Orchestration Hacks (5 Quick Tips)

[@OrzoMondo]

KZbin has transformed our lives - for people like me, knowledgeable enough about music to understand the challenges, but from whom music is a hobby far from our professional sphere, having a master like you sharing their experience is a godsend, and an infinite source of discovery and inspiration. I cannot thank you enough for this.

[@AnneKathrinDernComposer]

I'm so glad to hear that! This is exactly why I do this. I'm not sure I'd say I'm a master at anything but certainly decent enough to teach a thing or two. ;-P

[@kevinjunior_kid]

Heaven offers great music!! ❤️😇 I wish you could see that

[@dannuttle9005]

I remember the very earliest of music cmposition software, in the 80s, and I was fascinated by it, but had no idea what I was doing. Now I have, well, at least some idea, thanks to brilliant people like Anne-Kathrin, and I'm torn between regret that it came so late in life, and happiness that it came at all.

[@davedesigning]

12:21 this is interesting! Did sheet music work for an orchestrator, and he usually put Tpt. 3 an octave lower when playing melodies and now I know a reason why.

[@kpflugshaupt]

I love your style of speaking. It’s very easy to listen to! There are too many people on the Tube trying to Make Everything Interesting By Talking In This Excited Manner… Listening to you, I feel treated like the adult I wish I was 🙂

[@AnneKathrinDernComposer]

So happy to hear that! I’m generally a fairly chill person so I don’t think I could match those energy levels even if I tried. 😅

[@mattkirk100]

Totally agree..!

[@redel37]

When the content is so good you need not to say to like and subscribe... it happens naturally well before the video ends.

[@JPDC624]

"I can make more of these" - yes, please, if you have time! That clattering noise is me frantically typing notes as I watched this video, this is EXCELLENT insight/info. Thank you! Also, you've definitely trimmed down, congrats and looks great. 👍🏼 Now I need to step up!

[@AnneKathrinDernComposer]

Haha, okay okay, I’ll record some more. Thank you for watching!

[@musicallyroy]

@@AnneKathrinDernComposer I have always struggled with the intellectual stubbornness that tells me not to be too literal/forward with the melody. My brain is like ‘seriously, that’s all you can think of. Nearly everyone playing the melody. How creative is that’ It makes me feel like I am not paying effort in my piece. Hearing your suggestion and reassurance really helps!

[@AudioArtsAssociates]

Learned more from you than study. Thanks so much!

[@ValkyRiver]

@@AnneKathrinDernComposer 9:31 I have the opposite problem - I don’t know how to use percussion. Liszt Chasse-Neige: kzbin.info/www/bejne/rHvYaphnhddle80 Liszt Wilde Jagd: kzbin.info/www/bejne/qZ7Rn4xnl7miaqc

[@christopherravelbell8899]

I can't believe you stopped the Moldau RIGHT BEFORE the main theme came in. I just about died right there.

[@fretnesbutke3233]

In dovetailing,any new orchestrators take note, overlap one note to keep it seamless. A lot of subtle different effects can be applied,like how long the phrase is before dovetailing. Also, there's a difference in effect between call and response (no overlapping note) and dovetailing. If all else fails,try to keep it sounding natural. And yes, percussion is more effective the less they're used.

[@soundtreks]

Best part is when you mention in quasi ASMR soothing tones “don’t be afraid to put a shit ton of instruments on a melody”. I almost fell off my couch laughing so hard. Not at the notion just the delivery.

[@AnneKathrinDernComposer]

Hahaha, that's what I get for sitting so close to the mic!

[@morayonkeys]

Fantastic video, I'm so glad this popped up in my recommendations! As a now (mostly) former trumpet player, I can give a little bit of insight in #5. Basically for most trumpet players it's much easier to pitch off another trumpet particularly in the higher register, and most players in an ensemble will instinctively adjust their pitch minutely so that all the overtones from each note in the chord line up nicely. This is why a good funk/big band trumpet section sounds so damn good playing big stacked chords! When they're all playing in unison, and particularly when your root note is in the higher overtones (C5 and above - which as you say counts as "high" but is normally fine for all but beginners) this becomes more and more difficult as there's only one overtone series to lock on to. So, if one player hears that they're slightly off pitch relative to the others and moves, but another player does the same thing, they're all trying to hit a moving target! Dropping the 3rd trumpet down an octave means that the higher players now have a rock solid 1st overtone note to reference from, as you spotted. Thanks so much, would love to hear any more tips you have!

