Beethoven : Coriolan - op.62 Berlin , Philharmonie 28 June , 1994 ; Live Recording Berlin Philharmonic Orchestra, CARLOS KLEIBER Private live recording at BPO's Concert 1994.
Пікірлер: 65
@hosseinomidi52443 жыл бұрын
sharp and aggressive. this is a classic symphony. its about thought and philosophy of a symphony. the nature of the waves and the essence of the harmony. so wild. absolutely in noble form. only music can describe this Magnificent Majestic Miraculous Monument. Bright Brilliant knowledge in conducting of this fabulous piece.
@andrewchiang73254 жыл бұрын
It must have been great for the audience in Berlin who heard this Beethoven's overture live! From the explosive introduction and the sweetest string transition, I could tell the Berliner players were trying their hardest to meet Kleiber's expectation. In the end, I bet the audience didn't know how to clap after hearing such an uplifting and inspiring rendition of the Coriolan. What a tragic loss to our world that Kleiber didn't record more pieces of music.
@Draster134 жыл бұрын
Dear Andrew. What other works did Kleiber conduct during this concert ? Thanks for the answer
@andrewchiang73254 жыл бұрын
@@Draster13 Hi, I think he also conduced Brahms Symphony No 4 and Mozart's No 33 symphony. Hoping this helps.
@Draster134 жыл бұрын
@@andrewchiang7325 Thank you very much Andrew and best wishes
@Fritz_Maisenbacher10 күн бұрын
The audience "ist völlig verloren" ... (completely lost) Imagine ... you take a shower at 19h30 at home, quietly, and 1 hour later, at 20h30, in the Berlin Philharmonic, you have to face your destiny. This must have been the very moment of the persons who suddenly jumped out of the trains in Auschwitz.
@classicalalways11 жыл бұрын
I see Silence of the Lambs in this photo! But what a treat to have Kleiber in a work like this, with Berlin of all orchestras...
@thomaskamper56419 жыл бұрын
Atemberaubend, jeder Moment, auch die ersten drei Akkorde, beethovennah.
@jmpriess11 жыл бұрын
Magnificent Beethoven playing! Thanks so much for posting this! I never heard Kleiber with the BPO. It's so great! Words fail ...
@TimothyJonSarris Жыл бұрын
Kleiber was once quoted saying that conducting this performance was - “like driving a Rolls Royce at 50 mph into a brick wall”.
@metteholm483311 ай бұрын
In my world Carlos Kleiber is "Super-Carlos".🤩
@ach2lieber11 ай бұрын
Kleiber's recordings have a luminosity that no other conductor can achieve.
@Ingrid101911 жыл бұрын
His performance does not feel even the slightest decline by blank. It is really great.
@alondra55510 ай бұрын
Gracias. Un excelente director de orquesta. Tengo la ópera " El cazador furtivo" (Der Freischutz) de Carl Maria von Weber es una ópera en tres actos con liberto de Friedrichirigida, dirigida por Carlos Kleiber.
@NorikoSakabe12 жыл бұрын
Thank you for the sharing!
@tinvanilien42634 жыл бұрын
Fantastic!
@wnaenni12 жыл бұрын
Phenomenal!
@ljiljanastanic90766 жыл бұрын
Powerful!!!!!!
@tudormihalache194512 жыл бұрын
Intradevar, un dirijor legendar, despre care, spre rusinea mea, am auzit putine lucruri. Forta, cizelare, putere de a concentra instrumentistii. Am auzit, acum, multe aprecieri. Am mentionat cite ceva din ceea ce am remarcat in citeva auditii alaturate. Multumesc!
@OE1FEU10 ай бұрын
I know there is a stereo recording of this particular concert with an introductory speech by Richard von Weizsäcker. Please upload this version.
@alessandro60243 жыл бұрын
Straordinario 😎
@MrUggamugga10 жыл бұрын
This is a scary and precarious piece for everyone involved, and it never gets easier. Kleiber is fearless.
@Nai61a8 жыл бұрын
+Mark Beaulieu Indeed. And even he doesn't get it right.
@hanslick71718 жыл бұрын
+Nai61a Try Reiner with the Chicago Symphony, it's on KZbin. Sounds like an angry psychotic rant.
@ellendekorte43257 жыл бұрын
Mark Beaulieu nn
@Opoczynski6 жыл бұрын
Powerful. But I'll go with Reiner.
