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王小棣導演這次選擇與我們談戲劇帶給他的影響;戲劇使他懂得設處地的去思考,更使他相信衝突是人類進步的祕密。雖然看著台灣社會,人們堅守個人立場不再對話,看著本將帶來進步的衝突成為單純的輸贏遊戲,使他覺得焦慮。但是他仍相信設身處地的對話並非不可能,也一定有更有效運用衝突的作法。
Shaudi Wang is considered as one of the most influential directors, screenwriters, and producers in the Taiwan film industry. She founded Rice Film Co. Ltd. in 1992 and started the Taiwan Original Filmmakers Union while making movies, documentaries, theatre plays and television dramas. Some of her notable works include “Scarecrow” (1987), “Grandma And Her Ghosts”(1999), “Bear Hug” (2004), “Police et vous” (2008), and the most recent “Boys Can Fly” (2014).
Wang’s works are rich in imagination, with life-embracing passion and humor. Many of her films focus the lives of ordinary people and comtempoary social values. Her inspirations come from observing the basic struggles of people surviving on a day-to-day basis. In addition, there’s an authentic Taiwanese aspect in her choices of topics, talents, and artistic expression.
跨足電影、電視,屢屢拿下金鐘獎,作品《我在墾丁天氣晴》、《刺蝟男孩》、《波麗士大人》,甚至大家童年最愛的《魔法阿媽》,王小棣導演重視電影的社會溝通功能,不斷挑戰不同領域與限制,更長年參與社會運動。因其在影視工作的貢獻,在2014年獲頒第十八屆國家文藝獎。
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at ted.com/tedx