Carl Maria von Weber - Der Freischütz Opera - Overture (Century's recording: Joseph Keilberth)

[@classicalmusicreference]

🔊 Download high-fidelity classical music: classicalmusicreference.com/ Carl Maria Von Weber (1786-1826) Der Freischütz: Romantische Oper in drei Akten. *Click to activate the English subtitles for the presentation* (00:00-05:33) 00:00 Ouvertüre Erster Akt 09:04 Viktoria! Der Meister Soll Leben 10:35 Bauernmarsch 11:29 Schau Der Herr Mich An Als König! 14:17 O Diese Sonne, Furchtbar Steigt Sie Empor! 21:08 Böhmischer Walzer 22:52 Nein, Länger Trag' Ich Nicht Die Qualen 29:44 Hier Im Ird'schen Jammertal 32:02 Schweig, Schweig, Damit Dich Niemand Warnt! Zweiter Akt 35:16 Schelm, Halt Fest! 39:40 Kommt Ein Schlanker Bursch Gegangen 43:16 Wie Nahte Mir Der Schlummer, Leise. Leise, Fromme Weise 51:20 Wie, Was, Entsetzen! 58:19 Milch Des Mondes Fiel Auf's Kraut!, Du Weisst, Dass Meine Frist… Dritter Akt 1:14:24 Entre-Akt 1:16:10 Und Ob Die Wolke Sie Verhülle 1:21:15 Einst Träumte Meiner Sel'Gen Base, Trübe Augen 1:27:14 Wir Winden Dir Den Jungfernkranz 1:29:48 Dialog & Überleitung 1:32:05 Was Gleicht Wohl Auf Erden Dem Jägervergnügen 1:35:39 Schaut, O Schaut! Er Traf Die Eig'ne Brauit Ottokar : Hermann Prey Kuno : Ernst Wiemann Agathe : Elisabeth Grümmer Ännchen : Lisa Otto Kaspar : Karl Christian Kohn Max : Rudolf Schock Ein Eremit : Gottlob Frick Kilian : Wilhelm Walter Dicks Samiel : Fritz Hoppe Chor Der Deutschen Oper Berlin Chorus Master : Hermann Lüddecke Berliner Philharmoniker Conductor : Joseph Keilberth Recorded in 1958, at Berlin New Mastering in 2020 by AB for CM//RR 🔊Find CMRR's recordings on Spotify : spoti.fi/3016eVr 🔊Download CMRR's recordings in High fidelity audio : bit.ly/2M1Eop2 Weber's opera "Der Freischütz" alone is the symbol of German romanticism. Weber's dramatic genius lies in the interaction between man and nature, but also in the way man feels about nature. Beethoven and his immortal Pastoral Symphony paved the way and Weber perceived and brought it to life for his contemporaries. The way to romanticism was now fully open... Allein Webers Oper "Der Freischütz" ist das Symbol der deutschen Romantik. Webers dramatisches Genie liegt in der Interaktion zwischen Mensch und Natur, aber auch in der Art und Weise, wie der Mensch zur Natur steht. Beethoven und seine unsterbliche Pastoralsinfonie haben den Weg geebnet, Weber hat ihn wahrgenommen und für seine Zeitgenossen zum Leben erweckt. Der Weg zur Romantik war nun völlig offen... Johann Strauss II - Die Fledermaus, The Bat + P° (E.Schwarzkopf - Century’s recording: H.V.Karajan) : kzbin.info/www/bejne/aprHl2N3rsmfrZY Mozart - Così Fan Tutte + Presentation (Schwarzkopf, Ludwig - Century's recording : Karl Böhm 1962) : kzbin.info/www/bejne/op-5XmaefbCpapY

[@andreaspohle4418]

Ein KLASSE FÜR SICH, ZU VERGLEICHEN MIT DER CHAMPIENSLIGA

[@vinzelrato]

Incredible...I've spent forty years of my life on this earth without knowing this beautiful romantic piece ever existed...I feel like I'm born again.

[@helios7034]

Your comment is so great! Music is a never-ending fountain. Sparkling bubbles of joy in your heart

[@javiermarting]

Yeah… no wonder you feel like a new life is open for you. It happened to me when I saw the opera at the Berlin Staatsoper in 2004 or 2005 conducted by Julien Salemkour. I was familiar with the opera years before (this same Keilberth recording) but boy what an impression it left on me. I was in complete shock upon leaving the theatre, I perfectly understood the sensation it caused when premiered.

