On Brigid Brophy: Bidisha, Terry Castle and Eley Williams

Brigid Brophy (1929-95) was a fearlessly original novelist, essayist, critic and political campaigner, championing gay marriage, pacifism, vegetarianism and prison reform. Her many acclaimed novels include Hackenfeller’s Ape, The King of a Rainy Country, Flesh, The Finishing Touch, In Transit, and The Snow Ball - which Faber reissued at the end of last year - as well as critical studies of Mozart, Aubrey Beardsley and Ronald Firbank, among other subjects. She also wrote about Mozart for the LRB, and contributed 19 other unforgettable pieces in the paper’s first years, on subjects ranging from Michelangelo to Germaine Greer, animal cruelty to structuralism.
In this first instalment of a new, occasional series of events focussing on literary revivals and heroes of the LRB archive, Eley Williams, who wrote the foreword for the new edition of The Snow Ball, is in conversation with Terry Castle and Bidisha about Brophy the essayist and novelist, Brophy then and now.
Buy The Snow Ball from us here: londonreviewbookbox.co.uk/pro...
Some pieces by Brophy in the LRB:
www.lrb.co.uk/the-paper/v03/n...
www.lrb.co.uk/the-paper/v03/n...
www.lrb.co.uk/the-paper/v02/n...
And all the rest: www.lrb.co.uk/contributors/br...
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Minute 12 Castle says Brophy may never be well-known because she is too impenetrable...how do you explain the success of Will Self, whose work is similarly difficult. Plenty of difficult writers are well know, JAMES JOYCE anyone? Let's face it, people are still too squeamish to admit a woman, bi-sexual, and vegan could be a brilliant writer.