Interview with Sean Beavan: Nine Inch Nails & Marilyn Manson - Warren Huart: Produce Like A Pro

[@Producelikeapro]

Who would you like to hear from next?

[@Producelikeapro]

@@Kevin.Kelly. marvellous idea!!

[@satan8593]

@@Producelikeapro still trent reznor :) and deadmau5 :) thank you for the marvelous episode :)

[@antiHUMANDesigns]

Yeah, if you can get Trent Reznor, I'll find some way of upvoting it twice!

[@satan8593]

@@antiHUMANDesigns just have more youtube channels , thats what I do anyways :D

[@sourcefor]

Randy Staub

[@squoblat]

I could die happy if you got Trent on for an interview.

[@americareal3]

THIS!!!!!!

[@ragamuffinragamuffin3365]

THIS!!!!!!

[@Producelikeapro]

Yes, Koss, that would be amazing!

[@Producelikeapro]

@@americareal3 YES!!

[@Producelikeapro]

@@ragamuffinragamuffin3365 YES!!

[@amphetamean66X]

Downward Spiral, Antichrist Superstar and Mechanical Animals are three of the most influential albums of my entire life. Sean you are the glue to my childhood. I had no idea how Awesome you are. Also the later Manson albums you had a hand in are brilliant too. You are a mastermind.

[@SantiagoCabezasNQN]

I'm a simple man: I see Sean Beavan, and I upvote.

[@peterbrandt7911]

+1

[@Producelikeapro]

Thanks very much Santiago!

[@Producelikeapro]

@@peterbrandt7911 thanks!!

[@SantiagoCabezasNQN]

@@Producelikeapro I have a question for Mr. Beavan, which has driven me nuts for over 20 years... That "descending horn guitar" from Antichrist Superstar... What is it? How did he get that sound?

[@Producelikeapro]

@@SantiagoCabezasNQN Aha! Sean are you there? haha

[@renesupersonic]

Finally!!! Manson and Nine inch nails albums are sonically really interesting, even if you don't like their music. They almost used the studio as an instrument.

[@seanbeavan2884]

Rene Elizarraras That is exactly how we looked at it. Pretty much in the tradition of The Beatles later records and Pink Floyd. We would mostly come up with sounds and then write the parts not the other way around.

[@renesupersonic]

@@seanbeavan2884 I grew up seeing your credits on Manson and NIN albums. I was 10 years old when mechanical animals came out and it had a massive impact on me, I knew then I either wanted to be a musician or an engineer for a living. I'm a professional live audio engineer thanks to you!! I worked at SIR for several years and now I work at PRG.

[@Reprodestruxion]

Rene Elizarraras subscribed, René. Signed, René

[@foodog777]

@@seanbeavan2884 I looked over all the comments but no one asked the question we all want to know: What brand are those cool high top sneakers?

[@symbologee]

Why wouldn't you love it?

[@pullthereins]

Sean Beavan has co produced and mixed some of the best albums ever made!!! Amazing interview

[@FredHerbert999]

Thank you for this interview! MM and NIN are my favorite bands so this was very exciting to watch!

[@Producelikeapro]

Thanks ever so much! Glad you enjoyed it

[@Huss_Music]

Great interview! Me being a huge fan of Marilyn Manson the band I’m also a fan of the production of Marilyn Manson records. Please do a interview with POGO AKA MADONNA WAYNE GACY. He contributed so much to the sound I would love to hear from his perspective.

[@symbologee]

He disappeared

[@CasaDeJoker]

@@symbologee he resurfaced recently I hear. Something about amends with Manson so yeah well see what happens. I heard he was at his parents home dealing with crazy manson fans as they harassed his parents home n stuff. Im just repeating what Ive heard. But Stephen is around still for sure.

[@Melvin7727]

The great thing about your interviews, Warren, is that they're so natural. You go through a person's history and background, getting a snapshot of their past works and how it led to where they are today. That's the stuff I like to hear. And then by staying natural, that history branches off in many directions and you just talk together about everything. It gets to be natural while still mining as much good information/conversation as if it were rehearsed or something. It satisfies everyone that way. I hope you know how rare your interview style is! Thank you!

[@Killahead.]

I'd give anything to have Michael Beinhorn, Seav Beavan, and Howie Wienberg as the pdoduction, mixing, and mastering team for my industrial album. I'd die happy

[@Producelikeapro]

Yes, that would be an incredible team!!