[@diegorhoenisch62]

Fucking brilliant! That makes great sense. I played bass trombone and doubling an octave(or two) down stabilized everything. It's got to be that there's a solid overtone to reference to. Cheers, Alan Tomlinson P.S. Ms. Dunn(I was going to write Frau), that was a perfect video. Concise, great examples, well-explained. Thanks!

[@blackkeys00]

Interesting, this is very useful information thanks for sharing!

[@jonaslind9505]

Fascinating insight!

[@pavkey88]

Hey thanks for taking the time to explain this. Makes sense and I was trying to figure it out. Cheers

[@seanemmettfullerton]

Thank you, Anne-Kathrin! Ha! Great trumpet story... love those quick fixes :) You are such a valuable ambassador to the world. Blessings...

[@brodymclaughlin]

The first piece of advise needs to be said more often. I always feel like I'm doing to many instruments in unison when I'm really not

[@marclarcher7908]

Very nice tips! About the violin sounding twice as loud… 2 violins : +3dB 4 violins : +6dB 8 violins : +9 dB The doubling of the perceived volume is +10dB. So probably 8 or 9 violins should be enough to get the feeling. But ten will do, for sure! Congrats! I wish you a happy new year!

[@AnneKathrinDernComposer]

Happy new year to you too!

[@FilipLackovicMusic]

Currently binging your content and learning so much! Thanks a lot Anne, great job on these, keep them coming, subbed! 🙂

[@usinganear]

I love the natural and total acceptance of different types of music in your mind--just saying something like "traditional scores 'with melodies and stuff'.." so non-chalantly is hilarious to me. But it's so true!

[@1slowstar]

This girl have VERY NICE, effective, clear and short tips for orchestration, BRAVO!

[@norbertkarnay9098]

I´ll be honest. I said OK, I give you 1 minute, but after a few second I knew, this is the kind of the videos I want to seeing. Please keep doing, great wok.

[@AnneKathrinDernComposer]

Glad you enjoyed it! And welcome aboard! Will definitely keep making these as time permits. :-)

[@DavidErickRamos]

As someone who is learning orchestration through self-study, this was super helpful. Liked and subscribed 👍🏼☺️

[@bothellintegratedhealthmed8894]

Loved the crickets😄at "young composers over compensate by over writing percussion". Thank you for this video.

[@noahdtaylormusic]

The rule of 3!

[@JuicyLeek]

Anne: "Two violins is bad" TwoSetViolin: "She's about to end our entire career"

[@boreasstudio6561]

Your use of my favourite measurement, the "shit ton" or "shitton" as I like to type it, It is used it in perfect context about all the instruments playing the melody. lol

[@fnherzog]

The background @ 3:41 appears to be John Williams, Harry Potter and the chamber of secrets, Fawkes the Phoenix. Great tipps and video :)

[@ivanadaev1000]

Thank you very much! This is exactly what i've been looking for over a year - orchestration, not music theory.

[@slowgaffle]

Don’t be shy to have a bunch of instruments playing the same melody in octaves - Thank you this is so important to hear.

[@dfizzbom]

Fantastic! This stands above all the myriad of videos I view on the subject, as being the most succinctly constructed to avoid yada yada yada yada...coma. I can easily fall victim to over complicating my mockups. It's a byproduct of actually having the ears but being unschooled- my schooling being listening to the greats, absorbing a shit ton of learning material, watching every video you put out, and writing a shit ton of compositions. With every new piece I start by saying ok, I'm gonna do myself a favor and simplify. This video goes a long way as a reminder to that end, and how to better accomplish it. Thank you so much, Anne. I'm a shit ton pleased with this video. (Yes, you're speaking my shit ton language!)

[@torley]

So reassuring and relaxing. Thanks for your welcoming and encouraging approach to orchestration!

[@AnneKathrinDernComposer]

Absolutely my pleasure! Thanks for watching!

[@piyasirimusicproduction]

I've learned so much from your videos advancing my orchestral music composing skills! Thanks to you I've started a KZbin channel for my music. I've bought you a couple of coffees. Thank you so much!

