Painting a Caravaggio with historical pigments

[@afonsoazevedo34]

3:24 omgg it's already sooo beautiful !!

[@fahadahmed9856]

I don’t know German but this video has helped me understanding the process more than any other! ❤️

[@waltervoss4509]

agreed. one of the better distillations of the technique.

[@sefer-nv6cn]

The auto translate captions feature could help you in this case.

[@DrawingCyberpunk]

Agreed 💯

[@lud985]

This is fantastic these techniques needs to be preserved as contemporary art is loosing the quality and tendency is more in expressionism and no skills at all, fantastic you are doing this to preserve it ! art should have quality !

[@leonidasCorfu]

Everytime I get the notification that you have uploaded a tutorial I get so excited hahaha! Thank you for sharing! Greetings from Corfu Greece!

[@alixan9309]

I would have really appreciate it if you showed your palette and how you mix the colors and the thickness of it in each deferent stage of the painting ..!

[@gabriellazar4133]

This is just a demonstration not art instruction not supposed to show from A to Z

[@hattivatti3000]

Tried this and instantly better results

[@aiart2206]

Incredible! Your hand is more than a magic!

[@simmymac4066]

Fantastic to see the detailed way of the painting

[@TGA737]

Yeah I'm here for this one too! Well done!

[@yurastoyan5973]

Очень интересно, и увлекательно наблюдать за работой замечательного мастера.

[@AI-xs4fp]

Beautifully done.

[@viktoreuger8946]

Dankeschön. Prima! Diese Arbeite ist so gut.

[@danfreisting2874]

Great demonstration and added text also as I did not understand the German. I also enjoyed the music

[@Jay-uv5xg]

why do they always have a pretraced thing before they start the video? why dont they show themselves making it?

[@kayschwartz992]

Magnifique 😊

[@patsygibsonart]

So amazingggg

[@user-zp3be1vm2lhit]

手の届かない絵画を見て、少しでも自分の糧にできたらと思っています。

[@omareldeep2769]

More than professional

[@NickPenlee]

Great piece of art.

[@Rodrigo-hk7vp]

Tolles Gemälde!

[@jozeffodor7881]

Bravo majstro perfect 😎👌👍☝️😍😍

[@JOHAN-ml8vn]

damn thts so good you make me want to go painting again

[@2112primagen]

Could we get English subtitles??

[@manliogebbia3596]

Wow complimenti

[@robertokeke9967]

Belíssima reprodução.Achei o máximo.👏👏👏👏

[@manuelaluongo1245]

Che meraviglia ❤️

[@subodhmanjul721]

Nice tutorial 👌

[@tariqsaddique4080]

Excellent

[@janzawadzki132]

Thank you! What did Caravaggio use an egg and oil emulsion for? So that the oil does not disappear in semitones over time or something?? Or maybe it was just tempera over oil layer?A similar medium uses painter Osamu Obi: only 1 part yolk, 1 part vinegar and 5-6 oil

[@sandrajohnson2489]

Amazing.

[@dorusan]

How did you trace the model to the large size?

[@joaopedrosales7592]

Helo! the skin tone, do you do with the middle?after grisaille, is everything done in layers of medium? thanks

[@yan-eva56]

C’est un espace commun. Pour sublimer ( qui ) ( un saint ) ( peut-être ) ✨🌝

[@ph.so.5496]

Superbe !!!👍

[@oscarroman3864]

Love this video, but wish it was in English so I can understand :(

[@dkcorderoyximenez3382]

Turn the sound off while you watch...after all we watch people paint standing or sitting behind them and, without uttering a sound...

[@liciachiappori5182]

eccellente e chiarissimo. Grazie

[@alexandramacedonska9617]

Wspaniały film, dziękuję ❤️🌷

[@zareekhan7313]

Wonderful 😊

[@dkcorderoyximenez3382]

If I were to use alkyd paint, how would that effect my waiting periods between sessions... Would you please describe how you determine that the work is dry enough for its next session...thank you...

[@redsoldier_tf22]

Can you make a video on how you stretch your canvass in that way sir?

[@MilkoMilkovicz]

Phantastisch!

[@tyronevischjager7487]

the torso is always so hard

[@dkcorderoyximenez3382]

Make a model of the torso in clay...the tactile experience will translate beautifully from your mind to the canvas...

[@mariusclaudiuapostol5718]

hello@ i wold like to see how you paint caravaggio old men with a stone in his hand , can you do this …..

[@noelauvinen895]

How do you get the almost dust like texture with your paints?

[@dashinvaine]

Good copy. As for the technique, it seems a bit counter-intuitive to me to paint over the yellowy brown base coat with that harsh white, and then to have to paint yellowy browns over the tip of the white (to warm it up again). Still, if that's how it was done then who am I to question it?

[@asyahaciyeva4849]

Super!👏👏👏

[@johnlawrence5006]

May I know the color pallette you used, sir?

[@Luch1t015]

Have tutorial the creation of David?

[@yan-eva56]

Pourquoi ( le blanc ) au dessus du croquis teinté(e) de ce tableau.

[@airplayer1014]

bin sehr begeistert!! ein bisschen deines talents hätte ich allerdings gerne.. :-) ausgezeichnete "arbeit"!!

