Plok! SNES Music - Beach

[@4caddit]

If Geoff Follin can go beyond limitations, you can too. R.I.P.

[@vaporcran4]

wait he died?

[@cobaltong]

@@vaporcran4Sadly yes. RIP 🕊️

[@danielwang7793]

Geoff and Tim made for such an epic duo. I'm saddened by the news, but also heartened to see people discovering him as a musician.

[@jimpickens4]

PLUS ULTRA!

[@AcsaiGuy]

thanks that really inspired me :D (the go beyond limitations part)

[@MidnightPlus1]

Rest in peace, Geoff Folin, who co-created this soundtrack with his brother, Tim Follin. He passed away of pancreatic cancer just recently, and it is extremely hard hitting news. Thanks for all the masterpiece OSTs you contributed to, Geoff.

[@emperorbulblax]

RIP

[@GamingCreed47]

Rest in peace to one of the best video game composers of all time.

[@mikegrisafi541]

I just found out today about this and was very sad to hear. I did a guitar version of Tim's solstice years ago. I'm thinking Geoff needs something like that done in his memory. This track might be the perfect candidate.

[@SyRose901]

I just got into this rabbit hole and heard this...

[@K10thekunt]

just got the news minutes ago, the ost world's gonna be empty without him, even if iirc he hasn't done any music for any games in years

[@PabbyPabbles]

"Sorry Mr. Follin, this soundchip is sample-based, there's no saw wave..." *records 0.001s of saw wave and shoves it aggressively into the S-SMP without breaking eye contact

[@PabbyPabbles]

@@TheWashableBomb glad to have done a bit of good in the world 😂

[@JesseLeeHumphry]

Wait is that true? You had to use samples? So these fellas pulling all these dense waves out of their asses are really doing runtime frequency modulation to get these sounds? That's......so badass.

[@PabbyPabbles]

@@JesseLeeHumphry The only thing the SNES soundchip could generate was noise, at 16-ish different frequencies. Yep, everything else is samples and the reverb/echo effect

[@JesseLeeHumphry]

@@PabbyPabbles Absolutely wild

[@abdullahajeebi]

@@PabbyPabbles Echo was hardware bulit-in.

[@mr.moonthegoon4178]

You know there was some kid on the playground back in the day trying to convince their friends that Plok! is the sickest game ever, and no one believed them

[@machetey]

I only know this game exists because I traded games with a classmate in elementary school for few weeks and this is what he brought

[@scruffybeast]

That would have been me. I had my mind blown by the soundtrack but everyone thought the game looked like crud.

[@arcengal]

That kid was me

[@VGMPlus]

I was one of those kids. I got Plok for Christmas one year, and I went around the schoolyard saying that it was _better_ than Super Mario World and that the music fucking rocked.

[@frostu8]

I believe the term for people like Tim Follin is "musical scientist"

[@theblenderfiddler4434]

Is that a Toy Story reference?

[@chikem_nufget]

I feel like "musical magician" would be better

[@eepy123]

@@chikem_nufget ikr

[@sweetwheatsy]

The same Tim Follin who did Chronos right? What a legend

[@POSTELVIS]

Hard agree

[@fnfhexagon]

Can't believe this chiptune album comes with a video game

[@pleasedontwatchthese9593]

I agree with you. I feel like in the 80s and 90s these musicians did not know how much effort to put in so they did all of it

[@amimirmimir512]

true even if this doesn't even sound close to chiptune

[@wwyattMC]

This isn't even remotely chiptune you steakhead

[@penjamin1479]

Doesn't snes not count as chiptune? It has custom sound fonts. Plus the instruments here are distinctly not chip tune.

[@hiddenboy007]

@@penjamin1479 chiptune is any song made/designed for a specific soundchip, independently of whether its 16, 8, or heck, even 1-bit. neither does it depend on whether it "sounds like chiptune" or not, as that wouldnt be a great way of defining it in the first place considering its very subjective. in this case, the SNES uses the s-smp/spc700 sample-based soundchip, so the snes _does_ count as chiptune, even if its not FM synthesis or psg.

