ATEM Mini Pro ISO featuring LIVE Music by Emily Turner

[@emilyturner7581]

Hey there! There were some questions about what gear we used to capture the audio, and in case I missed some, here’s more info: For vocals, a Shure BETA 87A Microphone directly into a Roland AC-40 Amp. The beat you can hear was made by Marv Ellis, and is a pre-recorded loop playing on a Boss RC-300 Loop machine, which also runs to the Roland Amp. We then ran the Roland amp stereo output to one of his cameras. Meanwhile, the electric upright bass was run into a MarkBass Amp, which was run into a separate camera. (@PhotoJoseph correct me if I missed something!) We kept it simple intentionally to abide by Covid distancing rules and I think that helped us get such a clean, full mix with minimal equipment! I also love performing through the Roland AC-40; I use a little bit of the built-in reverb and it always goes down smooth. Thanks for the love!

[@photojoseph]

Thanks for posting that Emily; now I can point every one who asks, here!

[@jbrooks12]

great vocals. How was the reverb added to the vocals into the ATEM? Thanks

[@AfroEire]

Thanks Emily and Joseph, that was going to be my question. Lovely music btw. Next step for me will be running a full band live stream. Probably still best to run desk to camera.

[@curtisjudd]

WOW! This is the best demonstration I've seen of the ATEM Mini Pro ISO and its live/post workflow. Nicely done Joseph! And great performance by Emily!

[@photojoseph]

Thanks buddy! Much appreciated :-)

[@Cnspeace777]

My sentiments exact

[@photojoseph]

😊

[@emilyturner7581]

Thanks very much!!

[@transformglobal]

Totally agree. Love this example. Very clear..

[@familymusic1771]

Best reviews most intelligently made with no BS for people actually about to make a purchase not bs-ers. Best kind of reviewer on the planet to watch when you aren’t into wasting your time.

[@alvaromorello]

What a beautiful piece of art…the performance and the presentation.

[@photojoseph]

I’ll let her know! And thank you ☺️

[@thewrongopinion7811]

absolutey superb. Side note, I purchased an Atem Mini the other night. But beforehand I was frustratedly searching through KZbin to get an answer to a particular question I had about it. Then your video overview of it popped up, and I turned to my partner and said: "this guy will know the answer". And guess what? You did! Many thanks.

[@DaveColes]

Excellent demonstration and a great performance from Emily!

[@photojoseph]

Thanks, and wasn't she incredible?? Such a fun video to make!

[@emilyturner7581]

Thank you!

[@Garmentcreations]

The Best walkthrough video of this product so far. I Love it. thanks for sharing

[@photojoseph]

Aw thanks very much!

[@kgouvia]

Great Video for many reasons. This is the first time I saw a live switch demo of the ATEM Mini Pro Iso with a live performance and the performer Emily Turner was outstanding. I will be looking for her music and looking forward to your next video. Great Job.

[@photojoseph]

Thanks Kevin! Appreciate that and I know Emily will as well 😊

[@kgouvia]

@@photojoseph I know you have done Macro videos in the past. But I have a question concering the ATEM MINI and MINI Pro. Can a macro change the media pool selection from one graphic to another when using that graphic for a Upstream key. Another words Change from one camera being keyed to another camera keying on different background. This is something I could routinely do with a Tricaster.

[@photojoseph]

Absolutely. All you do is while recording the macro, drag the image you want into position BEFORE enabling the upstream key.

[@emilyturner7581]

Thanks very much!!

[@StudioGalvan]

Nothing beats a great demo! 👍🏼

[@photojoseph]

Thank you kindly!!

[@GearFocus]

Great video as usual Joesph and very glad to support your content! 🤘

[@photojoseph]

Thank you Gear Focus!!

[@SeanTolan_illuminated_imaging]

I am here in Oregon near the coast, and recently got into the industry. Your videos have helped me immensely. Want to keep growing and learning. Thank you for all the well explained videos

[@photojoseph]

That’s wonderful to hear! Welcome to the state, and the industry!

[@SeanTolan_illuminated_imaging]

@@photojoseph I am new to the industry but I grew up in Oregon, love the Pacific Northwest. Tried to go elsewhere, like everyone else that grew up here I ended up back home.

[@photojoseph]

Haha got it. I didnt grow up here but it’s definitely is one of the best places to be!

[@mylesjarvis7571]

This is just awesome!!! I just received my Mini Pro and have been playing with it a bit. But this type of production is exactly what I want o achieve! One highlight of this is.... The fade to black. You keep it real man we all make mistakes! By the way you're the reason I bough t an Atem mini haha!!! Just incredible videos man! Emily... You sound amazing!!!!! 😉😉

[@photojoseph]

Thanks man, I appreciate that a bunch!

[@gibblsworthiscool]

genius work with the moving camera! also the ftb was something I have done more than id like to admit lol made the performance fun having it mixed live!

