🔊 Download high-fidelity classical music: classicalmusicreference.com/ Wolfgang Amadeus Mozart (1756-1791) - Piano Concertos 20-27. *Click to activate the English subtitles for the presentation* (00:00-05:43) A very big « THANKS » to Sony Music who authorized us to release this recording. Piano Concerto No.20 in D minor, K.466 Ⅰ. Allegro (00:00) Piano Concerto No.20 in D minor, K.466 II. Romance (13:34) Piano Concerto No.20 in D minor, K.466 III. Rondo: Allegro assai (22:31) Piano Concerto No.21 in C major, K.467 Ⅰ. Allegro maestoso (30:28) Piano Concerto No.21 in C major, K.467 II. Andante (44:27) Piano Concerto No.21 in C major, K.467 III. Allegro vivace assai (50:39) Piano Concerto No. 22 in E flat Major, K. 482 - 1. Allegro (57:47) Piano Concerto No. 22 in E flat Major, K. 482 - 2. Andante (1:10:53) Piano Concerto No. 22 in E flat Major, K. 482 - 3. Allegro (1:19:30) Piano Concerto No. 23 in A Major K. 488 - 1. Allegro (1:31:20) Piano Concerto No. 23 in A Major K. 488 - 2. Adagio (1:41:57) Piano Concerto No. 23 in A Major K. 488 - 3. Allegro Assai (1:47:30) Piano Concerto No. 24 in C Minor K. 491 - 1. Allegro (1:55:27) Piano Concerto No. 24 in C Minor K. 491 - 2. Larghetto (2:08:24) Piano Concerto No. 24 in C Minor K. 491 - 3. Allegretto (2:15:23) Piano Concerto No. 25 in C Major K. 503 - 1. Allegro (2:24:47) Piano Concerto No. 25 in C Major K. 503 - 2. Andante (2:39:38) Piano Concerto No. 25 in C Major K. 503 - 3. Allegretto (2:45:48) Piano Concerto No. 26 in D Major K. 537 - 1. Allegro (2:55:10) Piano Concerto No. 26 in D Major K. 537 - 2. Larghetto (3:09:18) Piano Concerto No. 26 in D Major K. 537 - 3. Allegretto (3:15:06) Piano Concerto No. 27 in B-Flat Major K. 595 - 1. Allegro (3:27:00) Piano Concerto No. 27 in B-Flat Major K. 595 - 2. Larghetto (3:40:29) Piano Concerto No. 27 in B-Flat Major K. 595 - 3. Allegro (3:48:17) Piano : Lili Kraus Vienna Festival Orchestra Conductor : Stephen Simon Recorded in 1965-66 New Mastering in 2017 by AB for CMMR 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg 🔊 Follow us on Spotify (Profil: CMRR) : spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr Les concertos que Mozart a écrits pour son instrument favori jouent dans l'histoire de leur genre un rôle comparable à celui joué dans l'histoire de la symphonie par les neuf chefs-d'œuvre de Beethoven. De même que la symphonie beethovénienne a déterminé la forme du genre pour près d'un siècle, de même les concertos pour piano de Mozart, par leur nombre et par la grande beauté de la plupart d'entre eux, sont à l'origine du concerto moderne et ont tracé les lignes selon lesquelles il s'est pendant longtemps développé. Le défi pour les compositeurs de la fin du XVIIIe siècle était de concilier les caractéristiques les plus fortes de la forme concerto baroque (contrastes timbraux distincts entre un instrumentiste soliste et un orchestre, plus une brillante écriture en solo) avec le nouveau style de sonate-allegro. Lui-même virtuose accompli, Mozart a élevé la fonction de pianiste soliste à de nouveaux niveaux d'expression, de technique et d'élan dramatique. Par conséquent, le piano et l'orchestre n'étaient pas simplement des partenaires égaux, mais des personnages distincts à part entière. Entre tous les grands compositeurs, Mozart est celui qui a enrichi la bibliothèque du genre du plus grand nombre de chefs-d'œuvre. Chez la plupart des maîtres, les concertos tiennent une place relativement petite, beaucoup plus petite, par exemple, que les symphonies ou les quatuors. Chez lui, au contraire, ils sont plus nombreux que n'importe quelles autres compositions, à l'exception des symphonies. Cependant, aux yeux du musicien qui se préoccupe moins de l'histoire de la forme que de la personnalité de chaque œuvre, de la pensée qui l'inspire et de la joie qu'elle peut procurer, ses concertos sont encore plus précieux, car ils constituent une source intarissable de jouissance artistique. Ils forment un groupe de chefs-d'œuvre qu'on pratique continuellement sans jamais s'en lasser. Dans leur diversité, ils correspondent aux états d'âme les plus variés, depuis le contentement où nous demandons l'art d'être une simple distraction, délicate plutôt que profonde, depuis la joie de vivre franche et animale, la santé physique et morale et le parfait équilibre de toutes les facultés, jusqu'à la mélancolie, la douleur et même la révolte, jusqu'à cette sérénité « olympienne » qui atteint l'air vivifiant des hauts sommets. Il y a peu de moments de notre vie intérieure qui ne retrouvent dans l'un ou l'autre le tonique dont ils ont besoin. C'est là la marque des plus grandes œuvres et elle permet de placer ces concertos parmi ce que la musique a produit de plus durable. L'uniformité relative qu'au premier abord on croit constater entre eux disparaît devant l'examen. L'émotion ne se reproduit jamais identique d'une œuvre à l'autre ; une physionomie particulière à chacune d'elles permet de les différencier, et la variété de leur inspiration se révèle toujours plus grande à mesure qu'on en approfondit l'étude. C'est grâce à cette variété que Mozart est parmi le petit nombre des compositeurs dont on peut faire son pain quotidien. Peu importe la diversité de la forme ; la diversité de l'émotion est celle qu'exige notre esprit et la seule qui prévienne l'ennui. Nombre de musiciens ont une forme plus variée que celle de Mozart, et leurs œuvres, néanmoins, lorsqu'on veut s'en repaître, provoquent bientôt un sentiment de monotonie que le Mozart des grandes œuvres ne cause jamais et dont on ne souffre chez lui que si on s'obstine à l'étudier dans les compositions où il n'a pas mis le fond de lui-même. Ce privilège qui leur appartient' de satisfaire d'une manière durable l'âme et l'esprit, plus encore que leur rôle historique, a valu à ses concertos pour piano leur place aux rangs des chefs-d'œuvre. Nulle part plus que dans ses andantes, Mozart n'a montré combien son expression personnelle a su épouser la forme que l'usage de son époque lui présentait. Dans certains de ses allegros et rondos, il peut nous arriver de percevoir jusqu'à en souffrir la symétrie et la régularité d'une section, à tel point que la forme s'impose à notre attention plus que le sentiment. Dans ses andantes, inspiration et technique, lyrisme et construction, se fondent avec une telle unité que rien ne nous distrait de la beauté de la pensée elle-même. Les concertos ne mériteraient pas, dans l'œuvre de Mozart, la place hautement représentative qu'ils occupent si leurs andantes n'étaient pas les égaux des meilleurs de ceux des quatuors et des symphonies. Aucun autre groupe de mouvements chez lui ne les dépasse en variété. Nous sentons, cependant, que certains mouvements s'apparentent l'un à l'autre, qu'il est des « familles de mouvements » et cela permet