Ravel: Gaspard de la nuit, M.55 (Pogorelich)

[@yeetthebeet]

Pogorelich's control over dynamics is abosolutely insane!

[@Trooman20]

everything about this interpretation is perfect

[@CatkhosruShapurrjiFurabji]

4:18 need I even explain... a build-up one of the greatest climaxes in history

[@pianissimo_yt]

probably one of the most beautiful pieces in existence

[@Dylonely_9274]

On the piano yes

[@PianoCzarX]

Wow, that is monumental. Congratulations!

[@yagiz885]

10:36 this section is a vibe

[@blacksky492]

A master piece by a master player and master editor

[@rakeshkrishna1795]

The interpretations of Pogorelich and Argerich of this particular repertoire is so so close to my heart. Thankyou 🍂

[@leonlinton634]

It must've been difficult to chose the colour scheme for such contrasting pieces yet you smashed it out of the park and set an appropriate tone for all three pieces with just these two!

[@EppurMusic]

Very interesting that you bring this up. The choice of colours is indeed solely based on what you feel is right and what you feel expresses the music the best, but it's obviously a very abstract and personal concept.

[@lunagardvonbingen]

I love this piece. I saw an interview / documentary of Pogorelich and his wife Alice Kezeradze breaking down Gaspard de la Nuit measure by measure based off the Aloysius Bertrand poems that inspired Ravel to compose this piece. In fact this piece is named after the collection. Love to see it in this format, thank you!

[@maat7878]

Pogorelich, my hero. Thanks! The audiovisualization sync and accuracy is awesome.

[@abolfazlbaligh8832]

Such unique piece!!! Thank you

[@erikfreitas7093]

The most exciting and finely detailed “Scarbo” I’ve ever heard!

[@norixsynth]

idk but I have to thank you for this. this even relates me because of the following: ondine: it represents me crying le gibet: it represents me in a depressive state, meaning I am very depressed scarbo: it represents me in a state of rage and anger thank you for this piece.

[@linkinthegame2574]

This magistral piece seems to vanish in the air at the end it's beautiful ! Tkanks for this wonderful work Eppur like always :)

[@pengudosh7979]

Thank you so much - This must have been a massive video to make

[@grady1347]

wow thank you for this. one of my all time favorite recordings. the effort that must’ve gone into this is insane!

[@jukeban646]

So cool great rendition and wtf amazing work on synchronisation thx u So muchhhh

[@GUILLOM]

YOU'RE A GOD.

[@ethanbrowncomposer]

No u

[@GUILLOM]

No u

[@cadenzalien4554]

OMG OMG OMG OMG THANK YOU SO MUCH

[@Dylonely_9274]

Awesome

[@ludimagister-2005]

17:36 brilliant

[@lisztomani4c]

I love this recording, perhaps a second milestone after Marcelle Meyer's '54, meanwhile Ivo himself representing a completely different school of pianism.

[@EppurMusic]

Nice to see some recording culture in the comment sections!

[@lisztomani4c]

@@EppurMusic Always. I know that we can't make piece requests, but would you consider checking out some recordings? I'd like to contact you to share a few that I deem would be very favorable in this video setting.

[@composerjalen]

Amazing suite, I had strangely just searched for Rousseau's version (I enjoy that visualization immensely), and then got the notification for this one. May I ask what the process is for making these visualised MIDI pieces from real audio recordings? Much love from Canada ❤️

[@EpreTroll]

Wait you're back??

[@EppurMusic]

Looks like I am.

[@_fliszt4908]

good

[@sikroboskop3121]

Poggers

[@jannis11]

noice

[@Medtner26]

pogo is stellar, but I prefer Debargue's. Apart from that, this syncing is phenomenal. Thanks to do one of my favourite pieces of all time.

[@Ирина-е8ф2й]

Я тоже предпочитаю Дебарга. Его "Ундина" самая лучшая,просто гениальнейшее исполнение М.Равеля.

[@edlyness4891]

kudos to your ear skills - that's no small feat matching the timings for every single note. On the plus side, I imagine you couldn't have had a better recording/performance to delve this deeply into.

[@EppurMusic]

Thank you for your comment. This is indeed the hardest piece I ever had to synchronize. Some passages like 4:53 are extremely confusing and had to be synched note by note, basically. In some other places, the notes are barely audible, like 20:16. In these circumstances, the synchronization is pretty much a guessing game.

[@DemirSezer]

hey, what happened to your chopin preludes? I can't find them

[@EppurMusic]

The video has been blocked due to copyright claims. I'm trying to fix the problem but I can't promise anything.

[@DemirSezer]

@@EppurMusic aw ok, hopefully you'll find a solution

[@kevinhartmemes3821]

Did you have Chopin's preludes op 28 published or am I mistaken?

[@EppurMusic]

The video has been blocked due to copyright claims. I'm trying to fix the problem but I can't promise anything.

[@jameer8225]

L'enfant et les sortileges next

[@thesidecharacter6499]

What edition did he use? The opening RH sequence in Ondine is played differently than the way I learned it

[@lucaslorentz]

Im sorry that i ruined the 69 likes but the video was just too good i couldnt :(