Never struggle to EQ your masters ever again

[@Dj_Leoguerrero]

We all know that clickbait on youtube is a "most" in these days. With your videos clickbait doesen´t exist hahahah, honestly you will never be struggle with eqing you masters. No words for the amount of quality content that you are giving to the world. THANKS !!!

[@judsondru8920]

The best air drummer on KZbin

[@bizeeibrahim]

My thought exactly :)

[@UncleBenjs]

That was dancing not air drumming lol

[@bizeeibrahim]

@@UncleBenjs then he danced like a drummer 😂

[@jacquesancillon6635]

more like a conductor .... because he beats the 4/4 as it should be beaten.🐝

[@RelicLabzEntertainment]

In the car driving so I'm not watching, and there more than definitely was a change in clarity, the high hats covered the vocal, then found a place then covered the vocal again

[@ayoubthegreat]

📚Timestamps ➡ 00:30 • Low End Control ➡10:10 • Thump in low end 🔊 ➡18:04 • Mid Side EQ ➡22:10 • Cut some "mud"

[@panorama_mastering]

Great time markers.

[@javiimusica]

when you started to work on the michelangelo, the sound was jaw dropping. freaking amazing, I thought I was not gonna be able to hear it because the low end is hard. But it was amazing. Good job, thanks Nicholas.

[@panorama_mastering]

My pleasure!

[@jeffray3]

So much GREAT information! Listen to the man, there are very few places high-pass works without mucking up the rest, first reach for a low shelf filter and watch the analyzer til your subs are tamed and the fundamentals are still strong.

[@panorama_mastering]

Well said!

[@j-station]

This is one of my favorite vids yet. Ur really cracking out the content lately!

[@panorama_mastering]

Thanks mate! More to come!

[@georgetaylor3126]

This is such a great video! Just tried all those methods out on a track I've been struggling with and it worked so well, particularly the Clarity module on transient info. Thank you!

[@HOR_WayneMoyo]

OMG! That transient dependant dynamic side channel air boost trick is just nuts! Soo creative!🔥 What that Ozone module does though feels like jumping from a 2 dimensional EQ to one that's 3 dimensional! 🤯 Absolutely wonderful content!

[@nicowithguitar]

I'm so glad that I've found this channel. I've been learning so much from you! Even though your videos are very technical they're still so fun to watch since you're so passionate about your work. I'm about to study audio production this year and hopefully I'll become as good of an audio engineer as you are. Thank you so much and keep up the quality content!!!

[@panorama_mastering]

Thanks man! Super humbling. Best of luck starting with Audio Production this year!

[@nicowithguitar]

@@panorama_mastering oh btw. is that song out yet? I can't get it out of my head! What a banger!

[@Frequen-Z]

I can always see the passion that you have for music in each of your videos. Thanks for sharing!

[@VSpellMusic]

Thank you!

[@diysounds2532]

I love that double clap so much . So groovy, always works a treat

[@plastiktide]

Very cool stuff! I appreciate your analytical and thorough approach

[@SagiBraitner]

Thanks for sharing your knowledge with us!

[@panorama_mastering]

My pleasure!

[@Laows]

Great video bro. I will follow the video and doing some experiment in my project. Definitely will use these tips for my future projects

[@panorama_mastering]

Glad it was helpful! Let me know how you go!

[@RicherPodcast]

This is gold. As a mix engineer, in the name of making it sound as good as it can be, I'm trying to understand if I 'should' add these mastering-type processes on the mix bus at mix stage... If I trust my ear, would you ever recommend adding this at mix stage i.e. BEFORE mix bus comp? (Of course adding it AFTER mix bus compression would effectively cross over into mastering territory, assuming the mix bus limiter was deactivated). Thanks bud.

[@boseyhad2doit2em]

Incase anybody doesn’t have Micheal Angelo. You can use a lfo in Saturn by fab filter the same way as the transient saturating method in 15:12

[@panorama_mastering]

Good shout!

[@javifusco8487]

me @ 7 minutes.. oh that's not the advanced mode? loll Thanks for the vid!

[@javifusco8487]

@@panorama_mastering What happened is that the first 7 minutes were already pretty advanced for me, so when you said "now for the advanced version.." I was like oh man I better get a notepad.. 😅😅

[@panorama_mastering]

Mate; you caught me on my 4:30am half asleep mode! .... way for me to act like a real dick! HAHA THANKS! I appreciate it.

[@javifusco8487]

​@@panorama_mastering Yeah wtf bro, next time I'll punch you with my -3b at 120htz linear pro q3 how dare you.. 😂😂.. Thank you again!! 🙏🙏

[@DaftFader]

​@@panorama_masteringThat's the thing with YT, so many A-hole commentors, it's easy to misinterpret a nice, jokeys comment, as a serious criticism because you've been replying to too many misserable comments, so you assume the worst erroneously. 😊

[@MonkeyMarc]

Amazing as always. By the way, you can shift click on the bottom eq freq section on the Michaelangelo to solo the band. :)

[@panorama_mastering]

! OH REALLY! I didn't know that :P

[@MonkeyMarc]

Glad I could help :) @@panorama_mastering

[@bicrome]

it keeps getting better!