[@knobbers5857]

Sir, this is a Super Nintendo.

[@jumperboi12]

Heck, even Miyamoto was impressed

[@daniellap.stewart6839]

Tim follin: 🤫🧏

[@W0L1W1L0]

@@jumperboi12 Yeah, before he played to find out, he actually thought it was a joke after hearing A Line In the Sand. I mean, listen to that bend, that vibrato, and how masterfully George and Tim used the limited channels to their advantage. It's insanely good programming, especially for an SNES game. The Follin brothers are amazing, (WERE amazing in George's case Rest In Peace,) and this is maybe their best creation in my opinion.

[@silhouettoofaman2935]

"Yeah, so?" **continues writing prog masterpiece**

[@AlphaladZXA]

No, this is patrick!

[@buwayanialt]

Fun Fact: This song uses only 5 of the 8 sound channels on the Super Nintendo. This song is technically more limited than most songs on the system.

[@spritesensation]

I think they did that so you'd always be hearing the song in its intended form while also having channels for the sound effects

[@DynaTom99]

using 5 channels for sound is limitted but also an advantage beacause it doesn't happen that problem of sound channel used to fx sound making the music hear terrible.

[@Wobuffet3]

@@DynaTom99 what

[@jaspercochran1535]

Tim only needs 3

[@jaspercochran1535]

@Logang show me the song where he only used one channel.

[@bigbangbot-SuperSqank]

I found this on a "Worst Video Game Music" playlist. I was shocked to say the least. (Just to clarify something, the playlist I found this on was deleted years ago)

[@spaceace9103]

Who made the playlist? I just wanna talk

[@bigbangbot-SuperSqank]

I'm sorry to say but I can't remember. Even if I did, they shouldn’t be chased down just because of their music tastes.

[@cloudwasherr8799]

The person who made that playlist is just wrong

[@Handhandme]

Idk whoever did that but they must be mean

[@joaonitro5149]

@@profjeff9 Plok is a GOOD game.

[@xXBlueSheepXx]

I love it when composers just say "fuck it" in the middle of a song and go to a completely different song that somehow still fits.

[@MadameSomnambule]

I noticed C64 composers in general sometimes go a similar direction with their music, at least in the late 80s and early 90s.

[@GuyYouMetOnline]

This isn't even the biggest one of those in this game. Go give Creepy Crag a listen.

[@Pokaroquai]

"LeaF - Aleph 0" be like

[@Pallomember]

The last bar of the intro is suddenly in 8/8 instead of 7/8 time signature to fit the off-beat start of the second section. Completely fucks your head

[@NummyGD]

@@PallomemberNo, but you’ve got the right idea. Depending on how you feel the main section, there may or may not be an extra sixteenth note in the last bar. This would make it 7/8, 15/16, or 7/8 followed by 1/16, but not “8/8” (the correct term is 4/4, btw)

[@andrewskey3379]

This must be what the beaches in heaven sound like now

[@angelzavala2254]

Disco heaven 🕺🕺🕺💃💃💃💃

[@ShadowtheYouTuber523]

Ambitious disco heaven

[@sniffyflakes8953]

Rest in peace Geoff, it is unfortunate that one of the greatest and underrated chiptune composers had passed away.

[@Aztrosist]

certified banger

[@jwilly772]

I would have to agree with that one

[@cyrusthegreat5434]

certified hood hip-mover

[@able.]

Certified hood classic

[@villageronps5317]

yup

[@yurimessiah]

@Air You're never gonna hear this play in the hood lol

[@arciks11]

"Okay Tim, we are making a mascot platformer on the SNES about a creature trying to get the stolen flag back." "A prog rock symphony. Got it."

[@LegaliseShemp]

It really is a symphony

[@LolaTheGardevoir]

They really pushed the SNES to its limits with this game’s OST, my god.