[@photojoseph]

Thanks Jordan! I definitely wanted some movement in it… originally I was going to do a motorized slider on a loop but then thought this would be more fun (and more challenging!)

[@martinXY]

@@photojoseph When I saw you at full stretch, I thought "hmmm, he's going to drop that. should use a motorised slider on a loop" lol

[@photojoseph]

Haha it was actually well balanced… if I let go it’d slowly fall, which is mostly what I was doing!

[@familymusic1771]

What was your mic setup for multiple mics for the live - sounded excellent

[@photojoseph]

Buy and sell used gear at gearfocus.com/photojoseph and check out MY used gear store at gearfocus.com/photojosephstore THE MUSIC OF EMILY TURNER… 🎵 Emily's solo music emilyturnermusic.com 🎵 Emily's band Free Creatures www.freecreaturesmusic.com 🎵 Follow Emily on Instagram at instagram.com/free.creatures and instagram.com/emilyterrestrial 00:00 Introduction 3:44 Live performance setup 6:14 Emily Tuner live performance 9:37 Editing in DaVinci Resolve 12:41 Editing in Final Cut Pro X 16:00 Edited Emily Tuner performance

[@dinoscheidt]

Too bad she is not on Apple Music ....

[@photojoseph]

I just told her you said that ;-)

[@dinoscheidt]

PhotoJoseph ❤️

[@apntv]

Awesome production Joseph.

[@photojoseph]

Thanks mate!

[@kolapoolakonu2269]

Thank you Joseph for the video. I just ordered the Atem mini pro ISO through the link provided above from B&H

[@DigitalCreations2012]

The best show on planet earth

[@photojoseph]

well I won't argue with YOU! ;-)

[@djspher3]

so dope!!! song is perfect! thanks for showing your talents! Im jumping on board.

[@photojoseph]

She rocked this for sure!

[@TurtleTimeTV]

Legend! This is how I work. One man band to the extreme! 😂😂

[@kendallbell5363]

Thanks for such a great breakdown

[@photojoseph]

🙏🏻

It's great that you showed your work, it's a very valuable video!

[@photojoseph]

Glad you liked it!

[@Cnspeace777]

Great demo and the song was butter !

[@photojoseph]

thank you, and she's great isn't she?!

[@emilyturner7581]

Hey thanks! 💕

[@mrphillipwest]

Excellent demonstration!

[@photojoseph]

Thank you! One of my favorite videos to make :-)

[@perspectivestudioscaribbea5899]

Great video Photo Joseph, this was the exact use case I needed to see, it fits in quite well with something a friend and I are developing, I was totally blown away and Emily was fabulous, did I mention the video was excellent 😎 way to go bro 👍

[@photojoseph]

Thank you for that! I’m glad you enjoyed it so much :-)

[@emilyturner7581]

Thanks very much! What a fun project to be brought in on... it was really fun to watch him do his thing in person!

[@perspectivestudioscaribbea5899]

@@emilyturner7581 You are very welcome, you are an awesome talent and i hope to see more collaborations like this with you

[@perspectivestudioscaribbea5899]

@@photojoseph Credit where credit is due, you generously share what you learn to help others on similar paths, and you do an awesome job, keep doing you dude 😎 💯

[@photojoseph]

Aw, thank you Perspective Caribbean!

[@brianharvey2468]

Great demo and what a way to encourage us to use your workflow. Thanks

[@photojoseph]

thanks!

[@fiveshorts]

Great tutorial. Thanks for the going the extra mile. I think you could convert the stream edit into compound clips in FCPX, then swap out the broadcast clips with the hi-res log files. The power of compound clips in FCPX! Don’t you find the color control frustrating in FCPX compared to Resolve? Also Resolve gives you fairlight, so no roundtripping to Logic etc to sweeten audio.

[@photojoseph]

Compound clips… so let's see, if you separately make a compound clip with the offline/online versions of the video, and synced those… then manually replaced the Multicam clip with that… yeah that'd work, but you'd have to manually place it in sync. But yes, it should work. As to color control - I only know Resolve's color on a cursory level, and I find it very confusing, but that's only because I don't know it. I won't argue that it's amazing. It is! But also I find FCP does what I need. Fairlight is great too, no doubt. I also do all of my audio enhancement in FCP with the aid of a noise reduction plugin, and that works for me. I'm not willing to give up the editing style of FCP. I love it, and work fast in it. Resolve is great - but I know and love FCP.

[@VirtualTourPhotographer]

What a great performance too!! Great demo Joseph. thanks.

[@TANZANIAFILMMAKINGTV]

This is INSANE thank you brother

[@photojoseph]

Thank you!

[@bulcub]

bro this was beautiful!!!!

[@photojoseph]

THANK YOU!

[@joelalonsopr8]

hey, great video! could you talk how you recorded her voice and the instrument which such good quality directly into the livestream?