[@J-MLindeMusic]

Tip number 4 is such a good one...I think Hans said that too on VI-C and ever since I started applying that into my more "traditional" pieces my writing improved quite a bit! And please, do make more whenever you have the time and feel like it!

[@AnneKathrinDernComposer]

Will do! Thank you for watching!

[@InstrumentManiac]

These are some really great tips! Thanks for laying it out and explaining it so well. Also great info about the 3 strings - I never knew the trick about 2 vs 10 violins for volume!

[@TheSoundConnoisseur]

It’s funny how you said, in the beginning that it wouldn’t work for mock ups. And this is the perfect advice for my mock ups. lol great video!

[@georgephillips1263]

It's like listening to Bernstein. No showing off - just humble delivery for the masses. All new to me apart from trebling the voices. Can't wait to see the next clip.

[@GunterBrenner]

Having someone play an octave lower for support is so so so helpful, lead singers tend to benefit a lot from that as well! Another workaround is to send them a clean piano through their hp mix.

The tree trumpets tip is definitely a life saver! cheers.

[@AnneKathrinDernComposer]

Glad this is helpful!

[@MelodyFromTheHeart]

Listening a symphony is like eating your favorite food. Just as different ingredients mix to make a dish yummy, different sounds in the music mix to make your ears happy.

[@sampowellmusic]

i am not an orchestral composer but i find your videos very interesting and enjoyable.

[@OneShortMoment]

Those were some very helpful tips - well explained, with great examples / anecdotes from your life as a working composer. I definitely wouldn’t mind having more of those…

[@ericsbluesjams429]

Clearly & simply explained. Well done. Very pretty Eyes too. :)

[@ZachHeyde]

Clear, concise, and fantastic as always Anne. The trumpet tip was new to me as well! 🎺🎺🎺

[@AScreenwritersJourney]

I don't know how I got to your channel, but I'm glad I did. You are amazing! Can't wait for more.

[@AnneKathrinDernComposer]

Thank you so much!!

[@JamesWatsonComposer]

Sound advice! I need videos like this to be reminded that I actually have retained some information over the years! Also, congratulations on The Claus Family 2!

[@yaoguangtang1759]

Oh my god, 3 trumpets traps! Thanks for your sharing.

[@MartinHeidenreichMusic]

Wonderful little master class. THANKS A LOT. And yes, guilty as charged about that percussion thing....

[@xapmic6961]

Vor kurzem habe ich deinen Kanal per Zufall entdeckt und sehr schnell abboniert. Mir gefiel die Art und Weise der Erklärungen. Nach einem der letzten Videos die ich von Dir gesehen hatte, habe ich mich gefragt, wie sich zum Beispiel Lautstärken verschiedener Instrumente unterscheiden, welche Tonhöhen werden üblicherweise von einzelnen Instrumenten gespielt usw. Dieses Video deckt genau solche Fragen ab, von denen ich noch gar nicht wusste, dass ich sie stellen könnte. Sehr hilfreich, unaufgeregt und ruhig erklärt, wirkt es sehr kompetent. Lieben Dank fürs Teilen!

[@xenasloan6859]

You so so SO inspire me to put pen to manuscript and start ( again) all that orchestration waiting to be done. Big problem: I'm pissin' useless......

[@geroldwaefler9485]

You know realy all about Orchestration ! This with the 2 or 3 Violines in unisono is very important, a lot of peoples dont know this. This with the 3 Trumpets in unisono is very interresting, this i dont was knowing ! Your Videos are very very good to learn new things in Producing Filmscores ! Thank you so much for your Videos and sharing your knowloedge !

[@CharlesMoore2]

Learning so many things, filling in so many gaps from your excellent vids. Vielen Dank!

[@Bitimi]

The melody section is 🔥🔥🔥. It’s helpful seeing how others orchestrate.

[@christianglauss]

Moin aus Norddeutschland! Vielen Dank, dass Du Dir die Zeit nimmst, Deine Videos zu machen. Ich bin so froh, Deinen Kanal gefunden zu haben! Deine Themenwahl ist absolut hilfreich, und Deine Art zu erklären ist nicht nur sehr verständlich, sondern man spürt auch Deinen Enthusiasmus! :-) Deine Videos sind ganz klar die besten Erklärvideos überhaupt! Und wie wir Norddeutschen sagen: Keep it up, mien Deern! 😁

[@tuzemec9005]

Oh wow,it,s just so helpful. Why this video recommended just two years later?( . Youare like an angel to me now. Thank you so much❤❤❤. I am a your new subscriber

[@davivify]

I divide the brass into two groups: the trumpets, 'bones in the projecting/piercing group, and the horns, tubas, euphonia in the spreading/glowing group. Which is why french horns are so often paired with woodwinds.