d'établir une certaine classification parmi eux. C'est ainsi que les andantes de Mozart, malgré leur richesse et leur diversité, et avec quelques exceptions, se laissent rapporter à quatre ou cinq types, que nous pouvons étiqueter, pour plus de commodité, l'andante galant, l'andante-rêve, l'andante ou adagio méditatif, l'andante cantabile ou romance, et l'andante élégiaque ou dramatique. Personne ne sera dupe de cette classification au point de la croire absolue. Mais elle peut nous aider à embrasser plus facilement l'ensemble de ces andantes où Mozart a livré ce qu'il avait de plus précieux. Les concertos de Mozart, cependant, étaient loin d'être des incontournables des salles de concert au début du XXe siècle. Pourtant, le vent a commencé à tourner. Une nouvelle génération d'éminents claviéristes classiques, parmi lesquels Wanda Landowska, Walter Gieseking, Edwin Fischer et Arthur Schnabel, a contribué à faire avancer la cause, tout comme Lili Kraus. Lili Kraus a comparé son affinité avec Mozart à une mission : « Quand j'ai commencé à explorer Mozart, j'ai découvert la beauté infinie de cette musique, et d'une certaine manière il m'est donné de donner vie à cette beauté. Je trouve qu'il est de mon devoir, de mon privilège, et si vous voulez, de ma croix, de consacrer ma vie à cette musique. » Certains pianistes et compositeurs deviennent inextricablement liés aux yeux du public. Mentionnons Glenn Gould, par exemple, et les Variations Goldberg de Bach viennent à l'esprit. Artur Schnabel et Beethoven étaient pratiquement synonymes, tout comme Walter Gieseking et Debussy, Arthur Rubinstein et Chopin, Alicia de Larrocha et les impressionnistes espagnols. Lorsqu'il s'agissait de la musique pour piano de Mozart, plusieurs générations d'auditeurs et de collectionneurs considéraient les interprétations de Lili Kraus comme le dernier mot.. Mozart - Piano Concertos 9 Jeunehomme,15,16,1,2,3,4,5,6,8 (Century's recording : Lili Kraus/Simon) : kzbin.info/www/bejne/fHnann9ugsllaNk&index=3 Mozart - Piano Concertos No.11,12,13,14,17,18,19 (recording of the Century : Lili Kraus/Simon) : kzbin.info/www/bejne/kJ_XfWyPbNuWeq8 Mozart - Piano Sonatas Nos.1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17 NEW MASTERING 2021 (Century's record.: Lili Kraus) : kzbin.info/www/bejne/gWPHoH2MZauFbrM Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : kzbin.info/www/bejne/e4eznJl-eZuVbac
@iraidakim59027 жыл бұрын
Classical Music/ /Reference Recording Fi
@kaiambireid94567 жыл бұрын
Baronbub Musicsic Musicto
@garydabrowski6797 жыл бұрын
Lili Kraus...so glad there are musicians like you who put in the work to be able to perform and keep genius music like this alive!...I'm sure Mozart himself would approve of your, and the other musicians' performances of his works here...
@yvescrochet63207 жыл бұрын
Classical Music/ /Reference Recording -
@yvescrochet63207 жыл бұрын
Iraida Kim - - - - navigation
@ronaldopacifico94419 ай бұрын
" it’s the D minor (K.466) I love the most. It is in resonance with my profound being. I sense each note deep in my heart… the music is breathtaking, majestic, tremendous, it fills my soul with beauty, and longing, and a bittersweet feeling that words could never explain" . W. A. Mozart
@MrYomino3 жыл бұрын
Ô Seigneur, merci de nous avoir donné Mozart.
@HenriHamel-tm9ej Жыл бұрын
Je voudrai qu'il y ait que de la musique classique je vous l'ai signalé déjà ce matin vous n'avez pas tenu compte est ce sérieux??
@patriciasalis2160 Жыл бұрын
Dommage de l'avoir repris si tôt !
@marvinramosveiga5919 Жыл бұрын
Sa mort n'était pas dûe à quelque chose de très seigneur seigneur...
@daniserrat3150 Жыл бұрын
No hay nada mejor en el mundo,ni siquiera el sexo.Ni ferraris ni mansiones,sólo la salud y tener lo básico para poder vivir lo cambio por el.Con esto quiero decir que si me dicen: tendrás mucho dinero pero jamás podrás escuchar a Mozart,prefiero quedarme como estoy, es decir justo de dinero pero poder escucharlo hasta el fin de mis días
@annegoudine716710 ай бұрын
Sans Mozart, la vie manquerait de charme. Anne
@williammatthewjosephgenova9802 Жыл бұрын
What wonderful music one which to reflect on Mozart's 267th birthday on 27 January 2023. Lili's piano is strikingly beautiful and pure, without any frills. Mozart's music will remain forever fresh and inspirational to all us who are lucky enough to be witnesses to his genius.
@beethovenlovedmozart2 жыл бұрын
The more I listen to Mozarts #24, the more I realize what this piece was. This was Mozart for one month not giving a damn what people thought. This piece was Mozart coming out of a shell. This piece was to leave no doubt who the best composer in the world was. This piece was Mozart telling the world "I'm here and this is why I'm the best". He didn't just write another concerto. He crushed what a concerto was up until this point. He sounded like he was freeing himself , and he let the world know this is how good he is and how far he's come. If I were Haydn or Beethoven listening to this for tbe first time, I would be In complete awe, shocked, and would run and hide because this was like what Beethovens 9th did to the Romantics, it set the bar high in the genre and they knew any work they did would never measure up. Oh so many composers were happy and sad he left early because this man had skills, heart, photographic memory, taste, and knew how to take a melody and create endless possibilities. As Haydn cried the last 15 years of his life "If the world could only see his talent through my musical eyes, they would never let him go. He was an irreplaceable generational talent gone way too soon."
@BritinIsrael2 жыл бұрын
Just saw your great comment. The concertos 20-27 are absolutely mind blowing. I agree that # 24 is something special but all this last group are individually special in their own way. For me, the first movement of # 25 is Mozart on steroids. He is just laying out everything in his "tool box" .And the opening bars of # 27 makes me shudder . It's just an amazing opening. He certainly knew how good he was . Listening to these concertos you can see from where Beethoven's piano concertos germinated. Beethoven was 21 when Mozart died and he must have been aquainted with these concertos and loved them.
@beethovenlovedmozart2 жыл бұрын
@@BritinIsrael nice post. Ironically, the opening bars of #27 ended up being very popular with the Romantics after Beethoven. The concept of briefly playing the strings before the piano was something the Romantics loved and it was one of mozarts many contributions to Romanticsm I guess. The opening of his 40th symphony was a similar thing.
@beethovenlovedmozart2 жыл бұрын
To add more to #24, Beethoven used the melody a long with mozarts c minor fantasy as the basic for his final movement in his Pathetique sonata.