[@yan-eva56]

Peut-on ( soustraire ) la beauté du corps à celle de la ( voie )

[@subodhmanjul721]

Please let me know that, is this wet n wet technique or color applied after each layers of underpaints get completely dried ? Also want to now ,which oils need to mix with paint. Please reply .Thanks

[@oldmasterpaintings]

It's not wet in wet. Each layer has to be dry. I take only oil for diluting the colours, linseed oil varnish or self made blackoil.

[@stlapierre]

have you evr seen a Caravaggio LIVE ?

[@andrassimon9680]

Hi ,Do you sell Caravaggio remakes?

[@MrSilva960]

And about a orientalist subject, like... Ludwig Deustch or Gerome ?

[@widonaegele9465]

Hallo, wie bringen Sie die Grundlagenzeichnung 1:1 auf die Leinwand?

[@brianhill1048]

Schlicht zu sauber - bspw. die Weisshöhung auf der rechten Backe sieht aus wie eine eigene helle Form und wirkt dadurch flach. Im Allgemeinen kommt die Kopie zu grafisch daher aber, der Prozess ist hilfreich. Vielleicht wollte der Kopist hier zu sehr dem Original entsprechen warum das Endresultat zeichnerisch und flach wirkt... Sehr schön erscheint das Buch, auch wenn darin tiefe Schatten vergessen wurden und ein paar wenige ¨Blitze¨ von Weiss. Was auch geholfen hätte das Werk zu vollenden wären diverse Akzente wie bspw. Striemen und Tupfer als Hohepunkte da und dort. Der Bart und die Haare sind überdies zu reinweiss und eine feine Lasur - um die Tiefen des Farbauftrags zu füllen - hätte dem Ganzen noch weiter Tiefe verliehen. Alles in Allem aber eine stolze Kopie.

[@antoniofernandez6976]

Was this alla prima?

[@Yunklob]

You have a very interesting channel. Do you plan to copy Caravaggio's The Calling of Saint Matthew, or is it too complicated?

[@Nothaleema12345]

Fantasic

[@sandrajohnson2489]

Do you use Rublev Colours Artist Oils?

[@mizerui7110]

*cries in idon’tknowhowtomixcolors*

[@yan-eva56]

Qu’en est-il de la flûte. ( ça m’apaise )

[@politbuero9532]

Tolle Videos, fantastische Farben, hab mir welche im Etsy Shop bestellt...Top Qualität, außerordentlich wie die Bilder...thx! ypsilonminus

[@ulfb5467]

When you paint out the pigment, like "polishing your shoes". The color dies, it becomes completely lifeless. Being able to apply the oil color is fundamental. Caravaggio would never accept that.

[@dotta4763]

Great work but the music is drilling through my brain :)

[@joeyt3478]

👏🏻👏🏻👏🏻

[@MegaHalo777]

Maestoso

[@me73941]

Maybe you should become a monk, seeing how you're always painting them.

[@stellalux2200]

Respekt

[@dfnshyartest383]

❤❤

[@ismaelalvaro]

👏🏼👏🏼👏🏼👏🏼👏🏼

[@ВалентинаПрокофьева-й4у]

👍👍👍❤️❤️❤️🙏

[@cassiusoctopus2017]

👏👏👏👏👏👏👏👏👏👏

[@blassesaussehen7858]

🖤🖤🖤🖤🖤🖤

[@zaidbalsam6663]

If I have to paint and they play that kind of music, I would end up in a psychotic break attacking the canvas to run out of the room, ripping my clothes and screaming. It is boring to believe that because we are playing a classic by a great master, we should listen to classical music, WTF!

[@raule1128]

La verdad es una mala imitacion, comparando se ve la calidad, tienes tu autoestima muy alta,pero nada que ver con caravaggio

[@KpxUrz5745]

Again, as someone whose main interest all my life has been the study of great old master paintings, (as well as my own interest in making paintings), I find no particular value in setting out to demonstrate that one has researched whatever original pigments and materials were used long in the past. Not that this is an unworthy task, but that it mostly misses the point. The real point in seeking to do worthwhile copies of great works of art should be in seeking to understand the deeper aspects, the emotive power, the typically immediate expression, the "autographic idiosyncrasies", and aspiring to the set of real skills and insights that separated the masters from all the others. To succeed at this is such a daunting task, and so complex, that I often suggest the "late follower" to concentrate on a very small area as opposed to the entire larger painting or drawing, and work hard to capture the essence and the spirit of the original. I see it as a rather pointless task to produce a full size but mediocre rendition. For example, back at university, I once applied my best draftsmanship abilities to a quite accurate and "emotionally-felt" copy of a very small head by a Renaissance Old Master, in black chalk and charcoal. Our then venerable octogenarian Ivy League professor in drawing stated that, in his entire life and career, he had never seen such a successful Old Master copy which captured the style, feeling, and essence of the original. So my take on all this is to set out at first to apply most of the effort to understanding the task at hand, and if necessary seek success in a small format rather than guarantee failure in a larger and more haphazard attempt.

[@juanito73167]

Por favor...Esto es muy, muy malo

[@ilyamenzel6948]

🤮🤮🤮🤮🤮🤣🤣🤣🤣🤣🤣

[@nordfaen]

Danke schön 😁