Рет қаралды 1,597
#violin #music #cui
César Antonovich Cui (18 January 1835 - 13 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five - a group of composers combined by the idea of creating a specifically Russian type of music. As an officer of the Imperial Russian Army he rose to the rank of Engineer-General (equivalent to full General), taught fortifications in Russian military academies and wrote a number of monographs on the subject.
Despite his achievements as a professional military academic, Cui is best known in the West for his 'other' life in music. As a boy in Vilnius he received piano lessons, studied Chopin's works, and began composing little pieces at fourteen years of age. In the few months before he was sent to Petersburg, he managed to have some lessons in music theory with the Polish composer Stanisław Moniuszko, who was residing in Vilnius at the time. Cui's musical direction changed in 1856, when he met Mily Balakirev and began to be more seriously involved with music.
Cui composed in almost all genres of his time, with the distinct exceptions of the symphony, symphonic poem and the solo concerto (unlike his compatriots Balakirev, Borodin, Mussorgsky and Rimsky-Korsakov). Art songs, including many children's songs and some vocal duets, have a prominent place in Cui's catalogue. Several of his songs are available also in versions with orchestral accompaniment, including his Bolero, Op. 17, which was dedicated to the singer Marcella Sembrich. Some of his most famous art songs include "The Statue at Tsarskoye Selo" ("Царскосельская статyя") and "The Burnt Letter," ("Сожжённое письмо"), both based on poems by Cui's most valued poet, Alexander Pushkin.
ABRSM Grade 6 B1
Цезарь Кюи - цикл "Калейдоскоп", Op. 50 (24 пьесы для скрипки и фортепиано)
Performed by Anna Konoplyova
You can also find us on:
SoundCloud - bit.ly/39BU0rZ
Google Podcasts - bit.ly/3sRuNRJ