[@Miguel-gr9js]

Oh hey a very recent comment! And yes, this song really does push the SNES to its limits.

[@budakbaongsiah]

That's just the Follin brothers' modus operandi.

[@boujeemelon7305]

Him and David Wise. Good stuff

[@Plasmariel]

@@boujeemelon7305 Fun fact: this soundtrack inspired David Wise to surpass himself for DKC

[@EIDimension]

2 years later from 1993 in Japan, Kenji Ito and the sound designers for the Romancing SaGa games basically overclocked the Super Famicom It’s insane what the SNES was capable of

[@PazWasHere]

If Miyamoto needs to disassemble an SNES because of your ability to work around limitations, you've made it as a musician. No question about it.

[@litebowssbm]

Rest in peace Geoff Follin. Thank you for creating some of the greatest soundtracks in gaming history.

[@CustodialDaniel]

I’ve been looking for this song for what feels like an eternity and I never would have thought it was goddamn ‘Beach’ from SNES Plok. Where has this game’s OST been all these years???

[@matureelevator]

Beach, Cotton Island, and Boss are the embodient of Plok dance music in my opinion!

[@KillerAndMX]

@@matureelevator also Akrillic and Creepy Crag

[@weirdboo]

Exactly what happened to me after looking for Gentle Breeze from Trauma Center 2 lmao. Glad you found it. It’s infuriating looking for obscure music sometimes

[@mmx3374]

RIP Geoff Follin You co-composed the best video game soundtrack of all time with your brother.

[@cobaltong]

I still can't believe he's gone...

[@nataliegath395]

Ok if you aren't listening to this on headphones that can do directional audio you should be. This track is full of sliding sound from left ear to right ear and back again that you don't get without them. I feel like I'm driving donuts around a guitarist in some kind of sweet car. Plain old stereo audio was barely even a thing for TVs at the time, but Tim Follin went hard with not only stereo, but full on 180 degree sliding gradients in his rando game soundtrack. On a SNES. Holy shit, bro.

[@DaveZilla02]

I forgot I turned that off like a fucking year ago because one of my headphones broke, thanks so much

[@cheetoschrist5685]

the sliding guitar riff is one of the most genius things i've ever listened to, you can like actually feel it going around and around in 360 degrees lol

[@Beengus]

Thanks for telling me to listen with headphones

[@haha-uj5rj]

my left earbud is brocken... :'(

[@coccaa]

If you’re driving donuts around a guitarist standing in the center, you’d only be hearing him/facing him with one ear so..

[@coldsouparchives2149]

Why are all of the songs from this obscure game I just found so good

[@shizukajonouchi2562]

Welcome to Tim Follin. He worked on many bad / obscure games and always had the best music. Check out Pictionary, Solstice and Puzznic if you havent already. The stuff Tim did with even 8-bit is god tier

[@Strazman]

@@shizukajonouchi2562 What he does with the game Chronos on the Spectrum ZX is nothing short of mind blowing.

[@SlaughterDog]

​@@shizukajonouchi2562 A Genesis version of Time Trax was developed but never released, and he gave it a totally different soundtrack from the SNES version. A rom of it surfaced in 2013, letting people hear it for the first time, and I can definitely see why Follin said he regretted not working with the Genesis more. Check it out! kzbin.info/aero/PLMvG7kcJiPGiwlSCN-Bfu3hClkQaZhttp

[@shizukajonouchi2562]

@@SlaughterDog Thank you, but I already knew of Time Trax. I think his NES and SNES stuff is better, but its not bad.

[@BurnedNoodle]

@@SlaughterDog Tim didn't compose the SNES version, Richard Joseph did.

[@Retrogamer1246]

Rest in peace the legend Geoff Follin, without you or your brother Tim Follin, we would've never had such amazing music on the NES, SNES, Genesis, or any other machine in the 8-bit and 16-bit eras of video games.