[@normalpleasure]

I'm in Melbourne, I want to come in and learn from you, it would be a dream

[@ronallen2458]

Good video. I keep wondering if there is application here for split EQ in the advanced or pro methods for both mud and subs.

[@panorama_mastering]

Of course there is, there are so many ways to branch out these fundementals and create flexibility in your workflow

[@lloydbrothers3315]

My thoughts exactly... I've really been trying not to buy so many plugins. I absolutely love the splitter tool in Studio One and I've had a blast working with splitting frequencies for eq. I'm gonna attempt some experiments with midside in that way. Michaelangelo is the 1st plug I've seen in a while that's screaming at my pocket. Lol

[@NoQualmsTheArtist]

That Michaelangelo EQ saturation thing sounded great! 💯

[@panorama_mastering]

Thanks mate!

[@breezyoakk]

this is insane

[@panorama_mastering]

Thanks m808!

[@pham4925]

You are a legend once again!!

[@panorama_mastering]

Thanks m808

[@nikovaude]

remarkable tip for advanced thump! if i dont own the MA EQ, is there a workaround using the latest ozone or fabFilter suite? thanks nic!

[@panorama_mastering]

Ozone saturator in transmode

[@FlashRecordsStudios]

Hey Nicholas, this is a fantastic video. I was listening it in the Apple's earbuds initially (sorry:). When you tweaked Michelangelo EQ, the top end in the earbuds got pleasantly soft. Then I listened it again through the speakers... and it's quite amazing how the low end and the top end sound. I'm goin to try this plugin with the vocals. I don't have Ozone 11 and Clarity, however Eventide SplitEq does very nice job with transients & tonal balance. I would recommend trying it out. Thanks again!

[@panorama_mastering]

Amazing! No sweat! I will check that outback

[@sadiks8195]

thank you for this video ! also the snare/Clap of the song is rly good

[@sadiks8195]

If anyone has sound design ideas about it hihi

[@panorama_mastering]

Yeah; ALL of Dugong Jr's records the sound design is on point!

[@sadiks8195]

@@panorama_mastering Ohh nice thank you I will check it ! Again, your videos are always helpful and pleasant to watch ;)

[@Arron_Mottram]

I've been thinking why I always like to raise 1600 Hz. When you suggested raising 3,000 hertz, instead of lowering 300, I realized that by raising 1600 hertz, I was removing the 160 hertz boxiness that streaky recommended cutting out. It all makes sense now.

[@panorama_mastering]

Glad I could help!

[@maseylorenzo5475]

mi stai aiutando veramente tanto, non hai idea!

[@bakerlefdaoui6801]

Merci Monsieur for all this valuable knowledge !

[@panorama_mastering]

Welcome!

[@chris_share]

Great stuff!!! Thanks!

[@panorama_mastering]

My pleasure!

[@AudioRecordingStudio58]

Hi Nicholas, Thanks for sharing the tips and useful information. I see Neumann Kh310 monitors in your studio. Are you satisfied with them or are you thinking about an upgrade? Thanks, M

[@ВячеславЗайцев-ш5ж]

oh...shiiii...... you're REAL PRO, BRO!!!! Thanks a lot for your content!!!!!!!!!!!!!!!!!!!!!!!!!!!

[@panorama_mastering]

You're welcome!

[@bartoszmacke3978]

Yo brother. Great work man. Have one question though. If there is a case in which you have to apply all of these techniques, do you put like 3 different eqs on the master Chanel or it doesn’t rally happen that you need to apply them all in the same project? Anyway I was always thinking whether I can put more than one type of eq on master or just stick to one and do all the cuts and boosts using only one?

[@panorama_mastering]

Depends, usually all stereo general EQ i am doing with the sontec 432, if I want to do some fancy M-S or dynamic eq I will use ff-proq3 or michelangelo

[@panorama_mastering]

Oh and it’s rare for me to use more than 1-2 instances of any EQ move

[@bygonebotanical]

Your video’s are a godsend! Thankyou sir 🙏🏻

[@panorama_mastering]

You are very welcome

[@Chiefmonks]

Amazing channel! Thanks a lot

[@panorama_mastering]

Glad you enjoy it!

[@danielbaczkur2545]

That was insanely good!!

[@DrBuffaloBalls]

20:39 How exactly does it work that Pro-Q3 can remain in Linear Phase mode while also being Dynamic? Doesn't that completely mess up the phase calculations since the amount of phase shift to compensate for is constantly changing?

[@panorama_mastering]

The shift of an impulse response to keep the EQ in phase at this small of a chance is so minute you wouldn't hear it.

[@DrBuffaloBalls]

@@panorama_mastering Ok, thanks for the reply. Just curious as Cubase's stock EQ doesn't allow enabling linear phase and dynamic mode at the same time.

[@SuperFake777]

@@panorama_masteringshould we eq before or after our compression like one would think after compression because you can hear the finer details now that the dynamic range has been reduced but id also think eq into compressor could shape what it reacts to

[@happyshadow]

I think you have to be careful expanding low end in a dance track, where the upper kick transient happens in time is where the bass is ducking - you can undo that pumping low end. When the kick is starting bloom out from its initial transient there will be bass at the start of its ramping up from the sidechain, if ur expanding at that moment u *could be undoing this.