[@Reprodestruxion]

Industrial is also Génesis P Odridge and Blixa Bargeld though

[@Producelikeapro]

@@Reprodestruxion great stuff!

[@belguitars7102]

I wasn’t so aware of Sean works as an engineer... but after this....amazing story teller, legendary albums, what a super cool guy!!! Again another legend of an interview,, you are really making the internet a better place with this Warren, keep up the amazing work!!!!

[@TheLeon1032]

I've never clicked on a video as fast!!! This dude is a total one off, his taste and ears have inspired me so much over the years, this channel is starting to make me feel the same about music again as i felt when i was 15 , its a weird magical thing thats hard to explain with words (Music) top man Warren, thank you ))

[@uriel-heavensguardian8949]

This is awesome!!!! I love to hear about Manson sessions!

[@imagenesmentales]

YES!!! I wanted you to interview Sean. This is the best music production channel ever! Right now i'm recording my album #9 and Warren has helped me to learn and overcome fears and insecurities with his lessons. Much love my friend ;)

[@seanbeavan2884]

Imágenes Mentales Every creative person works through those same insecurities everytime they do what they do. My stages of mixing are always 1. “Oh cool, i get to make this sound awesome!” 2. “Why did I think I could do this” 3. “I’m a charlatan” 4. “if i do this it will really bring out this cool part” 5. “This is starting to really come together” 6 “I am a genius!” 😉

[@imagenesmentales]

@@seanbeavan2884 I can relate to your mixing stages. I would add a couple more myself haha! Thanks for the great stories. Guns n' Roses and U2 are my favorite bands. That being said i'm glad your work in Chinese Democracy can be notice through out the record. However a couple of months ago your version of the album leaked, and we the hardcore fans agree that your version is a million times better than the final product. So, congrats on that!! And too bad that wasn't the album that was released to the public.

[@CarinaPrimaBallerina]

Warren and Sean talking about no other than Manson and NIN... AND starting out talking about one of my favorite novels by S. King. So perfect!

[@smalltowninnewmexico]

work went so slow today as i had to wait half a day to get home and watch this! one of THE BEST ones yet Mr.Huart

[@Producelikeapro]

Aw shucks thanks ever so much!!

[@seanbeavan2884]

Christian Rose aka Smalltowninnewmexico Thank you for listening to us fan boy about our favorite records lol

[@smalltowninnewmexico]

@@seanbeavan2884 i was like, "dude! Sean Beavan just was in my little world!" click on my page man and dig MY tunes. u r a fricken legend

[@HospitalLies]

Sean is one the best producer and engineers, and has been involved with some of the greatest albums of all time. Awesome interview!

[@Melvin7727]

Sean, I don't have a question, but you have worked with Nine Inch Nails, Guns N Roses, and No Doubt. These are some of my all time favorites. You are a total inspiration and I love love love your attitude toward everything you describe about work, gear, business relationships, and the fun of music production.

[@deepdarkdown]

amazing, been a fan of Sean Beavan for so long, thanks so much for this.

[@ClosetoHumanMusic]

No idea how I missed this convo! I love Sean Beavan and have followed his work for years. Great discussion!

[@blakecurtis7809]

THIN LIZZY. Definitely a favorite. And I can only imagine what could have been if Phil Lynott was alive and Thin Lizzy was still in the game. I am thankful for the music they created.

[@marks8413]

what a great guy. Glad to finally learn about him. Thanks for this lovely interview.

[@tranquilitybase6417]

Cleveland ROCKS! I remember crossing paths with these guys back in the day!

[@MisterSamShearon]

I'd love to see an interview with Josh Silver of Type O Negative fame talking about his occupation as a producer and recording artist himself. From a truly historical and nostalgic point of view based on his impressive career as a highly skilled creator - this would be golden!

[@andreasleonlandgren3092]

Sam Shearon it would be supercool

[@percipleflavius8171]

You never hear from that guy, but he's so friggin interesting.

[@symbologee]

@@percipleflavius8171 He's an EMT since TON ended.

[@symbologee]

Sam, yer art kicks ass!

[@FTW_666]

I vote yes for that!

[@jfo3000]

Hey Sean, Jim Foster here from Xavier, so cool to hear you talk about your career. Congratulations on your success!