[@chrisbardolph]

To not only compose this - as in program it... no notation programs, no DAW - but to get this sound out of a Super Nintento, is brilliance.

[@E_-_-]

Yeah... masterful

[@TeleKamptiA]

what is daw

[@pesto408]

@@TeleKamptiA Digital Audio Workstation. Think FL Studio or Ableton.

[@ugoboom]

werent these made with trackers?

[@saltedmutton7269]

@@ugoboom some were on snes for sure, but knowing the follins, i wouldn't be surprised if they coded it in assembly manually

[@WillRock07]

The transition at 0:50 is so fucking good man. There's a lot of thought put into it. The song starts off in 7/8 (seven eighth notes) instead of 4/4 (4 quarter notes). Basically, 7/8 is 4/4 with half a beat shaved off it. Now... the transition hits the half-beat before the bar starts. Considering the track was in 7/8 before, what is happening is the transition is hitting at the end of the 7/8, but it adds an extra half-beat before the next bar... which is in 4/4. So it completes the last 7/8, turning it into 4/4 by having the transition start on a half note accent before the next bar starts. It changes the tempo slightly but you barely even notice because the way the transition was done was THAT smooth. It's some next level compositional shenanigans. Tim and Geoff were masters, full stop.

[@Vichroma]

Fun Fact: every song in Plok, excluding the Title Screen, uses 5 of the 8 tracks of the Super Nintendo, which means this is just a small glimpse at what the Follin brothers were capable of at the time

[@smileyfaceproductions7477]

Bro follin made a whole track w percussion, bassline and melody WITH ONE CHANNEL HES GOATED

[@timebmber]

@@smileyfaceproductions7477 he made good enough use of sample mixing i suppose

[@abdullahajeebi]

@@timebmber Nah, ZX Beeper.

[@comprehensiblehorror]

home stuck

[@TheSandwichesOfEpic]

home stuck

[@noushinshafagh9924]

RIP Geoff Follin. He will be missed for working with Tim on this song

[@atom5949]

A perfect example of how powerful the SNES soundchip actually was.

[@DudeWithPineapple]

Then you should see his contribution on the prototype Time Trax Genesis game.

[@ThatKidBobo]

due to it being sample based, it relly is very powerfull

[@ibtoeyslap]

Believe it or not, this wasn't the max power of the chip, there were limitations on the track, one being that they used 5 tracks instead of all 8, leaving the 3 for sound effects.

[@nardinyouryard]

He created his own set of sounds for his SNES games. The default soundfont is less detailed, but they are all operated on the same chip nontheless

[@DoomKid]

@@nardinyouryard “default” soundfont? The SNES doesn’t have one.

[@inkywright]

RIP Geoff Follin, you blessed us with some of the greatest VGM OSTs and I'll forever be grateful for that. You were truly a master composer and I thank you for your work.

[@SomeDemoMain]

The Follin brothers are not only built different, they're built _correctly._

[@WhyHandlesIMeanFroggchamp]

Wow

[@sorchara9119]

the solo/riff switch up halfway through made my jaw drop oh my God

[@MK_ULTRA420]

0:49 When I heard this part as a kid I legit thought the game was bugged and switched to another song.

[@DoomKid]

Mortal Kombat Ultra is a sick game dude

[@WhyHandlesIMeanFroggchamp]

@@DoomKidwhat

[@WackStuff2005]

@@WhyHandlesIMeanFroggchampI think other bro meant to comment on another video 😂😂

[@oigygiy]

@@WackStuff2005the OP's username is ML_ULTRA420, MK, probably stands for Mortal Kombat.

[@donovandabosok5740]

Why am'I experiencing nostalgia from a game that I literally discovered today?

[@Massivecarcrash]

Cultural Osmosis

[@GriffithFromBerk]

@@Massivecarcrash you want cultural osmosis? You got cultural osmosis!