[@fide]

straight in with the serious eyes, no messing around :D

[@nikolausreinke9966]

Well, nothing really new to me BUT HEY. Sometimes it’s very helpful to have things put into words. So thanks for enhancing my beliefs and reminding me of certain things that have become my fluent language, but therefore not so much in the foreground. In any case: well done. Good advice to everyone who is about to dive into orchestration.

[@Elstree]

I don’t have the capability to train professionally, so videos like these are incredibly useful! It hurts knowing that I’ll never truly understand, but videos like these are great at giving me just a glimpse.

[@matthewdavidwheeler]

As a professional orchestrator and composer, these tips are 100% correct!!!

[@avadmusic1844]

Thank you so much, @AnneKathrinDernComposer! I've been searching for orchestration tips videos with a solid theoretical foundation and found this. It's very useful for me as a beginner in composition.

[@Freakschwimmer]

I don't even compose, I'm just an amateur string player, but I really enjoy insights like these. Really helps me understand/appreciate orchestra work :)

[@jantuitman]

I don’t know why KZbin recommended this as I only make amateur music on synthesizers. But funny fact: in electronic music, slightly detuned oscillators to create thicker sounds is a very common practice. Now I learned this will also happen if you’d compose for a strings section.

[@wong4728]

This is so very very very most excellent Great. Thank you Anne-Kathrin Dern. You are simply the best. This is pure education-Thanks Thanks Thanks.

[@johncostigan6160]

I had 5 semesters of music theory and history, but almost no orchestration. I REALLy appreciate your explaining the "nuts & bolts" of the actual job of score building. Thank-You!

[@sickflow_tunes]

I have been eyeing this video from the home page for a while and I'm glad I finally clicked it

[@mikemcgibney]

No1 seems so simple but I needed to hear it. Thanks!

[@travissullivanmusic]

Yes! Very helpful. What Pauli D said. Please more tips!!!

[@KrystofDreamJourney]

Overwriting percussion… Do NOT start composing your piece to a “Deep Orchestral Beds Grooves”, “Damage”, Stylus RMX and so on and so forth…Those technological “marvels” are meant to be added at the end of composing process. Groove can “inspire” one for certain music, serve as a “convenient” building block that allows further composition to emerge, but it’s a trap !!! After you compose, “orchestrate” and mix your “baby”, when you mute that “percussion bed” you’d be surprised :) Start composing WITHOUT any “inspirational groove”. Anne-Kathrin, your videos are awesome, especially for those of the young students who really want to learn things ! You have a true gift of clearly expressing verbally profound musical ideas, without any unnecessary BS. Straight-to-the-point. Let us know how did your workshop in Austra go (for those of us who couldn’t travel to be with you at the location).

[@jondellar]

Absolutely fascinating! Thank you. (Some contemporary film composers would do well to heed your advice about over-writing percussion!)

[@sonicstoryteller]

Very nice tips Anne best wishes from UK England Phil 👍🙏

[@AnneKathrinDernComposer]

Thanks for watching! Glad this was helpful!

[@sativares]

I needed that information. Now I'm going to cut out the chords in my string section and bring it to only brass. I just started composing for orchestra and couldn't understand why it sounded so muddy with melody on top (with some dubbelings) and strings and brass making the chords toghether. This will be fun :)

[@PinkCrocodile]

Not gonna lie, this KZbin channel is goldmine

[@AnneKathrinDernComposer]

Thank you!

[@Videokeys]

Hi Anne! great resources for noob arranger like me; keep adding more hacks like these, really appreciate it

[@jamestonini2967]

Thank you Anne-Kathrin, As a newbie to orchestration, this video was loaded with invaluable information. Watching this was as good as any master class that I have attended, and you did it in only 13 minutes... Bravo! Blessing’s JT

[@brianlhguntercomposer]

Fantastic advice! That trumpet unisons trick is new to me, so thank you!

[@HasseC]

Helpfull? This was beyond helpfull, the class above worldclass and super inspiring!! HUGE thanx!!