[@photojoseph]

thanks! So, she had her own gear for the audio which I don’t know anything about. She set it all up. But she gave me two feeds - one for her bass and one for her voice + backing track. (I should have brought the backing track in on a separate channel but her hardware wasn’t set up for that). I fed each of those feeds into two of my cameras via XLR connections using Panasonic XLR1 adapters. On the ATEM I adjusted levels so they sounded right to me, which is what you heard in the “live” portion of this video. Then for the final version of her song at the end of my video, I further adjusted levels and added a limiter, which the way I use it is also a compressor, but the adjustments were very minor from what we recorded live. Really 99% of the processing was done before it got to me. If you want to know what effects or processing she added to her voice or bass, then I can ask her to comment here.

[@nathanadler1725]

@@photojoseph thank you, this was exactly what I came here to learn in the comments.

[@photojoseph]

right on! I emailed her; I’m sure she’ll do it as soon as she can.

[@emilyturner7581]

Hi! Thanks very much for your question! Here’s the gear I used: a Shure BETA 87A Microphone directly into a Roland AC-40 Amp, which we ran into his camera... I use a touch of the reverb setting that comes on the Roland amp as well :)

[@JoseFernande]

@@photojoseph Nice! Thank you for such a good explanation of the entire process.

[@walterjohnson8192]

Great video! Thanks!

[@photojoseph]

Glad you liked it!

[@ShaLaLaLaProductions]

Holy smokes!!! I am blown away, this is one heck of a demo on the ATEM MINI pro ISO.... So many questions... but in fairness to your time, there's 2 that screams out in my head. 1) in watching the xml file created for FCX, I didn't see an option to create one for Adobe Premiere Pro? Was it that there was no option to create it from the ATEM? 2) If you did the livestream in Facebook Live, or Twitch are there any steps that need to be alter significantly in either the set up or the workflow when streaming? Also, I loved how you even anticipate the question about selling or trading old gear, as I am glad I held out buying the ATEM MINI Pro in thinking another upgrade is around the corner..... yet it leads me to the bigger question what features would be added in the next update, and do you feel the MINI switcher lines may replace their other studio switchers? Thanks again for bringing in Emily to perform as I can certainly relate the challenge of puting a fun twist to an informative video. I can't imagine the logistics to pulling it off and hope it wasn't too hard, given the current challenges with the pandemic. Again excellent video, and look forward to hearing from you soon. Be well and hope you continue to stay safe...

[@photojoseph]

Thanks for the enthusiasm; I appreciate it! To answer your questions… Resolve doesn't have an export to Premiere, but if you google "convert Resolve to Premiere" you'll probably find something. The ATEM itself only generates a Resolve file, since both the ATEM and Resolve are made by Blackmagic. Live streaming to facebook or twitch is built into the hardware so just a matter of selecting the platform. I did a video on how to stream anywhere else though, here: kzbin.info/www/bejne/h5SaoJdqqa6Eias - as to future releases, I have no idea what is or isn't coming, and I'm sure that Blackmagic won't totally cannibalize their higher end switching market. They make some VERY high end switchers.

[@melputra919]

Wah this is the best video on atemi pro. I have been searching for so many videos but I could not get what I was looking for until this came about . Thank you so much I have a question for audio, do you use the actual audio voice during recording or do you create another audio track and use final cut to match it properly? I read from another website the audio recording is not so good and it’s best to do a separate recording for audio . Thank you so much for your efforts 😊👍👍👍👍👍

[@lucratyveMedia]

She sounds Great 👍🏾 the Demo is Crazy

[@photojoseph]

Crazy good? 😁

[@wishhousefarm]

Great review!! Thank you!!!

[@photojoseph]

My pleasure!

[@TheWhatchawatch]

this is exactly my live filming+one person goal

[@kproductioncanada]

Lovely and talented. Of course I'm talking about both of you haha Seriously, AWESOME complete video. After hours of researches, this is the last part I needed to see. GREAT work!

[@photojoseph]

thank you for saying that! Much appreciated.

[@sethemerson885]

Joseph - With the Mini Pro ISO, can you record the ISO + program file via the USB-C port and somehow provide a web cam output? Maybe send the program video the HDMI out via some type of converter into a USB port on the computer for zoom? If that is done, I guess you would lose the HDMI Multi-view, though. It is possible to send the program out via the Ethernet connection to zoom? I realize the extreme has two USB outs. But $500 more.

[@obulorolisa]

Wow this is awesome,thanks so much

[@photojoseph]

Glad you enjoyed it!

[@seamussmyth2312]

Great Job 🏆

[@photojoseph]

Thank you kindly!

[@berndeckenfels]

Great Tutorial. Do you feel the audio inputs with cam and two lines are enough for your productions or do you use audio mixers or even interfaces in addition?

[@photojoseph]

For any production using this ATEM as the switcher, it's been enough. I've used mixers for larger productions on larger switchers, but with just four or less cameras, this has always been enough.

