Phelios Dark Ambient stay at home concert #2

For the time of the shutdown I am streaming concerts from my studio every tuesday and saturday. This show is with my dark ambient project PHELIOS. This is a re-upload of the stream because KZbin doesn´t process the original stream video and they don´t tell my why.
➽ PHELIOS on Bandcamp: phelios.bandcamp.com
➽ PHELIOS on Facebook: / pheliosambient

[@melbourneschool]

Sounds like a fabulous soundtrack for a movie yet to be made.

[@Fan1032]

Einfach genial, deine langen fantastischen Kompositionen, in die man regelrecht eintauchen und versinken kann, lieber Martin. Dein Kanal ist für mich eine grosse Entdeckung und Bereicherung! Vielen herzlichen Dank.

[@MartinStuertzer]

Herzlichen Dank!

[@Frontii]

Wow ,was für eine Atmo . 👍❤ Love it

[@natalyastacenko315]

М-м-м... Блаженство!

[@theaudioeng]

Not a single Thumbs Down .... and rightly so Martin!!!! Fantastic, dark dystopian future stuff 😎🎹👍🎶👨‍🚀🚀🌠🌀🪐🌌 >>>>

[@cristianbatelli5873]

This ambient sounds are cinematic insane! ♥

[@atmoblack]

Вот это супер. Никогда не видел, чтоб делали такую музыку. Супер

[@melissarainchild]

Wow, just NOW I discovered this! A lot of feeling and emotions here...

[@benedictdespinoza6556]

Thanks for sharing these home performances. They're fantastic.

[@GraveyarDisciple]

You are amazing dude. Thanks for this music.

[@Psychlist1972]

Awesome. I really enjoyed this.

[@Digithalis]

wooww..cool setup martin, just awesome job! :-))

[@coronabarathri6289]

Excellent, Martin!!!

[@nolake]

Great jam, amazing impro, so inspiring for my own ambient work. Breathtaking atmosphere.

[@dlichtenberg]

enjoyed this one a lot, those drums remind me of Dreamtime Return - very cool

[@prodigyanesthesia]

inspirational. Thank you so much for sharing!

[@enzogalli5506]

EXCELLENT.....SUBLIME.....no words!!!

[@mkultra7578]

Thank you for sharing your music.

[@Dasein23]

Superb. Thankyou for sharing your wonderful music with us.

[@Gtcman]

Stunning as ever

[@anthonygray9888]

Powerful music !!

[@claude4268]

GREAT !

[@bensaco341]

Super!1 ofcourse im all in favorites...

[@nubenegra3391]

Bien oscuro y misterioso, me encanta este, en especial.

[@ostengeorge2429]

einfach grandios!!!

[@davidmcclain3408]

Wow!! I love those knotty chords at the 0:20 mark too!

[@wega4105]

Again I am so glad I found you, and your channel. KZbin journey thru Eshan Gelsi->Oora, VÖSNE, to you. It has taking time to find you. Love

[@SEBsixsixsix]

Es war ein tolles Event gestern Abend! :)

[@crazedhobo]

Hey Martin, will you be releasing any more Phelios music in the near future? Love your work.

[@eddraper]

Lovely... hope this make it to an album to purchase. Good to see you continue the percussive elements ala Mountains of Madness.

[@MartinStuertzer]

I am concidering a release, thanks!

[@associacaocepex7054]

very good

[@andynuzz9713]

Für welchen Kinofilm hast du die Musik geschrieben? ☺️ Fantastischer Sound! 💪🏻😎

[@tristansrebot]

Schade das ich dich erst jetzt entdeckt habe!!! Wahnsinnig guter Sound ! Sehr inspirierend. Bin gerade dabei mich mehr und mehr in dieser Thematik zu verlieren trotz Prüfungsphase in der Uni :).

[@MartinStuertzer]

Na zum Glück kann man im Internet zurückspulen! Viel Erfolg bei den Prüfungen.