[@AnneKathrinDernComposer]

So glad to hear that!

[@claudep.1926]

The percussion observation made me chuckle! :-D So true! Thanks for the video!

[@AnneKathrinDernComposer]

Guilty as charged over here too... ;-)

[@andrewholcroft.1945]

Great tips, it's great to get some first hand knowledge from an insider.

[@AnneKathrinDernComposer]

Glad this is helpful!

[@scotth.johnson4901]

Super interesting and helpful! As a drummer and percussionist, I loved the quote from Korsakov : ) Funny cause its true!!

[@TRIC_iancris]

Oof! I was guilty of DRUM OVERLOAD in my tracks when I started out epic composing! haha...listening back to those tracks...is a bit cringe IMHO (oh well...). Thanks to deep analysis + listen to professional film + classical scores), I'm able to dial down my drums (as they say less is more) in my tracks so it doesn't sound muddy and confusing. Thank you Ms. Anne for this tutorial! This is a good refresher on what I've learned (via trial by fire)!!!

[@AnneKathrinDernComposer]

Hey, we've all been there. No harm done. ;-) Trial by fire is the best way to learn!

[@DavidBrant]

Grateful for your insights and advice! Thank you! 🙏🏼 I was on a sesh with a small octet string section overdubbing with a pretty well known orchestra, and on one particular song i kept hearing a nasty harmonic playing on one particular note 🙉 so i asked my conductor / arranger where was this harsh out of tune harmonic coming from? He was like? 🤷 I quickly narrowed it to a viola player, but my arranger kept saying it was fine / normal. whaaaat? So expensive, and time running short, but he and his engineer were gaslighting me. In a larger section this would have been blended, but still….crazy times!😅 I cant remember how we fixed it, maybe I asked that player not to play for that line, or a lot of surgical eq and sample layering in the mix, but it ruined the session for me. Another more recent experience was a live performance of a song with a large orchestra (exciting 1st for me!) and on the repeat of a section, one of the trumpets played the wrong note (forgot the key?) lol but it was a nightmarish moment. Dont worry, i did enjoy the canti afterwards 😏 Bad luck! 🎉😅

[@MalikAmer87]

What a wonderful video thanks for every great tip in this video 🙏.

[@AnneKathrinDernComposer]

My pleasure!

[@rodrigoperez-segnini5704]

Fantastic! Thank you, and yes please. I love you said 5#1T ton 🤣

[@mirzaaljic]

I tend to overcomplicate the string section a lot. Thanks for providing this simple but quite logical tip. 3 octaves in the melody, 2 in the bass. BOOOM :D I'm trying this in my next track.

[@TAP7a]

Another string tip is to just read some lush scores like Debussy, Ravel, Delius or Dvorak: try to analyse a lush piece or passage like Paradise Garden for Delius, Prelude a l'apres-midi d'un faune for Debussy, or Symphony 8 3rd movement for Dvorak. In the Dvorak for example, the super lush warm tone comes from a surprisingly sparse set of instruments: bass, cello, viola, clarinets in melody and a horn, iirc. You're not the first composer to want to create these moods, plenty of masters have done it successfully before you and there is no need to reinvent the wheel if you can simply adapt it!

[@PyjamaStudios]

Orchestration is also like preparing a meal! Thank you Kathrin for your informative and understandable advices!😊

[@noisydoll168]

As a percussionist, Rimsky-Korsakov is one of my favorite ever orchestrators.

[@ramonmff5158]

This is still amazing, for it is not only applicable for live orchestras, but also for digital orchestration! This will definitely help me, so thank you!

[@MusicianParadise]

Top info! Subscribed after watching just a minute of it!

[@M4T]

Let's implement that. thanks for the tips !

[@AnneKathrinDernComposer]

Thanks for watching!

[@matthiaspflueger]

Hi Anne-Katrhin, super Tipps! Ich bin ja nur ein Hobbymusiker und liebe es aber auch Trailermusik mit orchestralem Flavor zu schreiben. Der Mut zu Unisono oktavierten Passagen ist für mich das Ding, das ich aus diesem Tutorial gerne mitnehme. Grüße mazze

[@angeloshenan1509]

Wow! I'm speechless. This information is worth diamonds!! Please do more 🙏🏼

[@marklarm]

I love this stuff Anne, PLEASE keep these jewels coming whenever you can! Yer the best! 🙏👍

[@thisislance]

Love the music in the background of this video. Got some favorites in there!