[@jorgezepeda7288]

Very through and clear explanation, I'm considering jumping from Sling Studio in to the Atem World.

[@photojoseph]

Awesome, glad I could help! I’ve done lots of ATEM videos if you still have questions about the different models.

[@tedz2000]

This is the video I’ve been waiting for, thanks for actually showing how easy it is to produce a set, which can be modeled to be used over and over ..again. great job Joseph great song great artist... well done...1? what type of rig u were using for the camera movement

[@photojoseph]

Thank you! The jib is a Neewer model. Not great but it gets the job done. amzn.to/2ZnhfjN

[@dancona31]

Very clear, just the information I was looking for and couldn't find. Best regards Robbert (The Netherlands) The final cut Pro information convinced me to buy this Device>

[@photojoseph]

Very awesome, thanks for sharing!

[@redbandanatv4178]

My question is how were you able to view the ATEM Software Control window and also record an ISO file? Great work btw.

[@photojoseph]

Great question! Because the ATEM is on the network. I did a video on that recently: kzbin.info/www/bejne/pZ3WZamlhtxlr68

[@redbandanatv4178]

@@photojoseph thank you! I’ll check it out now :)

[@Began2011]

Cool stuff I use Panasonic cameras as well. I gotta learn how to do this.

[@photojoseph]

Thanks! I tried to explain it all pretty clearly in here… it’s a lot of moving parts, but overall not that complex. Good luck!

[@boothmedianyc6830]

I have a BMD iso and I have a few questions will the iso record the camera overlay (settings to the final recording ) ? I turned of the setting from hdmi output but this left me blind to my camera settings help me thanks

[@photojoseph]

It records whatever it receives. So you have to turn off the overlay.

[@top-voice1674]

Hello, this is beautiful, i'm about to buy Atem Mini Pro to record my Live Concerts. Have you got links to vidéos directly recorded by the Atem straight to a hard disk? I'd like to see the Quality since here your video is Awesome ! Thanks

[@steveliddle8417]

Great explainer and demo! You used a macro at the top of the session - was that created in the Atem control software?

[@photojoseph]

Thank you! And yes, it was a simple macro. Just switching audio inputs and changing camera angle.

[@ive595]

So they have just caned the price of both the GH5 and G9 here in the UK, so when am I going to have to rob the bank for the GH6?

[@boothmedianyc6830]

Also I noticed latency in the separate Iso recordings when viewed individually. But when loaded into DaVinci/Premiere I don’t see the latency . Thank you

[@StefanMischook]

Good job on this video. Thanks for putting it out.

[@photojoseph]

Thank you for watching!

[@StefanMischook]

@@photojoseph If you have a moment, with the ATEM Mini Pro, is the video encoding higher quality than what say Ecamm Live would put out? Thanks!

[@photojoseph]

I haven't done a comparison but in general, the answer is yes. Hardware encoding is generally better because it has dedicated components to the encode, where a software system is run on your computer and can be compromised by anything else on your system. Plus it is likely to be a better quality encoder to start with.

[@StefanMischook]

@@photojoseph Thanks form that. I do live streams and though Ecamm is great software, I've been disappointed in the quality of the video output. To be clear, I am feeding the video from my Cinema camera via HDMI, plugged into a Camlink.

[@photojoseph]

Give the ATEM a try. DVE Store has them in stock right now (Sept 22, 2020) - they told me this morning. geni.us/ATEMminiProISO

[@rudolfabelin383]

Thanks Joseph, very useful!

[@photojoseph]

Thank you!

[@Ptpop]

Great video. Can I edit the project file in Premiere or Do I have to have DaVinci? Thanks

[@Yourguitarworkshop]

the audio is awesome, is that live off the floor? What did you use to capture audio and feed into ATEM? There's also reverb on the audio, where did you add that?

[@photojoseph]

Scroll around in the comments; Emily left a complete description of how she set up her audio. I took her audio straight from her mixer.

[@Yourguitarworkshop]

@@photojoseph found it, thanks!!

[@TiagoFlores]

Dear Joseph, how did you grade the GH5 log footage so that I wasn't streamed flat? I know that I can be graded in post in any editor, but how did you made it look graded already on the Atem livestream?

[@photojoseph]

On the LUMIX you can add a LUT to the monitor and/or the HDMI output, but the internal footage is captured in Log.

[@TiagoFlores]

@@photojoseph got it! Thanks!

[@basebintv]

Great camera moves along with the switching... not as easy as you make it look. Important question that I can’t see any clear explanation for ... you seem to be able to stream without using this USB output, enabling you to record in iso mode! This is amazing.. but can you only do this through the Ethernet port to Facebook, KZbin or twitch? Can you stream to zoom and be able to record the iso inputs! Help!! ;)

[@photojoseph]

You’ve got it right… I was streaming to KZbin via the built-in encoder (over Ethernet). So the USB port was free for recording. Zoom is not a streaming service (like KZbin or Facebook), but is a chat service (like Skype or FaceTime). So you can’t stream “to” it. You could however stream to an ATEM bridge, and connect that to a computer using an HDMI to USB adapter. Lots of parts though; probably an easier/cheaper way to get the job done.

