Thrilling Scales for the ii-V-I progression in Major

We'll learn what scales to use on what chords when playing the ii-V-I progression in MAJOR. And by the end we will have created a very useful and complete SCALE CHART for jazz improvisation.
Our SCALE CHART is complete and enclosed - and we'll find out that we can combine any of our scales to make an awesome result. At the conclusion of this jazz lesson I'll demonstrate that, by rolling dice and playing lots of random thrilling scale progressions, all extracted from our chart.
In this other jazz lesson we also build up a similar scale chart - but over the chords from the ii-V-i progression in MINOR.
• Thrilling Scales for t...
Here we have the two scale charts (MAJOR and MINOR) as PDF newjazz.dk/Compendiums/Scale_...
In this other NewJazz lesson we learn much more about all musical scales and how they are perfectly ordered in circular Families • ALL ABOUT MUSICAL SCAL...
Translations of the English subtitles to Spanish, Portuguese, Italian and French by Edgardo Solano from Colombia. Thank you so much Edgardo!!! You can turn on the subtitles and choose a language in the video settings.
All NewJazz lessons are free, public and for everybody. I have no sponsors and I sell no merchandise. I'm just little me trying to make Music the EPIC CENTER of everything! If you want to help me keep going you are so much welcome to make a small voluntary donation at either
/ newjazz or
www.paypal.me/newjazz
You can also just give me a nice like - moral support is also great support!!! Thank you so much :) :) :)
Many warm regards from Oliver Prehn
University Master degree in Music & Multimedia
www.newjazz.dk
Index
00:00 Introduction
03:31 Scales for the minor 7th chord
07:45 Scales for the Dominant 7th chord
13:35 Scales for the Major 7th chord
18:08 How to Extract Scale Progressions
24:14 The Math for the Selection of Scales
27:46 Playing lots of Scale Progressions (no talk!)

[@A_Voice_In_The_Ocean]

Always well worth the wait for one of the greatest voices and musical teachers on the internet, well done good soul! God bless.

[@alphonzobonzai5030]

Thank you so much for helping me connect all the pieces of information I've had but never knew how to utilize. I am forever grateful

[@MohammadHuda-je6br]

Hei Oliver, hope you're doing fine. Let me tell you something. You know what? You gave me the key to the world of Music. This is only puzzle that I have been constantly working on to figure out. Your lesson matches with my own idea. Thanks a million for your kind effort to teach music the most thrilling way!

[@teresmajor7956]

As a Scandinavian / Contemporary jazz lover, your style and aesthethic in teaching jazz & theory is exactly whats working for me. I'm moving to Copenhagen next year, and I hope I can listen to your great music sometime in the near future, maybe even at the Jazz Festival! Thanks!

[@pierluigigiordano4899]

Simply the best teacher ❤

[@ivandacosta9339]

Mr. Oliver, you are a real genius teacher, thanks a lot.

[@hahannah1974]

You keep jazz alive! Thank you for sharing

[@makisGibs]

Amazing Concept from an amazing teacher! Respect!🙏

[@7snugguns7]

This is the most useful you have ever done I believe. I don’t even play piano but the amount of improvement I have seen today alone is visceral. It’s still a lot to go over but my business will double at the apartments where I work as a plumber.

[@boopy12g]

1:25 started off like Erik Satie! Definitely subscribed

[@atthemanswag]

This is amazing thank you for taking time to share your knowledge!

[@donnyt7799]

Excellent. Thank you.

[@davidmesmacque8759]

Absolument exceptionnel de qualité et de plaisir d'apprendre et de reproduire. Oliver m'a apprit la patience, la régularité, comment m'entraîner plusieurs heures par jour même sans mon piano (tellement utile sur un lit d'hôpital par exemple 👌) mais par dessus tout, je n'oublie rien et ne cesse de progresser semaine après semaine. Merci Oliver, je suis tellement heureux de cet accompagnement permanent. 🎹😍

[@muratverdi5123]

Dear Oliver Prehn, the love, care and dedication comes through in all your valuable and inspiring videos ,thanks so much...❤

[@zeno4088]

I’ve have never seen a bad video from this channel. Thanks again Oliver

[@organiclsp]

Thank you so much. We adore your voice tone too. Out of classical paradigm, finally breathing.

[@JAZZER5]

This changes everything now i see an unlimited set of choices. Thank you very much.

[@Dabaiko]

Just in time! Thank you so much, I wasn't expecting this. As always, loving your study material, your inspiring approach to music and the perfection of your video editing!

[@glamrole5911]

What a great and generous musician you are , hats off to you Oliver

[@misiacs3346]

Brilliant, awesome!!

[@louisaruth]

once again, the very best

[@WorldofPopularMusic]

As always wonderful❤🎉

[@denidew]

Love it!👌🏻❤️

[@LuisTorres-qz5kr]

Awesome job! I really enjoy the knowledge you've shared with all of us, much appreciated!

[@javilalima]

Fascinating, as always! Thank you so much!!

[@richardnejman5231]

Thank you so much for this brilliant lesson. Playing by ear, I've always had to discover the more interesting modes through experimentation and linking a few together hadn't occured to me. Suddenly, creating complex sounding music doesn't seem so daunting. A priceless lesson which I am certain will have dramatic implications for my music. Truly grateful.

[@javimar61]

Fun dice game to practice very interesting jazz scales. Thank you again Oliver

[@-MichaelLastname-]

Never been this early! I’m certainly intrigued to see what you’ve got for us this time! Thank you for teaching so many people more ways to think about playing the piano and music theory in general

[@willemlagendijk3078]

again, such a great theatcher

[@amackclassic6737]

You have such a beautiful way of teaching Improvisation.