@beethovenlovedmozart2 жыл бұрын
Listen to beethovens melody closely. He used the notes from mozarts c minor 24 final movement theme, but the structure from his piano fantasy in same key. Showing his respect and getting cute I guess. :)
@beethovenlovedmozart2 жыл бұрын
kzbin.infoUgkxmyJMBl9SwbkHXTBV-Q-WZOtZwJXLOfsY
@yasamanderiszadeh902 Жыл бұрын
What a beautiful 4 hour journey. How lucky are we to have had musicians like Mozart.
@rodsalvador36085 жыл бұрын
The Adagio to No. 23....one of the most beautiful pieces ever composed.
@gordonpepper14002 жыл бұрын
totally agree
@onkelmarvin83602 жыл бұрын
It`s so beautiful words can hardly describe it. That was one of Mozarts talents, to put his feelings to music, and when he wrote " The 23rd " the adagio.......he was really really sad...he must`ve been. It was Stalins favorite piece of music, and though he was a coldblooded killer, it proves, that deep down in his dark soul.........there was still some genuine feelings, trying to get out.
@tng20222 жыл бұрын
he wrote it for his father... especially the adagio
@beethovenlovedmozart2 жыл бұрын
One of my favorites as a kid. Mozart had a superb memory. He would experiment, and always remembered the result. He remembered everything he heard or studied. He was always experimenting. That was mozarts main gift. He also worked very hard on his craft and man it showed in his 30s. Beethoven would've had no chance if mozart lived another 15 or 20 years.
@tng20222 жыл бұрын
@@beethovenlovedmozart beethoven is also a beast. one of a kind. he has his own thing going on. they are just distinctly different my man, Art is not a competition. if we only have Mozart and no Beethoven or any other magnificent composers, the world would be poorer indeed.
@ГеннадийМерзляков-ь1щ3 жыл бұрын
Как всё же прав был Чайковский, который сказал, что самая яркая звезда на музыкальном небосводе-это Моцарт!!!!!
@mr.fredericchopin6214 Жыл бұрын
The Lili Kraus and Stephen Simon complete Mozart Concertos were recommended to me when I read an article about where to find the best recordings of all these concertos. Wow! I hit the jackpot. The pianist and conductor understand Mozart more deeply than anyone else I have ever listened to in these concertos! Mozart can be so deep, bring out emotions in such a subtle way that you don't even know those emotions were even in you. There is also great humor and playfulness, simplicity and elegance, nuance... on and on. I think Lili Kraus understood Mozart better than almost any other pianist. She was so attuned to the composer, there is such color in every note and Lili searches the depths of touch and tone. Just as Mozart's concertos go where no composer can go, Lili Kraus and Stephen Simon go where no pianist and orchestra usually travel. What words can one use to describe these concertos? Sublime, gorgeous? Yes!
@panprezes1993 Жыл бұрын
You wrote: "Just as Mozart's concertos go where no composer can go, Lili Kraus and Stephen Simon go where no pianist and orchestra usually travel. What words can one use to describe these concertos? Sublime, gorgeous? Yes!" I will add that I have no words to describe this recording of the first concert here (in D minor). I have never known such an outstanding cadenza for the 1st movement of any piano concerto with orchestra... AND YOU??
@マダムii Жыл бұрын
とても、心地よいピアノ🎹❤❤❤ ゴージャス!…日本より🇯🇵
@mr.fredericchopin62149 ай бұрын
@@panprezes1993 I really adore the way Lili Kraus and Stephen Simon play the second slow movement of the 17th concerto (Their disc with the yellow jacket cover). Almost immediately I feel both the beauty and the depth of despair. Wow!
@normanrichmond21276 жыл бұрын
An honor to have studied with Lili. I listened to her recordings repeatedly as a child and finally got to be under her tutelage as a 31 year old.
@classicalmusicreference6 жыл бұрын
What a privilege, can we share an anecdote about his teaching?
@alainspiteri5025 жыл бұрын
@@classicalmusicreference For me an anecdote not with Lili Krauss-Teacher but Concertist Lili Krauss very far from to day and j remember very well : when she appears on stage she had a top black hungarian hat unforgettable on her head , a hungarian black dress with J dont'write in english ( une large écharpe blanche en dentelles sur les épaules ) In bis Lili Krauss pkayed " alla turca " and saluted the audience crossing hers hands : j remember fotever " alla Turca " by Lili Krauss it''s was in 1956 " Salle Pierre Bordes " à Alger where Samson François played his Concerto in 1957 , j was a young lover-music and j had already bought " alla turca " by Marcelle Meyer recording in a little 45 t vinyl . Many pianists recordings were in little vinyls vinyls as also : " The Harmonious- Black Smith " by Wilhem Kempff .
@mathieuguillet40365 жыл бұрын
She plays Mozart beautifully! It is as though she was made for his music.
@alainspiteri5025 жыл бұрын
J don't see an other pianist in Mozart , all famous pianist have a composer , of course Rubinstein play all composers but not as a pianist who worked a composer during all in life . There is a particular Mozart in Adagios sonatas concertis by Clara Haskil with in more a melancolic , nostalgic , dreamer almost as a suffering of his soul . Haskil had a life more difficult by her difficult physical , during war 1940 ' not Lili Kraus . Except thoses differencz j can say there were two Mozart Haskil- Krauss the others pianists are all very good ( mostly Geza Anda ) but there us not this above the notes , there are no word , that is with Lili Kraus . Not possible to listen Mozart if we don't known thoses two pianists : same thing Rubinstein Cortot S Francois with Chopin
@aliveli-hq6zk5 жыл бұрын
@@classicalmusicreference He's lying.
@ravindergill227523 күн бұрын
In my humble opinion, the entire renditions by the late great Lilli Krauz of Mozarts Piano Concerto's are absolutely amazing soothing to ones ears and inner spirit, if you get my drift. Brilliant.
@sukrame53317 ай бұрын
I absoloutly love these versions . Kraus and her fellow musicians play Mozart because they love it. One can hear how much they enjoy to do so. They're not trying to impress any one 🙂
@christopherchardt3 жыл бұрын
The perfect union between composer, conductor, orchestra, pianist, and instrument. Exquisite. The language of the Gods.
@jackatherton01112 ай бұрын
Lili Kraus had too tumultuous a life to play it safe. Instead she played like a human being. Others may be more immaculate, even more elegant but Kraus reminds us that Mozart first and foremost was an opera composer, especially when he was writing concertos for himself. Most notes mention Lili’s more famous teachers, including Bartok and Schnabel, but look on KZbin for radio transcriptions of another one - Severin Eisenberger - and hear where she learned to communicate. Thanks so much for sharing all this (earlier concertos are also posted).
@pinkcatstudios98247 жыл бұрын
There is Mozart, and there's the rest of them. Not that they're all alike, but he is one of a kind.
@andrewrico83217 жыл бұрын
there few things im always agree with, this is one of them.
@kurtprader75175 жыл бұрын
Das ist Mozart in höchster Vollendung.
@Philobach5 жыл бұрын
non, il y Bach est le reste. faut pas exagerer...
@seanmcconnell582 жыл бұрын
These concertos are what made me fall in love with classical music.
@gfweis5 жыл бұрын
Lili Kraus surely deserves, but doesn't really need, additional praise from me. I'd like to praise the often-unmentioned conducting by Stephen Simon here, so well paced, balanced, and dramatically phrased. This was a happy collaboration indeed.