[@AnneKathrinDernComposer]

We all love ourselves some JW! What a true master!

[@thisislance]

Sure do, but funny enough I didn't make that comment until I hit The Moldau at 5:11!

[@AnneKathrinDernComposer]

Ah yes! Smetana is one of the most colorful and skilled orchestrators to study in my opinion. Right up there with Ravel and Debussy.

[@dreamwoodmusic]

Thanks so much for this! That first tip is gold already. I always thought I was being cheap having first and second violins play in octaves and uncertain about how to utilise the rest of the strings, assuming the chords should be filled within the strings, and then again uncertain about what role to give the brass etc. Obviously there are pieces that need the horns in the melody etc. and trying something different is often part of great creative work, but this sounds like a beautiful, clean starting point for... well, lush theme arrangement.

[@RomanWaves]

Vielen vielen Dank für die all das Hintergrundwissen, bin für jedes Video von dir dankbar !!! Auch die Tipps zu den Soundlibraries super hilfreich - Cinematic Studio und Solo Strings sind nun meine ersten Bibliotheken Grüße aus Marburg :)

[@chuukki]

I recently finished reading the Rimsky-Korsokov book - this video was so helpful, thank you!

[@BirdYoumans]

I just discovered you yesterday. I don't know how you got your musical schooling, but you sure paid attention. You are so spot on with your sharing of musical information and you understand the "game within the game" quite well. Keep up the good work. At 77 I've lived a life of music and enjoyed every minute. Still do. But I love watching young people to see where they are taking it, and I find that even after all these years, I might not learn something earthshakingly new any more, but I do find that I pick up tips and tricks that I haven't thought of. Music is a vast ocean, and you can never catch all the fish! But I continue to try lol! New sub. I just enjoy your take on music from what I've seen so far. I watched your vid on polychords yesterday, and tho I've known what they were for years, I still learned a few new tricks from watching your take on them. You are quite a good teacher. You will help a lot of people in your life. Keep up the good work. God bless you!

[@AshicArun]

This is so useful .. loved it 🙂

[@AnneKathrinDernComposer]

Glad it was helpful!

[@zipperhead101]

OMG! Your voice is so ... perfect! Also, I appreciate the content very much. I have EWHO and I'm barely a beginner at this stuff.

[@martingravel1157]

Yes, please! Make more of these short and "to the point" vids. Thank you so much!

[@AnneKathrinDernComposer]

Will do! Thanks for watching!

[@zeufg7]

Thank you Anne. 💐🎶🎹🎼📝

[@fabianbourgeais5784]

Merci pour ton partage et tes retours d"expériences. 👏👏👏👏👏👏!!!!!!!!!!!!

[@DRSwain1988]

Very informative video, Anne-Kathrin! One of my favourite examples of a melody line that's goes through the entire range of the orchestra (from basses/cellos right up to upper strings, fl. piccolo etc) is the march from the Nutcracker. Tchaikovsky seamlessly dovetails the scale from the bottom of the orch. to the top so that it sounds like one flowing gesture. Keep up the great work and thank you!

[@witoldssoundauberge]

Dear Anne Kathrin, Since the explosive development of music technology I have been intensively watching what happens in the domain, particularly observing what is offered as help to newcoming musicians. There are several musicians/teachers/instructors like Dom Sigalas, Guy Michelmore or Paul Thomson who do a phenomenal job helping these newcomers and, while browsing, I found one of your tutorials too. Watching more of them brought me to an interesting conclusion: you, being the youngest of them found a very wise (if not the wisest) way of giving the beginners the very clear, immediately applicable and understandable advices/recommendations. What is even more important it that theses advices are essential, without getting into (at the moment) unnecessary details, without making fuss and using fancy jargon. Not that I am against using professional musical vocabulary, but its use proves its valour much later, while at the beginning it would most probably discourage. Your ability to find these essential elements, explain them and demonstrate their application in projects is what makes your tutorials stick above the crowd. Please, continue. Witold Suryn

[@neuralglitch9063]

I guess you should say "like and subscribe" and promote your channel, but it's not needed for me. I have learned some incredible things from your experience, in such a short time, and do that automatically as a way to thank you for sharing it. Awesome ! So glad I found you ! 😁