[@angelvee5522]

Ong

[@donovandabosok5740]

@@angelvee5522 on hood

[@Fiftyseven575seven]

Sameeeee

[@n3ko_n4rut0]

listening to this with headphones on for the first time and i am on the verge of tears its so ood

[@keironhiggspoet]

in the hall of VGM composing greats, this piece stands up with Yuzo Koshiro and Matt Furniss's efforts in my opinion. with Geoff recently passing, its now worth its weight in gold. I never played Plok but i hope geoff knew the impact he made making some of these extra special soundtracks with his brother. sleep well, maestro.

[@Sagi.Baten.Kaitos]

Rest in peace, Geoff. Hope you’ll make some kickass NES/SNES tunes in Heaven

[@PepeBotella-c4p]

maybe they're making plok 2 or sum in heaven (or pictionary 2)

[@EverestFlyday]

RIP Geoff follin, a true genius in the field of video game music may you rest peacefully🤍

[@dancingbread7015]

HOW WAS THIS ON THE *_SNES_* ?!?!?!

[@Lightblue2222]

The snes can do anything it sets it's mind too.

[@jet_punch6872]

This is the GBA port, you haven’t even heard the *real* SNES game

[@budakbaongsiah]

@@jet_punch6872 wat

[@jet_punch6872]

Yeah, some of the SNES games were ported to the Game Boy Advance

[@budakbaongsiah]

@@jet_punch6872 Yeah right.

[@archocystosyrinx]

The bit when the guitar kicks in is the best 1:37

[@JeffreyThrash]

I like the build-up to the guitar, too.

[@kalifiedmk6]

my fave is the oscillator part and right after it

[@alexgonzalez3172]

Nah

[@anti985]

NAH ITS 2:08

[@rolltube6425]

1:18 songs similar ritmo Luis Miguel

[@ImperatorGrausam]

That first part is so reminiscent of 70s prog rock it's unbelievable tbh. Reminds me of Rush's 1977 album to be honest.

[@mondobe]

Reminds me of Lunar Sea by Camel

[@ImperatorGrausam]

@@mondobe I can definitely hear the resemblance there! Camel's one of my favorite bands.

[@jjjakobayersss]

It’s cuz the time signature fs

[@ImperatorGrausam]

@@jjjakobayersss I was specifically thinking of Rush's "Xanadu". Both are in 7/8, that much is true, but the chord progression and rhythmic pattern is also quite similar. The synth lead also is very reminiscent of the one the track.

[@shirosaki97]

Me listening to this: This sounds nice. 50 seconds in: *SUDDEN MOTHER 3 LEVEL TIME SIGNATURE CHANGE*

[@luditheuber]

It starts in 7/8, or at least 7/something before going normal-ish, then back to 7.

[@skittles536]

⁠@@luditheuber7/8, then to badass off-beat 4/4, then 7/8 again

[@HexenDarkside]

You have it backwards, what you mean is Mother 3 made a Plok level time signature change.

[@Flaeron1]

@@HexenDarkside true

[@CyanEnjoyer]

@@HexenDarkside I find it funny when people say "This (game from 90's) track reminds me of (a game that's years younger)"

[@CamperCarl]

Rip Geoff, worlds a better place thanks to your work.

[@xinterest9029]

I love me a good 7/8 groove.

[@tech8222]

It doesn't seem that hard though. 3 quarter notes are thrown at you, and then an eighth note is thrown at you. Now let's take the 3 quarter notes. If there are 3 quarter notes in a bar, it's creates a 3/4 environment. There is also an eighth note too, so you need to translate the 3/4 to 6/8. 6+1=7. Boom, 7/8. It's how I figured it out. For some songs (Cough cough Strong One Masked Man) it's a bit different.

[@marksimmons7906]

I love how the guitar solo just subtly drops back from common time to 7/8 so when the full instrumentation comes back in you don’t even realize it. That’s SONGWRITING. Artistry.

[@thomasventura6412]

It’s 7/4

[@NummyGD]

@@thomasventura6412 No, 7/8 is right, the tempo would be insanely fast if you count those as quarter notes.