@Fritz_Maisenbacher3 жыл бұрын
The naked violence and inner desperation of Kleiber's conducting makes this Coriolan for Eternity. Not to be escaped.
@gerdmillinghaus2390 Жыл бұрын
Also, es gibt eine erstklassige, kommerzielle DVD-live-Aufnahme von 1996 aus München mit dem Bayerischen Staatsorchester aus dem HerkulesSaal: Coriolan, Mozart-33 und Brahms-4. Diese Aufzeichnung ist zumindest musikalisch ebenbürtig und klanglich überlegen. DG-Video dts-Dolby
@salomezlastdance5 жыл бұрын
very rare , Thanks!
@elianalima84043 жыл бұрын
Brilliant Perfect
@victoralonso31636 жыл бұрын
Carlos Kleiber was not only a superb conductor. He also was a true European.
@bensenten110 ай бұрын
He is a Korean.
@Fritz_Maisenbacher10 күн бұрын
Really ????
@psalmtone200811 жыл бұрын
Kleiber was Karajan's picked successor, until he declined. Oh, what might have been!
@emjdeckwitz69495 жыл бұрын
he was ill a lot. bipolar.
@Quotenwagnerianer2 жыл бұрын
@@emjdeckwitz6949 HE was? That's why the energy in his recordings reminds me of live Klemperer recordings so often. Also bipolar.
@vittorianovinciguerra36395 жыл бұрын
CI SONO 2 INFELICI
@Iatraviata699 жыл бұрын
Unvergessliches Konzert. Stundenlang anstehen für die Restkarten und dann das Feuerwerk mit S. Richter etc.
@Fritz_Maisenbacher11 жыл бұрын
Better the "decline" of Kleiber as the zenith of Rattle . . . .
@StocksIn60Seconds6 жыл бұрын
Fritz Maisenbacher Hard to believe Kleiber turned down an offer to conduct this world class ensemble.
@Fritz_Maisenbacher3 жыл бұрын
I only spoke about a (pseudo)-"decline" of Kleiber because some moron gave this word here. But his comment now deleted.
@michaelfuting24032 жыл бұрын
Nur diese Aufnahme lässt einen dieses Werk verstehen!
@socraticgadfly9 жыл бұрын
YES
@YoshiyukiMukudai_NBC-ABC-CBS2 ай бұрын
June 28th. To whom it may concern. - A Quote from LB's Peace Opera «A Quiet Place».
@19560703ts2 ай бұрын
カラヤンの後継には、この才能が必要だった
@Apfelstrudl11 жыл бұрын
you are right.. but awesome take
@cantkeepitin12 жыл бұрын
you sit in the concert as normal visitor? Or you made it for a radio broadcasting company?
@bensenten110 ай бұрын
Klieber is a Korean, Confusius is also a Korean.
@walterstelios2 жыл бұрын
si sentiva alla pubblicità di Petrus
@user-kf5ym7kg3i4 жыл бұрын
Ok! Ok!
@violinhunter23 жыл бұрын
I hear rhythmic problems all over the place.
@EvanJHagen2 жыл бұрын
Watch the docs on Digital Concert Hall called "Our History." The musicians never cared about entrances being together. They wanted the suspense and passion.
@TheTympanist2 жыл бұрын
Me too ! tympany spécialy !
@shonnyno11 жыл бұрын
hmmmm what about the beginnig?? not good. 3 chords, only the third is perfect.
@johnmitchell48386 жыл бұрын
Our conducting teacher always insisted the first three chords must be strictly in tempo - not a sort of introduction flourish.
@PUCCINIMUSICK6 жыл бұрын
why should they be? If they are strictly in tempo, there is no dramatic tension. But ask your conducting teacher how much he conducted really in front of an audience. Here, in spite of the fact that the chords are not right (only the last one is correct and with timpani on the beat properly), tension is incredible. Drama is HERE. This is conducting. This and Karajan's, the rest is useless.
@skisunfb4 жыл бұрын
Because he didn't want them to be perfect. He often said to the orchestra "let your neighbor come in first". The effect almost like a drum roll rather than a dry Tah.
@anonymusum4 жыл бұрын
@@skisunfb He said that to get his famous effect when a chord seems to come out of nohing or nowhere. For example the ouverture of "Freischütz".
@emjdeckwitz69494 жыл бұрын
@@anonymusum precisely. he once said 'thunder in the sky never needs an introduction.'