LILI KRAUS INCREDIBLE ONE OF THE GREATESTS PIANISTS EVER - MARVELOUS MOZART PIANO CONCERTOS RECORDINGS
@earlenehamner34333 жыл бұрын
I treasure Mozart’s music. A true Genius and his music is a treasure.
@miltongajardo98002 жыл бұрын
I agree totally
@beethovenlovedmozart2 жыл бұрын
The real man who Kickstarted beethoven and romantic period. The guy that everyone says didn't write serious music. Mozart was the most gifted composer ever to breath on earth
@akirakanda79728 ай бұрын
@@beethovenlovedmozart His music is the most serious and most beautiful music ever composed which came from his heart. When a music reaches to this level and depth, there is no need for the melodramatic Beethoven and his followers.
@alexa-kimstone36564 жыл бұрын
Mozarts piano concertos are for me his best works
@danielarossi2946 Жыл бұрын
ottime esecuzioni colto lo spirito di Mozart . brava lili
@thegoalfather99222 жыл бұрын
You can't change any note in Mozart's pieces, it's just always perfect.
@20centswortht917 күн бұрын
Someone asked me years ago if I was stranded on an island and had the choice of only one composer to listen to for the rest of my life - out of all the musicians and composers who have graced this planet since time began - who would I choose..?... instantly I answered Mozart.. NO ONE has such a prolific and diverse collection of compositions.. NO ONE comes even close to his range of musical scores.. it was a very easy decision.. you never get bored with Mozart.. A True Genius and Prodigy 🙂
@이규완-y5m3 жыл бұрын
I open the morning, the window of this day through Mozart
@barneymcnickles98017 ай бұрын
just listened to this in one sitting while programming. i feel great
@big1dog236 жыл бұрын
Best 4 hours of music ever written. Thanks!
@mathieuguillet40365 жыл бұрын
But we haven't even touched the operas! Or the symphonies! Or the sacred! Or the... ;)
@DanielLopez-zt4ig4 жыл бұрын
3:57:55 hours to be exact.
@PianomanRay4 жыл бұрын
Daniel López Stop being so dam technical! Smh
@patriciabravoriscal6264 Жыл бұрын
@@mathieuguillet4036 Or the Requiem, one of his best masterpieces.
@wise_up_dems.6 жыл бұрын
Every time I listen to No. 21, Andante, I have to listen to it at least 4 times and...... everything else in the world just fades away............ Mozart has the ability to do that.
@manolisfragaki7 ай бұрын
Tres bien, c'est magnlfic MOZART!!!!
@efrenpizano89054 жыл бұрын
I've noticed listening to concertos by Mozart that he is one of the few classical musicians that makes you want to dance, and not feel the less smart about it.
@ondrejnovotny76286 жыл бұрын
The 20th concert is just beyond beauty...
@lorenapavon63729 ай бұрын
Es maravilloso y celestial escuchar a Mozart, me transmite una gran tranquilidad y bienestar en mi ser. A través del piano, la música es mágica y te une de una dicotomía entre el cuerpo y la mente.💯 x 💯 admiradora de Mozart y claro..!! de Lili Kraus. Gracias.
@Waterboy22114 жыл бұрын
Mozart's later piano concertos are spectacular. I could never pick a favorite.
@panprezes1993 Жыл бұрын
Very spectacular, yes, goodly!!!!!
@erichodge567 Жыл бұрын
So true. Objectively, no one is greater than another. Just the same, the last movement of number 23 is like listening to a perfect story told by a perfect storyteller. I have listened to it hundreds of times over the last fifty years, and it has never ceased to amaze me. It's as close to perfection as anything I know.
@PHANTOMZ0NE3 жыл бұрын
LILI KRAUS!!! Beautiful, crystal interpretation!
@mariobaiocchi63666 жыл бұрын
The Concerto No. 21 is actually one of the pinnacles of Music
@D1E90865 жыл бұрын
Totally agree pal. Lili Krauss is amazing but I prefer Yeol Eum Son's interpretation. Check it out if you haven't already. kzbin.info/www/bejne/nH-4Xot3j8-bsKM
@mathieuguillet40365 жыл бұрын
Mozart is one of the pinnacles of Music. ;)
@danielbetancourt14835 жыл бұрын
20
@D1E90865 жыл бұрын
@@danielbetancourt1483 21
@DanielLopez-zt4ig4 жыл бұрын
Mozart is overrated.
@christianbernardsinger2567 Жыл бұрын
I always thought Mozart was "nice" but he was never one of my favourites. Lili Kraus just changed all of that. What a discovery! What a treasure!
@lintelle23823 жыл бұрын
I always get emotional when I hear Piano Concerto No.20 in D minor, K.466 II. Romance (13:34). Takes me back to the credits of Amadeus and how wiped out I feel after watching that movie!
@paulina32012 жыл бұрын
I am grateful to the people (the orchestra and the performer) who work so hard to revive this magnificent, brilliant music....thank you. You make this world a better place, you transform it.
@FrancoiseRenaudind21ch505 жыл бұрын
Juste fermer les yeux pour s'imprégner de la musique de se génie....... Mozart....
@SV_20002 жыл бұрын
Украина, апрель 2022 года. Воздушная тревога, сижу в подвале, слушаю Моцарта. Очень помогает.
@amneris782 жыл бұрын
Надеюсь, Вы живы. Храни Вас Бог!
@SV_20002 жыл бұрын
@@amneris78 Живой:) Спасибо вам.
@kclee12 жыл бұрын
Ukraine will win! Long live Ukraine! - from Malaysia
@patriciabravoriscal62647 ай бұрын
Ukraine should win ❤
@manmohansingh19563 күн бұрын
❤
@Frankincensedjb123 Жыл бұрын
Many years ago, Mozart was my introduction to great compositional music. What better place to start than with the versatile, inspired, and gifted master of melody and form.
@bubblerap7176 Жыл бұрын
Oh, so true.
@catherinejones9396 Жыл бұрын
Gorgeous, thank you. 4 hours of pure beauty starting with the operatic style opening of 20, and then on. Ms Kraus and this conductor and orchestra competently explore Mozart's incomparable works. I am sure that Mozart would have loved the fact that his music still delights people the world over and the way his piano has been developed over two or so posthumous centuries.
@luiscortes7570 Жыл бұрын
Lo bueno perdura ,lo maravilloso es inmanente!!
@agecollins Жыл бұрын
well said
@isyborensztajn4 жыл бұрын
Thank you for posting these miracles! Thank you Mozart!