[@basebintv]

Thank you so much for the rapid reply! I think adding the Atem streaming bridge to get to zoom allowing my USB port free to record my isos is a great idea! Thanks again!

[@LinealBoxingTv]

Amazing ! If I didn’t know I would have believed that would take a size of a football team to produce!

[@photojoseph]

Haha thanks!

[@infinitystudio_sweden]

Good job! Great performance. Can't find the song on Spotify - make it happen, Emily! =)

[@photojoseph]

This is actually an unreleased track… we’re some of the first to hear it!

[@tonygarcia1986]

Hi PJ! Very informative. Do your Panny’s output a Picture Profile that is being fed into the ATEM? Is that what we’re looking at? Like a Natural profile?

[@photojoseph]

Sort of… you’re not choosing a profile; the profile is V-Log. But you can choose to add a LUT for the preview on the LCD and/or that LUT can be added to the HDMI output. Normally if you were shooting Log and capturing externally (i.e. on a Ninja), then you would NOT want this done. But for this case, you want to live stream a colored image, so yeah, you add the LUT. And you can choose the built-in LUT, or you can load any LUT you want onto the camera.

[@warm888]

buen día, como se hace para sacar la producción a una pantalla gigante en tiempo real?

[@photojoseph]

HDMI to a projector.

[@ginopronos]

What is the latency like when switching between sources? Looking to move from the SlingStudio because the lag is so bad (1.5 sec). Makes its unusable as a solo creator.

[@serchenmorris1979]

Zero lag

[@ginopronos]

@@serchenmorris1979 Thank you.

[@curtisbrooksmediapro]

Excellent!!! Thank you :)

[@photojoseph]

Thanks for watching!

[@michaelweigel8253]

Is it possible to capture a band performance as a OMB producer with the ATEM ISO?

[@andreas7278]

Truly stunning performance (both of you), was a true joy watching it

[@photojoseph]

I, and we, appreciate that! ;-)

[@usermacBrian]

Wow. Well done.

[@photojoseph]

Thank you!

[@MathiBA]

Thanks so much Joseph! it was an amazing one man production. I like it a lot!! I have 2 question. you mentioned in the video about 4k and LOG file. does the ATEM Mini ISO record 4K Log? appreciate your help!!

[@photojoseph]

Thanks! And no. 4K Log is recorded in the LUMIX cameras, which are simultaneously outputting 1080p with a LUT embedded.

[@MathiBA]

@@photojoseph Thank you so much for the quick response.

[@TheHeldenbariton]

Dear Joseph, really great...may I ask you what do you think about to embedding or inject the sound with a HDMI injector/embedder directly in to the ATEM. I missing a SPDIF/Tos-Link Input to make the ATEM really round. My sound comes now out from a RME UFX+ over the ADAT/SPDIF Port. So would then mute on the ATEM out all Sounds except the one from the embedder...what me turns on is also about the video and sound syncing...will that be in sync...video is coming from Sony Alpha 5100 and 6300 and a iPhone X pro with filmic (cross converter) and iPhone 11 Pro over wired NDI in to a Apple TV which runs sienna NDI Monitor and should then go the the ATEM...

[@photojoseph]

I don't honestly fully understand your question, but I think I do… you can input audio into the ATEM via the four HDMI inputs or the two mic/line-level 3.5mm inputs. You can turn any one of those audio inputs on or off. The two 3.5mm inputs can have a delay programmed in to bring them into sync. If your audio is digital run it through a DAC to get 3.5mm output. Or, run that into a camera so it's in sync with video on the HDMI input. Does that help?

[@TheHeldenbariton]

@@photojoseph Jew that helps...thank you...great work always

[@Ted2000-p3s]

joseph is her mic and other audio inputs coming on mic 1 and 2 ? and also how did u sync the audio with all 4 cameras... thanks

[@photojoseph]

The audio routing is discussed in the pinned comment from Emily. There was nothing to sync; all cameras are HDMI and audio came through one of the cameras.

[@kyriosstudio3564]

Hello Photo Joseph, Thanks for all these great informative videos. Nice colors, video quality looks like a Million bucks. Where can I purchase a tripod as the one where your moving up down. Thank you.

[@photojoseph]

That’s a jib. It’s in the description; here you go: geni.us/c5MYzQ

[@Corrvision]

Well Done!

[@andrescolintv]

Incredible 👏

[@photojoseph]

Than you!

[@rajsehmi3760]

Hi Sir, how do you record and still use the one USB C port to communicate with the laptop as there is only one thing you can do with the the port

[@SeanTolan_illuminated_imaging]

I have always been a Premiere Pro editor, and some of the features here make me want to learn much more about Resolve...powerful tools in there for post!

