Laughed super hard after "the lick" over EbMaj followed by "A little bit of language that I wrote on my own".
@MomLAU2 жыл бұрын
I noticed this also.
@genghismccann7659Ай бұрын
That's the first time I've understood the logic of the triads within the diminished! Light bulb moment!
@davehill1543 жыл бұрын
Thank you Adam! Another awesome lesson to help us Piano Fighters level up. Nice deadpan delivery @ 11:25 introducing The Lick over Ebmaj7 as "just a little bit of language that I completely wrote...on my own." LOL
@c7b5b93 жыл бұрын
Adam thank you for simplifying the outside sound with the dim scale triad system.... fantastic!!
@bruceholms3 жыл бұрын
You took the impossible out the diminished scale triads and made playing them over the V7 possible -- all the while adding the incredible "double triads". Thanks, Adam.
@cjsteinway50143 жыл бұрын
Who are the 3 people who disliked this video, and how would they teach this same concept? Hey haters, step up and help musicians all over the world by posting your original lessons.
@victoza92323 жыл бұрын
Why call them "haters"? It probably has nothing to do with hate.
@welc0me0ne2 жыл бұрын
It’s hatred because it’s not love! If you dislike something , and can offer or further the conversation! You should do so …
@cjsteinway50142 жыл бұрын
Okay then, i’ll rephrase; “Hey, Dislikers, step up and help musicians all over the world…”
@uelude2 жыл бұрын
Calm yourself down. Consider a therapist if seeing a number on KZbin is getting to be too much for you. Or consider putting your phone down. It's that kind of hysterical snowflake behaviour that got dislikes removed. Unnecessary.
@johnhartley3022 Жыл бұрын
Probably guitar players having to confront the key of e flat
@edzielinski3 жыл бұрын
Brilliance disguised as simplicity. These lessons are always very approachable even for a beginner. It never ceases to amaze me how much details matter in jazz (and other music too), and if you have a strong grasp of the flavors of the language, you can be incredibly clear to the listener just with a few chords and melody notes. Thanks again Adam!
@thelonious-dx9vi3 жыл бұрын
I like the half tritone sub look, that's cool. Major/minor triads around the diminished cycle off the root of the dominant. All notes in all triads in-scale. Awesome. This helps me too, to focus more on specific reusable language. I spend way too much time turning up every stone, thinking I'm developing some big abstract palette to draw from. Which I guess is true to some extent. But I need to focus more on a shorter menu of actual things I like to play, and play them. Cheers, you guys are great.
@angel-hf2yo3 жыл бұрын
Slick with dah lick
@eternalrainbow-cj3iu3 жыл бұрын
Adam Manes is in my opinion the Best Teacher you can find putting all the pieces together...Bringing you for maybe clicking thar little nice shiny notification button The fastest to our Goal" " to learn All events up from 40 s 50 60 s 70s( Herbie) 80 s maybe Chick and electrick band fuison stuff and 2010s & 2020 Clayton drills etc the New Great players Corey Groove Henry( vpicings Lolo)
@josepmascaro452414 күн бұрын
Great job!
@clintjones98483 жыл бұрын
I think about the half whole dim scale as lydian dominant with the 9th split into a flat 9 and sharp 9. The whole half dim scale is even easier. It's just melodic minor with the 5th split into a flat 5 and sharp 5.
@docbobster3 жыл бұрын
That's a very useful way to think about the half whole, esp since I use lydian dominant a lot.
@clintjones98483 жыл бұрын
Thx yep. I've had command of the main 7 tone substitution scales for years but just never got control of the dim scales. I thought ok it's time to quit slacking and friggin learn them. I thought I best learn scales by thinking of what scale degree each note is so I came up with that.
@marthabaartz85172 жыл бұрын
Thanks for this new angle. Something to sink my teeth into. Very cool!
@s.kurt10113 жыл бұрын
11:21👀👀
@iluvjazz73 жыл бұрын
Good Stuff and excellent demonstrations!
@georgehiggins13203 жыл бұрын
woah thinking about it like it's the 7th chord plus the tritone sub makes so much sense holy crap.
@russelljames15825 ай бұрын
The lick returns!!!
@StalloneSvenska3 жыл бұрын
Awesome lesson Adam. It seems like a nice benefit with this is also that you get 3 other keys ‘for free’ when you learn these patterns over the Bb7 because the of use the diminished scale..