@hachimansama-m2o3 ай бұрын
I'm drawn to each piece when Lily plays it, from No. 20 to No. 27. I've wondered why, and thought about it a lot, but I don't know what it is. I think there must be something to it. Perhaps it's Lily magic. In any case, it stirs the soul of the listener. Throughout the performance, Lily's touch on the keys is strong, making Mozart's melody stand out even more beautifully. I feel that she values each and every note. (There is something about her that is similar to Furtwängler.) Lily's piano has clear musical lines and is pleasant to the ear. Lily's piano sounds are gentle, beautiful, rhythmic and powerful. I've listened to Nos. 20 to 27 in a row countless times on KZbin (over 150 times, which may be over 600 hours), but I never get bored of listening to them. I can always listen to them with a fresh feeling. It's probably similar to the feeling of walking along a mountain ridge. I'm walking along a beautiful path (Mozart's melody), carefully checking each step. There are flower fields all around, cliffs below, and steep slopes and rough roads. As she crosses eight passes and peaks (8 songs/Nos. 20 to 27). Perhaps Lily is playing with such scenes in her mind. I listened to "Mozart-Piano Concertos No. 20, 21, 22, 23, 24, 25, 26, 27" on KZbin. I didn't even know the name Lily Krauss. I knew that Mozart's late piano concertos were good pieces, so I tried listening to them without any preconceptions, but it felt like something completely different from what I had heard before. I tried to express its goodness in words, but I couldn't think of anything. The piano sound is clear and crisp, and each note sounds like it is bouncing powerfully and has a sense of dynamism. The timing is good and the rhythm is rhythmic. Every piece is beautiful and flowing. I am filled with gratitude for having come across such a performance. A deep, profound sound. Finite and infinite ineffable emotions are mixed into the sound of each and every note. Each note in the slow movement in particular has a philosophical sound that makes you think deeply. What meaning did Mozart entrust to each and every note?
@simondalzell61084 жыл бұрын
Lili was without a shadow of doubt simply a phenomenon. Completely and utterly awe inspiring. God bless her for the legacy she bequeathed to us.
@HenriHamel-tm9ej Жыл бұрын
Je suis content d'écouter Mozart car comment peut-on vivre sans écouter Mozart?
@rainertelesko98949 ай бұрын
Piano concerto 21 is superb. Lili Kraus plays wonderful. Mozart would have liked that style.
@FlexingClassicalMusic Жыл бұрын
Classical music is an incredibly refined and wonderful form of art. It has the ability to express emotions and create a unique sonic experience that no other genre of music can compare to.
@dzugaty7 жыл бұрын
Thank you for this. Of course, "The Big Piano Concertos" are the climax of Mozart's work. Breadwinners or not, they were HIS and HIS only. He was the author, the conductor and the performer with them. Nothing else shows his personality as much, what he was both outside and inside. Sometimes, I can see his face, his posture, his movements in this music, his absolute enjoyment of playing it. They all reflect his persona, one way or another. But as much as I know about him, as much as I read in any language I could understand, I see his most precise selfportrait in #23-II. Sadness hidden behind a wide smile, wisdom in the shadow of a joke.
@johnsweeney81155 жыл бұрын
That was a lovely post Olga.
@ccsung96404 жыл бұрын
Lili's beautiful touch blends well with the delicate interpretation of the orchestra makes me listen on and on nonstop. I just cannot help it. I must stop now to do my work. No. I cannot stop. How can I stop now!
@sorousha193 жыл бұрын
Like poetry. 23 II is one of the greatest compositions of all time...
@lymanmj2 жыл бұрын
@@sorousha19 Absolutely true. I believe Mozart composed that movement just for himself, not for any particular audience.
@beethovenlovedmozart2 жыл бұрын
His #26 under the radar is thr beginning of a new era. Lots of Romantics loved this piece
@severinacappelletti83644 жыл бұрын
Concerti meravigliosi, uno più bello dell " altro!@! Grazie a chi li condivide con l 'umanità intera.💕💥💚
@lucianolucci64022 жыл бұрын
Condivido.Mozart, dono di Dio!
@xavierbordes13736 жыл бұрын
Excellente Lili Kraus d'admirable mémoire... Mozart toujours pareil et toujours nouveau !
@ТатьянаБугрова-ь9ш3 жыл бұрын
Сердечная благодарность за несколько часов наивысшего счастья!!! 💓💓💓👏👏👏
@alcidesduartefalcao25774 жыл бұрын
I have been listening to these concerts for many years and I have no words to describe its beauty. Perahia, Brendel and Lili Kraus are my favorite pianists to play it. Lili Kraus is simply wonderful: her playing is so impressive, unique. She was a great mozartian player, among the best genius I have been known!
@jameswidman27803 жыл бұрын
So do agree of her performance quality! Murray Perahia is, for my taste, near perfect. He provides the most soft, slower and sensitive interpretation of 1 through 27! Again, my taste. Lili Kraus is a little quick which, to me, detracts a bit. To show you how critical I am, I consider Horowitz something of a key-banger. Taste! We all have our individually. I have not nor will I ever tell anyone how to listen to or enjoy any form of musical entertainment. Willie Nelson wrote the music his own lyrics to Angle Flying Too Close to the Ground. It is simply beautiful! Taste. The loveliest piece of music he ever composed or performed. Again, taste! We should all thank our lucky stars for the masters and contemporary composers, Mozart working in a virtual dungeon and those today in comfortable studios, well equipped electronically with a Black 7 Foot 2, Steinway and Sons Concert Grand Instrument. There will be agreement and criticism. Love to here it all.
@emilelaurent Жыл бұрын
@@jameswidman2780 Lili Kraus somewhere described that she had learnt more from playing original Mozart-time pianos, more than from any teacher. Now the tone of this pianos showed a much faster decline during time than is the case with modern pianos. Therefore to link the melody and fill the space you need a slightly faster tempo, which makes also sense because then you get even in Mozart a Beethovenian drive.
@dorothyflanagan95356 ай бұрын
Murray Perahia playing Beethoven - superb
@elanding60596 жыл бұрын
Mozart rarely composed in minor keys. But when he suddenly changes from major key to minor key, it is just sublime. The No. 23, second movement is my favorite. Beautiful!!
@jeanghika76535 жыл бұрын
C'était un homme triste, Mozart. Obligé d'écrire de la musique "gaie" pour la Société, il donnait le meilleur de lui-même quand il composait en mineur, car c'était le plus profond de son âme. Ceci posé, il s'est beaucoup "inspiré" (pour ne pas dire plus) de Johann Christian Bach. Écoutez donc les concertos pour piano de celui-ci op. 13. Vous allez.. entendre. J'ai failli écrire "voir"!. Quant à Lil Kraus, elle a des passages où elle fait des accelerandi non justifiés. Peut-être par nervosité. Seul celui qui n'a pas joué en public ignore ce que c'est cette énorme nervoité que l'on appelle "trac", "Lampenfieber", "stage fright". Personne ne peut y échapper, pas même les plus grands et les plus routinés. Un de ces grands disait:"Après la première fausse note je n'ai plus de trac". Ayant demandé à un grand maître de la baguette ce qu'il voulait exprimer par les grands cercles dessinés, de temps à autre, par son bras gauche. Réponse:"C'est quand j'ai oublié la partition et ne me rappelle pas les entrées." Et c'était l'un des cinq ou six des plus grands du monde de son temps (1940-1960s). Il a été l'un de mes deux maîtres. RIP et un grand merci, Maestro!