[@photojoseph]

Yeah it’s an awesome app for sure. I moved from FCP about a year ago. It wasn’t easy and I miss certain things but overall it was the right choice for me!

[@photojoseph]

Oh LOL I just realized the video this comment is on you must have been talking about FCP? Hehe well yeah… I’d put Premiere in third place 😁

[@SeanTolan_illuminated_imaging]

@@photojoseph I was talking about da Vinci, I knew that you had switched. Anyway I love your work man, keep it Comin. Maybe I’ll see you at NAB be in 2023 if you’re there

[@photojoseph]

I’ll be there! (COVID-pox-23 not-withstanding)

[@wildride6349]

I don't understand the connections: 1. the HDMI output is multi view, 2. The flash recorder is USB. 3. The data port out goes to the computer for ATEM control. All that is clear. By what connection (cable) or other do you use to go to the internet live connection?

[@photojoseph]

Ethernet! The ATEM has a built-in encoder and streaming capability. So just add it to your network, and you can stream directly from the ATEM!

[@wildride6349]

@@photojoseph but I’m using the Ethernet ports for control software! Don’t get it

[@photojoseph]

@@wildride6349 ahh - are you connecting your ATEM directly to your computer over Ethernet? Plug the Ethernet into your hub instead! Then it can be accessed by ANY computer on the local network! And, this gives your ATEM internet access so it can stream.

[@magnus2230]

Lets talk timecode....Is there anyway to get timecode out of the ATEM to send to my GH5-S and external multitrack audio recorder? or Into the ATEM from an external source that they can all sync to?

[@photojoseph]

Nope. The ATEM Mini generates time of day timecode but does not send it out. There’s a sync that happens with BMDPCC cameras, but nothing else seems to be able to access that.

[@rogersoutdoorproductions3364]

when are you going to get your hands on the yolobox encoder and make us a video on its use? I am interested in purchasing one but I need a good tutorial on its use. I need the simm card feature to livestream at bass fishing tournaments. Thanks for your consideration.

[@photojoseph]

I have one… it's been sitting here for ages. Actually the manufacturer just emailed me again. I guess I should do one.

[@rogersoutdoorproductions3364]

@@photojoseph thanks man! I will look for it.

[@sheakaratonya]

Thank you for such helpful tutorials, and live musician, Emily wow. Does the Atem Mini Pro ISO or Extreme allow one HDMI output to act as a 'live view' on a separate screen also? For example in a live concert, could I use an HDMI output for a live room feed while using the other HDMI output as the multiview monitor?

[@photojoseph]

The Extreme models do, yes. They are the only ones with two HDMI outputs.

[@sheakaratonya]

@@photojoseph Thanks so much!

[@StephenMosesRaj]

Wow 👍🙏 Thank you 🙏

[@victorsyampraveen3591]

Brother 1.Is there any Option For Program Output For ATEM MINI PRO? Or Streaming Bridge Can Give Program Output Without Latency??

[@mullholand]

GREAT VIDEO!! THANKS!

[@photojoseph]

Thanks!

[@liverpoolpodcaststudios]

Hi Joseph, thanks for the great video! I'm also a FCPX user, and I produce podcasts (in case the username didn't give it away) We're looking at getting the Atem Mini Pro ISO to do the camera cuts for podcasts, but there's quite a lot that we do in post with some of our clients, so having the functionality to go back and edit shots is very useful. You touched on this briefly towards the end that you may have figured out a way to work around the 'editing from scratch'. .Is there a way to create a multi-cam with all of the edits pre-made based on the file exported from Resolve? Our podcasts are usually over an hour, so re-doing the whole edit isn't something i would like to do. Many Thanks Jacob

[@photojoseph]

I never nailed that workflow perfectly and didn't come back to it, sorry. I should try to do that again one day.

[@robpatterson9576]

ridiculous question but pertinent from my perspective. What do you consider to be the title of your role in this video outside of presenting it as a tutorial, but more accurately, from the perspective of the performer, Facilitator, Engineer, Producer, On line Editor, DOP, etc.? From the clients perspective I understand what you do, but have a difficult time putting a label on it.

[@photojoseph]

Ha… in no real world environment would on person perform every role I did - plus record a KZbin video of it! Every title you used is appropriate. It’s why we just call ourselves “content creators”. It basically means “You do it all”. From the performer’s perspective, there is no single title.