[@definitelynotocean]

@@NummyGD song starts in 7/8, then goes into 4/4, then back to 7/8 slightly later

[@cobaltong]

Rest in peace Geoff Follin. I still can't believe he's gone...

[@daniellap.stewart6839]

Ok ok now shut it

[@abaddon1503]

@@daniellap.stewart6839 What’s your damage? They’re only paying respects and you had to get all snarky

[@gremlininthesystem]

@@daniellap.stewart6839Really, dude?

[@goldsplit]

why does this game's music go so hard and why have i never heard of it

[@budakbaongsiah]

because the Follin brothers, that's why

[@brunnocomdoisn]

Rest in peace, Geoff Follin

[@dripnx6381]

fun fact: the creators of the snes had to check the snes plok was running on to make sure it wasnt modified because they didnt know the snes could make these kind of sounds

[@budakbaongsiah]

Myth, actually, although Shigeru Miyamoto did had a keen interest on Plok! but decided to only help publish it in Europe.

[@ladnie9454]

I was wondering why this was so high quality and then I saw that it was made by Tim “Pictionary for the NES DOES deserve the coolest fucking music you’ve ever heard” Folin and then it all made sense

[@jjvictor66]

this was on my recommended list i never played Plok! i didn't even knew this game existed and i love this song.

[@saltedmutton7269]

that's the spirit! also can you tell bill gates that i dont want windows 11? thanks in advance

[@taylordiclemente5163]

Tim Follin famously wrote bangin music for bad games. Really, he just didn't care about the games at all, he just wanted to write game music. See also his soundtracks for Silver Surfer, Pictionary, Gauntlet III (actually a good game), and Solstice (I'm told that it's also good). His brother Jeff wrote a great soundtrack for the Genesis Terminator 2 game.

[@JohnMcMishima]

HOLY SHIT! Is this Super Nintendo? It sounds so realistic, Follin really did an awesome job here!

[@nyukjustacommenter857]

I've heard before that VGM composers were often inspired by Prog rock which in turn was inspired by classical music. I gotta say this does remind me of Cinema Show by Genesis for one

[@85percentnation]

Akrillic especially sounds very Prog Rocky in this game's soundtrack.

[@redpheonix1000]

Damn, this sounds like CD quality audio!

[@EPMTUNES]

Exactly what I thought! Half the selling point of the sega CD was the music, and this was on the Super Nintendo and still beats it!

[@DaVince21]

SNES outputs its sound at 32Khz, so it comes close to being CD quality anyway. It's all about the sample rate of the samples you use! :)

[@Concon12316]

@@DaVince21 yeah earthbound has a super hd burp sound for some reason

[@novostranger]

@@DaVince21 64kb audio ram won't let you do that

[@stonedassnecoarc]

@@novostranger theoretically it can do it. It's just impractical due to the ram limits.

[@dudeihaveyourfamily3768]

I remember being high and listening to this song, i was looking at the night sky amazed by it's beauty, and the song was just hitting right

[@kevlarkarma]

Every now and again I jump down the Follin Rabbit hole on YT, and I find something I hadn't heard before. This is stunning, he blows my mind. He did 1 year of music college and his brother showed him how to code pulse width modulation. I've been plinking around for 30 years, nothing.

[@fluffyfrostyfury8683]

My dude had a whole-ass guitar solo in the middle, godly composing

[@johneygd]

This sounds soo awesome, it can just pass up for a psx and saturn console game, with real instruments in it.

[@EmeraldComposer]

Oh yeah btw this song only uses 5 of the 8 channels, same with the rest of the songs from this ost besides the title track. Tom and Geoff, absolute mad lads.

[@BenriBea]

"game composers had to work with the limitations of the time" Tim Follin: Wait, what limitations?

[@rotundmonibuv5103]

2:11 I get chills from this part every time

[@imstupid880]

I can't believe how unbelievably modern this sounds

[@Vectormantudeoz]

This is not just "Weird video game Soundtracks" This is gorgeous

[@CurtIsTheSillo]

Whoever put this on such a list has been "DIDDLED AGAIN!"