@tomduke5584 жыл бұрын
yea No.23 2nd movement is the most beautiful piece with over-flows of peaceful serenity, especially with the rendering of the clarinet... loved that melody for almost 20 years( I always linked it up with the 2nd movement of the clarinet concerto) . And as for the minors - you're right, Mozart seldom composed in them for piano works with two exceptions - the two most epic ones are the No.20 and No.24 both in d minors... the No.20 was such a magnificent materpiece that Beethoven once commented that no one ever would compose out something like that
@jntaca4 жыл бұрын
Agree. 23's Adagio is a piece from heaven. I love Perahia version too.
@remomazzetti87574 жыл бұрын
I believe the slow movement of #23 is the only one in the piano concertos to be marked Adagio which for a composer in the austro-germanic tradition is more than a tempo marking: it implies music of a deeply profound type. The extraordinary Adagio Sostenuto of Beethoven's great Hammerklavier Sonata is also in f sharp minor like Mozart's, and seems to me to have been influenced by the Mozart slow movement.
@paolozirilli5653 жыл бұрын
...very important words!......minor.mozart...paolo zirilli
@michaelletellier2184 жыл бұрын
This is a "Century's Record" without any doubt. This sublime recording of the Mozart Piano Concertos was perhaps the apex of a dynamic relationship between the gilded American Stephen Simon, and Lili Kraus through whose veins flowed the pianistic tradition of Central Europe. For her it was the culmination of a life's work and perhaps for Stephen Simon, who conducts with sensitivity and balance, it too, marks a personal highpoint. His influence no doubt created the mysterious Vienna Festival Orchestra, probably made up of the most able musicians freelancing from the Vienna Phil. The remastering reveals a glorious sound. I cannot recommend these recordings highly enough.
@tepmich6 жыл бұрын
У Моцарта мы слышим Живой Поток Благороднейших Гармоний. И чем жизнь ощущается душой всё более и более опустошительной и тяжёлой, тем ярче удивляет и радует нас Небесное Искусство Моцарта!!! Теппер Михаил.
@АндрійПетр-ф9к3 жыл бұрын
Браво, Михаил! Приятно почитать комментарий единомышленника. Всего вам самого наилучшего. Андрей. Украина.
@josephbourque50277 жыл бұрын
Thank you Lili Kraus/Simon for the nice recording.
@destineydevereux47224 жыл бұрын
Bon jour from Periguex France,, I play these through the whole house system everyday,,, life is so much enjoyable with Mozart,, merci💖🇫🇷💋
@akinsons3 жыл бұрын
Bon jour from Whangarei, New Zealand! Ditto Adriana, I do the same, turn off all the bad news TV, listen to this wonderful music every day and all seems right again 🤗😊
@Ajrod33107 жыл бұрын
what still seems incredible is that in the times we are leaving we have access to so many wonderful music, documentaires, movies and that we can communicate immediately with anybody anywhere . only 40 or 30 or even 20 years ago was unthinkable.
@poorvic26 жыл бұрын
I still remember having to ask the operator to place a call for me, If you wanted to call abroad she would take down the number then call you several hours later with someone on the other line. Yes I am old but i still yearn for simpler times
@anattcherikover49366 жыл бұрын
Only one thing was better 50 years ago. I was 50 years younger. Other than that, the present is far superior.
@GoldinDr6 жыл бұрын
Yes, this is what I love about KZbin.
@kaysonpiano5 жыл бұрын
@bill Bloggs lol i was thinking the same thing.. but enough of the elites corruption lets just enjoy the beautiful music
@hamzajas15325 жыл бұрын
@bill Bloggs what do you think who started that all? Surelly it wasn't someone born in 2001. It was that careless generation 50-100 years ago that accelerated every Decadence of Society with their world wars, globalism and uninterrupted capitalist monopoly
@gloriablanco19125 ай бұрын
Maravillosa música es mi alegría de mis días,...! Felicitaciones....!!!! X mantener a diario estos clasico...
@mariaalfaro587011 ай бұрын
the most beautiful mozart piano concertos
@АлександрИзмайлов-р6с7 жыл бұрын
Майже чотири години чудових фортепіанних концертів неперевершеного Моцарта, та ще й без реклами! Найщиріша подяка!
@claradereland73266 жыл бұрын
Александр Измайлов c vbvbaareimboembggy
@shin-i-chikozima3 жыл бұрын
Mozart's music invites me into the comfortable and fascinating world Mozart's works are the cradle of my nostalgic memories While listening to Mozart's piano works, it is special to see the shining famous autumn Moon over the bamboo grove In Kyoto's Sagano , Japan The autumn is around the corner
@luisdiazlopez37123 жыл бұрын
Los movimientos lentos de los conciertos para piano de Mozart nos muestran su faceta emotiva. Es la emoción que suscitan aquello que los hace tan queribles, en tanto que en los allegri y movimientos más rápidos está el Mozart genial, capaz de improvisar el movimiento en el mismo momento en que el concierto recibía su primera ejecución. Las grandes pianistas como Lily Krauss, Clara Haskill y Mitzuko Ushida nos entregan, con delicada sensibilidad femenina la emotividad de los movimientos lentos. La gran música, la de Mozart, la de Bach, la de Beethoven, la de Schubert, la de Brahms, la de Bruckner y la de muchos otros me han hecho llevaderos los confinamientos impuestos por la pandemia COVID19. Gracias a KZbin es posible, hoy, disponer de casi toda la gran música que se ha grabado. En 1960, en Chile, cuando los equipos de reproducción no estaban al alcance de la gente de ingresos bajos hubo un hombre que hizo a mi país uno de los regalos culturales más grandes que hemos recibido, creó la radio emisora Andrés Bello dedicada exclusivamente a la gran música. Ninguna calle de Santiago de Chile lleva su nombre civil, James Morrison, o su nombre de comunicador social, Jimmy Brown. Sí hay calles con nombres de futbolistas.
@zmi0602005 жыл бұрын
I love Herr Mozart so much! He's the number 01 between the classical composers I love more (and more). Greetings from Sao Paulo, Brazil, dear Mozart fans.
@mathieuguillet40365 жыл бұрын
Mozart and Bach truly stand apart from the other great composers in their genius. The divine beauty which they left us for all time is astounding.
@laurahelenaxou18344 жыл бұрын
Vc precisa escutar a Alma Deutscher 😊
@alexberlin1545 жыл бұрын
This group of Mozarts Piano Concertos (20+) is the best music that has been vorever written.
@shnimmuc5 жыл бұрын
Nonsense.
@cristobocarrin17465 жыл бұрын
@@shnimmuc Absolutely! Just listen to Kanye West, now THAT's music
@shnimmuc5 жыл бұрын
@@cristobocarrin1746 Silly
@parenparsekhian3524 жыл бұрын
This was uploaded on Mozart's birthday (January 27). Nice touch :)
@christinayfong22944 жыл бұрын
Always such a great pleasure to listen to Mozart's beautiful music. Still can't get over how young he was when he passed away. Imagine all the wonderful music he would have composed for our enjoyment if he lived to be 80 years old!
@fjames2084 жыл бұрын
True
@jcampinensediniz96003 жыл бұрын
Certainly, Chopin, Verdi, Rossini, Beethoven, Schumann, Wagner and others would not be as well known as they are today, as he was going to totally change classical music.
@hwh19467 жыл бұрын
I mean, can it get any better than this? The personality of each concerto shines through. All by Mozart and all completely unique. Thank you.
