New Morse Code - "Boris Kerner," by Caroline Shaw

[@baudierdenis3686]

A la fois terrestre et céleste : magnifique !

[@ObjectivelyReel]

Just stunning work.

[@eileenchambers6294]

Beautiful performance and excellent composition. Thoroughly engaging.

[@wolfil8019]

The cello is one of my very favorite instruments. Hearing your composition here ... Ah ... lovely ...

[@wolfil8019]

And the two performer ... the cellist is brilliant ... and the percussionist ... so beautiful ...

[@etiennecendrier7053]

Great - what an invention !

[@petrusvanwyk3577]

Absolutely lovely 😍❤💯

[@Gustavsarrasine]

Gorgeous work

[@jorgevelez7850]

Amazing. Really.

[@Michael-Oh]

Hey! How are the pots not tipping over?

[@MichaelCompitello]

The heavier pots stand on their own. I tape down the smaller ones!

[@Michael-Oh]

​@Michael Compitello oh thanks! I'm working this piece up with my Cellist friend in the UK and we're so excited to develop this work for our recitals. I have a question about the pots, what sizes did you end up buying and would you recommend going for the standard brown terracotta pots for all the notes?

[@MichaelCompitello]

@@Michael-Oh I'm not sure what sizes I ended up buying. It really depends on the pitch of the pot. The terra cotta is great for almost all the pots. I use glazed for the G6 and A6: more durable and clearer pitch. Glazed pots could work, but they tend to have higher pitch than terra cotta, so you'd need some pretty big pots for the low notes!

[@Brighamdoc]

Very nice. Did the composer specify using clay pots? Just your interpretation?

[@newmorsecode2003]

Yes, the composer does specify the pots, even the exact pitch of the pots!

[@ObjectivelyReel]

What is the plucky thing she does at @7:14?

[@Ineluki_Myonrashi]

Literally strummed it like a guitar.

[@samgilbert1896]

Plucky player!