[@seanbeavan2884]

Jimmy Running Dog Thanks Jim

[@miketwain202]

Wow, that was amazing. Thank you so much for doing this interview. Background wise I’m a goth, industrial & underground house person. There was so much in here that applies to what I’m trying to do creatively directly now, not to mention my personal musical journey, that it has to be one of my favorite interviews I’ve heard yet. I have so many ideas right now... ribbon control on omnisphere... SO GOING TO TRY THAT.

[@Ehfty6776e]

Yall inspired me to finally listen to Chinese democracy 😊

[@RichardFriendartist]

this was amazing. thanks to BOTH of you for this.

[@dismalpast666]

Amazing session! Thanks for diving deep into the stories part and the ”softer” parts of creativity (and not just the technical specs)

[@donhearl]

I love Sean's energy. Cheers to you Warren!

[@mlssn]

Thank you! Loved this interview.

[@drummerjeroensimons]

Sean is a cool guy and totally focused, creative and professional, and the passion is felt here...;) You could be twins in that way...Great job Warren, thank you!!!!

[@seanbeavan2884]

Jeroen Simons Thank you Joroen🙏

[@edwincrain986]

I love this !!! One of your best yet my friend !

[@lionaudio]

Come for the Beavan. Stay for the Thin Lizzy stories!!!!

[@rickyred001]

Great interview/discussion

[@siluetadepolvo]

I discovered this channel yesterday and i already watched like 10 videos. This one's amazing. Sean is such an easygoing and humble guy. Thanks Warren!

[@ruipedrosilvam]

Great interview again. Thanks for this content. Anything related with those fantastic Manson albums are precious. And this interview about the backstage and the work behind those albums are like gold.

[@JudgeFredd]

I can listen to those stories for hours...

[@belguitars7102]

I wasn’t so aware of Sean works as an engineer... but after this....amazing story teller, legendary albums, what a super cool guy!!! Again another legend of an interview,, you are really make the internet a great place Warren, keep up the amazing work!!!!

[@bradleadham1400]

This is one of my favorite interviews you've ever done. Thank you!

[@americareal3]

I've watched this 10 times. No I'm not kidding. This was SO GOOD. You guys were VIBING!

[@Thinman63]

Saw Thin Lizzy 1979 Black Rose tour opening for Nazareth. Lynott, Scott Gorham, Gary Moore, Brian Downey! Front row! Epic to say the least!

[@BrendanKDavis]

Sean is as nice as he is talented, and that's saying something. Great interview!

[@MisterSamShearon]

Loved this! Great insights and a trip down memory lane hearing about some of my favourite records! Really loved hearing Sean talk about the human aspect of something not being perfect, such as a vocal take or guitar piece - to give it a more grounded, deeper 'humanity' - very cool.

[@TommyVarekai]

This is incredible, Thank you so much, love Seans work!!! Appreciate the depth of the interview :)

[@Producelikeapro]

Thanks ever so much Tommy!

[@seanbeavan2884]

Tommy Varekai Thank you 🙏

[@jonathanbeny]

this was a really great interview. thanks for bringing this to us!

[@harmonystudios1182]

Wonderful interview Sean is the best!

[@Producelikeapro]

Thanks ever so much Harmony!

[@seanbeavan2884]

Harmony Studios thank you @8mmgirl think so too lol

[@gonesavage]

Thanks for this! Sean was a great contributor to the Making of the Downward Spiral book. Listened to podcasts with him. This is a great interview! 57:02 was something I needed to hear so bad!

[@larrymm1963]

Awesome find and interview

[@ItsToXxy]

Great interview and love the stories as always!

[@Take-the-Ticket]

Excellent. Thank you both.

[@maxmatson1578]

Sean's work on The "Closer" remixes for Nine Inch Nails, in particular.. "Closer To God" changed my life!!!!🎹🎧💫😵👌💀😎👍✋✌

[@seanbeavan2884]

Max Matson “Closer to God” is still my favorite remix i have ever done.

[@maxmatson1578]

@@seanbeavan2884 thank you so much for replying man!🙏👍✌ how did you get that slowly Rising wall of noise at the end of that remix!?🎹🎧💫😵💀👌👍BrAp oN!!¡!✋✌

[@OFR]

Sean has so many great insights. Talented and clearly functional as hell!

[@OFR]

I like his band with his beautiful wife, called 8mm. I do think the Prick "The Puppet" is the most interesting and powerfully weird record he's ever done. It's the best artful album since Sgt. Pepper.