[@classicalmusicreference]

Weber's opera "Der Freischütz" alone is the symbol of German romanticism. Weber's dramatic genius lies in the interaction between man and nature, but also in the way man feels about nature. Beethoven and his immortal Pastoral Symphony paved the way and Weber perceived and brought it to life for his contemporaries. The way to romanticism was now fully open... Click to activate the English subtitles for the *complete presentation* (00:00-05:33) // Allein Webers Oper "Der Freischütz" ist das Symbol der deutschen Romantik. Webers dramatisches Genie liegt in der Interaktion zwischen Mensch und Natur, aber auch in der Art und Weise, wie der Mensch zur Natur steht. Beethoven und seine unsterbliche Pastoralsinfonie haben den Weg geebnet, Weber hat ihn wahrgenommen und für seine Zeitgenossen zum Leben erweckt. Der Weg zur Romantik war nun völlig offen...

[@dila9111]

Großartig, ein einziges Vergnügen. Vielen Dank fürs Einstellen.

[@horiaganescu3948]

The complete recording lasts 2 hours and 14 minutes, not 1 hour and 54 minutes, i.e. 20 minutes more. You cut the spoken dialogues (which is not fair at all). And you deleted my comment yesterday. This is not fair at all either. Merry Christmas! Listen to the complete recording on Google (KZbin, Spotify, etc.)!

[@leonardomafrareina7634]

7:54 My first favorite moment 57:31 My MOST favorite moment (gives me Hellsing Ultimate memories)

[@notaire2]

Großartige und wunderschöne Interpretation dieser romantischen und perfekt komponierten Oper mit herrlichen Stimmen aller unvergleichlichen Solisten und gut harmonisierten Stimmen des ausgezeichneten Chors sowie gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der ebenso unvergleichliche Dirigent leitet das weltklassige Orchester im lebhaften Tempo und mit möglichst effektiver Dynamik. Alles ist wunderbar!

[@AndreasZbinden-nv4yp]

I am actually against hunting, but I love no choral song more than the hunter's chorus in this opera..

[@eaglewolffox6275]

I feel like listening to this opera while hunting alien creatures on FMM UV-32 as i play Carnivores

[@АлексейКочин-ж3в]

My musician experience has been splitted on two parts. there is first part is before, and the second one when I have 4:54 listened to the masterpiece of Weber.

[@seanmchugh840]

This was a famous issue for its scene painting and authentic atmosphere. As usual Keilberth provides smoothly even and indefatigable Germanic working but at a lower voltage than some later figures of more manic disposition to make listening surprisingly both easier and often more sensible. However the 1821 work’s individuality is undermined and is placed back closer to Beethoven’s and Haydn’s unambitious and more anonymous stage efforts, and Lortzing’s charm and onto the J.Strauss operettas, rather than its real nature as the bridge forward to Wagner’s killer drive and quality invention.

[@annemarietartas4073]

C'est le premier opéra que j'ai entendu à l'école; je me souviens, la classe était conquise . Ce fut d'abord la curiosité, la joie de découvrir, puis très vite l'émerveillement. Hé bien, je me retrouve un peu dans cet état d'esprit, à chaque nouvelle interprétation de ce chef- d'œuvre d'art lyrique.

[@christianrentsch63]

Danke fürs Einstellen dieser wunderschönen Einspielung.Sie ist auch vom Klang her sehr gut gelungen.die reine Freude

[@BarackObamaJedi]

Hellsing brought me here

[@Espe777exe]

me too !

[@mxrigvnkilljxy]

+)

[@floatingsara]

I am discovering this masterpiece today, thanks to French rapper Stupeflip and one random commentator, who pointed this out to his listeners. I wonder how many other masterpieces I am not acknowledged with.

[@rosernabona9364]

ara , fem una pausa , podem dir , .....he arribat aquesta tarda a casa de Tossa de Mar , i , no tinc res de manjar , .....tinc gana , surto i vaig a manjar quelcom ..... a la nit us escolto A reveure , amb Mozart ok ❤

[@AdamPalatine]

I had to listen to the horn part at 20:58 just over and over again. It's so awesome.