[@CurtIsTheSillo]

Jsyk: "I've been diddled again!" Is an actual line in the game. P.S. Jsyk is short for 'Just so you know' This has been 'Unnecessarily Explain The Joke' with Curtis Sillo! I'll be here all night!

[@kulche]

Well you can't deny this doesn't sound weird. That doesn't mean it isn't a great track

[@Vectormantudeoz]

@@kulche "Weird videogame soundtracks" is the name of a playlist.

[@kulche]

@@Vectormantudeoz Yeah ik, although I agree it's weird, it's still good

[@Nanami_Chiaki-u2v]

R.I.P Geoff Follin you were also the goat

[@G33KST4R]

"Fuck it, another breakdown. Hold my snyth." - Tim Follin

[@boss_boy_]

*synth

[@omiadera]

​@@boss_boy_ snyht*

[@boss_boy_]

@@omiadera shit your right my bad

[@maniac2633]

This should be preserved in museums

[@yurimessiah]

If u think about it, yt is kind of like a museum

[@DinnerForkTongue]

You bet people have archived the *_HECK_* out of it.

[@afivey]

The graph on this song. 0:00 - Oh, OK it's a beach it's nice 0:25 - Well, it's a videogame background song it's gonna loop after a bit of progression, I guess it's gonna progress 0:47 - Tim Follins concluded the suits don't listen to more than the first 30 odd seconds of a videogame track before approving it and has decided IT'S TIM TIME BABYYYYYYY.

[@Rickyblue1]

WOW, this sounds like it should be coming from a Ridge Racer game for the Playstation.

[@rippspeck]

I was thinking Wave Race 64 but yours is more accurate.

[@johndevito2384]

Yeah, and not the Super NES

[@303Thatoneguy]

Ricky E. Flying High!!!!

[@KareemHillJr]

Sounds Sega Saturn-ish to me

[@kirbyrparchives]

Sf3 pfp based

[@3rdalbum]

I love how some of the notes in the breakdown sound like they are reversed - they have a slow attack. Really cool effect. No idea if it was difficult or easy to do on the sound chip but it sounds very unique.

[@pyroprince90]

Apparently, the music in this game pushed the sound card to the point that Shigeru Miyamoto himself thought that they must’ve modded the cartridge and opened it himself to check

[@vaporcranberries]

RIP to the legend Geoff Follin. His work will live on.

[@Lunar_Yoshi]

Still one of the greatest bangers in video game history

[@megajaredx9679]

Plok has one of the best soundtracks I've ever heard.

[@danboylan2449]

I remember this game when I was 13 in the 7th grade .... some of the best SNES music of all time .... nostalgic :)

[@badtoken3739]

plokked out of my freakin' gourd

[@cactoos9793]

Man I wonder what it was like to make music with those audio chips. This is amazing.

[@Medusa101hi]

I remember this used to be my alarm every morning lol the memories !!!! :)

[@JoeMama-lg4qh]

This went from: Regular beach theme To: 3021 L.A. casino theme

[@esmooth919]

It went from Beach to Stevie Wonder to Rock Out

[@DanKale]

It takes my brain so long to process the drums 0:50 from onwards.

[@nathanwilbrink2444]

Thats because they swicht time signeture from 7/4 to 15/8 i think

[@DanKale]

@@nathanwilbrink2444 it’s weird cause when I skip past to that part it sounds fine. It’s just when I listen to the whole track is when it sounds really off kilter.

[@nathanwilbrink2444]

@@DanKale i think it swiches back at 2:11

[@c7b2]

boards of canada

[@KTJohnsonkidThunder]

1:14 - Sounds like a sample from "Do I Do" from Stevie Wonder

[@pendaco]

0:49 Fock me that drop is insane. What a groove! 🤙

[@AwkCrafty]

Rest easy Geoff thanks for the bangers.