@TimAllen77 жыл бұрын
All by Mozart until you get to 10:20. Then you have more than 2 minutes of a pianist who thought she was a good enough composer to improve Mozart's concertos.
@ivopicco59227 жыл бұрын
lo dedico a mia moglie
@ivopicco59227 жыл бұрын
sublime
@urmorph7 жыл бұрын
Tim Allen: Sorry, you're way off base here. Mozart left no cadenzas for this concerto, as was often the case with those he intended for his own use. It was the custom of the time, until Beethoven's 5th concerto, to improvise, and many pianists still do, if they can (or play something they've prepared.) Ms. Kraus is playing those left to us by Beethoven, as many pianists still do. If you object, take it up with Wolfie and Louie.
@TimAllen77 жыл бұрын
I'm not off base and I have no problem with "Wolfie and Louie". I said the cadenza was not written by Mozart. (BTW, it wasn't written by Beethoven either.) I implied that Ms. Kraus's cadenza is not as good as the rest of the piece and that it was too long and pretentious. If I'm wrong, show me a cadenza written by "Wolfie or Louie" that carries on for more than 2 minutes.
@CaroleHoldem-lh4np Жыл бұрын
Brilliant Pianist Love the Concerto Mozart is Pure Magic ⭐🎶🎶💞👏🎶
@rpkrauss16 жыл бұрын
Stunning playing by Lili Kraus.....she makes the piano sing with beauty!!
@adrianjames79685 жыл бұрын
(Wikipedia) Lili Kraus was born in Budapest in 1903. Her father was from Czech Lands, and her mother from an assimilated Jewish Hungarian family. She enrolled at the Franz Liszt Academy of Music, and at the age of 17 entered the Budapest Conservatory where she studied with Zoltán Kodály, and Béla Bartók. In the 1930s, she continued her studies with Severin Eisenberger, Eduard Steuermann in Vienna and Artur Schnabel in Berlin, who focused her interest in the classical tradition. Lili Kraus soon became known as a specialist in Mozart and Beethoven. Her early chamber music performances and recording with violinist Szymon Goldberg helped gain the critical acclaim that launched her international career. In the 1930s, she toured Europe, Japan, Australia and South Africa. In 1940, Kraus embarked on a tour of Asia where, while in Java, she and her family were captured and interned in a concentration camp by the Japanese from June 1943 until August 1945. After the war, she settled in New Zealand where she spent many happy years playing, performing, and teaching. She became a NZ citizen and resumed her career, teaching and touring extensively. In the early 1950s she performed the entire Beethoven sonata cycle with violinist Henri Temianka. From 1967 to 1983, she taught as artist-in-residence at Texas Christian University in Fort Worth. After that she made her home in Asheville, North Carolina, where she died in 1986. Kraus' husband was Otto Mandl (b. 1889 d. 1956), a wealthy Jewish (later converted to Catholicism) mining engineer and philosopher. They were married on October 31, 1930 and Mandl sold his business in order to devote himself to the furtherance of Kraus' career.[1]. The couple had two children, Ruth and Michael.
@alvarito455 жыл бұрын
Love from the deepest of my heart 23 and 25. Thanks a million to Sony Music.
@sandplus50485 жыл бұрын
Lili Kraus’ old Steinway is unbelievably beautiful. I have never heard the sound emanating from a piano that sounded this grand. It must be a class “A”. Sound quality is grand, clear, both loud or quiet passages are as they say, ‘music’. Of course, without Mm Kraus would come to none. The re-digitized sound quality is superb.
@wolfgangamadeusmozart47284 жыл бұрын
There’s a mistake at the beginning, piano isn’t my favourite instrument haha
@josephfleetwood38824 жыл бұрын
@@hans-jorgrechtsteiner1070 It's probably a Steinway since Lili Kraus was a Steinway artist, although I've no idea of the year of the piano she was using.
@kencoda83804 жыл бұрын
This is by no means Bösendorfer sound, but Steinway... Why did you think so?
@eduardodonat91433 жыл бұрын
Quizás sea un Witemburg!
@marksmale8273 жыл бұрын
What a shame this great artist didn't get to record much with regular world-class orchestras, instead of these ad hoc 'festival' orchestras cobbled together for recording occasions. As for pianos, I'm not sure it's a Steinway. If it is, it will be the 9' Model D, not the 6' Model A. I listened recently to her Schubert D. 960. An ethereal spiritual quality that makes so many other recordings - even by eminent pianists - seem ordinary, pedestrian. Aals, a glaring slip in the very last line of the 40 odd pages which should have been corrected.
@beatamarko44632 жыл бұрын
this is the best recording of Mozart's piano concertos. I think I've been listening to all three records a milion time. 🧡🧡🧡
@akirakanda79722 жыл бұрын
Yes, the essence of the entire life of the grandest composer is here performed by one of the grandest Mozart interpreter. It is divine.
@yveswarhem92812 жыл бұрын
sur mon lit d'hôpital, j'écoute Wolfgang Amadeus et la vie est plus belle: tant de légèreté et de finesse, tant de fantaisie et de joie rendent la journée moins longue...pur plaisir
@SilviaRamirez-rd6qn3 жыл бұрын
W.A..MOZART Y SU MARAVILLOSA INTÉRPRETE LILI KRAUS, DIVINOS !!! INMORTALES 💖💖💖💖💖
@virginiabuhn97194 жыл бұрын
Glorious music! Superb artist! Dear Lili Kraus, always gracious and beautiful whether performing her beloved Mozart, conducting a masterclass or sharing conversation over lunch. She spread joy wherever she went...and now it continues on KZbin. Thank you, Classical Music! We are much indebted to you!
@Gorilla_Jones3 жыл бұрын
Mozart's music changed my life and enriched my existence. Gracias Maestro.
@hachimansama-m2o3 ай бұрын
Lily's piano playing doesn't just follow the music score, but there is a sense of tension in every note she plays, and Lily's soul resides in it. It touches the heart. It is overflowing with Lily's will and feelings. This is why it attracts viewers. リリーさんのピアノは譜面をなぞっているのではなく、弾く譜面の一音一音に 張りつめた緊張感があり、リリーさんの魂が宿っている。心に響く。 リリーさんの意思、思いが漲っている。視聴者を惹きつける所以だ。」
@gberchier4 жыл бұрын
Magnifique, très belle interprétation. Écouter cette musique, me remplit de paix et de sérénité. Dans ce monde de folie, un moyen de retrouver un équilibre émotionnel. Merci
@j.snefrou93563 жыл бұрын
Savez qui a écrit les cadences de ces concertos que je trouve originales? Merci
It took me a long while, but I finally figured out mozart. No matter how hard you study, as Beethoven found out, you will never be him. Why? He remembered everything. It's really that simple. He had an unbelievable ear, math genius, and can remember everything he hears or touches. He could be extraterrestrial for all we know! Mozart reused his old melodies all the time because they were simply in his head and he was trying to make them better. Piano concerto #22 for example, 3rd movement is an example where only mozart could do it. Beethoven couldn't have that creativity to save his life. His memory was the main difference! You can hear it in his music. Every concerto gets better and better at something because he can always recall what he did. It's what made him tbe greatest ever.
