Every way to mix a kick (28 Ways)

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00:00 Intro
01:08 One
02:20 Two
04:18 Three
05:37 Four
06:16 Five
07:30 Six
08:48 Seven
09:21 Eight
10:14 Nine
11:56 Ten
14:00 Eleven
16:52 Twelve
17:56 Thirteen
18:42 Fourteen
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Hello, I'm Nicholas Di Lorenzo, Studio Owner, Mixing and Mastering engineer at Panorama Studios.
I'm an Italian-Australian born and raised in Melbourne. I've been a creative professional for 10 years managing some pretty awesome projects for artists, labels and producers all around the globe.
What motivates and drives me?
My family,
Good food,
Great coffee.
You can find me on many platforms:
Instagram: / panorama_mastering
Facebook: / panoramamastering
Twitter: / panoramamasters
Kit: kit.co/Panorama_Mastering

[@SvS_X]

Not one to really comment often, but just wanted to thankyou for sharing your unique knowledge, thoughts and ideas on audio with us all. It's greatly appreciated.

[@panorama_mastering]

Amazing! I appreciate it! More to come!

[@django3108]

FIRE video... WE NEED 28 WAYS TO MIX A BASS SYNTH/808!!!!

[@panorama_mastering]

Thanks man! I'll definitely think about it!

[@joshmarn]

Such an inspiration. I continue to learn and improve from watching a good man like yourself. 🙏🙏🙏💙💙💙

[@panorama_mastering]

I appreciate that! Thanks for the support!

[@Chrispoirier]

i've never gotten such a wealth of well explained production techniques from a youtube channel before. and so many plugins that were not on my radar that i'm going to check out. plus the air drumming lessons are fire

[@walshythemusician]

Thanks for the video. I'm always a bit confused when clipping a kick. The idea is that the clipper reduces the transient's level (giving you more head room) but without noticeably compromising the sound. However, I notice that when I clip kicks using Standard Clip, there is definitely a noticeable reduction in the impact of the kick even if I'm just doing the smallest amount of clipping possible in the plugin. If you then add gain post-clip (as you appear to do in this video) to restore the kick impact, wouldn't that just undo the headroom-creating effect of the clipping, putting you right back where you started?

[@Tom-tv4ok]

This is the nerd level of tutorial i need for my morning.. Dam epic. I love watching/learning from your approach to mixing

[@panorama_mastering]

Glad you enjoy it! Thanks for watching!

[@billpodolak7754]

That ozone chain *chef's kiss amazing tutorial

[@panorama_mastering]

Glad you liked it! I forgot how I did that; sometimes when I'm mixing I just get into a flow state then when I revisit the sessions in these video's I realise what I did

[@this_is_jmdub]

the amount of information in this video is crazy

[@panorama_mastering]

Have it on replay ;)

[@this_is_jmdub]

@@panorama_mastering doing that anyway

[@OUTSHADES]

This was perfect!!

[@panorama_mastering]

My pleasure!

[@djvoid1]

Love your work dude!

[@Rhuggins]

Youre the man!

[@panorama_mastering]

No... YOU'RE THE MAN!

[@juliana.2120]

was one of the techniques using a send of the kick and putting a bandpass on it to create more punch? if so why did you remove it? maybe it was another video

[@tyalexandercheng]

I am genuinely confused. How do you process an entire drum kit without using summing busses? You mentioned using multiple-band dynamic processing over a drum bus, but I still don't understand how to avoid sub-mix busses while only using VCA faders. Can you help me understand how to set up 'non-summing sub-mix busses'?

[@neshy8074]

Song name!!! 🙏🙏

[@panorama_mastering]

Reu - Baby Blue

[@neshy8074]

thx man ive struggled to get the artist name right

[@lk0707]

Man, why your kick is as stereo file, instead of mono ?

[@panorama_mastering]

Always request stems are sent wet; most daws will export that in stereo; which is cool; no skin off my neck; Here's how I set up my sessions! kzbin.info/www/bejne/eWXVn4WNl6tknNk