[@magneticpitch]

have you considered making a workout video? your enthusiasm for the music always puts a smile on my face. cheers! PS - great tips as always, thanks

[@Mr_Kri]

Great tips. How is it with Clarity and phase? 🤔 Actually, how is it with transient / sustain filters in general with phase? Nicholas? Any of you other good folks?

[@fernandoboin3265]

Very informative and to the point. Great vid, tks!

[@panorama_mastering]

My pleasure!

[@aipsong]

Excellent!!!Thanks!!!

[@junovue]

thank you for the time stamps!!

[@jasonwolchuk787]

it doesn’t seem like the free ozone 11 EQ has the same features exactly. Also, more importantly, where in your mastering chain, do you do each of these EQ steps?

[@yangjiyangji]

Does ozone clarity work similar to gullfoss eq? + why do you use it with broad frequency range? Maybe u could just use it between 200~1k. Any reasons?

[@DavronMananov]

Can you do a video on advanced mastering for highs?

[@guillaumetiger-isothesis5791]

Awesome video ! I have a quick question about M/S dynamic EQing in ProQ (which I do not own, hence asking), is it really linear phase ? Because if so, ProQ is a rare beast as TDR Nova does not have linear phase option and Vojtech from Melda says it's really hard to implement linear phase for dynamic EQing.

[@janqesh2400]

nice thx man

[@panorama_mastering]

No worries!

[@Barnsey87]

I actually used eq to boost in the past, never dipped, and ever since beats don't hit as hard.

[@panorama_mastering]

Fair enough! EQING into a chain?

[@SmashinAdams]

Cheers to you, mate; I've learned so much from your tutorials in such a short period of time. Just wish you'd kindly dial in the low pass on any high frequency of cussing so I can be ok watching it around the family. Not judging bcuz I've been there. Just saying.🙂

[@huberttorzewski]

Idk, when I try that Clarity module in my mixes it sounds very processed and artificial even at low % values. It takes away natural high mids and highs breathing/dynamics and introduces kinda phasey-like sound there that's a bit fatiguing to listen to. I'd rather try to use static eq and a high freq limiter (like the one built in TDR Limiter 6GE) instead or/and soothe (when there's bigger problem). Otherwise nice vid and I liked the low end sustain cut trick!

[@panorama_mastering]

No sweat! Thanks for watching. I want to look more into the clarity module. Just need to find the time…

[@jasonwolchuk787]

what are those bubble looking images on the spectral analyzer next to the kick transient?

[@JazzyFizzleDrummers]

You may not be a shill for ozone 11 but you did finally convince me to upgrade from 9. Also whats the name of this track? Its usually in the description but it's not yet.

[@panorama_mastering]

Coup de Grace Dugong Jr

[@NoQualmsTheArtist]

Made me contemplate upgrading from 9 as well 🤔

[@samphelps856]

Brilliance

[@panorama_mastering]

Thanj you!

[@marcusgarveyson]

Good stuff

[@poindextertunes]

Desi-Bells 😊

[@dxnxxl_k]

id love if you would make a mixing contest with feedback❤

[@panorama_mastering]

Maybe!!! Let me talk to some clients to see who’s down?

[@Walid.OnTheTrack6725]

this is fucking epic

[@panorama_mastering]

Thanks m808!!

[@sigurtsigurt549]

do not forget to press the button match on michelangelo cos you know louder the better...and you wil hear that you are loosing some separation and detail

[@Gasparzym]

👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽 great

[@DATOKIKO]

whered the time stamps go :o

[@DaftFader]

Stop the 300Hz hate! I'm right onboard with this one haha. This "clean up the mud" trick killed a bunch of my early mixes. Rest in pieces 😢 😂

[@johndoe_1984]

Masterbussion

[@NeoTraditionalSpain]

always ill advice, thanks so much

[@UncleBenjs]

Sounds thin, smeared and harsh on my phone. Had me second guessing my phones response etc until I pulled up Hannes Bieger house tracks and other good references to compare and then i realised the issue is definitely the track and not my phone. Would be really interesting to hear these techniques applied to a track without so many issues, or in a way that fixes the issues rather than everything sounding smeared. I think referencing whilst executing these techniques would have gone a long way towards improving the end result.

[@jhh764]

Agreed I hate a lot of the samples in this song. The kick and clap could be a lot better imo

[@midlifeadventures3138]

best mix I ever did was HPF at 35 Hz

[@malaclypse1409]

That's a lot of chocolate

[@midlifeadventures3138]

@@malaclypse1409😂 fixed

[@happyshadow]

Low shelf for the win 🥇 low pass no no

[@panorama_mastering]

Banging

[@horizonofficial5422]

If you now see my face 😅🤯 Every video changes what and how I do! Love from Ukraine ❤

[@blacksaona]

Client: more bass pls

[@panorama_mastering]

More bass, more loud!!

[@speckles9251]

I need more CPU

[@yemiiblaqmix2387]

This is soo android