[@Web4Panama]

Beautiful sounds ...

[@ingasauter-hartmann3084]

Awesome excellent and beautiful - all your videos. Thanks a lot. Inga from Germany

[@yorec1.618]

thank you so match!

[@Paul_demian]

Ive been playin it for a fee daya now. I habe to say Finally ive found a way in which my fingers feel free in many different ways, as many as 210. Really The freedom Im feeling improvising now feela like flying.

[@cameron8920]

Thanks....❤❤❤❤

[@Harriet-Jesamine]

Thanks ...This is insanely Brilliant. This channel is amazing! Am getting re-motivated to explore music again.

[@NewJazz]

Hi and thank you so much for your very nice comment - I'm so glad that I can help you on you musical road and re-motivate you. And thank you so much for your generous voluntary “super thanks” donation - you help keep me going for sure!!! I'm very grateful :) :) :) Best regards from Oliver

[@Nug_Lord]

Thank you for all the hard work, love your content! Hope to see the same concept but over a minor 2 5 1 instead!

[@NewJazz]

Thanks a lot :) Yes, exactly; the 2-5-1 in minor will come by the end of March ;) Cheers from Oliver

[@SamoDrajf]

Top❤❤❤

[@johricpea]

Wow Oliver. This was released at a good time for me. I was looking for some guidance regarding scale choice. As always, it is well explained. Back to the woodshed.

[@elizeumonteiro9060]

Estou assistindo seu vídeo do Brasil já deixei meu like e me inscrevi

[@Giangy6573]

🙏🏼

[@caaarliiitooos]

My English is not very good, but I want to tell you that I am very grateful for everything you do for music. I am just learning how to improvise, and I would like to know how can I determine in which position to place the pentatonic grip (the pentatonic grip that you teach in your other videos) to play the different scales I would like to use for each chord? Again, I want to repeat that I am very grateful for all that you do and that for me, you make music something more entertaining. Thanks!

[@NewJazz]

Hi and thank you so much for your very nice comment and your generous voluntary “super thanks” donation - you help keep me going for sure!!! I'm very grateful :) :) :) The pentatonic hand grip only fits the 7 Modes (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian). In this lesson we use many other kinds of scales. But if you like doing the pentatonic hand grip just keep on evolving your Music with that grip - you don't have to know and play all scales. Simple Music is often the best Music! In this playlist I've gathered all my lessons about the pentatonic hand grip - and more will come... kzbin.info/aero/PLd8gNAxPUcJyjw8L8463_koSVsPIFkWVX You can also check out the even more simple but very effective 3 finger hand grip in this playlist kzbin.info/aero/PLd8gNAxPUcJwDXKTlsToY9Iko3azFhg7R Many regards from Oliver

[@glamrole5911]

Godbless you

[@evan.k]

Brilliant, as always!

[@NewJazz]

Hi and thank you so much for your very nice comment and very generous voluntary “super thanks” donation - you help keep me going for sure!!! I'm very grateful :) :) :) Best regards from Oliver

[@steveruffennach6418]

🏆🏆🏆🏆🏆🏆

[@anawintechawong9079]

i love your calm voice and this 1 is a great vid! btw is that true that every notes is capable for improvise? the more i learn about the music theories i get more confuse like there are too many scale modes and it's like just play what sound good there always be support by some kind of scale modes or something. is there anything i should learn to get it right?? (i just want some guide to learn more about theories)

[@NewJazz]

Hi and thanks a lot :) Yes, we can use any tone when improvising - as we for example do in this other very practical lesson also playing over a ii-V-I progression kzbin.info/www/bejne/gaLXhJKMp5elp9k In this lesson we make a systematic and structured overview of scales and families of scales if you want to learn more about theory: kzbin.info/www/bejne/jKKVqadoeZiYaac Cheers from Oliver

[@anawintechawong9079]

​@@NewJazz wow thank you so much! i thought no one would answer this question haha. this would help me alot. thanks Oliver wish u luck!

[@amirsargazi9020]

😍🤩😍🙏🙏🙏

[@michael369852]

Dine forklaringer er så gode! ❤ Du gør det virkelig nemt at forstå og spændende og jeg elsker den visuelle æstetik med de svævende hænder (er den måske inspireret af Sigurd Barretts Bjørnetime?) 😃

[@NewJazz]

Hahaha - måske... Hilsener fra Oliver

[@gartnl]

The most important part of this lesson is at @14:35. Despite all the theory that will help you developpe your skills, in the end there are no rules in music.

[@muratverdi5123]

I would like to ask you what piano sound and keyboard you are using to produce such a natural sound...

[@NewJazz]

Hi :) I use this VST from Native Instruments: www.native-instruments.com/en/products/komplete/keys/the-grandeur/ The midi keyboard is a Kawai VPC1 Cheers from Oliver

[@muratverdi5123]

@@NewJazz Thank you...

[@trickishxsham]

All the included intervals over the dm7 and g7 are infact the same (transposed) with the exclusion of the M7 interval and over the Cmaj7 the m2 and m7 are excluded. How did you come to those rules tho and why, coz couldnt you technically use any 7 of the 11 notes at random and they would still transition smoothly on chord change?

[@NewJazz]

Hi :) Yes, very well spotted, some of the scales contain the same keys. In this other lesson we learn more about families of scales kzbin.info/www/bejne/jKKVqadoeZiYaac But the idea in this lesson is to change the keys, the sound when going from one chord to the next to make the progression more 'moving'. And yes, correct, we can play any tone - as we for example do in this other lesson, playing chromatic together with arpeggios and blues scale over the ii-V-I progression. The rules are just to make a well-defined a field of study. But at the same time we extract some of the most used and common scales throughout western music history. Cheers from Oliver