[@davidmaynor2855]

Warren, you have killed it again. Love your channel, love your interviews. What else would I like to see? More interaction with hip-hop producers. I think more discussions about what is the same, and what is different, with the process based on vocal styles, instrumentation, sample heavy and synth, etc.... Kenny beats. Mike Will Made It. London On Da Track. But I think the top would be Rick Rubin, especially if we are talking about the differences between producing various styles. Please keep up the good content!

[@symbologee]

Ask Slipknot about what they think about Rick Rubin...

[@splashesin8]

Thank you Sean and Warren! This was a wonderful listen, with lots of things to think about. Interesting use of the Kemper! The only way I would really be able to use it would be in this type of setting. I love the sounds that can be had with it, but cannot imagine myself trying to fidget with it in a live onstage situation. I like to now think of a situation I could afford to fool around with it in. 😃

[@seanbeavan2884]

Audrey Sims A floor /pedal board model would be better for live for sure.

[@f115Recs]

Great interview, Warren. Thanks Sean! That really was great!!

[@robertandrewjunior1410]

Loved this interview, thank you ever so much.

[@uriel-heavensguardian8949]

At 43:30 Mr. Warren sir!!! You edited out some of the interview! Come on sir it was getting interesting.

[@AKAtAGG]

Late to this particular party, but what a great bloke Sean is. Fantastic video as usual.

[@f33fifofum]

Sean Beavan has such great knowledge, really great interview

[@greenleaf4127]

Great interview!! More people should watch this

[@noiseinthebasement8139]

Great discussion, thanks for all the stories, guys! Really enjoyed it.

[@kylegushue]

Great interview!! Would love to hear about Slayer and Pantera if there's ever a pt. 2.

[@seanbeavan2884]

Kyle Gushue i am up for it? Warren?

[@kylegushue]

@@seanbeavan2884 fingers crossed! Thanks for the reply.

[@patkelly3966]

Love Thin Lizzy. Lynott's voice was like a cool uncle or cousin or something. It wasn't my generation but I find it so relatable. I come from NW of England and live in the middle of the Irish Sea so that Celtic sound is very familiar too.

[@black_shark3312]

Awesome guy, great interview, cool stories! It was a bit weird what Flood told him about being transparent as a producer. I know what he meant but I think he's got quite a unique and recognisable mark on records. Although I guess it's something you can't really avoid and that is what I love about his works. I'd be thrilled to see an interview with him!

[@symbologee]

Flood would be very interesting...

[@schattenheim]

Such a great Interview

[@MikeDeCamp]

This was a truly great experience and I'll be watching over and over for sure, like so many of your vids. Sean, I cant think of any one question. I have millions. Can you guys dissect a track like you did with Michael that other time???

[@jonahmcgarva]

I second an Alan Moulder interview. Between Sean, Alan and Flood - these 3 have inspired and inluenced my own mixing and production for many years. Truly fascinating individuals!

[@forever3797]

Get Alan to talk about Curve. Just watched an extensive interview with Alan and he talked about everyone except Curve which was such a disappointment.

[@MarkHolden73]

Fascinating just great, an enjoyable watch so many avenues to explore here

[@genuinefreewilly5706]

Great interview! Some of us are not living on 'Sugar Mountain'

[@updown5238]

Fascinating stuff, cheers to you both. I have a tonne of listening to do and a few bits of gear to check out now.

[@JonasFranckProduction]

Fantastic Warren! Beginning to see a common thread here. Commit commit commit and originality rules! Great interview

[@vegardyrnes1793]

WOW! Great interview. So interesting! 🤗

[@xyz8655]

Most enjoyable indeed!

[@americareal3]

Outstanding!

[@Producelikeapro]

Thanks ever so much Richard!!

[@americareal3]

@@Producelikeapro I'd love for you to get a few others from the NIN 'camp" interviewed!

[@pneumaticdetach]

Wow this is so amazing to see and hear.

[@forever3797]

Does anyone know the model of monitors Sean is talking about (not the NS10's but the other ones)?

[@paulbruce4630]

The best bit is at 31:10 when he says the stone roses record is an incredible record... Yiu can see him realise as he is saying it.. Its a stunning mix. Depth beyond others. Warren you need to do morevon the roses and leckie. I worked with JL and he is lovely. Loves a good red. Ask him about sergeant.