[@robpatterson9576]

Great answer! Great video, great performance! I forgot in this case... Casting Director, Director, 2nd Unit Director, Best boy, Gaffer, Grip, LD, Recordist, Craft Svc, Pa, Accountant, Etc. Oh, and CREW. I like "content creator"

[@gitaarlesbijnigelamsterdam3463]

thanks for the great content Joseph! i'm new to this so excuse me if this is a stupid question. When livestreaming do you or can you use a LUT or colorgrade on the spot? or do you need something like an Atomos? thanks in advance

[@photojoseph]

That all depends on the camera. You can NOT load a LUT into the ATEM Mini; it just streams whatever it gets. However if you are using BMPCC cameras, then you can actually do complete color correction from within the ATEM itself. If you want to record in Log, then if your camera supports Log wtih LUT output, like the LUMIX G or S series do, then you can record the native Log video internally, and output an image with a LUT applied over HDMI, feeding into the ATEM (that's what I did here). If your cameras do NOT do that, then you can use an ATOMOS recorder. Feed Log into the ATOMOS, and in the ATOMOS you can apply a LUT, and then choose to add the LUT to the HDMI output. So you would record in Log to ProRes in the ATOMOS, and output the image with the LUT to the ATEM.

[@gitaarlesbijnigelamsterdam3463]

@@photojoseph ah thank you for the extensive reply. this clears up a lot of my questions. much appreciated!

[@photojoseph]

You’re welcome!

[@IslandDigital]

I will be performing while have all cameras recording. So I will NOT be able to do any switching while performing. My question is , will I be able to edit angle changes after recording using the ATEM ISO ? Also be able to add text, fX, etc. after the recording is done ? Thanks.

[@photojoseph]

Not using the ATEM, no. That only works live. If you want to edit and add transitions and titles, you do that in an editor like Resolve, Premiere or Final Cut Pro.

[@AudioForCreativeMedia]

Thanks for making this very informative video. I have a question though. I know you mentioned it already but I just want to clarify. Is the multiview software can be downloaded from blackmagic? All four cameras will show in the monitor using the software? Thanks.

[@photojoseph]

That’s hardware, not software. The Pro and the Pro ISO have it. Enable it with the software but it exists in hardware.

[@robwebb2052]

Great video! I'm wondering if you've had any luck taking the in-camera recording at higher resolution from a camera OTHER THAN a Pocket Cinema 4k/6k and substituting it into the project produced by the ISO? I have an original ATEM Mini, and I've noticed that there it totally takes over the Pocket 4k. If I'm running timecode to my other cameras, I can't jam it into my Pocket 4k when it is hooked up to the ATEM Mini. (I can set both the external timecode and ATEM timecode to the time of day... but I'd bet they would be skewed. I haven't had time to test.) I have to leave the Tentacle Sync hooked up to the Pocket 4k and record the audio timecode to have a reference that is consisted with my other cameras. Any other suggested workflows for combinations of Pocket and non-Pocket cameras with the ATEM Mini?

[@photojoseph]

As discussed on the live show… haven’t followed though on that, but it’s all about the timecode.

[@robwebb2052]

@@photojoseph Thanks for all your help! Your channel is a wealth of information. I'm trying to decide if upgrading to the ISO is worth it since I already have 3 Tentacle Sync units and a variety of cameras. Honestly, at that price point it is worth it to just have the redundant recordings, but being able to import the internal camera recordings from any camera right into the project and preserve all the switching would just be icing on the ATEM cake.

[@sheldonhuttonstudios7872]

Great video

[@photojoseph]

thanks!

[@Stakewithnerd]

Hello Joseph, Is it hard to upload this into premiere Pro?

[@blurredvisionent5148]

Great show! What lav mix are you using? Sounds awesome

[@photojoseph]

Thanks! That's the Sennheiser AVX system geni.us/otUEn

[@jdproductions6036]

WELL DONE SIR.

[@photojoseph]

Thank you!

[@Single-Handed78]

Hi Joseph, for example, If I am happy the already switched (MPEG- 4 Movie) clip. Can I import the switched clip and audio file to Grass Valley Edius, add some Lower Third title, or some additional sound then export the timeline as normal MPEG 2 file??? Then I can upload to my youtube channel

[@photojoseph]

XML export from Resolve and the rest is up to you.

[@cihangircetin7572]

Teşekkürler (thanks)

[@photojoseph]

Thanks for watching!

[@shawnebrown]

Fantastic…

[@photojoseph]

Thanks!

[@yuandrewbernando5417]

how about quality bit rate record on atem mini pro iso?

[@dbupgrabacionesclasicas]

Hi! That was very helpful. Thanks a lot. Do you have any specific procedure for replacing the Atem video files with the 4k files so they are easily synced?

[@photojoseph]

I haven’t revisited that idea. I need to do it!

[@dbupgrabacionesclasicas]

@@photojoseph I guess that manuallly is possible to add more video tracks and sync each one with its 1080 version. Because if we replace the files, the 4K files are not going to be the same than the Atem files and they are not going to be in sync and then it will ruin the DaVinci project.