@rendelmetos1006 жыл бұрын
Lili Kraus (3 April 1903 - 6 November 1986) was a Hungarian-born pianist. Thank You Lili!
@HR-yd5ib5 жыл бұрын
Really? I find her interpretation and cadenzas just awful.
@margaretjones6963 жыл бұрын
I can't go past mozart's compositions. A true gift from the cosmos. Lili Krause brings his music to life as no other pianist has been able to. Mozart would approve. So good to listen to when settling down for the night.
@ginevskyabe2205 жыл бұрын
No one has commented on Concerto 22; it was not familiar to me and the Andante is just stunning. Thanks.
@sergelachantee7673 жыл бұрын
ИДИОТ!!!
@beethovenlovedmozart2 жыл бұрын
This #22 is another hidden gem. Interesting story about the andante movement. His father attended the premier of this concerto and he was shocked when the audience gave mozart a standing applause after the second movement. He was like "what's going on here?". It was the first time ever there the audience asked the performer to play the second movement over again. Unheard of at the time for a minor key work.
@beethovenlovedmozart2 жыл бұрын
The second movement plays to mozarts strengths. Since its in a minor key, he could be serious without consequences. Also he was the first to really bring piano as tbe dominant instrument in a concerto. He was a top 10 pianist of all time.
@beethovenlovedmozart2 жыл бұрын
I also believe when he went to two themes in a major key twice in this movement a s returned with thunderous piano in minor, it was really different for the time
Thank you! Lili Kraus was the inspiration for me to play piano when I was a child. For me Lili Kraus is also today the reference how to play a Mozart concerto.
@ingemarbjorklund31476 жыл бұрын
Tänk om Mozart hade fått leva ytterligare 35 år, vilken enorm musikskatt hade vi inte kunnat ha möjlighet att lyssna till?! Imagine if Mozart had lived for another 35 years, what enormous music treasure could we not have been able to listen to ?! Stellen Sie sich vor, wenn Mozart noch 35 Jahre gelebt hätte, welche enorme Musiksteuer hätten wir nicht hören können?! ¡Imagínese si Mozart hubiera vivido por otros 35 años, qué enorme impuesto musical no podríamos haber escuchado?
@odilefrankum25582 жыл бұрын
Il n'y a pas de mots pour exprimer ce que je ressens ... C"EST TROP FORT !!!! TROP BEAU TROP JUSTE ...............
@tepmich6 жыл бұрын
Lily managed to convey the live musical fabric of Mozart's piano concertos !!! Tepper Michael.
@НаташаЗапернюк3 жыл бұрын
КЛАССИКА обладает удивительным свойством успокаивать человеческую душу погружая ее В УДИВИТЕЛЬНЫЙ.мир гармонии впрочем как любая другая нужно уметь ее СЛЫШАТЬ
@raniadizikiriki89357 жыл бұрын
I have this channel plying over and over again all day long.And when I come home, this divine music greets me.....Thank you....
@classicalmusicreference7 жыл бұрын
Enjoy :-)
@hachimansama-m2o3 ай бұрын
リリーさんは自分が思い描いたモーツァルトの世界を表現できる悦びを噛みしめながら、 喜び勇んで生き生きと奏でているようにみえる。 モーツァルトが晩年に経験したであろう辛い悲しみや苦しみに思いを 寄せながら、それを表現しようとしている。メリハリのある強く意欲的なタッチに それが表れている。 他の有名なピアニストの演奏を何人も聴いているが、リリーさんのように 感動することはない。リリーさんは本当に素晴らしい。 Lily seems to play with joy and vigor, savoring the joy of being able to express the world of Mozart that she imagined. She is trying to express the bitter sadness and suffering that Mozart must have experienced in his later years, while thinking about it. This is reflected in her strong, ambitious touch with strong contrasts. I have listened to many other famous pianists' performances, but I have never been as moved by them as Lily. Lily is truly wonderful.
@noragladisbustamante14854 жыл бұрын
Gracias Dios por haber inspirado tanta belleza!!!!...Gracias Mozart, orquestas, editores y todos quienes hayan participado en la materialización de este magnífico regalo!!!
@edmundoencina99582 жыл бұрын
Sublime, único al inspirar al mundo entero sensaciones maravillosas que permanecen vivas, latentes y renacen con la misma fuerza inspiradora de deleite al oído, al alma: eternamente. Incomparable, sin desmerecer a los otros grandes.
@누텔라-x9r4 жыл бұрын
Composing such masterpieces, mozart is an absolute genius
@patriciabravoriscal6264 Жыл бұрын
He started playing by his own at 4 years old.
@БебаМарковна3 жыл бұрын
СПАСИБО ВАМ ЗА ВОЗМОЖНОСТЬ БЫТЬ ВСЕ УТРО СПРЕКРАСНОЙ МУЗЫКОЙ МОЦАРТА В ИСПОЛНЕНИИ ВЕЛИКИХ МУЗЫКАНТОВ МОЕЙ МЛОДОСТИ И СОВРЕМЕННОСТИ!!!
@adrianjames79685 жыл бұрын
(Wikipedia) Lili Kraus was born in Budapest in 1903. Her father was from Czech Lands, and her mother from an assimilated Jewish Hungarian family. She enrolled at the Franz Liszt Academy of Music, and at the age of 17 entered the Budapest Conservatory where she studied with Zoltán Kodály, and Béla Bartók. In the 1930s, she continued her studies with Severin Eisenberger, Eduard Steuermann in Vienna and Artur Schnabel in Berlin, who focused her interest in the classical tradition. Lili Kraus soon became known as a specialist in Mozart and Beethoven. Her early chamber music performances and recording with violinist Szymon Goldberg helped gain the critical acclaim that launched her international career. In the 1930s, she toured Europe, Japan, Australia and South Africa. In 1940, Kraus embarked on a tour of Asia where, while in Java, she and her family were captured and interned in a concentration camp by the Japanese from June 1943 until August 1945. After the war, she settled in New Zealand where she spent many happy years playing, performing, and teaching. She became a NZ citizen and resumed her career, teaching and touring extensively. In the early 1950s she performed the entire Beethoven sonata cycle with violinist Henri Temianka. From 1967 to 1983, she taught as artist-in-residence at Texas Christian University in Fort Worth. After that she made her home in Asheville, North Carolina, where she died in 1986. Kraus' husband was Otto Mandl (b. 1889 d. 1956), a wealthy Jewish (later converted to Catholicism) mining engineer and philosopher. They were married on October 31, 1930 and Mandl sold his business in order to devote himself to the furtherance of Kraus' career.[1]. The couple had two children, Ruth and Michael.[1]
@guillermodelgado14683 жыл бұрын
Escuchar a Amadeus es un viaje al espíritu.Gloria eterna a Mozart
@patriciabravoriscal62642 жыл бұрын
Para mí es, literalmente, un viaje al CIELO. Tan maravilloso como eso.
@ОльгаСтепанова-м4д2 жыл бұрын
Божественные гармонии! Моя душа улетает в рай!
@anne-marieflandre5232 Жыл бұрын
Tellement sublime ! Gratitude infinie à ce génie de la musique ❤️