[@robmlisanti]

Maarten has this ever been released? If so, I'd like to get it. I love the first song!

[@kij9485]

❤️

[@canalesoterica2234]

🖤👌✨

[@BEAKER6868]

Martin, this is bitchin. thank you for doing this.

[@christopheleray7913]

Excellent, sounds and percussions are amazing ! Very hypnotic. Moog Subsequent synth is great too. What kind of sound generator is used for percussions, metal sounds, wind, fx, etc... : Samples bank, Omnisphere vst, or only Prophet synth ?

[@projectaesthetics5104]

mmm the darkened planet....

[@hubert7855]

You should have contract as Warhammer games music creator

[@ErwinSchrodinger64]

At 1:22 min/sec... the bass line of the Moog 37 is so powerful. Could the Prophet or Access Virus produce those powerful warm basslines? Anyone?

[@MartinStuertzer]

I am not even sure that this sound is from the Sub37! In this set I used VST instruments for most of the music and the synths only as midi keyboards.

[@ErwinSchrodinger64]

@@MartinStuertzer thank you for you reply. OK, I see. At that time stamp, the bassline and the pressing of the keys happen simultaneously.

[@TheBrettEnglish]

Hi Martin. Did you ever get the stream processing figured out? I'm about to go live with my setup, and was under the impression that my Livestream would automatically become a posted video. I understand this video is from early quarantine days, so maybe the technology has evolved since then. I also want to thank you for your video you did on Loopop, that was highly informative and inspiring for me. Cheers.

[@MartinStuertzer]

It works fine in 99% of the cases! The video would have been posted but I always cut the first 20 minutes so that the listeners can start with the music and don´t have to skip the countdown and chat. This did not work on that livestream but most of the time I don´t have a problem here.

[@cyberianoid]

00:03:11 *The Voice of Eternity!* Need for 192Khz sampling rate frequency at 24 bits of quantization level Without compression :)

[@pecapanjama]

dude what do you even mean?

[@MartinStuertzer]

I am working on an album release of the music, you will get at least 24bit / 44,1Khz then.

[@cyberianoid]

​@@MartinStuertzer, When I first heard how the Nexus VST-plugin sounds at 96 kHz on my cheap Audigy2 audio card, my brain was changed :) Unfortunately, the frequency of 44.1 KHz does not provide the entire dynamic range and sound depth, especially if the final project is compressed in MP3 codec :)

[@cyberianoid]

@@pecapanjama This is the theory of digitizing sound. When you convert Analog wave to digital signal (ADC), you need a reference sampling friequiency, which breaks analog wave to small portion of segments. And final quality depends on that source reference sampling friequiency. Higher reference sampling friequiency means more accurate wave storage and reproduction. When sound is restored from digital to analog (DAC), the process is reversed. *Very simple explanations:* www.soundguys.com/do-you-need-a-dac-13488/ en.wikipedia.org/wiki/Digital_audio

[@SEBsixsixsix]

Gibt es eine Setlist, trotz der neuen Stücke?

[@Kmuggle]

What do you use for your drums? Great work!

[@MartinStuertzer]

In this set East West Stormdrum 2, NI Action Strikes and NI Symphony Series Percussion

[@moe47988]

This through a software reverb? Have you tried hardware like eventide (I see your H9), and if so have you noticed a difference?

[@MartinStuertzer]

I used a lot of different hardware and software reverbs. Since they all use digital algorithms I don´t see a real difference. It´s more a workflow thing. When I play a liveset without computer it´s better to have a hardware reverb but when I work with large projects in the computer I prefer software.

[@moe47988]

@@MartinStuertzer I see, one thing I've experienced in hardware vs. software is that even though both are digital, chances are, with older gear, they sound better because the engineers at the time had less resources to work with, so they had to squeeze a lot into very little. Also the signal path, A/D converters of hardware play a role.

[@klavamysh6159]

Where the track list!????