🤓 Handle Harmonic Overtones with Bitwig 3.2 EQ+ and Pitch Expression tracking

[@QuinnDjinnsQueerGear]

Thank you for this explanation, this will help so much with taming some of my eurorack oscillators for recording. Also, thanks for liking my last instagram post, that means alot. I actually used your step sequencer as a starting point to make a Turing machine for that patch 🙂

[@ehdyn]

Powerful tip.. thank you.. also reminds me I need to dig into the resonator effect more!

[@zom440able]

Thank you very much Polarity, your knowledge and Bitwig skills is unlimited! Thanks for sharing with us

[@blablablerg]

hi polarity, can you do a tutorial on the saturator?

[@BishopsWest]

Thanks for this. I wonder if there's a way to do this with audio tracks, similar to what SurferEQ does? I guess a workaround would be using Melodyne or Cakewalk to extract the MIDI, but I'm wondering if there's a more elegant solution.

[@TrueSoundAcademy]

Hi. Great video, but 1 thing. when u made 6:35 madulation on shift 64 amount .it has another frequency C3 so close but not C3.When i used modulation on maximum amount it is equal to С3.

[@KnzoVortex]

Great Video! However, there is something quite important you forgot! The harmonic series is not perfectly in tune with our equal tempered system, so typing in note values won't get you the exact harmonic series! Your best bet would be to get C4 (261.6255653005986 Hz) and multiply it by 2, 3, 4, etc. and type each value into EQ8, rounded, of course. Hope you see this!

[@PolarityMusic]

yea i know this, but I decided to go with notes to make it work with the rest of most of our tunes these days (practicle approach)

[@KnzoVortex]

@@PolarityMusic The harmonics is out vsts still follow the harmonic series, if they followed equal temperament it would probaly sound very odd and unnatural. Think about it this way. When people started tuning pianos to equal temperament, they could tune the harmonics of the piano, they could only tune the piano strings, and the harmonics with their natural ratios stayed the same. So using the mathematically accurate ratios would still yield the most accurate results.

[@PolarityMusic]

As I said I know this already, I decided to go with notes for this tutorial and there is nothing wrong with this, even it's not the natural harmonic series.

[@KnzoVortex]

@@PolarityMusic 👌🏾

[@NapalmCandy]

Thank you very much, I am who the ask on Facebook! 😅✌️

[@AUXSIUM_music]

yay fixed it

[@PolarityMusic]

thanks for pointing it out. resolve fucked me up and I didnt checked properly

[@AUXSIUM_music]

@@PolarityMusic i though so , happens sometimes during rendering

[@andrelissner]

Hey Polarity, erstmal DANKE!!! für all deinen Input in deinen Videos. ❤️ Zur Frage: Wo bekomme ich den "Soulmate' Track. Hab ihn bei dir nicht gefunden?

[@PolarityMusic]

Gute Frage 🤔 Glaube den gibts noch gar nicht. Das war nurn loop fürs Video 😂

[@andrelissner]

@@PolarityMusic schad😉

[@JussiTuukkanen]

Do you know how to set it to follow the Microtonal notes?

[@gaudinni]

Thanks Polarity!

[@lupat9955]

wld it be possible to rebuild the Operator Oscillator Bitrate display? like creating an osc with grid ,but overtones amplitudes, i just wonder how to do that..., it seems to be some dive in the enginering aspect...that why i thought its interesting?

[@PolarityMusic]

like this: kzbin.info/www/bejne/pKC3nXdvfbR0iKs

[@lupat9955]

@@PolarityMusic wow i hve never thought it wld to be so simple..so partials are pitchs and volume...didnt knew but, using one voice per prtial is the only way to proceed? wldnt be a way to build a partials osc in the grid as just one voice partials oscillator? in the idea to make for expl a 2osc partials synth?? appreciate...thx