[@rosernabona9364]

Fantastic , excellent Weber , is wonderful and. marvellous ......Danke ❤

[@rosernabona9364]

hola , estic a casa de Tossa de Mar , us escolto ❤

[@youtubeclassicalmusic8806]

Fantastic music! Thank you for sharing

[@PoeRyan]

Tinker Tailor Soldier Sailor

[@LucasGabrielALima]

Tenho que deixar um comentário em minha língua. Afinal, uma obra destas, que se perpetua por gerações, deve ser conhecida por todas as línguas. Max, Agathe, Gaspar, Zamiel, personagens que trazem uma grande lição; uma história perfeitamente construída; uma opera que abriu com chave de ouro o Romantismo na Alemanha, isto é Der Freischutz. Meus filhos com toda certeza vão conhecer e aprender com tal riqueza.

[@leonardomafrareina7634]

Uma das minha óperas favoritas

[@antoniodaguiar392]

One of the greatest operas ever!

[@stefanlowenherz4558]

Großartig!!!!

[@sofishelega5889]

43:16 44:24

[@Dylonely42]

I love this opera… so much memorable tunes.

[@JossX89]

Bravo obra maestra

[@tilaNmanx]

14:17 for men of culture

[@ingemayodon5128]

J'aime beaucoup cet opéra que je connais de longue date. Keilberth est un de mes chefs d'orchestre préféré. Fritz Wunderlich a chanté sous son baton et les chanteurs disaient ts qu'ils se sentaient "bien protégés" sous son bâton, car il avait le don d'arranger les choses difficiles de façon plus facile pour les chanteurs. Et il est décédé sur scène en dirigeant un opera de Wagner ( me souviens plus lequel, Tristan? cela parlait de mort). Merci beaucoup pour cette transmission et salutations de Montréal, Qc, Canada

[@fernandofernandezgar]

Keilberth for ever!!!

[@vonjachu]

18:53 Hellsing scene

[@guvencagil]

I searched youtube just to listen to the third act which, here, I find to be beautifully sung. If I were to nitpick on this opera, I could stretch and say that Nero the watchdog could've been given a solo, however, dogs are not humpback whales.

[@richh9450]

I had this specific Kielberth recording as a kid on the Seraphim (Angel) label. I loved it and to find it again is pretty nice. Thanks for sharing!

[@thomasbothor7183]

Immer wieder grossartig. Immer wieder geil. Mannomann. Was ein Meisterwerk.

[@elkmeadow]

Lovely soprano! Leise is especially beautiful, Golda! 💖

[@dejanstevanic5408]

Perfect. Thank you.

[@DavidLee8.9]

12:15 16 58:55 71 1:12:44 84 1:32:10 100

[@BalbirSingh-gr2qk]

Thanks for great WEBER.

[@sofishelega5889]

44:22

[@thisissabaa]

This is wonderful

[@JoseMedina-sv8uy]

Muchas Gracias por compartir.

[@dirkhunnemeyer2581]

Schock, Grümmer u.v.a was will man mehr !? Berlioz wußte das auch zu schätzen !

[@rosernabona9364]

Spasiba Da svidania Weber. ❤

[@groovek9684]

Best of best

[@DividistanMilitia]

this is a masterpeice all i can say

[@Organic_Organist]

51:20 : greatest trio in opera

[@fredericchopin6364]

Love it!!!

[@chgem.2658]

Gibt es irgendwo die Rezitative von Berlioz auf deutsch?

[@عُمر-ج4م1ث]

وش جابني هنا

[@Sofronichrist]

Kleiber forever !

[@classicalmusicreference]

1. Furtwängler 2. Keilberth 3. Kleiber

[@Sofronichrist]

@@classicalmusicreference Je comprends parfaitement le choix de Furtwangler, mais je trouves Kleiber incomparable avec Keilberth sur la direction.

[@classicalmusicreference]

1. Furtwängler descend dans l’abime 2. Keilberth descend au fond du puits 3. Kleiber nage en surface Deux versions légendaires et une excellente version. Kleiber est précis et d’une énergie débordante, souvent au détriment d’une certaine authenticité, dans le cas présent, qui manque de refléter pleinement le romantisme germanique à l’état pur: profond, épais, tourmenté, compact, dense, un brun austère. C’est l’art de créer un climat , une ambiance et pas juste un feu d’artifice (aussi beau soit-il).

[@Sofronichrist]

@@classicalmusicreference Je comprends le raisonnement :).

[@classicalmusicreference]

Nous avons écouté la semaine dernière la version de Kleiber PÈRE: absolument géniale !

[@nassiled]

3:54 Stupeflip vite

[@SwissCheese667]

Ouaip.

[@lonewolf1843]

LITTLE OTIK

[@florenz6615]

yille bruder🤙🏻

[@paulrasche7559]

Wunderbar.