[@FurPlayz]

This literally sounds like you're driving along the beachside roads.

[@eggiej4146]

FurPlayz facts

[@LSA123]

no

[@moliza1330]

No it feels like playing voleyball at the beach

[@That_One_Xatu]

I was listening to this when I had a sudden realization. In a second window, I pulled up the Spongebob "lost episode" walk cycle and tried to sync parts of it up to the song. It was magical (I swear I'm not high).

[@sambartlett6856]

oh my god i love 7/4 time signatures

[@cadenmic]

it’s 7/8

[@urethrafranklin9550]

Jesus I swear this is the best song I’ve heard in any art medium in my life

[@leelduttis4086]

*U r E t h r A F R a N K L i N*

[@Gnomie445]

Deep stone lullaby is close second

[@OriginalMasters]

Listen to Stevie Wonder’s Do I Do.

[@Teebs_]

"You were saying?"

[@Part_Time_Fox]

This just makes me inexplicably happy

[@swarler]

tay??

[@wezjgaming1035]

This song never grows old. Masterpiece

[@hoodmistressreloaded]

0:49 - Tim Follin must've been a Stevie Wonder fan because this part sounds a bit like the song "Do I Do". On that note, I'm glad I still kept my Plok cartridge just to play this game and enjoy these musical gems.

[@WanderJackk]

Definitely - always thought that.

[@rocstarang5747]

Good ear

[@GLA55MA5TER]

he has admitted in an interview before that this part was heavily inspired by that song actually

[@hoodmistressreloaded]

@@GLA55MA5TER Man, that's dope to hear

[@GLA55MA5TER]

@@hoodmistressreloaded it was in this interview at about 1:22:20 kzbin.info/www/bejne/n5XMnaN3hL5-n9E

[@SSBandSMTfan]

Never doubt NL's taste in music

[@Trogainous]

ratJAM

[@ArcienPlaysGames]

Can't get enough of that single chord change throughout the 4/4 section

[@thefroyukenfiles3641]

I've heard hints of Gambit's stage music from Spider-Man and the X-men in Arcade's Revenge in this song only to find out the Follin Bros. composed that game too! Ya learn something new everyday, folks!

[@LessAshamed]

Not too many other obscure standalone SNES tracks approaching a million views. Stood the test of time. RIP Geoff- thank you for all you did with your brother, we are forever impacted by your art.

[@agreedboarart3188]

Never played this game but I love this track holy shit

[@tylerrumfelt3353]

Emulate it, it’s hard as a mother f$&k but damn good. It’s very tricky though. Lots of thinking required to solve problems in the later levels but done very clever

[@feIon]

this is an underappreciated GEM

[@FieldCatKaiju12]

This song has reached 1M views, who cares? Rest easy Geoff, you and your brother, both of your music inspired me a lot. I’m not good at music but someday i’ll get good at it :)

[@djrobotnik299]

The 90s truly was the age of Trance

[@NFUN0]

i'm sorry what the fuck

[@stone9802]

@@NFUN0 ??

[@NFUN0]

@@stone9802 have you ever heard a trance song before

[@milkwater1204]

this is more Jazz fusion

[@ImperatorGrausam]

This is more prog rock to me than anything.

[@Clementinewoofwoof]

I never played nor grew up with these games but their tracks are…it feels like I did grow up with em

[@CommanderWiggins]

I've heard this song in so many places and never knew it came from Plok! Fucking Tim and Geoff Follin, man.

[@matthewjara1256]

I just discovered this OST and it's amazing. Nuts how they jammed all that sound into there 🤯

[@youforget1000thingsaday]

I stayed on this level for HOURS because of this music. WAAAAY ahead of its time.

[@OurFoundingLiars]

woah, didnt grow up with this one but that ost is dope

[@Sandgamedude]

Rest in peace to the talented Geoff folin your work will be admired by everyone who's gotten the chance to listen to it