[@franciscosunworld]

Could you sync the time and date of your Lumix cameras with and Android phone? That would make it very easy for editing as FCP X could sync by "time"...what are your thoughts? Thanks

[@photojoseph]

Yes, or more accurately, you would sync all the LUMIX cameras with an actual timecode generator (see kzbin.info/www/bejne/hJ7HlmmQbMt7laM for more info) and that would keep all four cameras in sync with each-other. However there is no way to feed timecode into the ATEM, so the timecode would be off. You could try to manually get the timecode in the cameras to match Time of Day on the ATEM, but it's very very unlikely to be frame accurate. If you're off by a frame, you may as well be off by an hour. OK maybe that's an over exaggeration, but it'd be virtually impossible to make it perfectly accurate. It'd be best to get the LUMIX cameras in sync, then shift their timecode into perfect accuracy using software like Tentacle Sync Studio.

[@pinnaclephoto]

@PhotoJoseph I’ve been unable to find an answer to this question, but if anyone knows I think you’re the guy. In order to avoid copyright infringement when live streaming weddings or other events to KZbin, I am opting for a Zoom live stream. However, because Zoom requests that I plug-in my ATEM mini pro ISO into the laptop, I am left with no USB-C port to then save my file to directly out of the ATEM. Operating off of a 2015 MacBook Pro means that I only have one additional USB-A port and I fear that this port is not fast enough to support the writing speed of a multi camera live event. What is your advice for safely live streaming so as to avoid copyright, but also seamlessly stream into the Zoom platform? Your feedback is greatly appreciated! Keep up the awesome content.

[@photojoseph]

You’re right to be concerned - KZbin will strike your video even if it’s an unlisted stream. Zoom might be a way around that, but there are other CDNs that you can use that will give you a private stream without the copyright concerns. But if you do want to use Zoom, first know that once you connect the ATEM to your laptop, the USB port changes modes and you can’t record the program on another USB port on your computer - it doesn’t work that way. What I would recommend is that you use an HDMI to USB video converter, so you’d an still use the HDMI-out from the ATEM, but convert that to a “webcam” for the computer to see. Then you can still use the ATEM Mini Pro’s USB port to record the Program (or if you’re using the ATEM Mini Pro ISO, the Program and the ISOs as well).

[@pinnaclephoto]

PhotoJoseph That’s an excellent idea! I wasn’t even aware of the HDMI to USB conversion to be honest. I’ll see what options are available online and explore this as I move closer to my live-streams. Would you have any recommendations for other CDNs that you believe to be potentially superior to Zoom for private live streams for clients and their close family and friends? So long as people are familiar with the platform, I would be open to the suggestions. I’m selecting Zoom mostly because of its recent popularity and the fact that many people, even much older individuals who are sometimes not very technically savvy, have heard and are at least generally familiar with the Zoom platform.

[@photojoseph]

I used to use a CDN called “Shark” before KZbin did what I needed, but I have no idea what they are doing these days. If you use a custom CDN, you’ll most likely embed the video on your own website and tell everyone to go there to watch. Zoom is only 720p I believe and just not designed for the kind of thing you’re planning. A wedding deserves better quality. And finally don’t wait to buy an HDMI to USB converter. They have been very hard to come by since COVID. Leave nothing to the last minute. Buy now, and test test test.

[@pinnaclephoto]

@@photojoseph Absolutely. I have my setup assembled now and I'm just toying around with options for making sure the workflow is as streamlined as possible. The Zoom HD feed appears to be 1080 and the quality is quite nice. Recording with OBS is my only options if I'm using that route. It would be great to design a backend webpage for the couple/client using a CDN like Cloudflare where they could access their stream. I'm digging into this option more today. I'm disappointed with BMD about the single function of the USB-C output and the fact that there's physically only one port. They seem to have pigeonholed users into and "either / or" scenario. I know they make splitters, but I don't think a USB-C splitter would actually work around this issue if, in fact, your statement about the recording function disappearing once it's plugged in as a webcam is accurate. Thanks for your feedback! Valuable stuff!

[@photojoseph]

Correct you can’t split the USB.

[@kduane1]

Hey!! Great Stuff. Can You only Import to Final Cut...or can I import to Vegas Pro If I want to?

[@photojoseph]

No idea… does Vegas even import XML?

[@kduane1]

@@photojoseph Yes so I'll get it figured out. Love your set-up, this changes my one man show

[@photojoseph]

Thanks. I’m sure you’ll need to modify the XML quite a bit. You could think about switching to Resolve. The free version will handle a project from the ATEM.

[@kduane1]

@@photojoseph I use them Both along with other NLE's ....I've been in the business for decades and I've never been "married" to just any 'one'. You've supplied some great ideas!

[@jKHAHN215PA]

8:11 what’s the moveable 4th camera arm called? Didn’t see that in the description

[@photojoseph]

That’s a jib. It’s a relatively cheap one from Neewer, bought on Amazon. This is the one; it doesn’t seem to be available anymore but search around for something similar: www.amazon.com/Neewer-Centimeters-Aluminum-Cameras%EF%BC%8CLoad-kilograms/dp/B01M8FR5ZR

[@jKHAHN215PA]

@@photojoseph thank you