[@ChartreusianInfusion]

“Destroyer of Dreams,” lol. OKAY, BOOMER. Just kidding! If you’re reading this, Sean, I just want to say THANK YOU for all your hard work and the great music and especially for being such a cool and nice guy the handful of times I was lucky enough to meet you at some shows. Cheers, man! \m/

[@seanbeavan2884]

ChartreusianInfusion You are very welcome

[@symm286]

Great interview, hello from cleveland

[@Electricowlworks]

Love the video! Sean said he uses the Behringer T1953 Tube Mic Pre for room mics, but I'm really curious how he uses his Behringer T1952 Tube Composer (Compressor) unit! Thanks, gang!

[@seanbeavan2884]

Electric Owl Works Funny story, I have never used the behringer tube comp lol. i have hook it up and it sounded ok but didn’t do anything special to be honest.

[@Sweetsmcdudeman]

You should get him to do a mix breakdown. Such a sound he has helped create.

[@radicevideo]

you guys don't suck...love it

[@Producelikeapro]

jamminslamminrecords haha thanks!!

[@maximilianwozniak1541]

Spot on Tommy Lee impersonation at 55:06. Body language n' all.

[@Robert-kx8mp]

Is it just me or half way through the interview I'm stopping every 60 seconds to grab a listen to some forgotten record.

[@dr.feelicks2051]

Thanks for the stories. My woofer is subbed

[@Producelikeapro]

haha thanks Scott!

[@BetoAzamar]

Amazing interview.

[@Producelikeapro]

Thanks ever so much

[@FTW_666]

I’ve been recording a record entirely on my iPhone (GarageBand)- I record the drums off the floor, and then add bass/guitar/vocals/samples etc, it actually sounds shockingly OK as a demo but for the next release I would like a bigger sound- while still retaining the raw chaos. I’m debating on getting the tracks mastered, which is something I don’t fully understand. Do you have any advice for a 40 yr old heavy metal luddite like myself on how to transition from using GarageBand on my phone to something that will sound bigger and fuller? (What program/laptop etc should I learn about or invest in) a part of me thinks I should just keep using the damn phone because I’ve gotten so used to it and it quickly captures my spontaneous outbursts. I’m embarrassed even asking this question, especially hearing masters like Sean Beavan talk. Thanks in advance and sorry for the rambling question.

[@removal]

your stock just went up , Phil is the best

[@maxmatson1578]

As soon as I saw the Korg ER-1, I was hoping he would talk about it? my late friend had one and we used to have so many good night's jamming/BrAping on that thing! you can make some crazy noises!!!🎹🎧💫😵👌💀👍😎✋✌

[@seanbeavan2884]

Max Matson I love it. I use it mostly these days for creating sub drops. It does it so well and so quick. I still use it live when Juliette and I do stripped down 8mm shows. It provides the drum groove for a version of “Scream Where My Heart Should Be”. I love its uniqueness and how easy it is to program and get really expressive and individual analog drum sounds. It is truly fast and fun and what all instruments should be...inspiring.

[@maxmatson1578]

@@seanbeavan2884 thank you so much for responding to the question!🙏👍 and you're totally right! about the ER-1, I think that thing makes so many interesting unique noises Beyond even percussion!🎹🎧💫💀😵👌😎👍✌

[@xXValomatXx]

8 Mb for my Roland s-760 (maxed out to 32Mb) : 600 DM - (300€) - 200 £ - 370 $ at that time mid 90's. 30 Years later and they don't even sell single Megabts All is giga and tetra :D

[@thomasrawlings368]

Love his band 8mm

[@MrGuitarist9891]

Your videos are always awesome! Any chance you can do studio tours with Michael Thompson and Tim Pierce? I know you have done videos with Tim in the past, but never a proper studio tour.

[@jmd76family]

Great insight on how to record hooks!

[@WhaleBluePRS]

I have a Behringer Tube Composer inserted into the main L/R of my old Allen & Heath console. Have to admit, never thought it was very "tube-y", I thought it was just me. It's good to hear Sean Beavan say that about them. Well, good for me that is, not necessarily the product... lol

[@WhaleBluePRS]

@MorbidManMusic Thanks for the info!

[@joestrobe5318]

Wow that was SO good!

[@WhaleBluePRS]

Hey, speaking of sound design, Ben Burtt would be pretty flippin' awesome to have on!

[@jorrickthole6505]

Amazing video. As always😉. Itd be interesting to interview Russ Russel from Parlour studios !!!

[@ICACJ]

Glyph drives. What a blast from the past.

[@Rgdonaire_07]

Great interview! Loved it!