greatfull content. I have one question. I know that Am can be tonic substitution because it is on VI degree in the Ionian scale. But can someone explain how Am chord can be subdominant substitution? Thank you in advance

[@anyoneallen4082]

I think it’s because an Am has an Fmaj7 inside of it, and F is the subdominant of C

[@kondorram9073]

The notes of Am7b6 is an inversion of Fmaj7

[@paulbreaux909]

F half-dim/G, F half-dim add 9, Gaugb9?

[@dieterbierman9803]

Nice "vibey" video as Always. Been missing that diy-modified guitar lately!

[@yaroslavshevtsiv]

I'd call it "You got it!"

[@0-0-s3i]

4:15 I'm guessing (Cmaj9/13) ?

[@berk3575]

Its G7b9(b13)

[@ItsSongsOfDavid]

"I'll play again so you can see these shapes"... camera angle doesn't change so all you see is the back of the hand...

[@Lotusblue777]

G b9/b13

[@vit.khudenko]

Good food 👍

[@MaromMan]

דו דיאזזזז

[@davidphilipp16]

C maj 6/9

[@davidphilipp16]

But the 7 is there so maybe C maj 13 add 9 or C maj 9 add 13

[@Lotusblue777]

C9/13

[@jorgegauthier7697]

Cmaj13

[@Xhubo]

Hey are you doing a giveaway or is it a scam ?

[@phlox7792]

Dmaj7 add 9 add 13 or I guess Dmaj7 add6/9 would work too. Without the 7 I'd call it Dmaj6/9 but since the seventh is there and the extensions are added on top, that's what I'd say.

[@60secmusic96]

neo soul? for me its more jazz...

[@MaromMan]

Cmajor913