@chrishercules35263 жыл бұрын
Thanks Adam!
@emilgilels3 жыл бұрын
Great stuff! Thanks, Adam!
@clancywiggam3 жыл бұрын
Thanks Adam. Hours of fun.
@CrossBonesAlex11 ай бұрын
Valuable information as usual❤
@robinreidmusic3 жыл бұрын
I am a tenor player and loved this lesson. Funny I know they are options but I really the E major sound . Thanks
@patrickmilano42212 жыл бұрын
This video is incredible. your channel rocks
@anicetjoy54563 жыл бұрын
Thanks for this video. It will definitely take my playing to the next level
@nicolasbonnet9638 Жыл бұрын
Excellent! 5U Adam
@stevesnelling76152 жыл бұрын
It's worth noting: anything that you can play inside the 1/2-W scale can move in minor thirds and still stay in the scale. Holy symmetrical octatonic madness!!
@Lupo332 жыл бұрын
thank you so much
@gregdouras87963 жыл бұрын
Really great lesson. Easy to play that gets into more advanced music theory. This language reminds me of Thelonious Monk's sound.
@hlpianin3 жыл бұрын
It was very helpful lesson for me!! Thank you very much!
@dominicellis18672 жыл бұрын
A really interesting idea is a triple diad meaning playing three 2 note shapes which has the same amount of notes that 2 triads has. So for example: on Bb7 you could play a G major diad then a Bb major diad then a Db minor diad resolving to F (the 9 of Ebmaj/min). With that you could even imply both diminished and augmented harmony by transposing by both major and minor thirds. This is a great way to extend a dominant sound especially over a V vamp like in Caravan or the bridge to Stella.
@nativesonno.11132 жыл бұрын
so useful!
@Tzaltochnie12 жыл бұрын
This is great 👍 thanks
@gabrielmirandamartinez84513 жыл бұрын
Great stuff!
@reglagirl58023 жыл бұрын
I liked the repetition after you explained the concept
@richardolson86513 жыл бұрын
Love this stuff Thanks
@brianwolle25093 жыл бұрын
so good.
@bryandickerson53652 жыл бұрын
Yeah man, sometimes I just kill me too ;^) Seriously, very nice little dive into the world of diminished!
@andresgandara3 жыл бұрын
haha nice way to smuggle "the lick" in there.
@samcockrell3 жыл бұрын
I love the way it sounds and how the simple triad can be a great weapon but I’m kinda new to jazz can you actually play and say what you’re doing over each chord thanks for the lesson😎🎸🌈
@mitchelledels97623 жыл бұрын
The dominant diminished scale is used by all jazz musicians and is NUMBER 1 PRIORITY IN JAZZ C Db F# Eb E A F# G C A Bb Eb
@flober19703 жыл бұрын
Thx ! So Monkish/bebopish !
@Statist08153 жыл бұрын
Michael Brecker one of the greatest Saxophonists ever. I miss him.
@Zacharysandilands3 жыл бұрын
similar language from when u recently looked into Aaron parks on Solar.
@paolosignorile61372 жыл бұрын
which course belongs this lesson on your website? to be very interesting, but not understand which to be
@CoreyGemme3 жыл бұрын
Interesting way to think about this. It would be helpful However if you’re encouraging people to play along that when you comp that you always play a full dominant seventh chord on the second half of the first bar. Or else our major triad substitute is out of context :-)
@ReedBass2 жыл бұрын
"that's just a bit of language that I completely wrote on my own" Looool!! I wonder how many people caught that?
@paolosignorile61372 жыл бұрын
great!! sorry .....this example is for 2,5,1 major!! for 2,5,1 minor?
@gitarwoman23 жыл бұрын
How to apply to a minor ii V? Attempted triads on B-Ab-F-D but not hearing it...
@avivpardes3 жыл бұрын
Is it right to do that too on voicing?
@hillsbeverlycreative5087 Жыл бұрын
Turtles flying over Istanbul !
@maestroflorez3844 Жыл бұрын
Is that the lick?
@juwonnnnn3 жыл бұрын
👍
@evensnc3 жыл бұрын
18:25
@aryamvarona54882 жыл бұрын
eres un salvaje asereeeeeeeeeeeee !!!!
@eternalrainbow-cj3iu3 жыл бұрын
Till now..most difficult lesson: the Alll the Things you Are Gerald Clayton Polyrythm what the #