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This is a redo of my earlier Nowhere Man cover-
• Nowhere Man- The Beatl...
There were two reasons I decided to do a different guitar cover-
1. I now own a Gibson J-160e; before I used my J-45
2. I used the bridge pickup on the Stratocaster last time. I now believe John and George used position 2 (middle and bridge out of phase). Thanks @MichaelSokil for convincing me
The Beatles recorded the Lennon-penned song for the album Rubber Soul on October 22, 1965. The rhythm track did not include George- it was John on his Gibson J-160e acoustic guitar, Paul on bass and Ringo on drums
Then, John and George overdubbed lead guitars simultaneously on their 1961 Fender Sonic Blue Stratocasters. They used Vox AC-30 amps, but were unsatisfied with the amount of treble. They kept requesting that the engineers crank the top end on the desks
As I mentioned before, I used to think they used the bridge pickup position on their Strats. After all, Stratocasters up until the late 1970's came with three positions- neck, middle and bridge. Besides Buddy Guy in the early 1960's, no one I knew jammed the selector switch to get those out of phase hidden sounds until Jimi Hendrix in 1967. But once again, The Beatles were inventing and pushing the limits of what was 'normal' in pop
Michael Sokil helped me realize that they definitely used position two on the Strats. This sound combined with the Vox amps, heavy compression, and piercing top end from the desks is what completes this iconic sound
I'm using my 1966 Gibson J-160e for Lennon's acoustic part. It has a capo on the second fret like Lennon did for this song. I mic'd the acoustic with my Neumman TLM-103 condenser mic. Lennon's guitar probably was mic'd with a Neumann U-67 condenser
For the electrics, I'm using my 2022 Fender Custom Shop '63 Journeyman Faded Sonic Blue Stratocaster. I modded the pickups, pickguard and plastics on this- it has Fender Pure Vintage '59 pickups and originally came stock with Fender Fat 60's
My amp is a 2010's Vox AC-30C2x with alnico blue 12" speakers. I also mic'd this with the Neumann TLM-103. Here are my amp settings (I'm in the top boost channel)-
Volume- 9:30 o'clock
Treble- 2:30 o'clock
Bass- 10 o'clock
Tone Cut- 3 o'clock
Master Vol- 11:45 o'clock
I also used a lot of Abbey Road and other Waves plug-ins to get the desired electric tone. I used REQ and RCompressors, then used TG12345, REDD.17 desks and Abbey Road Plates Reverb. I made sure to crank the treble!
INTERESTING NOTES:
0:08 Lennon enters the song on his acoustic, on an upstrum
0:14 John and George's electrics enter on an E9 XX2432
0:28 John and George play an E5 022400
0:30 John strums all UPS on his acoustic, he does this often throughout the song
0:33 John plays a big upstrum on the Gsharp-minor chord and lets it ring
0:44 John does all down strums leading up to the solo
0:49 John plays an extra B-note on the solo here
0:50 George plays a high F-sharp while John hits an Eb
0:54 George plays XX21XX then a glissando XX22XX, then slides up to XX24XX, while John ends on XXX10X
0:56 George hits two A notes, while John hits A then C-sharp
1:01 They both slide down the neck, but George emphasizes slides on 7th to 5th to 4th frets. They then both play a low open-E string, then George hits a harmonic on the high E string, 5th fret
1:25 John starts to do some down-down-down-up strums here, instead of his usual down-up
1:33 John enters on B5 X2440X before George. They both end on X22XXX
1:36 John sustains a hard upstrummed E chord (D shape on capo 2)
1:48 John and George forego the E5 riff and hit single B-notes to start
2:05 George plays a glissando B5 after John already enters. George ends on a single E note, while John ends on the usual X22XXX
MY GEAR:
1966 Gibson J-160e (Ernie Ball pure nickel 11-gauge roundwounds)
2022 Fender CS '63 Journeyman Stratocaster
Vox AC-30C2x
Neumann TLM-103
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#thebeatles #nowhereman #guitarcover